This document provides an overview of Baroque and Rococo architecture and art from the late 16th to 18th centuries in Europe. Some key points covered include: the period saw religious/political conflicts, colonization, and scientific advances; Baroque used dramatic lighting/color, asymmetry, and illusionism; major architects included Maderno, Longhena, Le Vau, and Wren; geography included developments in Rome, France, Venice, and England; and Rococo featured luxurious interiors with exotic Chinese influences.
The document discusses the artistic style known as Manierism that originated in Italy in the 1520s. It was a period where classical proportions, harmony, serenity and balance were lost. Manierist architecture developed between 1530-1610 as the transition between Renaissance and Baroque styles. Historians see Manierism as the last phase of the Renaissance, preceded by Florentine Humanism and Roman Classicism. Architectural elements like domes, half-point arches, Ionic porticos and columns were used decoratively rather than structurally. Prominent Manierist architects mentioned include Palladio, Giulio Romano, and Vasari. Examples of emblematic Manierist works discussed are
Baroque and Rococo architecture originated in the late 16th century in Italy and spread across Europe. It was encouraged by the Catholic Church as a response to the Protestant Reformation. Key features included dramatic use of light and color, complex shapes, and blending of painting and architecture. Significant architects included Bernini, Borromini, and Maderno in Italy. Their works, such as St. Peter's Basilica and Sant'Andrea al Quirinale church, featured bold domes, colonnades, and elaborate ornamentation. Rococo architecture was a late Baroque style using more simplified forms and illusionistic painting. The lecture provided details on the origins and characteristics of Baroque and Rococo architecture.
The document summarizes various architectural styles from Romanesque to American skyscrapers. It describes key features and influential architects of each style including Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, and American styles. Major architects mentioned include Brunelleschi, Bernini, Michelangelo, Palladio, Soufflot, Schinkel, and Jenney. Famous buildings highlighted include St. Peter's Basilica, the Pantheon, and the United States Capitol Building.
The Renaissance was a period between the 14th and 17th centuries where art and intellectual thought was revived based on classical sources. It began in Italy and spread throughout Europe, flourishing in many areas including art, architecture, literature, philosophy and science. Renaissance art moved towards more realistic representations using techniques like linear perspective and studying anatomy. Architecture revived classical forms and orders like Tuscan, Doric and used domes prominently. Key characteristics of Renaissance architecture included symmetrical plans and facades, arched openings, and precision in classical details.
Renaissance Architecture
Characteristics of Renaissance architecture
Example - Cathedral Of St. Peter, Rome
Baroque Style of Architecture
Detail study of Piazza Of St. Peter, Rome.
Rococo Style of Architecture
EH202-HISTORY OF ARCHITECTURE III
The document provides an overview of the history of architecture from the Early Renaissance period through the Neo-Classical phase. It discusses key periods including the Early Renaissance where designers were intent on accurately transcribing Roman elements. The High Renaissance saw Renaissance as an individual style. The Baroque period saw architecture, painting, and sculpture used in harmony. The Neo-Classical phase saw renewed inspiration from Greek and Roman architecture from 1750-1830. The document also summarizes works and contributions of influential Renaissance architects such as Brunelleschi, Alberti, Bramante, Palladio, and others.
This document provides an overview of Baroque and Rococo architecture and art from the late 16th to 18th centuries in Europe. Some key points covered include: the period saw religious/political conflicts, colonization, and scientific advances; Baroque used dramatic lighting/color, asymmetry, and illusionism; major architects included Maderno, Longhena, Le Vau, and Wren; geography included developments in Rome, France, Venice, and England; and Rococo featured luxurious interiors with exotic Chinese influences.
The document discusses the artistic style known as Manierism that originated in Italy in the 1520s. It was a period where classical proportions, harmony, serenity and balance were lost. Manierist architecture developed between 1530-1610 as the transition between Renaissance and Baroque styles. Historians see Manierism as the last phase of the Renaissance, preceded by Florentine Humanism and Roman Classicism. Architectural elements like domes, half-point arches, Ionic porticos and columns were used decoratively rather than structurally. Prominent Manierist architects mentioned include Palladio, Giulio Romano, and Vasari. Examples of emblematic Manierist works discussed are
Baroque and Rococo architecture originated in the late 16th century in Italy and spread across Europe. It was encouraged by the Catholic Church as a response to the Protestant Reformation. Key features included dramatic use of light and color, complex shapes, and blending of painting and architecture. Significant architects included Bernini, Borromini, and Maderno in Italy. Their works, such as St. Peter's Basilica and Sant'Andrea al Quirinale church, featured bold domes, colonnades, and elaborate ornamentation. Rococo architecture was a late Baroque style using more simplified forms and illusionistic painting. The lecture provided details on the origins and characteristics of Baroque and Rococo architecture.
The document summarizes various architectural styles from Romanesque to American skyscrapers. It describes key features and influential architects of each style including Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, and American styles. Major architects mentioned include Brunelleschi, Bernini, Michelangelo, Palladio, Soufflot, Schinkel, and Jenney. Famous buildings highlighted include St. Peter's Basilica, the Pantheon, and the United States Capitol Building.
The Renaissance was a period between the 14th and 17th centuries where art and intellectual thought was revived based on classical sources. It began in Italy and spread throughout Europe, flourishing in many areas including art, architecture, literature, philosophy and science. Renaissance art moved towards more realistic representations using techniques like linear perspective and studying anatomy. Architecture revived classical forms and orders like Tuscan, Doric and used domes prominently. Key characteristics of Renaissance architecture included symmetrical plans and facades, arched openings, and precision in classical details.
Renaissance Architecture
Characteristics of Renaissance architecture
Example - Cathedral Of St. Peter, Rome
Baroque Style of Architecture
Detail study of Piazza Of St. Peter, Rome.
Rococo Style of Architecture
EH202-HISTORY OF ARCHITECTURE III
The document provides an overview of the history of architecture from the Early Renaissance period through the Neo-Classical phase. It discusses key periods including the Early Renaissance where designers were intent on accurately transcribing Roman elements. The High Renaissance saw Renaissance as an individual style. The Baroque period saw architecture, painting, and sculpture used in harmony. The Neo-Classical phase saw renewed inspiration from Greek and Roman architecture from 1750-1830. The document also summarizes works and contributions of influential Renaissance architects such as Brunelleschi, Alberti, Bramante, Palladio, and others.
The document summarizes the emergence of Renaissance architecture from its Romanesque and Gothic predecessors. It describes the key characteristics of Romanesque and Gothic architecture from the 6th-16th centuries. Renaissance architecture is then discussed in more detail, explaining its revival of classical Greek and Roman forms and proportions. The styles of Quattrocento, High Renaissance and Mannerism are defined. Important architects and their works from the period are also listed.
case study and litreature review on baroquearchitectureAfzalSaifi3
Baroque architecture began in late 16th century Italy and used the vocabulary of Renaissance architecture in a new theatrical fashion to express the power of the Catholic Church. Key features included dramatic use of light and shadow, large frescoes and sculptures, and illusory effects blending painting and architecture. Some examples given are the Church of San Carlo alle Quattro Fontane in Rome designed by Borromini, St. Peter's Square in Vatican with its colonnades and fountains built by Bernini, and the Palace of Versailles commissioned by Louis XIV as the finest example of secular Baroque architecture.
Baroque architecture began in late 16th century Italy and used the vocabulary of Renaissance architecture in a new theatrical fashion to express the power of the Catholic Church. Key features included dramatic use of light and shadow, large frescoes and sculptures, and illusory effects blending painting and architecture. Some examples given are the Church of San Carlo alle Quattro Fontane in Rome designed by Borromini, St. Peter's Square in Vatican with its colonnades and fountains built by Bernini, and the Palace of Versailles commissioned by Louis XIV as the finest example of secular Baroque architecture.
The document provides an overview of the history of architecture in Spain and Portugal from 1492 to 1830 AD. It describes four main periods:
1) The Early Period (1492-1556 AD) was characterized by the Plateresque style in Spain, which grafted Renaissance details onto Gothic forms and was influenced by Moorish art. In Portugal, the Manueline style developed during this time.
2) The Classical Period (1556-1690 AD) saw a closer adherence to Italian Renaissance styles.
3) The Baroque Period (1650-1750 AD) featured the extravagant Churrigueresque style in Spain, characterized by disregard for classical rules.
4) The Ant
The Renaissance architecture style originated in 15th century Italy and was inspired by ancient Greek and Roman architecture. It emphasized symmetry, proportion, geometry and classical orders. Early architects like Brunelleschi and Alberti helped establish Renaissance styles which emphasized order and classical details. During the High Renaissance, architects like Bramante and Raphael further developed classical concepts. Mannerism introduced more imaginative rhythms as the Renaissance ideal of harmony gave way. The Renaissance style then spread across Europe in the 16th century as other regions gained economic and political power.
The document summarizes Romanesque and Gothic styles of medieval art in Europe between the 11th-15th centuries. Romanesque art developed in churches and monasteries to depict biblical scenes and strengthen Christianity. It used elements of Roman architecture like arched vaults. Gothic art flourished as cities and the church grew in importance. Gothic cathedrals featured pointed arches, ribbed vaults and large stained glass windows to let in more light. Both styles used sculpture and paintings on church walls and in manuscripts to convey religious messages through depictions of Bible stories and saints.
Gothic art originated in Europe between the 12th-14th centuries during a period of economic and social transformation. The term "Gothic" was used by Italian humanists to describe this style as barbaric compared to Romanesque art. Gothic art first emerged around 1140 with the choir of the Abbey of Saint-Denis in France and later spread throughout Europe, eventually reaching Italy. Key characteristics of Gothic architecture included vaulted ceilings, large stained glass windows, and ornate structures supported by flying buttresses.
This document provides an overview of Renaissance architecture between the 15th and 17th centuries in Europe. It began in Italy as a revival of ancient Greek and Roman styles, emphasizing symmetry, proportion, geometry and classical orders. Key architects included Brunelleschi, Alberti, Bramante, Michelangelo and Palladio. Their works such as St. Peter's Basilica, Villa Rotonda and St. Andrea demonstrated the Renaissance emphasis on symmetry, proportion, domes and a revival of classical elements and details. The style evolved from early Renaissance to High Renaissance to Mannerism, becoming more imaginative and experimental over time.
1) The document provides background information on the Baroque style and its origins in 17th century Rome. It then discusses key characteristics of Baroque architecture, including its origins in the Catholic Counter-Reformation, use of dramatic lighting/ornamentation, and focus on inspiring emotion.
2) It summarizes details about Angkor Wat, a temple in Cambodia considered one of the greatest constructions of the Khmer Empire. The temple was built in the early 12th century AD under the patronage of King Suryavarman II as a dedication to the Hindu god Vishnu. Construction involved immense resources and labor.
3) The document discusses theories that Angkor Wat was intended both as a funerary temple for
1) The document provides background information on the Baroque style and its origins in 17th century Rome. It then discusses key characteristics of Baroque architecture, including its origins in the Catholic Counter-Reformation, use of dramatic lighting/ornamentation, and focus on inspiring emotion.
2) It summarizes details about Angkor Wat, including its construction during the reign of Khmer Emperor Suryavarman II to honor his protector god Vishnu. Angkor Wat's design faces west and features bas reliefs meant to be read counterclockwise, leading early excavators to believe it was a funerary temple.
3) However, it was more likely purposefully built to honor Vishnu
This document discusses various revival styles in architecture that were based on historical styles from previous eras. It provides details on Palladianism, which was inspired by the designs of 16th century Italian architect Andrea Palladio. Palladian architecture is characterized by symmetry, proportion, the Palladian window, temple front, and use of classical orders. The document also discusses the Greek Revival style in America, which incorporated elements of ancient Greek temples like columns, pediments, and square window and door heads. Finally, it covers characteristics of the Gothic Revival style from the 1830-1860s, including pointed arches, steep gables, decorative trim, porches, and towers.
Neoclassical architecture is a style that began in the mid-18th century as a reaction against Rococo ornamentation. It is derived from classical Greco-Roman architecture and emphasizes symmetry, simple geometric forms, and the wall rather than chiaroscuro. There are three main types: temple style with columns, Palladian style based on Palladio's villas featuring balustrades, and classical block style using rectangular forms and repeated classical patterns. Famous architects who worked in the neoclassical style included Henri Labrouste, Charles Garnier, who designed the Paris Opera House, and Carrere & Hastings who built New York Public Library.
Baroque architecture emerged in Italy in the late 16th century and spread across Europe and Latin America by the 17th century. It was initially used by the Catholic Church to assert dominance over Protestantism but later demonstrated absolute royal power through grand palaces. Two influential Baroque architects were Bernini and Borromini. Examples of outstanding Baroque architecture include churches like San Carlo alle Quattro Fontane in Rome and secular buildings like the Palace of Versailles. Rococo style originated in 18th century Paris as a lighter, more elegant and ornate alternative to Louis XIV's grand Baroque style at Versailles, using flowing, naturalistic designs. Walls, ceilings and moldings in the Rococo style were decorated with intricate curves and counter
This document provides an overview of architectural history from Baroque to contemporary styles. It includes a timeline and examples of prominent architects and their works, such as Bernini, Borromini, Wright, and Hadid. The document examines how architecture expresses the prevailing spirit or "zeitgeist" of different eras. It analyzes styles including Baroque, Rococo, Gothic Revival, Art Nouveau, Bauhaus, Postmodernism, Deconstructivism, and more. The summary provides context on the lecture's focus on architectural chronology and styles through history.
The content of this presentation is compiled and done by the researcher for easier understanding of the mentioned presentation title.
references are based on www.google.com
If you have any questions about this topic, just ask Mr, Google. :)
Italian Renaissance architects based their designs on classical Roman examples and considered studying Roman ruins in Rome essential to their training. Key figures who advanced Renaissance architecture included Filippo Brunelleschi, the first major Renaissance architect known for his dome design of Florence Cathedral, Leon Battista Alberti who aspired to recreate ancient Roman glory through his building facades, and Andrea Palladio who specialized in domestic villas drawing on Roman models and wrote an influential treatise on architecture.
Romanesque art developed between the 10th and 12th centuries across Catholic Europe. It combined features of Roman and Byzantine architecture with local traditions, known for thick walls, round arches, and symmetrical plans. Sculpture flourished during this period, seen on church portals depicting religious scenes. The Holy Roman Empire saw the spread of pre-Romanesque and Romanesque architectural styles, as well as illuminated manuscripts and Gothic art emerging later on. Major sites included Cluny Abbey in France, which grew to massive scale, and Cistercian monasteries known for pure styles that influenced Gothic architecture. Regional variations in materials and influences resulted in diverse expressions of Romanesque art across Europe.
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
The document summarizes the emergence of Renaissance architecture from its Romanesque and Gothic predecessors. It describes the key characteristics of Romanesque and Gothic architecture from the 6th-16th centuries. Renaissance architecture is then discussed in more detail, explaining its revival of classical Greek and Roman forms and proportions. The styles of Quattrocento, High Renaissance and Mannerism are defined. Important architects and their works from the period are also listed.
case study and litreature review on baroquearchitectureAfzalSaifi3
Baroque architecture began in late 16th century Italy and used the vocabulary of Renaissance architecture in a new theatrical fashion to express the power of the Catholic Church. Key features included dramatic use of light and shadow, large frescoes and sculptures, and illusory effects blending painting and architecture. Some examples given are the Church of San Carlo alle Quattro Fontane in Rome designed by Borromini, St. Peter's Square in Vatican with its colonnades and fountains built by Bernini, and the Palace of Versailles commissioned by Louis XIV as the finest example of secular Baroque architecture.
Baroque architecture began in late 16th century Italy and used the vocabulary of Renaissance architecture in a new theatrical fashion to express the power of the Catholic Church. Key features included dramatic use of light and shadow, large frescoes and sculptures, and illusory effects blending painting and architecture. Some examples given are the Church of San Carlo alle Quattro Fontane in Rome designed by Borromini, St. Peter's Square in Vatican with its colonnades and fountains built by Bernini, and the Palace of Versailles commissioned by Louis XIV as the finest example of secular Baroque architecture.
The document provides an overview of the history of architecture in Spain and Portugal from 1492 to 1830 AD. It describes four main periods:
1) The Early Period (1492-1556 AD) was characterized by the Plateresque style in Spain, which grafted Renaissance details onto Gothic forms and was influenced by Moorish art. In Portugal, the Manueline style developed during this time.
2) The Classical Period (1556-1690 AD) saw a closer adherence to Italian Renaissance styles.
3) The Baroque Period (1650-1750 AD) featured the extravagant Churrigueresque style in Spain, characterized by disregard for classical rules.
4) The Ant
The Renaissance architecture style originated in 15th century Italy and was inspired by ancient Greek and Roman architecture. It emphasized symmetry, proportion, geometry and classical orders. Early architects like Brunelleschi and Alberti helped establish Renaissance styles which emphasized order and classical details. During the High Renaissance, architects like Bramante and Raphael further developed classical concepts. Mannerism introduced more imaginative rhythms as the Renaissance ideal of harmony gave way. The Renaissance style then spread across Europe in the 16th century as other regions gained economic and political power.
The document summarizes Romanesque and Gothic styles of medieval art in Europe between the 11th-15th centuries. Romanesque art developed in churches and monasteries to depict biblical scenes and strengthen Christianity. It used elements of Roman architecture like arched vaults. Gothic art flourished as cities and the church grew in importance. Gothic cathedrals featured pointed arches, ribbed vaults and large stained glass windows to let in more light. Both styles used sculpture and paintings on church walls and in manuscripts to convey religious messages through depictions of Bible stories and saints.
Gothic art originated in Europe between the 12th-14th centuries during a period of economic and social transformation. The term "Gothic" was used by Italian humanists to describe this style as barbaric compared to Romanesque art. Gothic art first emerged around 1140 with the choir of the Abbey of Saint-Denis in France and later spread throughout Europe, eventually reaching Italy. Key characteristics of Gothic architecture included vaulted ceilings, large stained glass windows, and ornate structures supported by flying buttresses.
This document provides an overview of Renaissance architecture between the 15th and 17th centuries in Europe. It began in Italy as a revival of ancient Greek and Roman styles, emphasizing symmetry, proportion, geometry and classical orders. Key architects included Brunelleschi, Alberti, Bramante, Michelangelo and Palladio. Their works such as St. Peter's Basilica, Villa Rotonda and St. Andrea demonstrated the Renaissance emphasis on symmetry, proportion, domes and a revival of classical elements and details. The style evolved from early Renaissance to High Renaissance to Mannerism, becoming more imaginative and experimental over time.
1) The document provides background information on the Baroque style and its origins in 17th century Rome. It then discusses key characteristics of Baroque architecture, including its origins in the Catholic Counter-Reformation, use of dramatic lighting/ornamentation, and focus on inspiring emotion.
2) It summarizes details about Angkor Wat, a temple in Cambodia considered one of the greatest constructions of the Khmer Empire. The temple was built in the early 12th century AD under the patronage of King Suryavarman II as a dedication to the Hindu god Vishnu. Construction involved immense resources and labor.
3) The document discusses theories that Angkor Wat was intended both as a funerary temple for
1) The document provides background information on the Baroque style and its origins in 17th century Rome. It then discusses key characteristics of Baroque architecture, including its origins in the Catholic Counter-Reformation, use of dramatic lighting/ornamentation, and focus on inspiring emotion.
2) It summarizes details about Angkor Wat, including its construction during the reign of Khmer Emperor Suryavarman II to honor his protector god Vishnu. Angkor Wat's design faces west and features bas reliefs meant to be read counterclockwise, leading early excavators to believe it was a funerary temple.
3) However, it was more likely purposefully built to honor Vishnu
This document discusses various revival styles in architecture that were based on historical styles from previous eras. It provides details on Palladianism, which was inspired by the designs of 16th century Italian architect Andrea Palladio. Palladian architecture is characterized by symmetry, proportion, the Palladian window, temple front, and use of classical orders. The document also discusses the Greek Revival style in America, which incorporated elements of ancient Greek temples like columns, pediments, and square window and door heads. Finally, it covers characteristics of the Gothic Revival style from the 1830-1860s, including pointed arches, steep gables, decorative trim, porches, and towers.
Neoclassical architecture is a style that began in the mid-18th century as a reaction against Rococo ornamentation. It is derived from classical Greco-Roman architecture and emphasizes symmetry, simple geometric forms, and the wall rather than chiaroscuro. There are three main types: temple style with columns, Palladian style based on Palladio's villas featuring balustrades, and classical block style using rectangular forms and repeated classical patterns. Famous architects who worked in the neoclassical style included Henri Labrouste, Charles Garnier, who designed the Paris Opera House, and Carrere & Hastings who built New York Public Library.
Baroque architecture emerged in Italy in the late 16th century and spread across Europe and Latin America by the 17th century. It was initially used by the Catholic Church to assert dominance over Protestantism but later demonstrated absolute royal power through grand palaces. Two influential Baroque architects were Bernini and Borromini. Examples of outstanding Baroque architecture include churches like San Carlo alle Quattro Fontane in Rome and secular buildings like the Palace of Versailles. Rococo style originated in 18th century Paris as a lighter, more elegant and ornate alternative to Louis XIV's grand Baroque style at Versailles, using flowing, naturalistic designs. Walls, ceilings and moldings in the Rococo style were decorated with intricate curves and counter
This document provides an overview of architectural history from Baroque to contemporary styles. It includes a timeline and examples of prominent architects and their works, such as Bernini, Borromini, Wright, and Hadid. The document examines how architecture expresses the prevailing spirit or "zeitgeist" of different eras. It analyzes styles including Baroque, Rococo, Gothic Revival, Art Nouveau, Bauhaus, Postmodernism, Deconstructivism, and more. The summary provides context on the lecture's focus on architectural chronology and styles through history.
The content of this presentation is compiled and done by the researcher for easier understanding of the mentioned presentation title.
references are based on www.google.com
If you have any questions about this topic, just ask Mr, Google. :)
Italian Renaissance architects based their designs on classical Roman examples and considered studying Roman ruins in Rome essential to their training. Key figures who advanced Renaissance architecture included Filippo Brunelleschi, the first major Renaissance architect known for his dome design of Florence Cathedral, Leon Battista Alberti who aspired to recreate ancient Roman glory through his building facades, and Andrea Palladio who specialized in domestic villas drawing on Roman models and wrote an influential treatise on architecture.
Romanesque art developed between the 10th and 12th centuries across Catholic Europe. It combined features of Roman and Byzantine architecture with local traditions, known for thick walls, round arches, and symmetrical plans. Sculpture flourished during this period, seen on church portals depicting religious scenes. The Holy Roman Empire saw the spread of pre-Romanesque and Romanesque architectural styles, as well as illuminated manuscripts and Gothic art emerging later on. Major sites included Cluny Abbey in France, which grew to massive scale, and Cistercian monasteries known for pure styles that influenced Gothic architecture. Regional variations in materials and influences resulted in diverse expressions of Romanesque art across Europe.
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These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
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2- تحتوي على 78 رسم توضيحي لكل كلمة موجودة بالملزمة (لكل كلمة !!!!)
#فهم_ماكو_درخ
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Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
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2. Index :
- what is Mannerism Architecture?
- Piazza del Campidoglio
- Other examples on Mannerism Architecture
- Famous Examples of Mannerism Art
- Famous Architects
- What are characteristics of Mannerism?
- Mannerism VS Baroque
3. what is Mannerism Architecture?
Mannerism, style in art and architecture of
the 16th century, characterized by the
distortion of elements such as proportion
and space The term Mannerism derives
from the Italian word maniera, meaning
“style” or “way of working.”
4. Italian Manierismo, (from maniera,
“manner,” or “style”), artistic style that
predominated in Italy from the end of
the High Renaissance in the 1520s to
the beginnings of the Baroque style
around 1590.
5. Piazza del Campidoglio
The most famous example of Mannerist
architecture is the Piazza del
Campidoglio, a public plaza on the
Capitoline Hill in Rome. It was designed
by the Renaissance sculptor
Michelangelo, a reminder that Mannerism
was a transition from the High
Renaissance and often relied on shared
artists.
6. the Piazza del Campidoglio has
been the seat of the civil
administration of the city. On the
remains of the Tabularium stood a
fortress of the Corsi family, which
the Roman people took possession
of in 1114. It was destined as the
seat of the city senate and was
enlarged in the 14th century.
8. Palazzo Te – Mantova, Italy
Palazzo del Te” is one of the best examples of Mannerist architecture, and
this makes it no surprise that it was designed by one of the most renowned
Mannerist architects. Giulio Romano (1499-1546) was once a pupil of
Raphael (1483-1520) and expanded on his master’s learnings in the 16th
century. Constructed as a palace of leisure by the local Duke of
Mantua, and consists of a square building that is adjoined by a
courtyard lined with cloisters. This leads to a semicircular row of
colonnades known as an “Exedra,” the most remarkable element of
this building.
9.
10. Vleeshal – Haarlem,
Netherlands
The building in the Dutch city just west of
Amsterdam was completed in 1603 and was
used to sell meat from this year until well into
the 19th century.
The stepped roofline is one of the most
distinctive features of Mannerist buildings in
the Low Countries. It was designed by a
Ghent-born architect named Lieven de Key
(1560-1627), a man who permanently put his
mark on Haarlem with other buildings such as
the “Waag,” the façade of the Frans Hals
Museum, and part of the Haarlem Town Hall.
16. St. John’s Co-Cathedral – Valletta,
Malta
The exterior of the church is rather plain but
the interior features a Mannerist layout and
Baroque decorations that are quite
exuberant. It was designed by Maltese
architect Girolamo Cassar (1520-1592), a
man who designed the other Mannerist
landmarks in the city as well.
19. Great Armory – Gdansk, Poland
What’s remarkable is that the
building was incorporated into the
western part of the medieval city
walls of Gdansk. It served its
purpose as an armory until the 19th
century. Badly damaged during
World War II, the building was
restored after the war and returned
to its magnificent former glory.
20.
21.
22. Church of São Vicente de Fora – Lisbon, Portugal
The original monastery in this location was
established in 1147 but King Philip II of Spain, who
was also King Philip I of Portugal at the time, had it
completely reconstructed in the late 16th century.
The huge church was built between 1582 and 1629
and the monastery buildings weren’t completed
until the 18th century.
23.
24.
25.
26.
27. Cathedral Basilica of Salvador – Salvador, Brazil
It’s hard to deny the fact that the design of
this church was inspired by the Jesuit
Church of Coimbra in the Portuguese city
of Coimbra. Built on top of 3 former
churches, the current building was
constructed between 1654 and 1672.
Remarkably, the “Lioz” type of stone
that was used to build the church was
imported from Portugal in the 17th
century.
34. Famous Examples of Mannerism Art
Entombment of the Christ
(Deposition of Christ)
1525-1528 CE. Jacopo da
Pontormo. Santa Felicita
Church, Florence, Italy.
The Last Supper of San Salvi
(1519-1527). Andrea Del Sarto.
Vallombrosan Abbey, outside of
Florence, Rome.
35. The Playing Putto (1518) or Angel Playing the Lute. Uffizi, Florence, Italy.
39. The two most famous Mannerist
architects were Michelangelo and Giulio
Romano.
40. Michelangelo
Michelangelo di Lodovico Buonarroti Simoni,
known as Michelangelo, was an Italian sculptor,
painter, architect, and poet of the High
Renaissance. Born in the Republic of Florence,
his work was inspired by models from classical
antiquity and had a lasting influence on
Western art.
41. Giulio Romano
Giulio Romano, is the acquired name of Giulio
Pippi, who was an Italian painter and architect. He
was a pupil of Raphael, and his stylistic deviations
from High Renaissance classicism help define the
sixteenth-century style known as Mannerism.
42. Other Architects :
Federico Zuccari :
Federico Zuccaro, also known as Federico Zuccari, was
an Italian Mannerist painter and architect, active both
in Italy and abroad
43. Giacomo Barozzi da Vignola
Giacomo Barozzi da Vignola, often simply
called Vignola, was one of the great Italian
architects of 16th century Mannerism. His
two great masterpieces are the Villa Farnese
at Caprarola and the Jesuits' Church of the
Gesù in Rome.
44. Sebastiano Serlio
Sebastiano Serlio was an Italian Mannerist
architect, who was part of the Italian team
building the Palace of Fontainebleau. Serlio
helped canonize the classical orders of
architecture in his influential treatise variously
known as I sette libri dell'architettura or Tutte
l'opere d'architettura et prospetiva.
45. What are characteristics of
Mannerism?
Slender, elongated limbs, splayed, twisting and turning bodies, contradicting all the
traditional laws of proportion, are a characteristic of Mannerism.
distortion of the human figure, a flattening of pictorial space, and a cultivated intellectual
sophistication.
Mannerist is a sixteenth century style of art and design characterised by artificiality,
elegance and sensuous distortion of the human figure.
46. Mannerism VS Baroque
Mannerism emerged after the
Renaissance period, and was
slowly replaced by the Baroque
period. There were major
differences between the
Renaissance, Mannerism, and
Baroque. Mannerism emphasized
elongated proportions, distorted
perspective and conventional
poses. Whereas, during the
baroque period, art was more
dramatic, and exaggerated motion,
power and control. These two
paintings here portray this vast
variance between the two periods.