This document provides information about writing workshops, conferring with students, and using checklists to guide writing instruction and monitor student progress. It discusses the key components of writing workshops, including mini-lesssons, independent writing time with teacher conferencing, and sharing. The purpose and goals of writing conferences are outlined. Checklists for different grade levels are provided as tools to track student learning. Strategies for effective conferring, such as asking questions, giving feedback, and setting goals, are also presented.
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Port Huron Writing support 2015-16
1. WritingWorkshop
Focus: Conferring / Notebooking
Jennifer Evans
Assistant Director ELA
St. ClairCounty RESA
Evans.Jennifer@sccresa.org
http://www.protopage.com/evans.jennifer
4. * Every student should have their own
notebook.
(K-1 might use a folder
system or a series of mini-
books)
* Students should write in their
notebooks every day.
Start with Notebooking
5. "A writer's notebook works just like an
incubator; a protective place to keep
your infant idea safe and warm, a place
for it to grow while it is too young, too
new, to survive on its own."
Ralph Fletcher
6. Teacher Notebooks
Teacher needs to have their
own writer’s notebook and
commit to using it!
Share your drafts and notebook
entries with students to make
your thinking transparent.
7. Method of Instruction
Demonstration:
model and
narrate the step-
by-step process a
writer undertakes
to do the work
Explanation and
example: explain
what you hope to
accomplish, and
then show
examples
Guided Practice:
walk the students
through the
process of using a
strategy, using
clear, efficient
prompts to coach
them along
Inquiry: using a
strong student
example, pose an
inquiry question to
your students to
look closely at the
writing to try to
figure out how the
student did this
8. Connect
When instructing with your
notebook, show students how you
use checklists to monitor your
learning:
• Check a writing on demand
sample or example from your
notebook for evidence of
components from checklist
• Site evidence
• Hold yourself accountable
• Honestly identify current status
• Clarify steps to mastery
• Determine next steps to mastery
Notebook Demonstrations for
scaffold support
• Are done during whole class mini-
lessons
• Are done during individual
conferences
• Are done with partners
• Are done in small groups
9. Why Confer?
Conferring works. With some planning, record-keeping, and organization, we can make
sure this crucial teaching construct remains in its rightful place at the heart of reading
and writing workshops.
In study after study, students all feel that the conferences were the most valuable form
of instruction to improve their learning.
As Lucy Calkins delivered the keynote address at theTeachers College Reading and
Writing Project Institute at Columbia University, she shared that she was reminded of
the importance of holding on to our truths, our values, in our instruction. Even as
initiatives change and expectations rise around us, we must hold fast to what we know
works best for students. Conferring works!
10. Goals of aWriting Conference
When you confer with a
student, it isn’t your job to fix
or edit the student’s writing.
Rather, it’s to teach the
student one strategy or
technique he can use in a
current piece of writing and
continue to use in future
writing.
11. Independent Practice with Conferring
30-40 Minutes
When choosing your teaching point think: “Of all the options I
have, what can I teach that will make the biggest difference
for this writer?”
Students work independently while
the teacher meets with small
groups or individual students.
•Conferring Talking Cards – What are you
working on as a writer?
12. Getting to KnowYourWriters
Beginning conferences can seem like conversations where we get to
know our students’ writing habits and behaviors and begin to create
profiles of our students to help us plan instruction:
During these conversations we ask:
• Why did you choose to write this story?
• Do you like to write?
• Do you share what you write with anyone at home?
• Why do you write?
• When do you like to write?
• Where is your favorite place to write?
• Tell me about one of your favorite stories you have written. Why is it your favorite?
• Is there a type of story that you do not like to write?
• Do you have a favorite author you like to learn from?
• What do you like best about writing?
• What is something that is hard for you when you are writing?
13. Reading Conferring Guidelines
• First, determine what stage of the
writing progression the student is
at.
• Next, identify what characteristics
of the stage the student is doing
well and using but confusing.
• Be sure the student is focused on a
specific area of need by asking an
open-ended question such as,
“What are you working on as a
writer?” Writer shares his
application of current thinking
strategies he is using.
• Cultivate Rigor: teach the thinker
and thinking
Beginning
of
Conference
14. • Become an expert at asking
follow-up questions based on
your observations and what the
student tells you.
• Have the student read and
discuss a brief passage with
you. Discuss something that
you both noticed during the
conference.
• Nurture Inquiry: use
meaningful, documentable
data.
• Focus on the learning
progression to help the student
grow as a writer.
• Give appropriate feedback.
Middle of
Conference
15. “The most powerful single influence enhancing
achievement is feedback”
Quality
feedback is
needed, not
more
feedback.
Much of the
feedback
provided by
the teacher
to the
student is
not valued
and not
acted on.
Students with
a Growth
Mindset
welcome
feedback and
are more likely
to use it to
improve their
performance.
Oral
feedback is
much more
effective
than written.
Feedback on
task, process
and self
regulation
level is far
more
effective
than on the
Self-level
(e.g. praise
which
contains no
learning
information)
16. What Must Feedback Include?
1. Recognition of
the desired goal.
2. Evidence about
present position.
3. Some
understanding of a
way to close the
gap between the
two.
17. Feedback must meet its purpose
A class was working on paragraphs, and the teacher
assigned her class to write a paragraph to answer the
question “Do you think dogs or cats make better pets?”
The teacher gave written
feedback – good;
However, the feedback was all
about the convention errors the
student had made – not the
focus of the assignment which
was a complete paragraph with
a clear topic, at least 3
supporting sentences, and a
clear conclusion.
This feedback approach does
not match the criteria for the
learning target, and since the
only feedback the student
received was about mechanics,
the message is to fix those
errors. Recopying by route may
result in a mechanically free
paragraph with no learning
involved and still without a clear
topic sentence.
18. You know your feedback is good if you get the
following results:
• Your students do learn – their work improves.
• Your students become more motivated – they believe they can learn, they want to
learn, an they take more control over their own learning.
• Your classroom becomes a place where feedback, including constructive, is valued
and viewed as productive.
• Students need to understand that it isn’t the teacher’s job or their classmates’ job
to make them a better writer. It is their job. You are in charge.
• It starts with you saying to yourself, “This matters to me, and I have to get better
at it.”Then assess yourself and plan your next steps with the help of the checklists.
• Use the checklist as a tool for self-assessment and goal-setting.
19. • Your success in helping a student grow as a
writer in a conference depends on your skill
as a teacher. The checklists reflect your
instruction as much as student growth.
• Start by naming and defining the specific
craft, skill or technique that you together
have determined is a need. Explain why it’s
important for the student to learn.To help
the student understand the skill or
technique, you might show an example.
• Most importantly, explain how the student
can use the skill or technique in his own
writing.
• Commit to the idea all children can think at
high levels.
Teaching
Point /
Goal
Setting
20. • Try it – be sure to have the
student try it and explain
their thinking before you end
the conference.
• Link it – help the student to
connect how they will
continue to use this skill or
technique to help them
improve their writing and
accomplish their goal.
• Next steps – be sure to have
the student explain what
their next steps in working
with this skill or technique
will be.
End of
Conference
21. How Often Should I Confer?
• Everyday, everyday, everyday for both reading and writing
• Each conference will take about 3-10 minutes
• Try to get to every student at least once a week; strugglers will need more
time
26. Principals of Conferences that Move Students along a
Trajectory in a Learning Progression
1. Begin by looking back at old conference notes, checking to see what was taught
previously and how the student is advancing toward those prior goals.
2. Research your student’s work, asking questions such as “What are you working on
as a writer?”
3. Don’t limit your research to one area - gather information about what the student
is doing as a writer in many areas of the progression.
4. Use appropriate feedback, complimenting the student in a way that will allow her
to do more work, naming it clearly, and showing the student an example.
5. Differentiate by using the appropriate checklist below, at, or above grade level to
meet the need of the student.
6. Incorporate the use of checklists into what you already know about good
conferring.
7. Help students see checklists as a source of goals writers can use to grow in
substantial ways instead of a “checklist mentality.”
8. Guide students to understand the reasons behind each aspect of the checklist, for
example, why a writer would add dialogue.
27.
28. How Can I Help My PartnerWith Goals?
Ask Questions • “What are you working on?”
• “Can you show me where you
tried that?”
• “How can I help you?”
Be a Cheerleader • “I love the way you…”
(Be specific and show your partner the
parts you admire.)
Give Feedback • “ Maybe you could try…”
• “ If you want I could help you
with…”
• “ I’m not sure this part is working…”
Structure similar to 90-minute reading block – whole group, small group, independent work
To wrap up, I recently had the good fortune of listening to Lucy Calkins deliver a keynote address
at a Teachers College Reading and Writing Project Writing Institute at Columbia University.
Black Box article: p. 142-143
From How to Give Effective Feedback to Your Students by Susan M. Brookhart
handout
Lucy Calkins writing conference with a primary student (approx. 6 min.) https://vimeo.com/30092813
Joshua (Mark Overmeyer) 5 min.
Primary Conference: 5 year old student (Tousif) (From pp 74-76 Writing Pathways)
Previous conference was a week ago – story about going to Niagara Falls. (which ended “Then the movie was all 3-dimensional the end.” The focus of this conference was using the checklists and making sure before you check “yes” there was lots and lots of clear evidence for each one. Even though he was in K, the teacher was using the 1st grade checklist. He said he did all of the things on the checklist.
Looking for his evidence, we read the 1st grade descriptor of the expected elaboration: “I put the picture from my mind onto the page. I had details in pictures and words,” then Tousif had agreed that his underdeveloped, scanty storyline didn’t actually capture the pictures in his mind and that he hadn’t yet put details onto the page. So, I’d given him paper with many more lines, suggested he plan to write a lot more on each page, especially at the most important part of his story.
We also talked about, as the checklist suggested, he needed to “find a way to end his story.”
Now I was interested to see what he had done in the past week with that guidance from our conference.
He was now spending two days to write each story, instead of the previous pace of writing a story a day. His new piece was far more developed, with twice the amount of text and details on each page.
His new story was about driving to Toys ‘R Us (“We were riding the car for 1 hour, I was exhausted,”) parking the car, dismounting from the car, and roaming the aisles. The last two pages are figure 7-3
So, can you tell me about the work you’ve been doing to get better as a writer? He shared how much more writing and details he was adding to this story and his previous one.
The emphasis of the compliment was aimed at helping him see how that not only had he been writing a lot more and was able to show me how many more lines and details he added, but that he also took an even bigger step forward because he had written well. His work showed many examples from the 1st grade checklist , so it was time for him to begin working toward a higher level.
9. Pulling out the 2nd grade checklist to point out the item says “I chose strong words that would help readers picture my story.”
10. I told him that what I loved best about his story was that it showed he had thought not just about what he would say, not just about what happened, but also about how he could put words onto the page that would help readers picture his story. We located several examples:
“I got glazed at the orange bat.”
“I swong the bat so hard like I was hitting homerun.”
“Whoosh, I could feel the wind on my face.”
He said he was able to write those places because he pictured them.
I pointed out that now that he knew how to picture it and write about it, he needed to hold himself accountable to doing it, and the 2nd grade checklist would help him. I pointed out that there were pages and pages in his book that contained none of that special language and none of that effort to help the reader picture what happened. He decided that his goal was to write something special on every page, and he could use the process that had worked for him of picturing what he was writing about.
I gave him post-its to add to pages that he wanted to add some of his special writing.
Notice the conference was not approached with the checklist in hand and the goal of checking off what he had and had not done. Instead, I started by asking what he was working on as a writer, looking at the evidence of his progress, complimented him instructively on his strengths and how he accomplished his goals and then decided on a teaching point of that came from both his writing and the checklist.
Designate a portion of their notebook as “Goals, Plans, and Reflections.”