History of Architecture 2 Report by: Group 2 (Leader: Lorie Lizardo) DLS-College of St. Benilde School of Architecture 2nd Term S.Y. 2015-16 February 2016

1. High Renaissance
Silayan Ranada
Makee Tulaylay
Lorie Lizardo
Gazelle Mejia
James Chua
James Edralin
Josh Mercader
Graciella Miranda

2. Objectives
• To know how high renaissance architecture started
• To know the different samples of high renaissance style
• To be able know the famous/important architects during those time
• To know the style used in High Renaissance

3. History
• Began in the 1940’s
• It is a culmination of the artistic development of the early renaissance, and
one of the great explosions of the creative genius in history. It is notable
for three of the greatest artists in history: Michelangelo, Raphael Sanzio
and Leonardo da Vinci

4. Michelangelo Buonarroti
• An Italian sculptor, painter, architect, poet and
engineer
• Exerted an unparalleled influence on the
development of western art.
• Considered to be the greatest living artist during
his lifetime and one of the greatest artist of all
time.

5. Leonardo da Vinci
• Father of paleontology, ichnology and
architecture.
• One of the greatest painters

6. Raphael Sanzio
• Italian painter and architect of the high
renaissance
• His work is admired for its clarity of form ease
of compassion and visual achievement of
Neoplatonic ideal of human grandeur.

7. • After Bramante's death in 1514, Raphael
was named architect of the new St Peter's.
• One of his important works - Palazzo
Branconio Dell'Aquila
Raphael Sanzio

8. Illusionism
• Artist in the high renaissance
mastered the fundamentals
techniques of visual illusionism

9. Fun Fact
The high renaissance was viewed as the great
explosion of creative genius.

10. Mannerism
• Mannerism, in Italian Manierismo, (from
maniera, “manner,” or “style”), artistic style
that predominated in Italy from the end of the
High Renaissance in the 1520s to the
beginnings of the Baroque style around 1590.

11. Mannerism
Antonio Allegri da CorreggioAndrea del Sarto

12. Where did it all start?
• Started in the Italian states,
principally Rome, Capital of the Papal
states, under Pope Julius II

13. Fun Fact
• It is actually a mixture of Greek architecture and Roman architecture

14. MURALS
The use of color, design, and thematic treatment can radically alter the sensation of spatial
proportions of the building.
*MURAL TECHNIQUES
-Encaustic Painting
Is in which pigments are mixed with hot, liquid wax. After all of the colors have been applied to
the painting surface, a heating element is passed over them until the individual brush or spatula
marks fuse into a uniform film.
-Tempera Painting
Dry pigments are made usable by “tempering” them with a binding and adhesive vehicle. Such
painting was distinguished from fresco painting, the colors for which contained no binder.

15. -Fresco Painting
Fresco method of painting water-based pigments on freshly applied plaster, usually on wall surfaces.
The colors, which are made by grinding dry-powder pigments in pure water, dry and set with the
plaster to become a permanent part of the wall. Fresco painting is ideal for making murals because it
lends itself to a monumental style, is durable, and has a matte surface.
-Oil Painting on Canvas
Painting in oil colors, a medium consisting of pigments suspended in drying oils.

16. ENCAUSTIC
TEMPERA
FRESCO
OIL PAINTING ON
CANVAS

17. SCULPTURES
Sculpture is the branch of the visual arts that operates in three dimensions. It is one of
the plastic arts. Durable sculptural processes originally used carving (the removal of
material) and modelling (the addition of material, as clay), in stone, metal, ceramics,
wood and other materials.
Sculpture during the late-15th and early-16th-century gradually assumed a greater
individual importance in relation to architecture and painting. Thus architecture
actually became more sculpture-like: pilasters were replaced by columns; cornices and
moldings were endowed with greater projection, allowing for new patterns of light and
shade.

18. Statue of David
( Michelangelo )
Horse and Rider
( Leonardo Da Vinci )
Holy Family
( Bramante )

19. Culture
• the ideals of classical humanism were fully implemented in both painting and
sculpture
• The key High Renaissance art in Rome included the mastery of oil painting
and sfumato, sculpting, fresco painting, an architecture.
• The High Renaissance unfolded against a back-drop of mounting religious and
political tension
• To create spiritual figures, your image can't look very real, and if you want your
image to appear real, then you sacrifice some spirituality

20. CHRISTIANITY is the
religion of people
during the High
Renaissance.
Religion

21. Floor plans
•Square,
symmetrical
appearance in
which
proportions

22. Palazzo Farnese
• One of the most
important high
Renaissance in
Rome.

23. Architecture

24. The rusticated stone was a popular design
that created variation between stories
wherein the first floor was roughly
entailed while the second floor was
smooth.
The Palazzo from the outside had heavy cornices
and rusticated stone walls but the inside lay out
that made the Palazzo grand was its highly
decorated and ornamented courtyard at the
center.

25. The Tuscan order was used
because its symbolized the
strong male gods therefore
making the structure look
more powerful.

26. The Tempietto was the
masterpiece of the High
Renaissance period because of
its harmonious construction of
the great ancient roman
architecture.

27. The central plan design was famous
by Bramante's floor plan. Classical
simplicity of the Pantheon is found
apparent in Bramante's designs
because he studied Roman temples
first hand.

28. High renaissance churches are decorated
by the most famous artists of the 16th-
17th century like Raphael and
Michelangelo.

29. The rise of the Palazzo was made during the
High Renaissance period. Palazzo's were
generally foreboding with its unadorned
façade.
The sheer simplicity of the walls and
rows of windows emphasized the
window variations and pediments. It also
emphasizes the walls texture during that
time called "Rustification".

30. Styles of High Renaissance Architecture
Giant Order-
columns that extended up two floors of a building.
Introduced by Michelangelo (1396-1472) for
freedom of convention through exaggerated forms
and the use of the oval.

31. Palazzo Dei Conservatori

32. San Giorgio Maggiore

33. Reaction to High Renaissance perfection,
encouraging the mixture of idealized and
intentionally imbalanced compositions.
Mannerism

34. Last Judgment of
Christ - Michelangelo

35. La batalla de Cascina - Sangallo

36. Donato Bramante
• Introduced renaissance in Milan and high renaissance in
Rome
• The choir, which had to be truncated a depth of only
90 cm (3.0 ft) due to the presence of a main road, was
replaced by Bramante with a painted perspective,
realizing in this way one of first examples of trompe
l'oeil in history of art.

37. Santa Maria presso San Satiro
• The church is known for its
false apse, an early example
oftrompe l'œil, attributed to Donato
Bramante.
• the optical illusion that the depicted
objects exist in three dimensions.
• Lombard period
• Urbino and Milan

38. The Tempietto
• The so-called Tempietto (Italian: "small temple") is a small
commemorative tomb (martyrium) built by Donato Bramante, possibly as
early as 1502, in the courtyard of San Pietro in Montorio.
• Considered a masterpiece in high renaissance
• Tuscan order and peristyle (columns surround the perimeter)
• The building greatly reflected Brunelleschi's style.
• one of the most harmonious buildings of the Renaissance
• They believed st peter was cusified here

39. St Peter Basilica
• Planned St peter basilica
• his greatest work and one of the most ambitious building
projects up to that date in the history of humankind.
• . Bramante’s part in its demolition earned him the
nicknames of “Maestro Ruinante” or “Maestro
Guastante”—“Master Wrecker” or “Master Breaker.”
• Bramante's vision for St Peter's, a centralized Greek cross
plan that symbolized sublime perfection for him and his
generation

40. Giuliano da Sangallo
• for fortification walls round the Castel
Sant'Angelo, and also to build a palace adjoining
the church of San Pietro in Vincoli, of which Julius
had been titular cardinal
• For about eighteen months in 1514–1515
Giuliano acted as joint-architect to St. Peter's
together with Raphael, but owing to age and ill-
health he resigned this office about two years
before his death

41. Giovanni Giocondo
• Giocondo was invited to France by Louis XII, and
made royal adviser.
• Build the Pont Notre-Dame in Paris, and
designed the Palace of the Chambre des
Comptes and the Chateau of Gaillon.

42. Raphael
• was for a time the chief architect for St.
Peter’s, working in conjuncti
• His single most influential work is the
Palazzo Pandolfini in Florenceon with
Antonio Sangallo.

43. Baldassare Peruzzi
• He worked for many years
with Bramante, Raphael, and
later Sangallo during the
erection of the new St. Peter's

44. Antonio da Sangallo (The younger)
• became a pupil of Bramante
• The church of Santa Maria di Loreto near
the Trajan's Market in Rome, considered
Sangallo's masterwork.
• submitted a plan for St Peter’s and
became the chief architect after the death
of Raphael, to be succeeded himself by
Michelangelo.

45. Antonio da Sangallo the Elder
• best known for the major work of his life -
the pilgrimage church of the Madonna di
San Biago at Montepulciano
• influenced by Bramante, created his
church of San Biagio at Montepulciano
(1518–29) on a Greek cross plan.

46. St. Peter's Basilica
• Designed principally by Donato Bramante, Michelangelo, Carlo
Maderno and Gian Lorenzo Bernini
• St. Peter's is the most renowned work of Renaissance architecture[2] and
one of the largest churches in the world

47. The Process

48. • Bramante’s Dome

49. • Sangallo’s design

50. Questions
Who were the 3 greatest artist in history?
Michelangelo, Raphael Sanzio and Leonardo da Vinci

51. Questions
Who introduced high renaissance to Rome?
Bramante

52. Questions
What is the floor plans of High Renaissance like?

53. Questions
High renaissance is a mixture of _____ and ______ architecture?
Greek and Roman Architecture

54. Questions
What does Tempietto mean?
Small temple

55. More Info!
• http://www.slideshare.net/syedalaydroes/renaissance-
42441359?next_slideshow=1

56. sources
• https://en.wikipedia.org/wiki/San_Pietro_in_Montorio#The_Tempietto
• https://en.wikipedia.org/wiki/Giovanni_Giocondo#Architectural_works
• https://en.wikipedia.org/wiki/Giuliano_da_Sangallo
• https://en.wikipedia.org/wiki/Raphael#Architecture
• https://en.wikipedia.org/wiki/Baldassare_Peruzzi
• https://en.wikipedia.org/wiki/Antonio_da_Sangallo_the_Younger
• http://www.britannica.com/biography/Antonio-da-Sangallo-the-Elder
• http://www.britannica.com/biography/Leonardo-da-Vinci