Some of the theories are now certainly outdated and have little interest to a modern builder, but some contain still valid information about important goals of building, notably on the questions of functionality, construction, economy and ecology. While theory of design is intended to help design, it does not necessarily precede design. On the contrary, the first building where a new architectural style is exposed, is usually created intuitively, without the help of any theory, just by the skill of a brilliant architect. The design theory comes a little later, and even less brilliant architects can then base their work on it.
Theories can be seen as building-specific branches of the general goal-specific theories which pertain to all types of products and are listed in Paradigms Of Design Theory. Thematic or "analytic" theories are treatises which aim at the fulfilment of one principal goal of architecture. Theories of architectural synthesis are examples of theories which aim at fulfilling simultaneously several goals, usually all the goals that are known.
In present day, the design theory of architecture includes all that is presented in the handbooks of architects: legislation, norms and standards of building. All of them are intended to aid the work of the architect and improve its product -- the quality of buildings technology and production in general: proven theory helps designers to do their work better and more effectively. It occasionally even helps to do things that were believed to be impossible earlier on. As an old saying goes, there is nothing more practical than a good theory. The aesthetization of utilitarian ideas is the primacy of architecture as a vessel of life, accommodating the needs of human beings .
When the British first made inroads into India, little impact had been, was, or even intended on being made. Structures were mainly reflective of their functions, simple warehouses and a number of rather temporary administration facilities with residences remaining few in number, these kept to the traditional and vernacular. However, as British interests in India expanded, more permanent structures were required to facilitate the infrastructure of the new British Raj- symbols of their new status as the power seat; a sense of permanence and prominence.
It is a term used to categorise methods of
construction which use locally available
resources and traditions to address local
needs.
Vernacular architecture tends to evolve over
time to reflect the environmental, cultural
and historical context in which it exists.
It has often been dismissed as crude and
unrefined, but also has proponents who
highlight its importance in current design.
Some of the theories are now certainly outdated and have little interest to a modern builder, but some contain still valid information about important goals of building, notably on the questions of functionality, construction, economy and ecology. While theory of design is intended to help design, it does not necessarily precede design. On the contrary, the first building where a new architectural style is exposed, is usually created intuitively, without the help of any theory, just by the skill of a brilliant architect. The design theory comes a little later, and even less brilliant architects can then base their work on it.
Theories can be seen as building-specific branches of the general goal-specific theories which pertain to all types of products and are listed in Paradigms Of Design Theory. Thematic or "analytic" theories are treatises which aim at the fulfilment of one principal goal of architecture. Theories of architectural synthesis are examples of theories which aim at fulfilling simultaneously several goals, usually all the goals that are known.
In present day, the design theory of architecture includes all that is presented in the handbooks of architects: legislation, norms and standards of building. All of them are intended to aid the work of the architect and improve its product -- the quality of buildings technology and production in general: proven theory helps designers to do their work better and more effectively. It occasionally even helps to do things that were believed to be impossible earlier on. As an old saying goes, there is nothing more practical than a good theory. The aesthetization of utilitarian ideas is the primacy of architecture as a vessel of life, accommodating the needs of human beings .
When the British first made inroads into India, little impact had been, was, or even intended on being made. Structures were mainly reflective of their functions, simple warehouses and a number of rather temporary administration facilities with residences remaining few in number, these kept to the traditional and vernacular. However, as British interests in India expanded, more permanent structures were required to facilitate the infrastructure of the new British Raj- symbols of their new status as the power seat; a sense of permanence and prominence.
It is a term used to categorise methods of
construction which use locally available
resources and traditions to address local
needs.
Vernacular architecture tends to evolve over
time to reflect the environmental, cultural
and historical context in which it exists.
It has often been dismissed as crude and
unrefined, but also has proponents who
highlight its importance in current design.
colonial architecture of India, the legacy, pre colonial legacy, raj 'indo saracenic' and arts and crafts movement, earlier traditions in colonial times, colonial inputs into town planning, industry and architecture, colonial architecture education, architecture and nationalism, examples
This paper depicts a vast knowledge on vernacular architecture of India. Vernacular architecture refers to the buildings which are constructed by the knowledge of local technology and craftsmanship, using locally available building materials; simultaneously, ensuring climatic comforts to the users. Thus vernacular architecture is related to the climatic issues, cultural and socio-economic conditions of different regions of any country. Hence, India is a country with diversified climate and socio-cultural conditions. Here, each region has its own unique characteristics of building design in the form of climate-responsive vernacular architecture. The aim of this paper is to assemble all those different types of vernacular practices throughout the different climatic regions of India.
Vastupurusa
For the basis of Hindú architecture often reference is made to Vastupurusa or “the spirit of the site”. One legend explains this as follows. There was an evil demigod (bhuta) who was born during Siva’s fight with the Asur Andhaka. This bhuta possessed a terrifying countenance and an insatiable hunger. The legend goes that having done great penance, the bhuta won a boon from Siva that allowed him to swallow the three worlds that constitute the Hindu cosmos. As this being stretched himself and began to occupy the heavens, he fell flat on the earth. The various gods and demigods seized this opportunity and pinned various parts of his body to the ground, rendering him helpless. This being came to be called Vast (or Vastupurusa) because the gods and demigods managed to lodge themselves on his body. Legends hold that the deities, in pinning him down, occupied different parts of his body and continued to reside there (Figure1). In order to satisfy his hunger, Brahma ordained that he receive offerings from people on building sites before construction. The body of the Vastupurusa is supposed to be sensitive at a number of points called marmas. The well-being of the Vastupurusa assures the well-being of the building and, by implication, its owner. An important criterion for any building, therefore, is to avoid injury to the marmas located on the body of the Vastupurusa. To ensure that this is achieved, texts prohibit any direct construction upon the marmas themselves. The marmas are specifically said to lie at the intersection of major diagonals, seen as the veins (siras or nadis) of the purusa.
Lecture 05: Islamic Architecture in India_Slave DynastyKowshik Roy
This is a class lecture on Islamic Architecture in India. Architecture of Slave Dynasty has covered in this lecture.
Course Title: Architectural Heritage-IV
Architecture Discipline,
Khulna University, Khulna
anant raje, architect, indian architect, design, philosophy, concept, works, projects, educational purpose, buildings, pictures, iifm, bda, louis i kahn of india, life, carrer, death, photos
colonial architecture of India, the legacy, pre colonial legacy, raj 'indo saracenic' and arts and crafts movement, earlier traditions in colonial times, colonial inputs into town planning, industry and architecture, colonial architecture education, architecture and nationalism, examples
This paper depicts a vast knowledge on vernacular architecture of India. Vernacular architecture refers to the buildings which are constructed by the knowledge of local technology and craftsmanship, using locally available building materials; simultaneously, ensuring climatic comforts to the users. Thus vernacular architecture is related to the climatic issues, cultural and socio-economic conditions of different regions of any country. Hence, India is a country with diversified climate and socio-cultural conditions. Here, each region has its own unique characteristics of building design in the form of climate-responsive vernacular architecture. The aim of this paper is to assemble all those different types of vernacular practices throughout the different climatic regions of India.
Vastupurusa
For the basis of Hindú architecture often reference is made to Vastupurusa or “the spirit of the site”. One legend explains this as follows. There was an evil demigod (bhuta) who was born during Siva’s fight with the Asur Andhaka. This bhuta possessed a terrifying countenance and an insatiable hunger. The legend goes that having done great penance, the bhuta won a boon from Siva that allowed him to swallow the three worlds that constitute the Hindu cosmos. As this being stretched himself and began to occupy the heavens, he fell flat on the earth. The various gods and demigods seized this opportunity and pinned various parts of his body to the ground, rendering him helpless. This being came to be called Vast (or Vastupurusa) because the gods and demigods managed to lodge themselves on his body. Legends hold that the deities, in pinning him down, occupied different parts of his body and continued to reside there (Figure1). In order to satisfy his hunger, Brahma ordained that he receive offerings from people on building sites before construction. The body of the Vastupurusa is supposed to be sensitive at a number of points called marmas. The well-being of the Vastupurusa assures the well-being of the building and, by implication, its owner. An important criterion for any building, therefore, is to avoid injury to the marmas located on the body of the Vastupurusa. To ensure that this is achieved, texts prohibit any direct construction upon the marmas themselves. The marmas are specifically said to lie at the intersection of major diagonals, seen as the veins (siras or nadis) of the purusa.
Lecture 05: Islamic Architecture in India_Slave DynastyKowshik Roy
This is a class lecture on Islamic Architecture in India. Architecture of Slave Dynasty has covered in this lecture.
Course Title: Architectural Heritage-IV
Architecture Discipline,
Khulna University, Khulna
anant raje, architect, indian architect, design, philosophy, concept, works, projects, educational purpose, buildings, pictures, iifm, bda, louis i kahn of india, life, carrer, death, photos
HISTORY: Philippines, and Architecture, into the 21st Century Context (PART 2)ArchiEducPH
History of Architecture 4
Report by: SR
De La Salle-College of Saint Benilde
School of Design & Arts
Architecture Program
1st Term S.Y. 2016-17
December 2016
History of Architecture 1
Report by: Ampil + Faustino
De La Salle-College of Saint Benilde
School of Design & Arts
Architecture Program
1st Term S.Y. 2016-17
December 2016
Roman architecture : Elements and innovations.jainvijaya
Hey! i am an architecture student. This presentation i made was for a college submission. Hope it works out for you. All the best. And don't forget to like it...!!!
Architecture (Latin architectura, from the Greek ἀρχιτέκτων architekton "architect", from ἀρχι- "chief" and "creator") is both the process and the product of planning, designing, and constructing buildings or other structures. Architectural works, in the material form of buildings
Architecture (Latin architectura, from the Greek ἀρχιτέκτων architekton "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings or other structures.
Architecture (Latin architectura, from the Greek ἀρχιτέκτων architekton "architect", from ἀρχι- "chief" and "creator") is both the process and the product of planning, designing, and constructing buildings or other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art.
CSTU 101 Quiz Review Liberty University UpdatedHomework Simple
https://www.homeworksimple.com/downloads/cstu-101-quizzes-quiz-1234/
https://www.homeworksimple.com/downloads/cstu-101-quiz-5678/
in portraying the human body?
Which artifact provided the key that allowed scholars to decode Egyptian hieroglyphics?
Who wrote these words for us to live by? “See to it that no one takes you captive through hollow and deceptive philosophy…”
This was perhaps the best known sculpture of Egyptian art.
Uncommon valor was a common virtue is located on which monument?
The flux of change that we see in a culture is called
The first written language was called
The most significant Sumerian literary work was
Legal standards had been developed in the past but none so practical as the Code of Laws that established the rule of law from the Persian Gulf to the Mediterranean Sea. Who was the Code of Laws named after?
Sumerians were from which area.
Which cultures religion could be described as being pragmatic and self-serving?
The Egyptian and Mesopotamian culture were very similar.
The Egyptian Culture was very concerned about the color of skin pigmentation and made a point to segregate those who were different.
The Egyptians did not have the technology of the wheel when they built the pyramids.
Similar to HISTORY: Roman Architecture (Vitruvius and the 1st Metaphysics) (20)
Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
Invited talk at 'offtheCanvas' IndiaHCI prelude, 29th June 2024.
https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
The world is being changed fundamentally by AI and we are constantly faced with newspaper headlines about its harmful effects. However, there is also the potential to both ameliorate theses harms and use the new abilities of AI to transform society for the good. Can you make the difference?
Expert Accessory Dwelling Unit (ADU) Drafting ServicesResDraft
Whether you’re looking to create a guest house, a rental unit, or a private retreat, our experienced team will design a space that complements your existing home and maximizes your investment. We provide personalized, comprehensive expert accessory dwelling unit (ADU)drafting solutions tailored to your needs, ensuring a seamless process from concept to completion.
Transforming Brand Perception and Boosting Profitabilityaaryangarg12
In today's digital era, the dynamics of brand perception, consumer behavior, and profitability have been profoundly reshaped by the synergy of branding, social media, and website design. This research paper investigates the transformative power of these elements in influencing how individuals perceive brands and products and how this transformation can be harnessed to drive sales and profitability for businesses.
Through an exploration of brand psychology and consumer behavior, this study sheds light on the intricate ways in which effective branding strategies, strategic social media engagement, and user-centric website design contribute to altering consumers' perceptions. We delve into the principles that underlie successful brand transformations, examining how visual identity, messaging, and storytelling can captivate and resonate with target audiences.
Methodologically, this research employs a comprehensive approach, combining qualitative and quantitative analyses. Real-world case studies illustrate the impact of branding, social media campaigns, and website redesigns on consumer perception, sales figures, and profitability. We assess the various metrics, including brand awareness, customer engagement, conversion rates, and revenue growth, to measure the effectiveness of these strategies.
The results underscore the pivotal role of cohesive branding, social media influence, and website usability in shaping positive brand perceptions, influencing consumer decisions, and ultimately bolstering sales and profitability. This paper provides actionable insights and strategic recommendations for businesses seeking to leverage branding, social media, and website design as potent tools to enhance their market position and financial success.
White wonder, Work developed by Eva TschoppMansi Shah
White Wonder by Eva Tschopp
A tale about our culture around the use of fertilizers and pesticides visiting small farms around Ahmedabad in Matar and Shilaj.
9. Corinthian Order
The Corinthian order is the last developed of the three principal
classical orders of ancient Greek and Roman architecture. The
other two are the Doric order which was the earliest, followed
by the Ionic order.
14. It is not part of the order of the temple itself,
which has a Doric colonnade surrounding the
temple and an Ionic order within the cella
enclosure.
A single Corinthian column stands free, centered
within the cella.
19. IONIC CAPITALDORIC CAPITAL DORIC CAPITAL
DORIC ORDERIONIC ORDERDORIC ORDER
THESE CAPITALS REPRESENT THE “CODES”
20. It begs the question…
Who tried to codify those
[Classical architecture]?
21. Marcus Vitruvius Pollio
a Roman author, architect, civil engineer and
military engineer during the 1st century BC
22. Marcus Vitruvius Pollio
Vitruvius served as an artilleryman, the third
class of arms in the military offices.
He probably served as a senior officer of artillery
in charge of doctores ballistarum (artillery
experts) and libratores who actually operated
the machines.
26. How did Vitruvius codify?
De architectura (On Architecture)
also known as Ten Books on Architecture
27.
28. De architectura
is a treatise on architecture written by the
Roman architect and military engineer Marcus
Vitruvius Pollio and dedicated to his patron, the
emperor Caesar Augustus, as a guide for
building projects.
29. Book 3 - Temples and the orders of
architecture
Vitruvius also studied human proportions (Book
III) and his canones were later encoded in a very
famous drawing by Leonardo da Vinci (Homo
Vitruvianus, "Vitruvian Man").
33. What are the greatest legacy of this
book to the discipline of architecture?
I. Vitruvius sought to address the ethos of
architecture, declaring that quality depends on
the social relevance of the artist's work, not on
the form or workmanship of the work itself.
34. II. Vitruvius started defining the world
using his knowledge in “building” things,
and it turns out to be what Eisenman
(2013) calls the first metaphysics.
35. III. Perhaps the most famous declaration
from De architectura is one still quoted by
architects: "Well building hath three
conditions: firmness, commodity, and
delight."
36. My histarc 1 kids, never leave this room without
remembering 3 Latin words;
FIRMITAS
UTILITAS
VENUSTAS
47. “Architecture is a transformation of
precedence…” (Eisenman, 2013)
/ˈpresədəns,prēˈsēdns/ the order to be ceremonially
observed by people of different rank, according to an
acknowledged or legally determined system.
48. it is the architect who defines the
world around him/ her.”
“…if you have a
Project
49. “it depends not [on] your talent or intelligence but it
depends on how you see yourself in your world and
why you’re doing it. If you’re here to save the world,
I’m not sure you have a Project. If you’re interested
in sustainability, that’s not a project.
A Project involves the discipline of architecture;
being able to define the world as we see it and being
able to be a critical resonance on that definition - any
Project is always a critique of the status quo of the
discipline. So therefore a Project is always in some
way political, ideological, intellectual, [and] etc.”
50. 15th Annual Conference on
Architectural Research and
Education (ACARE)
UMWAD: Developing the Future without
Forgetting the Past
Premise
51. 15th Annual Conference on
Architectural Research and
Education (ACARE)
UMWAD: Developing the Future without
Forgetting the Past
Premise
56. If you think about it…
While Vitruvius was Roman.
His ideal was Greek.
57. “Greek” idea of architecure
• Rigid inherence to proportions, orders, etc.
58. Dialogue between Roman & Greek architecture
• Frontal relationship to the subject to the
object.
• The other dealt with the Human subject into
the 45 degrees.
59.
60.
61. Classical Architecture, while a
discipline of architecture hinged on
symbols, must be further classified
by differing Roman & Greek
Architecture.