History of Architecture 2 class
Report by: Group 1 (Leader: Quinto)
Central Colleges of the Philippines
College of Architecture
2nd Semester S.Y. 2015-16
December 2015
History of Architecture 2 class
Report by: Group 1 (Leader: Quinto)
Central Colleges of the Philippines
College of Architecture
2nd Semester S.Y. 2015-16
December 2015
Bytheendofthe5th centuryAD,Romehadcompletelydeclined.Ithad beensackedtwiceandwasthenunderoccupation.
ItsinfluencewassignificantlyreducedandtheImpetusfor architecturalinnovationshiftedtotheByzantineEmpire.
This shift also marks the movement from early Christian civilizationtothe Byzantinecivilization.
UndertheByzantineEmperorJustinian,theByzantinestyleof architectureevolved.
Hisinterestinchurchbuildingledtothediscoveryofthegroinvault. .andtheevolutionof theByzantinestyle.
Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this later date being the most commonly held. In the 12th century it developed into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. The Romanesque style in England is traditionally referred to as Norman architecture.
Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics and different materials.
Many castles were built during this period, but they are greatly outnumbered by churches. The most significant are the great abbey churches, many of which are still standing, more or less complete and frequently in use.[1] The enormous quantity of churches built in the Romanesque period was succeeded by the still busier period of Gothic architecture, which partly or entirely rebuilt most Romanesque churches in prosperous areas like England and Portugal. The largest groups of Romanesque survivors are in areas that were less prosperous in subsequent periods, including parts of southern France, rural Spain and rural Italy. Survivals of unfortified Romanesque secular houses and palaces, and the domestic quarters of monasteries are far rarer, but these used and adapted the features found in church buildings, on a domestic scale.
This is presentation contain wast information about Romanesque Architecture, their characteristics features and special structure.
Romanesque Architecture is the architecture of medieval period and expand to the entire Europe almost.
In this presentation all the important and rare point is covered.
Characteristics Features:
1. Wall
2. Arch
3. Column
4. Piers
5. Arcade
6. Vault
and the special structures that are considered in the following presentation are:
1. Baptistery
2. Cloister
3. Porches
4. Crypts
Rose windows and plate tracery were also used during this period.
Fully carved columns and piers were main characteristics and specialists of Romanesque Architecture.
Renaissance
“ Rebirth”
Revival of artistic achievements based on classical world.
‘Rebirth’ of classical Greek and Roman. The movement started in Italy.
During this era, people began to research the culture of the antique world.
The period was triggered by the increasing sophistication of the society, where economic growth, educational pursuits and political stability were key factors.
The limits of renaissance architecture was pushed by wealthy patrons such as Medic family of Florence, Pope Leo X and Pope Julius II
Characteristics
Building was looked upon as works of art. It followed traditions of middle ages that did not separate the structure from the decoration.
In situ construction hence harmony was given between the jointing and the architectural features.
Standardization of classic roman orders- Tuscan, Doric, Ionic, Corinthian & Composite and its reintroduction both structurally and decoratively.
An art of free expression : Architecture became to a great extent a personal art due to the fancy of individual architects, many of whom founded schools of design.
A building was regarded rather as a picture with pleasing combinations of lines and masses
Symmetry and proportion
Appearance of building less in size than in reality due to the largeness and fewness of the parts used.
Towers used sparsely, if used occur symmetrically located.
Interiors planed on roman principles.
Ashlar masonry construction
Materials are large, and carry out the Classic idea of fewness of parts .
Gable end , formed as pediments either pitched or semicircular
Vaults are of simple Roman form
The Classic columns and orders were revived and used decoratively .
The principal cornice plays an important part in the style.
Mouldings produced an effect of horizontality.
Stained glass was little used
Sgraffito – coloured plaster was applied.
Efficiency in the crafts.
Italian Renaissance - Palazzo Ricardi, St. Peters Basilica, Rome, Villa Capra, Vicenza
⦁ Italian Renaissance is divided into three periods
Early Renaissance (Early 15th century)
Includes the works of Brunelleschi & Michelozzo. The concepts of architectural orders were explored, rules were formulated & classical detail & ornamentation was adopted. Space was organized by proportional logic & its form was subject to geometry. Ex. Basilica Santa Maria del Fiore, Florence by Brunelleschi.
II. High Renaissance (Late 15th to Early 16th century)
Renaissance became an individual style in its own right
Purist or Palladian, where Roman tradition was held in high respect (represented by Andrea Palladio)
Proto-Baroque, where there was more confidence in using the acquired vocabulary freely (represented by Michelangelo)
Mannerist, where practices which had no Roman precedent were interspersed with the usual buildings. Eg: Bramante
III. Baroque Period (17th century)
Architects worked with freedom and firmly-acquired knowledge.
The term Romanesque ("Roman-like") was first used to designate a style of architecture that used Roman arches and had thick, heavy walls, based upon the basilica. The style is pervasive throughout Europe.
Romanesque architecture appeared in France at the end of the 10th century, with the development of feudal society and the rise and spread of monastic orders, particularly the Dominicans, which built many important abbeys and monasteries in the style. It continued to dominate religious architecture until the appearance of French Gothic architecture in the Ile-de-France between about 1140-1150.
Distinctive features of French romansque architecture include thick walls with small windows, rounded arches; a long nave covered with barrel vaults; and the use of the groin vault at the intersection of two barrel vaults, all supported by massive columns; a level of tribunes above the galleries on the ground floor, and small windows above the tribunes; and rows of exterior buttresses supporting the walls. Churches commonly had a cupola over the transept, supported by four adjoining arches; one or more large square towers, and a semi-circular apse with radiating small chapels. Decoration usually included very ornate sculpted capitals on columns and an elaborate semi-circular sculpted tympanum, usually illustrating the Last Judgement, over the main portal. Interior decoration often included murals covering the walls, colored tiles, and early stained glass windows. Late in the 12th century, the rib vault began to appear, particularly in churches in Normandy and Paris, introducing the transition to the Gothic style.
There are also present the some epic examples of churches of french romanesque architechture.
1. The Church of St. Trophime in Arles
2. The Abbey of Saint-Gilles-du-Gard
3. The Basilica of St. Sernin
4. The Abbey Church of Sainte Foy
5. Le Puy Cathedral
HISTORY: Philippines, and Architecture, into the 21st Century Context (PART 2)ArchiEducPH
History of Architecture 4
Report by: SR
De La Salle-College of Saint Benilde
School of Design & Arts
Architecture Program
1st Term S.Y. 2016-17
December 2016
Bytheendofthe5th centuryAD,Romehadcompletelydeclined.Ithad beensackedtwiceandwasthenunderoccupation.
ItsinfluencewassignificantlyreducedandtheImpetusfor architecturalinnovationshiftedtotheByzantineEmpire.
This shift also marks the movement from early Christian civilizationtothe Byzantinecivilization.
UndertheByzantineEmperorJustinian,theByzantinestyleof architectureevolved.
Hisinterestinchurchbuildingledtothediscoveryofthegroinvault. .andtheevolutionof theByzantinestyle.
Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this later date being the most commonly held. In the 12th century it developed into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. The Romanesque style in England is traditionally referred to as Norman architecture.
Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics and different materials.
Many castles were built during this period, but they are greatly outnumbered by churches. The most significant are the great abbey churches, many of which are still standing, more or less complete and frequently in use.[1] The enormous quantity of churches built in the Romanesque period was succeeded by the still busier period of Gothic architecture, which partly or entirely rebuilt most Romanesque churches in prosperous areas like England and Portugal. The largest groups of Romanesque survivors are in areas that were less prosperous in subsequent periods, including parts of southern France, rural Spain and rural Italy. Survivals of unfortified Romanesque secular houses and palaces, and the domestic quarters of monasteries are far rarer, but these used and adapted the features found in church buildings, on a domestic scale.
This is presentation contain wast information about Romanesque Architecture, their characteristics features and special structure.
Romanesque Architecture is the architecture of medieval period and expand to the entire Europe almost.
In this presentation all the important and rare point is covered.
Characteristics Features:
1. Wall
2. Arch
3. Column
4. Piers
5. Arcade
6. Vault
and the special structures that are considered in the following presentation are:
1. Baptistery
2. Cloister
3. Porches
4. Crypts
Rose windows and plate tracery were also used during this period.
Fully carved columns and piers were main characteristics and specialists of Romanesque Architecture.
Renaissance
“ Rebirth”
Revival of artistic achievements based on classical world.
‘Rebirth’ of classical Greek and Roman. The movement started in Italy.
During this era, people began to research the culture of the antique world.
The period was triggered by the increasing sophistication of the society, where economic growth, educational pursuits and political stability were key factors.
The limits of renaissance architecture was pushed by wealthy patrons such as Medic family of Florence, Pope Leo X and Pope Julius II
Characteristics
Building was looked upon as works of art. It followed traditions of middle ages that did not separate the structure from the decoration.
In situ construction hence harmony was given between the jointing and the architectural features.
Standardization of classic roman orders- Tuscan, Doric, Ionic, Corinthian & Composite and its reintroduction both structurally and decoratively.
An art of free expression : Architecture became to a great extent a personal art due to the fancy of individual architects, many of whom founded schools of design.
A building was regarded rather as a picture with pleasing combinations of lines and masses
Symmetry and proportion
Appearance of building less in size than in reality due to the largeness and fewness of the parts used.
Towers used sparsely, if used occur symmetrically located.
Interiors planed on roman principles.
Ashlar masonry construction
Materials are large, and carry out the Classic idea of fewness of parts .
Gable end , formed as pediments either pitched or semicircular
Vaults are of simple Roman form
The Classic columns and orders were revived and used decoratively .
The principal cornice plays an important part in the style.
Mouldings produced an effect of horizontality.
Stained glass was little used
Sgraffito – coloured plaster was applied.
Efficiency in the crafts.
Italian Renaissance - Palazzo Ricardi, St. Peters Basilica, Rome, Villa Capra, Vicenza
⦁ Italian Renaissance is divided into three periods
Early Renaissance (Early 15th century)
Includes the works of Brunelleschi & Michelozzo. The concepts of architectural orders were explored, rules were formulated & classical detail & ornamentation was adopted. Space was organized by proportional logic & its form was subject to geometry. Ex. Basilica Santa Maria del Fiore, Florence by Brunelleschi.
II. High Renaissance (Late 15th to Early 16th century)
Renaissance became an individual style in its own right
Purist or Palladian, where Roman tradition was held in high respect (represented by Andrea Palladio)
Proto-Baroque, where there was more confidence in using the acquired vocabulary freely (represented by Michelangelo)
Mannerist, where practices which had no Roman precedent were interspersed with the usual buildings. Eg: Bramante
III. Baroque Period (17th century)
Architects worked with freedom and firmly-acquired knowledge.
The term Romanesque ("Roman-like") was first used to designate a style of architecture that used Roman arches and had thick, heavy walls, based upon the basilica. The style is pervasive throughout Europe.
Romanesque architecture appeared in France at the end of the 10th century, with the development of feudal society and the rise and spread of monastic orders, particularly the Dominicans, which built many important abbeys and monasteries in the style. It continued to dominate religious architecture until the appearance of French Gothic architecture in the Ile-de-France between about 1140-1150.
Distinctive features of French romansque architecture include thick walls with small windows, rounded arches; a long nave covered with barrel vaults; and the use of the groin vault at the intersection of two barrel vaults, all supported by massive columns; a level of tribunes above the galleries on the ground floor, and small windows above the tribunes; and rows of exterior buttresses supporting the walls. Churches commonly had a cupola over the transept, supported by four adjoining arches; one or more large square towers, and a semi-circular apse with radiating small chapels. Decoration usually included very ornate sculpted capitals on columns and an elaborate semi-circular sculpted tympanum, usually illustrating the Last Judgement, over the main portal. Interior decoration often included murals covering the walls, colored tiles, and early stained glass windows. Late in the 12th century, the rib vault began to appear, particularly in churches in Normandy and Paris, introducing the transition to the Gothic style.
There are also present the some epic examples of churches of french romanesque architechture.
1. The Church of St. Trophime in Arles
2. The Abbey of Saint-Gilles-du-Gard
3. The Basilica of St. Sernin
4. The Abbey Church of Sainte Foy
5. Le Puy Cathedral
HISTORY: Philippines, and Architecture, into the 21st Century Context (PART 2)ArchiEducPH
History of Architecture 4
Report by: SR
De La Salle-College of Saint Benilde
School of Design & Arts
Architecture Program
1st Term S.Y. 2016-17
December 2016
History of Architecture 1
Report by: Ampil + Faustino
De La Salle-College of Saint Benilde
School of Design & Arts
Architecture Program
1st Term S.Y. 2016-17
December 2016
You could be a professional graphic designer and still make mistakes. There is always the possibility of human error. On the other hand if you’re not a designer, the chances of making some common graphic design mistakes are even higher. Because you don’t know what you don’t know. That’s where this blog comes in. To make your job easier and help you create better designs, we have put together a list of common graphic design mistakes that you need to avoid.
White wonder, Work developed by Eva TschoppMansi Shah
White Wonder by Eva Tschopp
A tale about our culture around the use of fertilizers and pesticides visiting small farms around Ahmedabad in Matar and Shilaj.
Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
Invited talk at 'offtheCanvas' IndiaHCI prelude, 29th June 2024.
https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
The world is being changed fundamentally by AI and we are constantly faced with newspaper headlines about its harmful effects. However, there is also the potential to both ameliorate theses harms and use the new abilities of AI to transform society for the good. Can you make the difference?
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HISTORY: Early Christian Architecture 1.0
1.
2. The Spread of Christianity
Paul spread Christianity to the Greek and Roman
cities of the ancient Mediterranean world
The Roman Empire then had a polytheistic religion
Christianity was considered to be illegal and
Christians would be prosecuted this resulted them to
worship in secret.
5. But due to the latter separation between the Jews
and Christians, they continued worshipping in
private houses of the wealthier Christians about
70CE
6.
7. Dura-Europos
a border town on the banks of the Euphrates in what is today Syria. Here, during the
town's second and third century Roman period, altars to pagan gods, Jewish
synagogues, and perhaps the earliest Christian church all coexisted.
11. Quick Background
Emperor Constantine, also known as Constantine
the Great, was the Emperor of the Roman Empire
from 306-337 AD
Son of Flavius Valerius Constantus, a roman army
officer who then became the deputy emperor in the
west.
Rose and became military tribune under the
emperor Diocletian and Galerius
12. Became senior western emperor
Then acclaimed emperor by the city Eboracum after
his fathers death
Becomes ruler of the west and east/ emperor after
defeating the emperors Maxenteius and Licinius
13. In the 4th century , Emperor Constantine defeated,
rival, Maxentius at the Battle of the Milvian Bridge.
Accounts of the battle describe how Constantine
saw a sign in the heavens portending his victory.
Eusebius, Constantine's principal biographer,
describes the sign as the Chi Rho, the first two
letters in the Greek spelling of the name Christos.
After that victory Constantine became the principal
patron of Christianity.
14.
15. In 313 he issued the Edict of Milan which granted
religious toleration
Christians were now free to worship publicly and
create worship spaces
17. Made first for public events: law courts, army drill
halls etc. (Civic Basilicas)
All basilicas had a semicircular wall at the end which
is called an apse
22. Some Basilicas were then converted for the use of
the Christian Church
23. Palace Basilica of
Constantine
Design as an Imperial hall then converted
Became the official seat of the bishop of Rome then
24.
25.
26. Attention was also directed in the fourth century
church to the veneration of spots associated with
Christian martyrs
This type of building is called a martyrium
29. Old St. Peter’s Basilica
It is believed to have built on the site of the burial of
St. Peter, the principal disciple of Christ and the first
Bishop of Rome
The tomb of St. Peter was said to be in the apse of
the church
Created the concept of a cross shape. The axes
allowed for the concentration of attention to be on
the tomb of Peter
30.
31. Basillica of San Clemente,
Rome
One Example of Basillicas that were built on top of
the houses where early Christians worshipped
33. 1) Propylaeum
the entrance building of a
sacred precinct, whether
church or imperial palace.
2) Atrium
in early Christian,
Byzantine, and medieval
architecture, the forecourt
of a church; as a rule
enveloped by four
colonnaded porticoes.
34. 3) Narthex
the entrance hall or porch
proceding the nave of a
church.
4) Nave
the great central space in
a church. In longitudinal
churches, it extends from
the entrance to the apse
(or only to the crossing if
the church has one) and is
usually flanked by side
aisles.
35. 5) Side Aisle
one of the corridors
running parallel to the
nave of a church and
separated from it by an
arcade or colonnade.
6) Crossing
the area in a church where
the transept and the nave
intersect.
36.
37. 7) Transept
in a cruciform church, the
whole arm set at right angles to
the nave. Note that the
transept appears infrequently
in Early Christian churches.
Old St. Peter's is one of the
few example of a basilica with
a transept from this period. The
transept would not become a
standard component of the
Christian church until the
Carolingian period
8) Apse
a recess, sometimes
rectangular but usually
semicircular, in the wall at the
end of a Roman basilica or
Christian church. The apse in
the Roman basilica frequently
contained an image of the
Emperor and was where the
magistrate dispensed laws. In
the Early Christian basilica, the
apses contained the "cathedra"
or throne of the bishop and the
altar.
38. 9) Nave elevation
Term which refers to the
division of the nave wall
into various levels. In the
Early Christian basilica the
nave elevation usually is
composed of a nave
colonnade or arcade and
clerestory.
10) Clerestory
a clear story, i.e. a row of
windows in the upper part
of a wall. In churches, the
clerestory windows above
the roofs of the side aisles
permit direct illumination
of the nave.