Advergame formal proposal
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This document proposes an advergame called "Advergame: Coca-Cola" that would promote Coca-Cola. It would be released on computers and mobile devices worldwide without needing translation. The pixel art style game would have the player adventure through a cave to obtain Coca-Cola. The main message is to get the player to want Coca-Cola. The target audience is 13-21 year olds of all genders, races, and orientations as it provides a retro experience for older players and something new for younger ones. Only Coca-Cola's name and logo would be used under fair use. Others would review it to ensure no offensive material.
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Advergame proposal
This document provides an overview for a proposed videogame called "Coke pilgrim vs. the copyright law". The game would be released on PC and uses a retro art style. It tells a story promoting Coca-Cola over other drinks in a lighthearted and non-offensive way, aimed at audiences in developed nations. To avoid legal issues, the game does not directly use any real brands or logos besides Coca-Cola, and edits those to be sufficiently different from the real design.
Formal proposal
This document proposes a radio advertisement and social media campaign for Coke featuring an Iron Man-style character in Coke's colors promoting their beverage. The target audience would be 16-24 year olds familiar with Marvel properties like Iron Man. Graphically, it would have a Marvel-esque style while using Coke's black, red and orange color scheme. Legally, care would need to be taken to sufficiently differentiate the concept from existing copyrighted works to avoid infringement issues.
3. formal proposal
This radio advertisement promotes Coca-Cola by describing the feeling of drinking Coke and sharing it with others to have a good time. It aims to communicate the message that Coke can bring people together for enjoyment. The ad would feature sounds of pouring Coke into a glass and opening a can to emphasize tasting the feeling. It targets all ages since it does not contain any offensive content.
3. formal proposal
The radio advertisement promotes Coca-Cola as a drink that can help listeners escape from stress and find peace. It aims to appeal to a worldwide audience ages 16 to 19 by evoking the relaxed summer vibes of classic Coke posters. As a major brand, Coca-Cola ensures the ad avoids offensive content and respects all cultures and beliefs to prevent legal issues.
3. formal proposal advergame
This document outlines an "advergame" called Cola JumpTM that would promote Coca-Cola on YouTube and mobile devices. The game would show a can of Coke helping characters reach the top of the screen for prizes, similar to the game Doodle Jump. It would target all ages and demographics in countries like the USA, UK, and Asia with a simple, upbeat design. The one-sentence pitch is that it shows "a drink that jumps up for joy." Care was taken to not directly criticize competitors and to follow advertising standards codes to avoid offending any groups.
Formal proposal advergame
This document provides a summary for a proposed Coca Cola advergame. The game would be an online advertisement targeted at all countries where Coca Cola is sold. Styled after the 1980's game Donkey Kong, players control a stickman character working their way through levels jumping over rolling Pepsi lids to reach Coca Cola. The game aims to create nostalgia for those who played Donkey Kong as children while communicating Coca Cola's message to a wide audience of all ages and backgrounds with no offensive or legally problematic content.
Audio proposal
This audio advertisement targets adults with a good sense of humor worldwide. It tells a short, funny joke that nobody will take seriously about seniors thinking the ad will steal their pension to communicate its message. The ad uses Coca-Cola's slogan but everything included is original to avoid copyright issues. It is intended for all audiences and not expected to offend any groups.
3. formal proposal radio
This radio advertisement for Coca-Cola will feature the sound of a skateboard on a summer morning. It will stop and be followed by the sound of a Coke can opening and someone drinking. The recognizable Coca-Cola jingle will then play to communicate the message of enjoying a refreshing Coke on a summer day. The ad aims to appeal to younger audiences by including the skateboard sound effect but will not target any specific age or gender. It uses conventions from existing ads with jingles and seasonal sounds to promote Coke in a similar style.
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Advergame proposal
This document provides an overview for a proposed videogame called "Coke pilgrim vs. the copyright law". The game would be released on PC and uses a retro art style. It tells a story promoting Coca-Cola over other drinks in a lighthearted and non-offensive way, aimed at audiences in developed nations. To avoid legal issues, the game does not directly use any real brands or logos besides Coca-Cola, and edits those to be sufficiently different from the real design.
Formal proposal
This document proposes a radio advertisement and social media campaign for Coke featuring an Iron Man-style character in Coke's colors promoting their beverage. The target audience would be 16-24 year olds familiar with Marvel properties like Iron Man. Graphically, it would have a Marvel-esque style while using Coke's black, red and orange color scheme. Legally, care would need to be taken to sufficiently differentiate the concept from existing copyrighted works to avoid infringement issues.
3. formal proposal
This radio advertisement promotes Coca-Cola by describing the feeling of drinking Coke and sharing it with others to have a good time. It aims to communicate the message that Coke can bring people together for enjoyment. The ad would feature sounds of pouring Coke into a glass and opening a can to emphasize tasting the feeling. It targets all ages since it does not contain any offensive content.
3. formal proposal
The radio advertisement promotes Coca-Cola as a drink that can help listeners escape from stress and find peace. It aims to appeal to a worldwide audience ages 16 to 19 by evoking the relaxed summer vibes of classic Coke posters. As a major brand, Coca-Cola ensures the ad avoids offensive content and respects all cultures and beliefs to prevent legal issues.
3. formal proposal advergame
This document outlines an "advergame" called Cola JumpTM that would promote Coca-Cola on YouTube and mobile devices. The game would show a can of Coke helping characters reach the top of the screen for prizes, similar to the game Doodle Jump. It would target all ages and demographics in countries like the USA, UK, and Asia with a simple, upbeat design. The one-sentence pitch is that it shows "a drink that jumps up for joy." Care was taken to not directly criticize competitors and to follow advertising standards codes to avoid offending any groups.
Formal proposal advergame
This document provides a summary for a proposed Coca Cola advergame. The game would be an online advertisement targeted at all countries where Coca Cola is sold. Styled after the 1980's game Donkey Kong, players control a stickman character working their way through levels jumping over rolling Pepsi lids to reach Coca Cola. The game aims to create nostalgia for those who played Donkey Kong as children while communicating Coca Cola's message to a wide audience of all ages and backgrounds with no offensive or legally problematic content.
Audio proposal
This audio advertisement targets adults with a good sense of humor worldwide. It tells a short, funny joke that nobody will take seriously about seniors thinking the ad will steal their pension to communicate its message. The ad uses Coca-Cola's slogan but everything included is original to avoid copyright issues. It is intended for all audiences and not expected to offend any groups.
3. formal proposal radio
This radio advertisement for Coca-Cola will feature the sound of a skateboard on a summer morning. It will stop and be followed by the sound of a Coke can opening and someone drinking. The recognizable Coca-Cola jingle will then play to communicate the message of enjoying a refreshing Coke on a summer day. The ad aims to appeal to younger audiences by including the skateboard sound effect but will not target any specific age or gender. It uses conventions from existing ads with jingles and seasonal sounds to promote Coke in a similar style.
Formal Proposal
This advergame promotes Coca-Cola by telling the story of Santa delivering Coke down chimneys. It would be released on YouTube and Facebook, targeting 16-19 year olds. The game's style is similar to other Coca-Cola ads and it avoids offensive or legally problematic content by sticking to the Coke brand and theme of Christmas delivery without explicit images or text.
4. formal proposal 2
This document proposes an advergame to promote Coca-Cola. The game would be released worldwide on mobile platforms. Players control a Coca-Cola can chasing a vending machine. The goal is to communicate that Coke refreshes you after hard work. Stylistically, it would resemble games for other sodas through use of distinctive colors and fonts. The target audience is teens and young adults who the brand aims to portray spending time with friends and adventure. No offensive content would be included and the game would differ from existing Coke ads to avoid copyright issues.
Formal proposal advergame
This is an advergame targeted at younger audiences across all countries and languages. The player controls a Coke can that battles a Pepsi can, showing that Coke is better than its competitors. It takes inspiration from games like Pitfall with pixelated graphics and detail. The goal is to get the Coke can to the end of the map where the Pepsi can waits without offending any groups.
3. formal proposal advergame
This document outlines an advergame called "AJ Cokey" that would be released online in Western countries. The game guides a Coke can through space to avoid oncoming bullets, communicating Coke's message in a fun and easy-to-play format similar to Space Invaders. The target audience is teenagers and young adults aged 15-21. It avoids offensive or restricted content so as not to offend any groups while differentiating sufficiently from existing games to avoid copyright issues.
formal proposal
This document proposes an advergame promoting Coca-Cola that would be released across multiple platforms. The game would involve a Coca-Cola can jumping through stages and ending in a face-off between Coca-Cola and Diet Coke. The target audience is anyone aged 9 and older of any gender or social status who would be appealed to through catchy music and realistic sound effects. Legal and ethical considerations are addressed to avoid offensive content and ensure the game does not infringe on copyright.
Radio formal proposal
This radio advertisement is for Coca-Cola to promote their drinks for the summer festival season. It targets 16-21 year olds of both genders who are most likely to attend festivals. The ad will have an upbeat style similar to other festival advertisements to encourage drinking Coca-Cola products at events and getting people together with their high quality beverage. Legal and ethical considerations will be taken to ensure the ad does not offend any audiences and avoids copyright issues.
3 formal proposal
This radio advertisement is for Coca-Cola to promote their drinks for the summer festival season. It targets 16-21 year olds of both genders who are most likely to attend festivals. The ad will have an upbeat, festival-like style to encourage drinking Coca-Cola, which is positioned as a refreshing beverage that brings people together. Legal and ethical considerations were made to avoid offending any groups and to ensure the ad does not infringe on any copyrights.
1. formal proposal
This radio advertisement promotes Coke by communicating its refreshing and sweet qualities to listeners. Through a brief dialog between a cashier and customer, it aims to convince the audience that Coke is worth buying. The ad targets English-speaking adults aged 20-40 from any social status who enjoy driving. It keeps the message simple without religious, offensive, or accent elements to avoid causing harm.
3. formal proposal
This radio advertisement promotes Coke by communicating its refreshing and sweet qualities to listeners. Through a dialogue between a cashier and customer, it aims to convince the customer that Coke is worth buying. The ad targets English-speaking adults aged 20-40 through a simple message focusing on Coke being red, sweet, and fizzy, without including any potentially offensive material or accents. By keeping the ad brief at 20 seconds and not using any copyrighted music or celebrity likenesses, the creators believe it avoids legal issues despite featuring the Coke brand name.
4. Proposal
This proposal is for an arcade game called Blocky. The goal of the game is to have the player control a block that grows in size by swallowing smaller blocks, allowing it to eventually swallow larger blocks. The intended audience is ages 14-19 of both genders from any social status who enjoy competitive, challenging games. Some elements of popular games, like colors, may be incorporated into the design. No offensive or inappropriate content will be included, and the game will be accessible to both younger and older audiences. The game aims to be entertaining through its competitive gameplay while avoiding issues like copyright infringement through an original design.
3. formal proposal adver game
The document proposes an "adver-game" for Coca Cola targeted at 12-19 year olds. The video game animation would follow a man earning points each time he drinks Coca Cola. Inspired by Flappy Bird, the points would go up each time the man collects Coke cans. While aimed at all genders and social classes between 12-19, some legal and ethical considerations are noted around promoting energy drinks to youth, as well as ensuring no offense to social or religious groups.
4. proposal(2)
1. The working title of the proposal is "SadLand", which is a 16-bit platformer game.
2. The game's purpose is to entertain people by having players control a ghost character to travel through multiple levels of limbo to reach heaven and become happy, solving puzzles and battling enemies along the way.
3. The target audience is achievers aged 12-17 of both genders from any social status, appealing to them with its story-driven gameplay set in a limbo world.
3.%20 formal%20proposal (2)
Our main character Jeff must jump from Coca Cola can to Coca Cola bottle to collect bottle lids that make him stronger as he reaches the end. The game is aimed to resemble an 8-bit Mario game and appeal to children aged 5 to 12 by being bright, fun and fast. It uses the Coca Cola brand to communicate a message in a way that should not offend any social or religious groups.
3. formal proposal 2
This radio advertisement promotes Coca-Cola by focusing on the theme of sharing. The ad targets 16-19 year olds and will air on radio and social media when this age group is most likely listening. The message is that sharing Coca-Cola has never been better. It is suitable for worldwide release without being offensive to any cultures or beliefs.
3. formal proposal
This document outlines an "Advergame" called "Coke too good to lose" that would be released on iOS. It is an 8-bit side scrolling game where the player chases a lost Coke can down the street, communicating Coke's message that it is too nice to lose. The target audience is 12-16 year olds who would understand the game concept, though it is open to all ages. Some legal considerations include using a logo similar enough to Coke's to invoke the brand but different enough to avoid copyright claims.
Advergame proposal
This document outlines a proposed advergame for Coca-Cola called "Coca Cola Game". The game would be suitable for worldwide release on online and mobile platforms. Players work together in teams to race through different levels and roads to reach the finish line before a timer runs out, promoting a positive message of teamwork. The target audience is males aged 12-17, as the easy gameplay may become boring for older audiences. No offensive material, social groups, religions, or existing copyrighted content will be included to avoid legal issues.
3. formal proposal for advergame
This radio advertisement from Coca-Cola is a Christmas-themed ad that will play in countries like Europe, America, South America, Russia, and Australia. It will begin with bells jingling and a Christmas song playing to communicate the message that Christmas is a time to enjoy Coca-Cola. The ad is meant to appeal to all ages and genders who listen to radio.
3. formal proposal game
This summary describes an advergame called "punk can kick" where the goal is to kick a coke can into a bin. It is inspired by platform games and aimed at teens and young adults. Some legal considerations include potentially offensive symbols suggesting reckless behavior but the game promotes an anti-littering message. Copyright issues are avoided by not directly using logos but only suggesting brands through color.
3. formal proposal advergame
This advergame is a sidescrolling game for Photoshop where the player collects Coca-Cola cans for points. The game is inspired by pixel style games like Mario and appeals to all ages as there is no violence, offensive material, or bad language. The sole purpose is to promote the Coca-Cola brand in a fun, family-friendly game.
Formal final
The game is called Coca Cola Hop, an advergame and mobile platform game where the player controls a character jumping on platforms to collect a Coca Cola can as the prize. It will be released worldwide on all platforms simultaneously, as it is suitable for all ages and cultures without causing offense. The simple 2D side-scrolling arcade game style takes inspiration from Mario to be recognizable while reinforcing the Coca Cola brand through repetition of the name and portrayal of the drink as a quality prize. The target audience is people aged 16-19 of both genders who would be familiar with classic arcade games and the Coca Cola brand.
Formal final
The game is called Coca Cola Hop, an advergame and mobile platform game where the player controls a character jumping on platforms to collect a Coca Cola can as the prize. It would be released worldwide on all platforms simultaneously, as it is suitable for all ages and cultures without causing offense. The simple 2D side-scrolling arcade style reinforces the Coca Cola brand through repetition of the name and portraying it as a quality prize, with the main message being that Coca Cola is a top quality prize. The target audience is ages 16-19 of both genders, as they would recognize and enjoy the classic arcade style.
3. formal proposal advergame
This advergame promotes Coca Cola by having players jump between bottles that increase in height to reach a Coca Cola can to win. The game targets 16-19 year old males and females of any social status in the United Kingdom in English. To avoid legal issues, the game will not include offensive content and will blur the Coca Cola logo to differentiate it from the real brand.
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Formal Proposal
This advergame promotes Coca-Cola by telling the story of Santa delivering Coke down chimneys. It would be released on YouTube and Facebook, targeting 16-19 year olds. The game's style is similar to other Coca-Cola ads and it avoids offensive or legally problematic content by sticking to the Coke brand and theme of Christmas delivery without explicit images or text.
4. formal proposal 2
This document proposes an advergame to promote Coca-Cola. The game would be released worldwide on mobile platforms. Players control a Coca-Cola can chasing a vending machine. The goal is to communicate that Coke refreshes you after hard work. Stylistically, it would resemble games for other sodas through use of distinctive colors and fonts. The target audience is teens and young adults who the brand aims to portray spending time with friends and adventure. No offensive content would be included and the game would differ from existing Coke ads to avoid copyright issues.
Formal proposal advergame
This is an advergame targeted at younger audiences across all countries and languages. The player controls a Coke can that battles a Pepsi can, showing that Coke is better than its competitors. It takes inspiration from games like Pitfall with pixelated graphics and detail. The goal is to get the Coke can to the end of the map where the Pepsi can waits without offending any groups.
3. formal proposal advergame
This document outlines an advergame called "AJ Cokey" that would be released online in Western countries. The game guides a Coke can through space to avoid oncoming bullets, communicating Coke's message in a fun and easy-to-play format similar to Space Invaders. The target audience is teenagers and young adults aged 15-21. It avoids offensive or restricted content so as not to offend any groups while differentiating sufficiently from existing games to avoid copyright issues.
formal proposal
This document proposes an advergame promoting Coca-Cola that would be released across multiple platforms. The game would involve a Coca-Cola can jumping through stages and ending in a face-off between Coca-Cola and Diet Coke. The target audience is anyone aged 9 and older of any gender or social status who would be appealed to through catchy music and realistic sound effects. Legal and ethical considerations are addressed to avoid offensive content and ensure the game does not infringe on copyright.
Radio formal proposal
This radio advertisement is for Coca-Cola to promote their drinks for the summer festival season. It targets 16-21 year olds of both genders who are most likely to attend festivals. The ad will have an upbeat style similar to other festival advertisements to encourage drinking Coca-Cola products at events and getting people together with their high quality beverage. Legal and ethical considerations will be taken to ensure the ad does not offend any audiences and avoids copyright issues.
3 formal proposal
This radio advertisement is for Coca-Cola to promote their drinks for the summer festival season. It targets 16-21 year olds of both genders who are most likely to attend festivals. The ad will have an upbeat, festival-like style to encourage drinking Coca-Cola, which is positioned as a refreshing beverage that brings people together. Legal and ethical considerations were made to avoid offending any groups and to ensure the ad does not infringe on any copyrights.
1. formal proposal
This radio advertisement promotes Coke by communicating its refreshing and sweet qualities to listeners. Through a brief dialog between a cashier and customer, it aims to convince the audience that Coke is worth buying. The ad targets English-speaking adults aged 20-40 from any social status who enjoy driving. It keeps the message simple without religious, offensive, or accent elements to avoid causing harm.
3. formal proposal
This radio advertisement promotes Coke by communicating its refreshing and sweet qualities to listeners. Through a dialogue between a cashier and customer, it aims to convince the customer that Coke is worth buying. The ad targets English-speaking adults aged 20-40 through a simple message focusing on Coke being red, sweet, and fizzy, without including any potentially offensive material or accents. By keeping the ad brief at 20 seconds and not using any copyrighted music or celebrity likenesses, the creators believe it avoids legal issues despite featuring the Coke brand name.
4. Proposal
This proposal is for an arcade game called Blocky. The goal of the game is to have the player control a block that grows in size by swallowing smaller blocks, allowing it to eventually swallow larger blocks. The intended audience is ages 14-19 of both genders from any social status who enjoy competitive, challenging games. Some elements of popular games, like colors, may be incorporated into the design. No offensive or inappropriate content will be included, and the game will be accessible to both younger and older audiences. The game aims to be entertaining through its competitive gameplay while avoiding issues like copyright infringement through an original design.
3. formal proposal adver game
The document proposes an "adver-game" for Coca Cola targeted at 12-19 year olds. The video game animation would follow a man earning points each time he drinks Coca Cola. Inspired by Flappy Bird, the points would go up each time the man collects Coke cans. While aimed at all genders and social classes between 12-19, some legal and ethical considerations are noted around promoting energy drinks to youth, as well as ensuring no offense to social or religious groups.
4. proposal(2)
1. The working title of the proposal is "SadLand", which is a 16-bit platformer game.
2. The game's purpose is to entertain people by having players control a ghost character to travel through multiple levels of limbo to reach heaven and become happy, solving puzzles and battling enemies along the way.
3. The target audience is achievers aged 12-17 of both genders from any social status, appealing to them with its story-driven gameplay set in a limbo world.
3.%20 formal%20proposal (2)
Our main character Jeff must jump from Coca Cola can to Coca Cola bottle to collect bottle lids that make him stronger as he reaches the end. The game is aimed to resemble an 8-bit Mario game and appeal to children aged 5 to 12 by being bright, fun and fast. It uses the Coca Cola brand to communicate a message in a way that should not offend any social or religious groups.
3. formal proposal 2
This radio advertisement promotes Coca-Cola by focusing on the theme of sharing. The ad targets 16-19 year olds and will air on radio and social media when this age group is most likely listening. The message is that sharing Coca-Cola has never been better. It is suitable for worldwide release without being offensive to any cultures or beliefs.
3. formal proposal
This document outlines an "Advergame" called "Coke too good to lose" that would be released on iOS. It is an 8-bit side scrolling game where the player chases a lost Coke can down the street, communicating Coke's message that it is too nice to lose. The target audience is 12-16 year olds who would understand the game concept, though it is open to all ages. Some legal considerations include using a logo similar enough to Coke's to invoke the brand but different enough to avoid copyright claims.
Advergame proposal
This document outlines a proposed advergame for Coca-Cola called "Coca Cola Game". The game would be suitable for worldwide release on online and mobile platforms. Players work together in teams to race through different levels and roads to reach the finish line before a timer runs out, promoting a positive message of teamwork. The target audience is males aged 12-17, as the easy gameplay may become boring for older audiences. No offensive material, social groups, religions, or existing copyrighted content will be included to avoid legal issues.
3. formal proposal for advergame
This radio advertisement from Coca-Cola is a Christmas-themed ad that will play in countries like Europe, America, South America, Russia, and Australia. It will begin with bells jingling and a Christmas song playing to communicate the message that Christmas is a time to enjoy Coca-Cola. The ad is meant to appeal to all ages and genders who listen to radio.
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3. formal proposal game
This summary describes an advergame called "punk can kick" where the goal is to kick a coke can into a bin. It is inspired by platform games and aimed at teens and young adults. Some legal considerations include potentially offensive symbols suggesting reckless behavior but the game promotes an anti-littering message. Copyright issues are avoided by not directly using logos but only suggesting brands through color.
3. formal proposal advergame
This advergame is a sidescrolling game for Photoshop where the player collects Coca-Cola cans for points. The game is inspired by pixel style games like Mario and appeals to all ages as there is no violence, offensive material, or bad language. The sole purpose is to promote the Coca-Cola brand in a fun, family-friendly game.
Formal final
The game is called Coca Cola Hop, an advergame and mobile platform game where the player controls a character jumping on platforms to collect a Coca Cola can as the prize. It will be released worldwide on all platforms simultaneously, as it is suitable for all ages and cultures without causing offense. The simple 2D side-scrolling arcade game style takes inspiration from Mario to be recognizable while reinforcing the Coca Cola brand through repetition of the name and portrayal of the drink as a quality prize. The target audience is people aged 16-19 of both genders who would be familiar with classic arcade games and the Coca Cola brand.
Formal final
The game is called Coca Cola Hop, an advergame and mobile platform game where the player controls a character jumping on platforms to collect a Coca Cola can as the prize. It would be released worldwide on all platforms simultaneously, as it is suitable for all ages and cultures without causing offense. The simple 2D side-scrolling arcade style reinforces the Coca Cola brand through repetition of the name and portraying it as a quality prize, with the main message being that Coca Cola is a top quality prize. The target audience is ages 16-19 of both genders, as they would recognize and enjoy the classic arcade style.
3. formal proposal advergame
This advergame promotes Coca Cola by having players jump between bottles that increase in height to reach a Coca Cola can to win. The game targets 16-19 year old males and females of any social status in the United Kingdom in English. To avoid legal issues, the game will not include offensive content and will blur the Coca Cola logo to differentiate it from the real brand.
3. formal proposal
This document provides an overview for a proposed videogame called "Coke pilgrim vs. the copyright law". The game would be released on PC and use a retro art style. It would target worldwide audiences of all ages and cultures. The goal of the game is to communicate the message that Coke is better than other drink options, without directly using any real brand names or logos besides Coca-Cola to avoid legal issues.
Advergame proposal
This document provides a summary for a proposed mobile and computer game called "Coca Cola Halloween Dash." The game is a 2D, indie/pop style platformer set in English for worldwide audiences. Players must collect all the collectible caps in the game levels before finishing to earn a special reward. The game aims to target a younger male audience through its similarities to popular games like Terreria and Minecraft. It was designed to not include any offensive, unethical, or copyrighted material that could restrict audiences or offend social groups.
p1 formal proposal advergame
This document proposes an "advergame" called "Sip 'n' Dip" to promote Coca-Cola. The game would be released as a mobile app worldwide without language barriers. Players control a Coca-Cola "super hero" collecting tokens while avoiding obstacles. The goal is to subconsciously associate playing and enjoying the game with the Coca-Cola brand. It draws inspiration from similar pixel-art advergames and aims to appeal to people of any age or background by prominently featuring the Coca-Cola name and being inoffensive.
Formal proospal advergame
The game has the player controlling a Coca-Cola can protagonist who crushes other cans to collect them for recycling. It is inspired by side-scrolling games like Super Mario Bros. and Sonic and aims to appeal to pre-teens and young adults with its message of recycling in a fun and non-offensive manner similar to those classic games.
4. proposal game
This document proposes an 8-bit side-scroller game called "Breadcrumbs and Cola" to be published on Coca-Cola's website to promote the brand's message of being joyous, seasonal, and fun. The target audience is children who are most attracted to video games and susceptible to encoded messaging. The game style would be similar to retro Coke advergames without restrictive content to potentially offend audiences while utilizing Coca-Cola's characters, names and logos to promote the brand.
3. formal proposal advergames
This document proposes an advergame called "Working Title" that would be a 2D platformer game released worldwide on video game platforms for audiences ages 12 and older. The player controls a character who must jump and run over obstacles to rescue Coca-Cola from aliens, promoting Coca-Cola through its logo being the only one featured. The game is inspired by classic 2D platformers like The Legend of Zelda but without combat elements. It aims to avoid offending anyone through its cartoon flying saucer enemies and sole use of Coca-Cola's logo to advertise the beverage.
Advergame Formal Proposal
This document outlines a proposed advergame called "Collect the Cokes" for Coca-Cola. The game would be a side-scrolling runner released on mobile and web for English speakers in the UK. The player controls a character who runs and collects cans of Coke, ultimately displaying a message to "Enjoy Coca-Cola." The game aims to appeal to 16-19 year olds of any gender or social status who enjoy social activities or being ambitious. The creator commits to avoiding offensive content and ensuring the game respects all cultures and beliefs.
3. formal proposal advergame
This document outlines an advergame called "AJ Cokey" that would be released online in Western countries. The game guides a Coke can through space to avoid oncoming bullets, communicating Coke's message in a fun and easy-to-play format inspired by Space Invaders. The target audience is teenagers and young adults aged 15-21. It avoids offensive or restricted content so as not to offend any groups while differentiating sufficiently from existing games to avoid copyright issues.
3. formal proposal
This document provides an overview for an advergame called "Nano Cola adventures" that would be a sci-fi, side-scrolling game released worldwide on various media platforms. The game involves guiding a can of cola to win each level, similar to Mario games. The target audience would be ages 16-18. Considerations were made to avoid offensive, restricted, or copyrighted content.
3. formal proposal
This advergame promotes Coca-Cola by having players control a Coca-Cola can character. Released worldwide on mobile and web, it is inspired by Google mini-games for its appealing style. The target audience is gamers and Coca-Cola drinkers ages 4-16 without regard to gender. The game avoids offensive content to remain kid-friendly and non-offensive to social groups.
Advergame proposal (1)
You play as a bottle of Coca-Cola avoiding Pepsi cans by jumping in a 2D side-scrolling game. The game can be played on phones worldwide, appealing to any age, gender or social status with its simple and non-offensive gameplay inspired by Mario. Minor references will be made to Pepsi as the "bad guys" represented as cans that can be avoided by jumping, with logos slightly changed to avoid copyright issues.
3. formal proposal game
This document proposes a 2D platformer video game where the player must collect Coca-Cola cans while avoiding Pepsi cans. The game is inspired by classic 2D games like Doom and aims to appeal to teenagers by promoting Coca-Cola in an entertaining format. Legal and ethical considerations include ensuring the game does not offend any groups and differs enough from existing games to avoid copyright issues.
Advergame formal proposal
This advergame promotes Coca-Cola in an entertaining 8-bit style similar to the classic game Donkey Kong. It would be released on television and computers to appeal to both children and older audiences nostalgic for retro games. Players control a Coca-Cola can escaping a vending machine to avoid falling coins in a colorful backdrop that advertises the beverage without offensive or inappropriate content suitable for worldwide audiences.
3. formal proposal advergame
This document provides a summary for a proposed video game called "Space Race". The game would be released on DS and various websites. It is inspired by pixelated side-scrolling games like Mario and would feature astronauts exploring space while being powered up by Coca-Cola in a similar way to invincibility stars. The target audience is 13-17 year olds in Germany who are needs-driven. While featuring existing brands like Coca-Cola, the game would have unique graphical elements to avoid copyright issues.
3. formal proposal 2
This radio advertisement from Coca-Cola encourages people to drink the product by promoting the chance to find a rare gold can or bottle. The main message is about bringing people together with family and friends. It will target all Coca-Cola drinkers and non-drinkers worldwide through radio, podcasts and Spotify. The style is inspired by classic Coca-Cola bottles but ensures no offensive material by maintaining an inoffensive language and avoiding representing any groups to be accessible to all audiences.
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4. fmp proposal
This proposal outlines a photography magazine called "Clear" aimed at teenagers and adults. The magazine will feature various photography styles on double page spreads with captions. It will also include photography tips and tricks. The name "Clear" was chosen based on survey feedback. The magazine aims to inspire others and showcase the author's photography skills. Legal considerations were made to avoid offensive, copyrighted, or inappropriate content. The magazine was designed to appeal to a wide audience and provide inspiration through photography.
7. fmp evaluation
This document summarizes peer feedback on a student's final major project (FMP) of creating a photography magazine. The peer feedback praised the professional quality of the photos and editing. Suggested areas for improvement included making the text easier to read, ensuring caption and website element names are correct, taking more varied photos in different styles and locations, and allocating more time for photography and website development. The student agreed with most of the feedback and said they would spend more time on higher quality photos, have more varied styles, ensure front/back covers are consistent, create presets for future projects, and allocate more time.
6. fmp production reflection
Joshua Blakeley reflects on the process of creating three double page spreads for a photography magazine. He chose nature photos that showed off his camera and editing skills. For each photo, he adjusted color curves, balance, and levels to make the images pop more and seem like they were taken later in the year. He selected fonts, added captions, and ensured consistency across the spreads. Overall, the process allowed him to highlight his technical photographic and post-processing abilities.
5. fmp pre production
The document outlines Joshua Blakeley's pre-production plan for a photography magazine. It details the fonts, color schemes, layout styles, and potential first layout. It also includes contingency plans, health and safety considerations, a schedule, and resources needed. The goal is to create a minimalist magazine focusing on photography and showcasing different styles to appeal to various readers.
4. fmp proposal
This proposal outlines plans for a photography magazine called "Clear". The magazine will feature various styles of photography along with editing tips and techniques. It will appeal to teenagers and adults of all genders, sexualities, races, and social classes. The goal is to inspire readers and showcase what the creator has learned about photography. Legal and ethical considerations were taken into account to avoid offensive, inappropriate, or copyrighted content. Feedback will be solicited to ensure no groups are unintentionally offended by any of the photographs.
3. fmp production experiments
The document describes the process of editing mock magazine covers and spreads. It discusses 4 experiments with different styles and color schemes. For the first, bold colors were used to make lines pop. For the second, a pink color scheme was chosen. The third used a monochrome scheme based on feedback. The fourth used unconventional brown tones. Advantages and disadvantages of each approach are described, such as some styles being more appealing or legible than others. The reflection indicates the second cover and fourth spread experiments will influence the final product, which will use minimalism and monochrome styles with original photography.
2. fmp research
Here are a few key points from your research evaluation:
- You conducted product research, questionnaires, and interviews to get different perspectives. This allowed you to see common themes as well as diverse opinions.
- Questionnaires have the advantage of collecting data from many people but responses can take time. Interviews provide more depth but require more effort.
- Your research highlighted the need for your product to appeal to a wide audience in terms of style, content, and avoiding offense. It also emphasized the importance of high quality work.
- Distributing your survey by email and Blackboard gave you multiple avenues for responses. Email allows targeting specific people but you can't track if the survey was actually completed.
In summary
1. fmp initial plans
- The document outlines initial plans for a photography magazine project, including a mind map, mood board analysis, and informal proposal.
- The mood board analysis found repetition of monochrome settings, blues as the most frequent color, and large photos with overlaying text across magazine spreads. The analysis will influence the final product by including at least 5 elements from the mood board.
- The informal proposal concept is for a magazine featuring monochrome, minimalist, and headshot photography styles. It will include tips, different photography styles, and inspirations. Photography studio time and a model were booked to create content. The primary target audience is 16-25 year olds and the secondary is 26-30 year olds
3. production experiments(4)
Joshua Blakeley conducted an experiment describing his morning routine without using a script. He spoke freely about common morning tasks like most people. To conclude the short description, background music gradually increased in volume. In his reflection, Blakeley notes he will maintain a natural speaking style without scripts for his final product. He also aims to limit stuttering to ensure clear communication.
7. evaluation(4)
The document provides an evaluation of a podcast production project. It discusses strengths and weaknesses in the research, planning, and time management phases. It notes that listening to other podcasts helped but also revealed competition. Planning different audio styles was useful but some elements took longer than expected. Time was managed well by completing the project in two days, though editing took significant time due to censorship. The podcast sounded good despite being one take but censorship beeps could be improved. The informal style and sharing of opinions was appealing to the target audience. Peer feedback praised the casual discussion but noted some content was misleading and audio quality could be better. The producer agreed some content needed clarifying and would improve censorship sounds and length.
6. production reflection(4)
This production reflection describes the process taken to edit down a 14 minute podcast file. The document discusses listening to the original file to identify the main topic, separating the intro and outro to edit freely, adding fitting background music at an appropriate volume, and censoring any cursing with bleeps and tones.
5. pre production(4)
This document outlines the pre-production planning for a podcast, including sound effects, music, props, locations, contingency planning, health and safety, and schedule. Sound effects of an owl and duck will be used to censor cursing. Music from South London HiFi will be used as a backing track, shortened to 5 minutes. Potential issues include equipment failure, illness, computer crashes, and eye strain. Solutions involve backups, chargers, and taking breaks. Health and safety concerns involve short circuits, posture, eye strain, and spills. The 8 day schedule includes drafting the topic, recording, finding sounds, editing, adding music, and finishing mixing.
4. proposal(4)
The podcast "Chatting S**t With Joe And Josh" aims to entertain an audience aged 18-24 by having Joe and Josh discuss gaming topics without a script, allowing their conversations to feel authentic. Each episode will include an introduction of Joe and Josh, followed by them talking trash about gaming news before saying goodbye in the outro. While explicit language may be used, offensive remarks targeting groups will be edited out. Copyrighted music and effects will also be reviewed.
2. research(4)
The document summarizes two existing gaming podcasts: Kinda Funny Gamescast and The Patch by RoosterTeeth. It notes that both podcasts cover similar gaming topics and events in an authentic way without scripts, allowing the hosts to freely express their opinions. The document also states that the researcher intends to take a similar unscripted approach in their own podcast to genuinely discuss topics they feel strongly about.
1. initial plans(4)
The document outlines initial plans made by Joshua Blakeley that involve creating a mind map. It seems to focus on brainstorming ideas around creating or developing a mind map. The short document references Joshua Blakeley and mentions creating a mind map twice, suggesting this is the key topic or goal being planned.
7. evaluation
The document provides an evaluation of Joshua Blakeley's work on an FMP project involving the production of magazines. It summarizes the strengths and weaknesses of his research, planning, time management, technical and aesthetic qualities. Peer feedback praised the professional front cover design but noted the font could be harder to read. Improvements suggested were adding more content to fill blank spaces and using a more readable font on the front cover.
6. production reflection
Joshua Blakeley reflects on the process of creating a magazine front cover and double-page spread about CS:GO. He began by choosing a character model for the background and adding taglines and the title. Additional elements like the barcode, price, and "exclusive" text were included to entice readers. More depth was added by including the magazine masthead across multiple layers. The double-page spread featured topics on the CS:GO major and game history, along with team stickers and an esports fact. All text was researched and fact-checked by Blakeley.
5. pre production
This document outlines the pre-production plans for a magazine layout project. It discusses two potential layout styles, one with a large main story and smaller supplemental articles, and a more minimalist single-story design. No props or locations are needed as the magazine is a digital project. Contingency plans are included to address potential issues like computer crashes, eye strain, and lost files. A 9-day schedule is provided to develop articles, design pages in Photoshop and Word, and ensure no copyright issues.
4. proposal
This proposal outlines a gaming news and discussion website called UNite. The purpose is to entertain and inform users about gaming news, esports, fan art, and upcoming games. Content will include gaming news, discussions in email forums, and comparisons of gaming consoles. The target audience is males and females ages 7 and up from middle to upper-middle social classes. Legal considerations include deciding how to handle potentially offensive game content and discussions, and ensuring proper use of intellectual property from existing games.
3. production experiments
The document outlines Joshua Blakeley's experiments for a fishing magazine. It describes the steps taken which included researching regular magazine prices, identifying common fish species, and reviewing current magazines to avoid copying designs. In his reflection, Joshua notes that for the final product he will thoroughly research existing magazines to prevent copying, consider appropriate content for different ages, and include an eye-catching cover photo on the magazine.
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- 1. Working Title: Advergame: Coca-Cola Target Platform: Computer/Mobile What media platform/platforms would you release the product on? Genre: Pixel Game What sort of a media product is it? Language / Territories: Worldwide What countries would you release it in? Worldwide Would it be suitable worldwide or is it targeted at a specific population? Yes as there would be no translation needed. Is it unsuitable for any cultures or beliefs? No its shouldn’t offend anyone in anyway. Synopsis / Treatment / Story / How the game plays: What is your product about? It’s about containing Coca-Cola Discuss how it works to communicate a message to the audience? It shows that you need to contain Coca-Cola. What is the main message? To take Coca-Cola One Line SalesPitch: Adventure for a Coca-Cola. Style (similar products and graphical style): What product is yours similar to? It’s totally original, I haven’t seen anything similar it the 2D Why have you used it for inspiration? Nothing I just thought of it. Discuss this in relation to conventions and art style: The art style is made in pixels, it’s based in a cave where a character is going to adventure for a Coca-Cola. Audience: Who is your audience? 13-21, Both Genders, All Races, All Sexual Orientations. Why would your product appeal to this person? It’s gives people a retro feel and the younger ones a new experience.
- 2. Legal & Ethical Considerations: Think about any offensive material you will include? There isn’t any offensive material. Will you restrict younger audiences engaging with it? No because it’s all about adventuring. Will it offend any social groups/religions/ethnicities? No is shouldn’t as it doesn’t include any racial/social events. How will you ensure you do not offend anyone? Get others to review it and get their thoughts. Is your product using characters/names/logos of existing ones? Only Coca-Cola Will your product be sufficiently different from existing ones to not get sued for copyright infringement and how have you achieved this? It’s totally original and its should be free of copyright.