The document provides a timeline overview of architectural history from prehistoric to Renaissance periods. It begins with Prehistoric architecture such as Paleolithic, Mesolithic, and Neolithic structures. Next it discusses Early Mesopotamian, Ancient Egyptian, Classical Greek and Roman, Byzantine, Romanesque, and Gothic architectures. Key characteristics and prominent examples of each style are mentioned. The document then focuses on the Renaissance period, describing its origins, time periods of Early Renaissance, High Renaissance, and Mannerism. It highlights influential Renaissance architects like Brunelleschi, Bramante, Leonardo da Vinci, Raphael, Michelangelo, Palladio and their major works.
Renaissance
“ Rebirth”
Revival of artistic achievements based on classical world.
‘Rebirth’ of classical Greek and Roman. The movement started in Italy.
During this era, people began to research the culture of the antique world.
The period was triggered by the increasing sophistication of the society, where economic growth, educational pursuits and political stability were key factors.
The limits of renaissance architecture was pushed by wealthy patrons such as Medic family of Florence, Pope Leo X and Pope Julius II
Characteristics
Building was looked upon as works of art. It followed traditions of middle ages that did not separate the structure from the decoration.
In situ construction hence harmony was given between the jointing and the architectural features.
Standardization of classic roman orders- Tuscan, Doric, Ionic, Corinthian & Composite and its reintroduction both structurally and decoratively.
An art of free expression : Architecture became to a great extent a personal art due to the fancy of individual architects, many of whom founded schools of design.
A building was regarded rather as a picture with pleasing combinations of lines and masses
Symmetry and proportion
Appearance of building less in size than in reality due to the largeness and fewness of the parts used.
Towers used sparsely, if used occur symmetrically located.
Interiors planed on roman principles.
Ashlar masonry construction
Materials are large, and carry out the Classic idea of fewness of parts .
Gable end , formed as pediments either pitched or semicircular
Vaults are of simple Roman form
The Classic columns and orders were revived and used decoratively .
The principal cornice plays an important part in the style.
Mouldings produced an effect of horizontality.
Stained glass was little used
Sgraffito – coloured plaster was applied.
Efficiency in the crafts.
Italian Renaissance - Palazzo Ricardi, St. Peters Basilica, Rome, Villa Capra, Vicenza
⦁ Italian Renaissance is divided into three periods
Early Renaissance (Early 15th century)
Includes the works of Brunelleschi & Michelozzo. The concepts of architectural orders were explored, rules were formulated & classical detail & ornamentation was adopted. Space was organized by proportional logic & its form was subject to geometry. Ex. Basilica Santa Maria del Fiore, Florence by Brunelleschi.
II. High Renaissance (Late 15th to Early 16th century)
Renaissance became an individual style in its own right
Purist or Palladian, where Roman tradition was held in high respect (represented by Andrea Palladio)
Proto-Baroque, where there was more confidence in using the acquired vocabulary freely (represented by Michelangelo)
Mannerist, where practices which had no Roman precedent were interspersed with the usual buildings. Eg: Bramante
III. Baroque Period (17th century)
Architects worked with freedom and firmly-acquired knowledge.
Renaissance
“ Rebirth”
Revival of artistic achievements based on classical world.
‘Rebirth’ of classical Greek and Roman. The movement started in Italy.
During this era, people began to research the culture of the antique world.
The period was triggered by the increasing sophistication of the society, where economic growth, educational pursuits and political stability were key factors.
The limits of renaissance architecture was pushed by wealthy patrons such as Medic family of Florence, Pope Leo X and Pope Julius II
Characteristics
Building was looked upon as works of art. It followed traditions of middle ages that did not separate the structure from the decoration.
In situ construction hence harmony was given between the jointing and the architectural features.
Standardization of classic roman orders- Tuscan, Doric, Ionic, Corinthian & Composite and its reintroduction both structurally and decoratively.
An art of free expression : Architecture became to a great extent a personal art due to the fancy of individual architects, many of whom founded schools of design.
A building was regarded rather as a picture with pleasing combinations of lines and masses
Symmetry and proportion
Appearance of building less in size than in reality due to the largeness and fewness of the parts used.
Towers used sparsely, if used occur symmetrically located.
Interiors planed on roman principles.
Ashlar masonry construction
Materials are large, and carry out the Classic idea of fewness of parts .
Gable end , formed as pediments either pitched or semicircular
Vaults are of simple Roman form
The Classic columns and orders were revived and used decoratively .
The principal cornice plays an important part in the style.
Mouldings produced an effect of horizontality.
Stained glass was little used
Sgraffito – coloured plaster was applied.
Efficiency in the crafts.
Italian Renaissance - Palazzo Ricardi, St. Peters Basilica, Rome, Villa Capra, Vicenza
⦁ Italian Renaissance is divided into three periods
Early Renaissance (Early 15th century)
Includes the works of Brunelleschi & Michelozzo. The concepts of architectural orders were explored, rules were formulated & classical detail & ornamentation was adopted. Space was organized by proportional logic & its form was subject to geometry. Ex. Basilica Santa Maria del Fiore, Florence by Brunelleschi.
II. High Renaissance (Late 15th to Early 16th century)
Renaissance became an individual style in its own right
Purist or Palladian, where Roman tradition was held in high respect (represented by Andrea Palladio)
Proto-Baroque, where there was more confidence in using the acquired vocabulary freely (represented by Michelangelo)
Mannerist, where practices which had no Roman precedent were interspersed with the usual buildings. Eg: Bramante
III. Baroque Period (17th century)
Architects worked with freedom and firmly-acquired knowledge.
Renaissance Architecture
Characteristics of Renaissance architecture
Example - Cathedral Of St. Peter, Rome
Baroque Style of Architecture
Detail study of Piazza Of St. Peter, Rome.
Rococo Style of Architecture
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EH202-HISTORY OF ARCHITECTURE III
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6. Classical architecture
the architecture of ancient Greece, 500bc (Greece)
Greek architecture is known for tall
columns, intricate detail, symmetry,
harmony, and balance. The Greeks built
all sorts of buildings.
Parthenon, Acropolis.
Temple of Apollo, Delphi
Erechtheion, Acropolis
7. Classical architecture
The architecture of ancient Rome, till 300Ac
smooth lines, elegant drapery, idealized human bodies,
highly naturalistic forms, and balanced proportions.
Arches, Domes, Aqueducts, Amphitheaters,
Temples.Apartment Blocks, Houses, and Baths
The circular Pantheon
The Colosseum
Baths of Caracalla
12. Renaissance
It is a period in European history marking the
transition from the Middle Ages to modernity
and covering the 15th and 16th centuries.
13.
14. Renaissance is characterized by an effort to
revive and surpass ideas and achievements of
classical antiquity. It occurred after the Crisis of
the Late Middle Ages and was associated with
great social change.
17. The intellectual basis of
the Renaissance was its
version of humanism,
derived from the
rediscovery of classical
Greek philosophy, who
said that "man is the
measure of all things".
19. The Renaissance periods
1- Renaissance (1400-1500)
Known as the Quattrocento and sometimes
Early Renaissance
2- High Renaissance
(1500-1525)
3- Mannerism
(1520-1600)
21. The Renaissance style places emphasis:
Symmetry, proportion, geometry, and the regularity of parts
as they are demonstrated in the architecture of Classical
antiquity and in the particular, the architecture of ancient
Rome, of which many examples remained.
Orderly arrangements of columns, pilasters, and lintels
The use of semicircular
arches, hemispherical
domes, niches, and
aedicules replaced the
more complex proportional
systems and irregular
profiles of medieval
buildings.
SANT LORENZO, Florence, beg. 1421 by Brunelleschi
22. Filippo Brunelleschi
Italian architect, 1377 – April 15, 1446, Florence
The dome of Florence
considered his first work
The person generally credited with bringing about the Renaissance
view of architecture is Filippo Brunelleschi
23. Brunelleschi began to look at the world to see what the rules were
that governed one’s way of seeing.
He practiced human studies and discovered, perhaps as the first
person, the central perspective
He observed that the way one sees regular structures such as the
Baptistery of Florence and the tiled pavement surrounding it follows
a mathematical order – linear perspective
24. Brunelleschi produce innovative synthesis from the knowledge of
ancient Roman construction and Gothic traditions
Pointed arch from gothic
Use double shell as in Pantheon to reduce dead load
Employed 24 vertical ribs and 5 horizontal rings of sandstone as
Roman way’s of construction
90 meters wide at the
crossing, and 90 meters high
from the floor to the bottom
Cathedral of Santa Maria del Fiore
25.
26. Hospital of the Innocents
founding
Sant Spirito, Florance
The nave of Basilica
Old Sacristy
27. Italian Renaissance humanist author, artist, architect, poet, priest, linguist,
philosopher,
Leon Battista Alberti
Italian: February 1404 –April 1472
31. Origins
The high Renaissance began during the 1480’s, with Leonardo da Vinci’s Last Supper
Historical and Cultural Context
With the invention and use of the printing press, there was the greater spread of
ideas and artists could sell prints of their work
Travel increased during this period, therefore art became more international.
Christopher Columbus discovered
the Americas in 1492, this
challenged the classical worldview
and encouraged a new age of
science and math.
32. Bramante introduced the High Renaissance
architecture to Milan
Donato Bramante
Italian Architect and painter. 1444 - 1514
rectory of Sant’Ambrogio
Church of Santa Maria delle Grazie
His early works in Milan included the rectory
of Sant’Ambrogio and the church of Santa
Maria delle Grazie.
37. Masters of High Renaissance
• Leonardo Da Vinchi
• Raphael
• Michel Angelo
38. Italian polymath of the High Renaissance who
was active as a painter, draughtsman, engineer,
scientist, theorist, sculptor, and architect.
Leonardo da Vinci
Italian. 1452 - 1519
The Artist
39. «The last supper» Santa Maria delle Grazie,
Milan
Da Vinci The Artist
40. Inventions and Philosophy
Da Vinci’s interests ranged far beyond fine art.
Studied nature, mechanics, anatomy, physics, architecture, weaponry and more.
Creating accurate, workable designs for machines like the bicycle, helicopter,
submarine and military tank that would not come to fruition for centuries.
Wrote Sigmund Freud, “like a man who awoke too early in the darkness, while the
others were all still asleep.”
41. da Vinci the architect…
• Free façade
• Classic Greek
• Symmetry
• extensive design
of an ideal city
44. Michelangelo
1475- 1564
Believed God put the sculpture within the rock and
that the artist must uncover it.
Good arts comes from divine inspiration and
beauty is a path to salvation
The Pieta
Michel Angelo was
24
Made from Marble
Balances classical
beauty with the
naturalism
48. Michelangelo Sistine Chapel
Commissioned by Pope Julius 11
The center represents 9 moments from Bible’s Book of Genesis, surrounded
by the 12 prophets who prophesied the coming of Jesus
51. Mannerism
Architects in this period experimented with using architectural forms to
emphasize solid and spatial relationships.
Pioneers of the period deliberately played with the symmetry, order, and
harmony typically found in Renaissance architecture.
Move away from the ideals represented in the principle of harmony (Harmony)
and the old classical beauty
Increasing the height of buildings
High Renaissance ---- Mannerism ----- Baroque
Architects: Michelangelo and Giulio Romano
52. • Inspired by Vitruvius’s works
• Developed concept of colossal order (Giant Order)
(The Giant order: the columns pilasters span for 2 stories)
• Church of Vicenza, Italy
• Used Serliana
• (He did not follow the Mannerism)
Andrea Palladio
Italian 1508 -1580
Palazzo della Ragione in Vicenza
كانت أوروبا تهيمن عليها العمارة القوطية المزخرفة وغير المتكافئة. التهمها الطاعون
ييدؼ عصر النيضة لوالدة جديدة والعودة للعصور اليونانية والرومانية الكالسيكية القديمة التي جائت بسبب تأثيرىا على العلوـ، الفوف، المجتمع، وحياة الجماعات المرموقة إلى الحرية الفردية.
رجعو للانسان كون القرون الوسطى جردت دوره و صارت زخفية
adventure مغامرة
Enthusiasm الحماس للكلاسيكية
انجازات فردية بعد هيمنة الجماعية
Crisis أزمة
Start in Italy
فلورنسا بإيطاليا
ترتب عن الدور الذي كانت تقوم به المدن الإيطالية في التجارة بين الشرق وأوروبا، رخاء اقتصادي ناتج عن التجارة الخارجية التي ساهمت بشكل كبير في ازدهار مدنها كالبندقية و جنوة و فلورنسا و نابولي، الشيء الذي jساعد على فتح الطريق لقيام عصر جديد وهو النهضة
Save translation
كان الأساس الفكري لعصر النهضة هو نسخته من النزعة الإنسانية ، المستمدة من إعادة اكتشاف الفلسفة اليونانية الكلاسيكية ، التي قالت إن "الإنسان هو مقياس كل شيء".
من اىم انجازاتو أنو استطاع تجاوز المسافة الضخمة بين اعمدة التقػاطع في كنيسة فػلورنسا من خالؿ العضضاضات رعنق القبة، حيث انو أسس فوقيا قبة بثمانية زوايا مزودة باضالع مزدوجة حاملة لنفسيا.
He holds up a picture of the Baptistery painted on a panel, its back towards you, and has you squint through a small hole in the painting itself so you see the front of the painting in the mirror. Then whisks away the mirror so that you see the real Baptistery through the peephole and you are amazed because they are so similar.
كمبنى مصرفي وتجاري بتشكيل بسيط.
كل دور من االوار الثالثة لو خصوصيتو: فػاألرضي مزود بتيجاف دورية، األوؿ ايونية والثاني كورنثية مزخرفة تتبع للفترة المتأخرة من العمارة الرومانية القديمة. بالرغم من خصوصية كل دور عن طريق التكنات االفقية المستمرة، اال أف انصاؼ االعمدة العمودية خلقت توازف بين القوى االفقية والعمودية مما لو االثر في توازف المبني. فتحات النوافذ تدلل على استخداـ االقواس التي بدأىا الروماف قديما.
صمم ألبرتي تصميمات قػليلة، لكنيا تركت ا ً أثر في المعماريين الالحقين. كما صمم الواجية األمامية لكنيسة سانتا ماريا نوفيال حوالي ـ 1470-1456مػ في فػلورنسا بالرخاـ األبيض واألسود
تأويل )ترجمة( مفػاىيم العصور القديمة )الروماني( الى عمارة معاصر
شكلت المرحلة التي نضج بيا براماتي مرحلة انتقػالية بين الفترة المبكرة لعصر النيضة والمتقدمة واستفػاد الكثير من المعمارين من انجازات برونلسكي والبرتي العملية والنظرية، كما انتقػلت العمارة من مراحليا االولى الى مرحلة النضوج والتشكيل. يعد المعماري برامانتي )Bramante )من أشير معماريي ىذه المرحلة الجديدة
اعمالو الناضجة بدأت مع تشييد المعبد الصغير )Tempietto
From artistic point of view
للبعد عن المثاليات المتمثلة في مبدأ االنسجاـ )Harmony )والجماؿ الكالسيكي القديم ويتبنى في المقػابل تعبيرات قوية شكلياً تتمثل من خالؿ: زيادة ارتفػاع المباني االسراؼ والتبذير في عناصر الديكور والزخرفة وفرض تصوراتيم الشخصية. الميل للحركة والدينامية والبحث عن التجربة والجديد ورفض الجمود الكالسيكي القديم. من بين ىؤالء المعماريوف يمكن ذكر المعماري االيطالي ميكيل انجلو والمعماري اندري بالديو
عبارة عن فتحة ضخمة تحوي ثالث فتحات حيث يكوف الجزء األوسط اعلى من الفتحتين الجانبيتين ويأخذ شكل مستطيل يعلوه نصف دائرة.