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1. Submitted By:
James Andrew Go
Stephen Gomez
Christine Birao

2. 
Started in Florence, Italy in the 14th-16th
Century wherein the rebirth of Classical Ideas
and Styles took place.

In the Early stages of this period, artists began
using egg temperas and frescoes to create
their masterpieces. Innovations within the
field of painting had allowed many methods
of painting to be practiced in the Modern
Times.

3. 
Term means “Rebirth”.

The period wherein apprenticeship programs
were the standard training forum, and is still
being practiced today.

Classified into two: Early and High
Renaissance.

4. 
Interested in Greek & Roman culture (“the
classics”)

Use of perspective in paintings

Believed in humanism

Used critical method of study

The figures in their artwork were more
realistic.

6.  No perspective
 No proportion
 Little kid
drawings?

7.  Many religious
themes.
 Shows how
central religion
was.

9.  Everyday
scenes.
 More realistic.

13. 
The painting applies the method of
linear perspectives, foreshortening,
chiaroscuro, balance and proportion.

Paintings were made in Egg Temperas
and Frescoes, then later with Oil
Paintings and Canvases.

14. 
Masaccio’s Holy
Trinity. A
painting made in
a fresco, and
applies the
method of linear
perspectives.

16. 
A panel painting by the Flemish
artist Rogier van der Weyden created c.
1435, now in the Museo del Prado,
Madrid.
Rogier van der Weyden’s
Descent from the Cross,
which is made in oil on a wood
panel.

18. 
1486 painting by Sandro Botticelli.

It is made with egg tempera on a wood
panel.

It depicts the goddess Venus, having emerged
from the sea as a fully grown woman, arriving
at the sea-shore (which is related to
the Venus Anadyomene motif).

19. 
Mantegna’s Dead
Christ, which was
made with egg
tempera on a
canvas, and an
example of a
foreshortened
painting.

20. 
Artists were able to apply more modern
techniques to the already notable structures
from Greek and Roman temples.

Varied and very often executed on a grand scale.

Some of the greatest early Renaissance
Sculpture was created by the artists Donatello,
Ghiberti and Leonardo's master Verrocchio.

21. 
The pair
of gilded bronze doors
(1425–52)

It was designed by
the sculptor Lorenzo
Ghiberti for the
north entrance of the
Baptistery of San
Giovanni in Florence.

22. 
Bronze statue of
David (circa 1440s)

Famous as the first
unsupported standing
work of bronze cast
during the
Renaissance, and the
first freestanding
nude male sculpture
made since antiquity.

23. It is one of the most
exquisite Renaissance
equestrian statues.
 Located beside the
Scuola Grande di San
Marco.
 It was erected in
fulfillment of a request
made by
the condotierro before
his death in 1475.


24. 
It is the architecture of the period between
the early 15th and early 17th centuries in
different regions of Europe

Architects aimed to use columns, pilasters,
and entablatures as an integrating system.

The leading architects of the Early
Renaissance or Quattrocento
were Brunelleschi, Michelozzo and Alberti.

25. 
It is the main church
of Florence, Italy.

It was begun in 1296 in
the Gothic style to the
design of Arnolfo di
Cambio.

27. 
It is a
Renaissance palace
located in Florence,
Italy.

The palace was
designed
by Michelozzo di
Bartolomeo.

29. It is one of the largest
churches
of Florence, Italy.
 Situated at the centre
of the city’s main
market district.
 It is one of several
churches that claim to
be the oldest in
Florence.


31. 
Started in the 15th Century. Most popular works
came from Italy.

All Italian painters have practiced a formula which is
creating light/shadow to create the illusion of 3-D
space called chiaroscuro.

Like in the Early Renaissance, paintings were made
in Egg Temperas (but rarely used), Frescoes, Wood
Panels, Oil, and Canvas.

32. 
Leonardo Da Vinci’s
famous painting,
Mona Lisa, which
was made with oil in
a lombardy poplar
panel.

34. 
Michelangelo’s The
Creation of Adam.
Made in a fresco,
and displayed on
the ceiling of the
Sistine Chapel.

35. 
Sculptures were mostly made out of marble.

The subjects of these sculptures under this
era were naked figures, which reflected
wealth and knowledge.

Known artists under this era was
Michelangelo. Known for his works namely
Pieta, David, and Moses.

37. 
Masterpiece of Renaissance sculpture created
between 1501 and 1504.

The statue represents the Biblical hero David,
a favored subject in the art of Florence.
Michelangelo’s David, made
out of Marble.

39. 
The crown jewel of his work. Based from the
Gospel of Luke which states the death of
Christ.

Jesus’ body was carried by Mary, to be taken
into the catacomb for burial.
Michelangelo’s Pieta, the most
famous sculpture of his time.

40. 
Witnessed the pinnacle of classical simplicity and
harmony in Renaissance art and architecture.
Donato Bramante was the leader in this era.

Architects aimed to use columns, pilasters, and
entablatures as an integrating system.

Central Part Layout were used to construct
engineering feats during this era. Denotes rational
symmetry, which uses polygonal figures like the
square, octagon, and many others.

41. 
It is a martyia (a
building that
commemorates a
martyrdom) that
marks the
traditional site of
Saint Peter's
crucifixion.

43. 
It is a religious building
in Florence, central Italy.

Considered to be one of
the masterpieces
of Renaissance
architecture.

It is located in the "first
cloister" of the Basilica di
Santa Croce.

45. 
Artificial methods were applied by artists in creating
paintings. The distortion of the human body and
the scenery experimentation are common examples
of which.

Classical Mythology and Catholic-themed
paintings are common examples under this era.

Notable for its intellectual sophistication as well as
its artificial (as opposed to naturalistic) qualities.

46. 
Started around the 16th Century in Italy
following the High Renaissance Period. Ended
during the same century, Western Mannerism
continued until the 17th Century.

The opposite of the Renaissance-era paintings
which focuses on natural perspectives.

Derives from the Italian maniera, meaning
"style" or "manner“.

47. 
Parmigianino’s
Madonna with the
Long Neck. Mannerism
Paintings make itself
known with elongated
proportions, highly
stylized poses, and lack
of clear perspective.

48. 
Michelangelo himself
displayed tendencies
towards Mannerism,
notably in the Sistine
Chapel.

1508-12, from the
ceiling of the Sistine
Chapel

49. 
Resulted in such qualities as distorted
anatomy (e.g. elongated limbs) and complex
postures.

Characterized by elongated forms, spiral
angles, and aloof subject gazes.

Attempt to find an original style that would
surpass the achievements of the High
Renaissance.

50. 
Giambologna, Rape of
the Sabine Women,
1583, Florence, Italy, 13'
6" high, marble. In this
piece, Giambologna
demonstrates the use
of the figura
serpentinata.

51. 1545 bronze sculpture
of Perseus with the
head of Medusa on a
square base with
bronze relief panels
 Located in the Loggia
dei Lanzi of the Piazza
della
Signoria in Florence,
Italy.


52. 
Set up in the Loggia dei
Lanzi in Florence's
Piazza della Signoria.

Known for a fine sense
of action and
movement, and a
refined, differentiated
surface finish.

53. 
Architects aimed to use columns, pilasters,
and entablatures as an integrating system.

Showed extensive knowledge of Roman
architectural style.

Architects experimented with using
architectural forms to emphasize solid and
spatial relationships.

55. 
Palace in the suburbs of Mantua, Italy.

It is a fine example of the mannerist style of
architecture, the acknowledged masterpiece
of Giulio Romano.

A square building, constructed 1524-1534
for Federico II Gonzaga, Marquess of Mantua.

57. 
Located within Vatican City

Designed principally by Donato
Bramante, Michelangelo, Carlo Maderno
and Gian Lorenzo Bernini.

Michelangelo designed the dome of St.
Peter's Basilica on or before 1564, although it
was unfinished when he died.

59. 
Designed by Andrea Palladio.

It is a Renaissance villa just outside Vicenza,
northern Italy.

The name "Capra" derives from the Capra
brothers, who completed the building after it
was ceded to them in 1592.

60. Renaissance art, for us, was by far the greatest era for
the world of art. It was eternally preserved by being
practiced by today’s era of artists, trained or not trained.
Also, we have observed that architectural feats of the past
were being based in some of the structures still standing or
being built today, like the Cebu City Capitol, which
embraced the principle of Rational Symmetry due to the
design of the dome and the inner parts. The White House
was no exception as well. With regards with the paintings,
we have observed that some of the paintings made in the
past were being based in creating great masterpieces
today, like Mona Lisa by Leonardo da Vinci, which
remained the most popular painting of all time. As with the
sculptures, although we could not find any, but we know
that these methods will be preserved and passed down
from generation to generation.