3.%20 formal%20proposal (2)
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Our main character Jeff must jump from Coca Cola can to Coca Cola bottle to collect bottle lids that make him stronger as he reaches the end. The game is aimed to resemble an 8-bit Mario game and appeal to children aged 5 to 12 by being bright, fun and fast. It uses the Coca Cola brand to communicate a message in a way that should not offend any social or religious groups.
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Advergame proposal
This document outlines a proposed advergame for Coca-Cola called "Coca Cola Game". The game would be suitable for worldwide release on online and mobile platforms. Players work together in teams to race through different levels and roads to reach the finish line before a timer runs out, promoting a positive message of teamwork. The target audience is males aged 12-17, as the easy gameplay may become boring for older audiences. No offensive material, social groups, religions, or existing copyrighted content will be included to avoid legal issues.
Advergame proposal (1)
You play as a bottle of Coca-Cola avoiding Pepsi cans by jumping in a 2D side-scrolling game. The game can be played on phones worldwide, appealing to any age, gender or social status with its simple and non-offensive gameplay inspired by Mario. Minor references will be made to Pepsi as the "bad guys" represented as cans that can be avoided by jumping, with logos slightly changed to avoid copyright issues.
3. formal proposal
This document outlines an "Advergame" called "Coke too good to lose" that would be released on iOS. It is an 8-bit side scrolling game where the player chases a lost Coke can down the street, communicating Coke's message that it is too nice to lose. The target audience is 12-16 year olds who would understand the game concept, though it is open to all ages. Some legal considerations include using a logo similar enough to Coke's to invoke the brand but different enough to avoid copyright claims.
3. formal proposal advergame
This document outlines an advergame called "AJ Cokey" that would be released online in Western countries. The game guides a Coke can through space to avoid oncoming bullets, communicating Coke's message in a fun and easy-to-play format similar to Space Invaders. The target audience is teenagers and young adults aged 15-21. It avoids offensive or restricted content so as not to offend any groups while differentiating sufficiently from existing games to avoid copyright issues.
3. formal proposal radio ad
My product is an advergame called the Advergame Project that will be released on Facebook, YouTube, Twitter and Instagram. It is a virtual parking simulator game targeted at ages 9 to 18 of all genders and social statuses. The game teaches players how to properly park a vehicle in a fun and engaging way without any offensive material. It was inspired by the pixel art style of the game Pixel Parking but has its own unique characters, logos, and names to avoid copyright issues.
3. formal proposal advergame
This advergame is a sidescrolling game for Photoshop where the player collects Coca-Cola cans for points. The game is inspired by pixel style games like Mario and appeals to all ages as there is no violence, offensive material, or bad language. The sole purpose is to promote the Coca-Cola brand in a fun, family-friendly game.
3. formal proposal (js)
This document outlines a proposed Coca Cola advertising game that would be released on gaming consoles and PC. The side-scrolling game's goal is to guide the player's character to the finish without falling, while a Coca Cola logo is displayed in the background. The target audience is teenagers of all genders who want to have fun. Legal considerations include using the Coca Cola logo and character, so ensuring the game is sufficiently different from any copyrighted works.
3. formal proposal advergames
This document proposes an advergame called "Working Title" that would be a 2D platformer game released worldwide on video game platforms for audiences ages 12 and older. The player controls a character who must jump and run over obstacles to rescue Coca-Cola from aliens, promoting Coca-Cola through its logo being the only one featured. The game is inspired by classic 2D platformers like The Legend of Zelda but without combat elements. It aims to avoid offending anyone through its cartoon flying saucer enemies and sole use of Coca-Cola's logo to advertise the beverage.
Recommended
Advergame proposal
This document outlines a proposed advergame for Coca-Cola called "Coca Cola Game". The game would be suitable for worldwide release on online and mobile platforms. Players work together in teams to race through different levels and roads to reach the finish line before a timer runs out, promoting a positive message of teamwork. The target audience is males aged 12-17, as the easy gameplay may become boring for older audiences. No offensive material, social groups, religions, or existing copyrighted content will be included to avoid legal issues.
Advergame proposal (1)
You play as a bottle of Coca-Cola avoiding Pepsi cans by jumping in a 2D side-scrolling game. The game can be played on phones worldwide, appealing to any age, gender or social status with its simple and non-offensive gameplay inspired by Mario. Minor references will be made to Pepsi as the "bad guys" represented as cans that can be avoided by jumping, with logos slightly changed to avoid copyright issues.
3. formal proposal
This document outlines an "Advergame" called "Coke too good to lose" that would be released on iOS. It is an 8-bit side scrolling game where the player chases a lost Coke can down the street, communicating Coke's message that it is too nice to lose. The target audience is 12-16 year olds who would understand the game concept, though it is open to all ages. Some legal considerations include using a logo similar enough to Coke's to invoke the brand but different enough to avoid copyright claims.
3. formal proposal advergame
This document outlines an advergame called "AJ Cokey" that would be released online in Western countries. The game guides a Coke can through space to avoid oncoming bullets, communicating Coke's message in a fun and easy-to-play format similar to Space Invaders. The target audience is teenagers and young adults aged 15-21. It avoids offensive or restricted content so as not to offend any groups while differentiating sufficiently from existing games to avoid copyright issues.
3. formal proposal radio ad
My product is an advergame called the Advergame Project that will be released on Facebook, YouTube, Twitter and Instagram. It is a virtual parking simulator game targeted at ages 9 to 18 of all genders and social statuses. The game teaches players how to properly park a vehicle in a fun and engaging way without any offensive material. It was inspired by the pixel art style of the game Pixel Parking but has its own unique characters, logos, and names to avoid copyright issues.
3. formal proposal advergame
This advergame is a sidescrolling game for Photoshop where the player collects Coca-Cola cans for points. The game is inspired by pixel style games like Mario and appeals to all ages as there is no violence, offensive material, or bad language. The sole purpose is to promote the Coca-Cola brand in a fun, family-friendly game.
3. formal proposal (js)
This document outlines a proposed Coca Cola advertising game that would be released on gaming consoles and PC. The side-scrolling game's goal is to guide the player's character to the finish without falling, while a Coca Cola logo is displayed in the background. The target audience is teenagers of all genders who want to have fun. Legal considerations include using the Coca Cola logo and character, so ensuring the game is sufficiently different from any copyrighted works.
3. formal proposal advergames
This document proposes an advergame called "Working Title" that would be a 2D platformer game released worldwide on video game platforms for audiences ages 12 and older. The player controls a character who must jump and run over obstacles to rescue Coca-Cola from aliens, promoting Coca-Cola through its logo being the only one featured. The game is inspired by classic 2D platformers like The Legend of Zelda but without combat elements. It aims to avoid offending anyone through its cartoon flying saucer enemies and sole use of Coca-Cola's logo to advertise the beverage.
Formal proposal advergame
This is an advergame targeted at younger audiences across all countries and languages. The player controls a Coke can that battles a Pepsi can, showing that Coke is better than its competitors. It takes inspiration from games like Pitfall with pixelated graphics and detail. The goal is to get the Coke can to the end of the map where the Pepsi can waits without offending any groups.
Advergame proposal
This document provides an overview for a proposed videogame called "Coke pilgrim vs. the copyright law". The game would be released on PC and uses a retro art style. It tells a story promoting Coca-Cola over other drinks in a lighthearted and non-offensive way, aimed at audiences in developed nations. To avoid legal issues, the game does not directly use any real brands or logos besides Coca-Cola, and edits those to be sufficiently different from the real design.
3. formal proposal advergame
This document provides a summary for a proposed video game called "Space Race". The game would be released on DS and various websites. It is inspired by pixelated side-scrolling games like Mario and would feature astronauts exploring space while being powered up by Coca-Cola in a similar way to invincibility stars. The target audience is 13-17 year olds in Germany who are needs-driven. While featuring existing brands like Coca-Cola, the game would have unique graphical elements to avoid copyright issues.
3. formal proposal game
This document proposes a 2D platformer video game where the player must collect Coca-Cola cans while avoiding Pepsi cans. The game is inspired by classic 2D games like Doom and aims to appeal to teenagers by promoting Coca-Cola in an entertaining format. Legal and ethical considerations include ensuring the game does not offend any groups and differs enough from existing games to avoid copyright issues.
3. formal proposal
This advergame promotes Coca-Cola by having players control a Coca-Cola can character. Released worldwide on mobile and web, it is inspired by Google mini-games for its appealing style. The target audience is gamers and Coca-Cola drinkers ages 4-16 without regard to gender. The game avoids offensive content to remain kid-friendly and non-offensive to social groups.
Advergame proposal
This document provides a summary for a proposed mobile and computer game called "Coca Cola Halloween Dash." The game is a 2D, indie/pop style platformer set in English for worldwide audiences. Players must collect all the collectible caps in the game levels before finishing to earn a special reward. The game aims to target a younger male audience through its similarities to popular games like Terreria and Minecraft. It was designed to not include any offensive, unethical, or copyrighted material that could restrict audiences or offend social groups.
Proposal
The game is called "Coke Run" and is a side-scrolling mobile or computer game where the player controls an adventurous Coke can jumping over Pepsi cans. The goal is to jump over the Pepsi cans and reach the finish line, conveying the message to buy Coke instead of Pepsi. It was inspired by Mario games involving side-scrolling and jumping over obstacles. The game aims to appeal to all ages and social classes with simple, fun gameplay. No offensive content is included and copyright is avoided through using only brand colors instead of names or images.
3. formal proposal advergame
This document outlines an "advergame" called Cola JumpTM that would promote Coca-Cola on YouTube and mobile devices. The game would show a can of Coke helping characters reach the top of the screen for prizes, similar to the game Doodle Jump. It would target all ages and demographics in countries like the USA, UK, and Asia with a simple, upbeat design. The one-sentence pitch is that it shows "a drink that jumps up for joy." Care was taken to not directly criticize competitors and to follow advertising standards codes to avoid offending any groups.
3. formal proposal
The radio advertisement promotes Coca-Cola as a drink that can help listeners escape from stress and find peace. It aims to appeal to a worldwide audience ages 16 to 19 by evoking the relaxed summer vibes of classic Coke posters. As a major brand, Coca-Cola ensures the ad avoids offensive content and respects all cultures and beliefs to prevent legal issues.
3. formal proposal 2
This mobile game allows players to deliver Coke cans to doors to earn points in a pixel art style. The quick, simple gameplay is meant to appeal to tech-savvy children aged 13-16 in Western countries. While promoting the Coke brand, the game avoids offensive content and does not directly use Coke's logo or characters to reduce legal and ethical risks.
3. formal proposal advergame
This advergame promotes Coca Cola by having players jump between bottles that increase in height to reach a Coca Cola can to win. The game targets 16-19 year old males and females of any social status in the United Kingdom in English. To avoid legal issues, the game will not include offensive content and will blur the Coca Cola logo to differentiate it from the real brand.
p1 formal proposal advergame
This document proposes an "advergame" called "Sip 'n' Dip" to promote Coca-Cola. The game would be released as a mobile app worldwide without language barriers. Players control a Coca-Cola "super hero" collecting tokens while avoiding obstacles. The goal is to subconsciously associate playing and enjoying the game with the Coca-Cola brand. It draws inspiration from similar pixel-art advergames and aims to appeal to people of any age or background by prominently featuring the Coca-Cola name and being inoffensive.
Formal final
The game is called Coca Cola Hop, an advergame and mobile platform game where the player controls a character jumping on platforms to collect a Coca Cola can as the prize. It would be released worldwide on all platforms simultaneously, as it is suitable for all ages and cultures without causing offense. The simple 2D side-scrolling arcade style reinforces the Coca Cola brand through repetition of the name and portraying it as a quality prize, with the main message being that Coca Cola is a top quality prize. The target audience is ages 16-19 of both genders, as they would recognize and enjoy the classic arcade style.
Formal proposal advergame
This document provides a summary for a proposed Coca Cola advergame. The game would be an online advertisement targeted at all countries where Coca Cola is sold. Styled after the 1980's game Donkey Kong, players control a stickman character working their way through levels jumping over rolling Pepsi lids to reach Coca Cola. The game aims to create nostalgia for those who played Donkey Kong as children while communicating Coca Cola's message to a wide audience of all ages and backgrounds with no offensive or legally problematic content.
3. formal proposal advergame
1) The document proposes an "Advergame" for Coca Cola to be released on YouTube and as GIFs online.
2) The game would have players try to explode a Coca Cola can, exciting viewers and increasing brand awareness and sales.
3) It draws inspiration from "Angry Birds" for its style, targeting men and women aged 10-40 who would recognize elements from that game.
Game production
The game is called Cokerman and is a horror genre video game that will be released worldwide on the internet. The goal of the game is to collect as many bottles as possible before being caught by the character Cokerman. It is inspired by a Snapchat game where the player collects bottles within a time limit. The target audience is ages 14 and up since it is a horror game not intended for younger kids. It will include warnings about offensive content such as blood and seek permissions to use any protected intellectual property.
Advergame formal proposal
This document proposes an "advergame" set during World War 1 that would promote Coca-Cola. The game would involve a character in a green helmet running across a trench to get a Coke from an enemy soldier in a grey helmet. The game aims to appeal to history enthusiasts aged 14 to 45. Potential legal and ethical issues are acknowledged, as some may find the use of historical military figures offensive, but it is intended to not be overtly offensive to most audiences.
3. formal proposal advergame
This document outlines an advergame called "AJ Cokey" that would be released online in Western countries. The game guides a Coke can through space to avoid oncoming bullets, communicating Coke's message in a fun and easy-to-play format inspired by Space Invaders. The target audience is teenagers and young adults aged 15-21. It avoids offensive or restricted content so as not to offend any groups while differentiating sufficiently from existing games to avoid copyright issues.
Proposal
The game is called "Coke Run" and is a side-scrolling game where the player controls an adventurous Coke can jumping over Pepsi cans. The game is targeted at mobile and computer platforms for worldwide release and aims to appeal to all ages and social classes by being simple and fun. While inspired by Mario in its gameplay mechanics, the game does not include any offensive, religious, or copyrighted content.
3. formal proposal
The document proposes an "Coca Cola Bottle Pick Up Game" advert game that would be released on social media platforms. The game genre is described as "covert advertising" to promote the Coca Cola brand. Players control a character navigating levels to collect Coca Cola bottles while avoiding obstacles, with the goal of getting the character from the bottom to the top of each level. The target audience is described as ages 7 and up of all genders, with younger audiences seen as most attracted to the game. Some potential legal and ethical considerations are briefly discussed, such as avoiding offense and not directly copying or infringing on existing games.
3. formal proposal
This document provides an overview for an advergame called "Nano Cola adventures" that would be a sci-fi, side-scrolling game released worldwide on various media platforms. The game involves guiding a can of cola to win each level, similar to Mario games. The target audience would be ages 16-18. Considerations were made to avoid offensive, restricted, or copyrighted content.
3. formal proposal game
This summary describes an advergame called "punk can kick" where the goal is to kick a coke can into a bin. It is inspired by platform games and aimed at teens and young adults. Some legal considerations include potentially offensive symbols suggesting reckless behavior but the game promotes an anti-littering message. Copyright issues are avoided by not directly using logos but only suggesting brands through color.
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Formal proposal advergame
This is an advergame targeted at younger audiences across all countries and languages. The player controls a Coke can that battles a Pepsi can, showing that Coke is better than its competitors. It takes inspiration from games like Pitfall with pixelated graphics and detail. The goal is to get the Coke can to the end of the map where the Pepsi can waits without offending any groups.
Advergame proposal
This document provides an overview for a proposed videogame called "Coke pilgrim vs. the copyright law". The game would be released on PC and uses a retro art style. It tells a story promoting Coca-Cola over other drinks in a lighthearted and non-offensive way, aimed at audiences in developed nations. To avoid legal issues, the game does not directly use any real brands or logos besides Coca-Cola, and edits those to be sufficiently different from the real design.
3. formal proposal advergame
This document provides a summary for a proposed video game called "Space Race". The game would be released on DS and various websites. It is inspired by pixelated side-scrolling games like Mario and would feature astronauts exploring space while being powered up by Coca-Cola in a similar way to invincibility stars. The target audience is 13-17 year olds in Germany who are needs-driven. While featuring existing brands like Coca-Cola, the game would have unique graphical elements to avoid copyright issues.
3. formal proposal game
This document proposes a 2D platformer video game where the player must collect Coca-Cola cans while avoiding Pepsi cans. The game is inspired by classic 2D games like Doom and aims to appeal to teenagers by promoting Coca-Cola in an entertaining format. Legal and ethical considerations include ensuring the game does not offend any groups and differs enough from existing games to avoid copyright issues.
3. formal proposal
This advergame promotes Coca-Cola by having players control a Coca-Cola can character. Released worldwide on mobile and web, it is inspired by Google mini-games for its appealing style. The target audience is gamers and Coca-Cola drinkers ages 4-16 without regard to gender. The game avoids offensive content to remain kid-friendly and non-offensive to social groups.
Advergame proposal
This document provides a summary for a proposed mobile and computer game called "Coca Cola Halloween Dash." The game is a 2D, indie/pop style platformer set in English for worldwide audiences. Players must collect all the collectible caps in the game levels before finishing to earn a special reward. The game aims to target a younger male audience through its similarities to popular games like Terreria and Minecraft. It was designed to not include any offensive, unethical, or copyrighted material that could restrict audiences or offend social groups.
Proposal
The game is called "Coke Run" and is a side-scrolling mobile or computer game where the player controls an adventurous Coke can jumping over Pepsi cans. The goal is to jump over the Pepsi cans and reach the finish line, conveying the message to buy Coke instead of Pepsi. It was inspired by Mario games involving side-scrolling and jumping over obstacles. The game aims to appeal to all ages and social classes with simple, fun gameplay. No offensive content is included and copyright is avoided through using only brand colors instead of names or images.
3. formal proposal advergame
This document outlines an "advergame" called Cola JumpTM that would promote Coca-Cola on YouTube and mobile devices. The game would show a can of Coke helping characters reach the top of the screen for prizes, similar to the game Doodle Jump. It would target all ages and demographics in countries like the USA, UK, and Asia with a simple, upbeat design. The one-sentence pitch is that it shows "a drink that jumps up for joy." Care was taken to not directly criticize competitors and to follow advertising standards codes to avoid offending any groups.
3. formal proposal
The radio advertisement promotes Coca-Cola as a drink that can help listeners escape from stress and find peace. It aims to appeal to a worldwide audience ages 16 to 19 by evoking the relaxed summer vibes of classic Coke posters. As a major brand, Coca-Cola ensures the ad avoids offensive content and respects all cultures and beliefs to prevent legal issues.
3. formal proposal 2
This mobile game allows players to deliver Coke cans to doors to earn points in a pixel art style. The quick, simple gameplay is meant to appeal to tech-savvy children aged 13-16 in Western countries. While promoting the Coke brand, the game avoids offensive content and does not directly use Coke's logo or characters to reduce legal and ethical risks.
3. formal proposal advergame
This advergame promotes Coca Cola by having players jump between bottles that increase in height to reach a Coca Cola can to win. The game targets 16-19 year old males and females of any social status in the United Kingdom in English. To avoid legal issues, the game will not include offensive content and will blur the Coca Cola logo to differentiate it from the real brand.
p1 formal proposal advergame
This document proposes an "advergame" called "Sip 'n' Dip" to promote Coca-Cola. The game would be released as a mobile app worldwide without language barriers. Players control a Coca-Cola "super hero" collecting tokens while avoiding obstacles. The goal is to subconsciously associate playing and enjoying the game with the Coca-Cola brand. It draws inspiration from similar pixel-art advergames and aims to appeal to people of any age or background by prominently featuring the Coca-Cola name and being inoffensive.
Formal final
The game is called Coca Cola Hop, an advergame and mobile platform game where the player controls a character jumping on platforms to collect a Coca Cola can as the prize. It would be released worldwide on all platforms simultaneously, as it is suitable for all ages and cultures without causing offense. The simple 2D side-scrolling arcade style reinforces the Coca Cola brand through repetition of the name and portraying it as a quality prize, with the main message being that Coca Cola is a top quality prize. The target audience is ages 16-19 of both genders, as they would recognize and enjoy the classic arcade style.
Formal proposal advergame
This document provides a summary for a proposed Coca Cola advergame. The game would be an online advertisement targeted at all countries where Coca Cola is sold. Styled after the 1980's game Donkey Kong, players control a stickman character working their way through levels jumping over rolling Pepsi lids to reach Coca Cola. The game aims to create nostalgia for those who played Donkey Kong as children while communicating Coca Cola's message to a wide audience of all ages and backgrounds with no offensive or legally problematic content.
3. formal proposal advergame
1) The document proposes an "Advergame" for Coca Cola to be released on YouTube and as GIFs online.
2) The game would have players try to explode a Coca Cola can, exciting viewers and increasing brand awareness and sales.
3) It draws inspiration from "Angry Birds" for its style, targeting men and women aged 10-40 who would recognize elements from that game.
Game production
The game is called Cokerman and is a horror genre video game that will be released worldwide on the internet. The goal of the game is to collect as many bottles as possible before being caught by the character Cokerman. It is inspired by a Snapchat game where the player collects bottles within a time limit. The target audience is ages 14 and up since it is a horror game not intended for younger kids. It will include warnings about offensive content such as blood and seek permissions to use any protected intellectual property.
Advergame formal proposal
This document proposes an "advergame" set during World War 1 that would promote Coca-Cola. The game would involve a character in a green helmet running across a trench to get a Coke from an enemy soldier in a grey helmet. The game aims to appeal to history enthusiasts aged 14 to 45. Potential legal and ethical issues are acknowledged, as some may find the use of historical military figures offensive, but it is intended to not be overtly offensive to most audiences.
What's hot (17)
Similar to 3.%20 formal%20proposal (2)
3. formal proposal advergame
This document outlines an advergame called "AJ Cokey" that would be released online in Western countries. The game guides a Coke can through space to avoid oncoming bullets, communicating Coke's message in a fun and easy-to-play format inspired by Space Invaders. The target audience is teenagers and young adults aged 15-21. It avoids offensive or restricted content so as not to offend any groups while differentiating sufficiently from existing games to avoid copyright issues.
Proposal
The game is called "Coke Run" and is a side-scrolling game where the player controls an adventurous Coke can jumping over Pepsi cans. The game is targeted at mobile and computer platforms for worldwide release and aims to appeal to all ages and social classes by being simple and fun. While inspired by Mario in its gameplay mechanics, the game does not include any offensive, religious, or copyrighted content.
3. formal proposal
The document proposes an "Coca Cola Bottle Pick Up Game" advert game that would be released on social media platforms. The game genre is described as "covert advertising" to promote the Coca Cola brand. Players control a character navigating levels to collect Coca Cola bottles while avoiding obstacles, with the goal of getting the character from the bottom to the top of each level. The target audience is described as ages 7 and up of all genders, with younger audiences seen as most attracted to the game. Some potential legal and ethical considerations are briefly discussed, such as avoiding offense and not directly copying or infringing on existing games.
3. formal proposal
This document provides an overview for an advergame called "Nano Cola adventures" that would be a sci-fi, side-scrolling game released worldwide on various media platforms. The game involves guiding a can of cola to win each level, similar to Mario games. The target audience would be ages 16-18. Considerations were made to avoid offensive, restricted, or copyrighted content.
3. formal proposal game
This summary describes an advergame called "punk can kick" where the goal is to kick a coke can into a bin. It is inspired by platform games and aimed at teens and young adults. Some legal considerations include potentially offensive symbols suggesting reckless behavior but the game promotes an anti-littering message. Copyright issues are avoided by not directly using logos but only suggesting brands through color.
Formal proospal advergame
The game has the player controlling a Coca-Cola can protagonist who crushes other cans to collect them for recycling. It is inspired by side-scrolling games like Super Mario Bros. and Sonic and aims to appeal to pre-teens and young adults with its message of recycling in a fun and non-offensive manner similar to those classic games.
Formal proposal game
This document proposes an "advergame" called Coke Catcher to advertise Coca-Cola to younger audiences aged 15-19. The game would be released mainly on websites like Facebook and Reddit. As a platform game, players catch Coke bottles to feel happy, conveying Coke's message. The simple pixelated art style aims to attract all ages and cultures without offense by following advertising guidelines.
3. formal proposal
This document provides an overview for a proposed videogame called "Coke pilgrim vs. the copyright law". The game would be released on PC and use a retro art style. It would target worldwide audiences of all ages and cultures. The goal of the game is to communicate the message that Coke is better than other drink options, without directly using any real brand names or logos besides Coca-Cola to avoid legal issues.
3. formal proposal for game
This document provides a concept for an advergame called "Fire Jump" that would be played online. In the game, the player controls a human character who must jump across moving stones to avoid falling into fire and reach a cola can. The game is inspired by classic platformers and aims to promote the refreshing taste of cola to players ages 10 and older without offending any cultures, beliefs, or copyrights.
Formal Proposal
This advergame promotes Coca-Cola by telling the story of Santa delivering Coke down chimneys. It would be released on YouTube and Facebook, targeting 16-19 year olds. The game's style is similar to other Coca-Cola ads and it avoids offensive or legally problematic content by sticking to the Coke brand and theme of Christmas delivery without explicit images or text.
Formal Proposal (Advergame)
This document outlines a proposed advergame called "Pixel Cola Game" that would promote Coca-Cola. The game would be released online and feature a female character collecting Coca-Cola cans. Its goal would be to communicate that drinking Coca-Cola refreshes and relaxes people, putting them in a seasonal mood. The game takes inspiration from Mario in its coin-collecting concept. The target audience would be adolescents of all genders and social statuses due to their interest in popular drinks and games. No offensive content would be included to ensure it is child-friendly and avoids offending any social groups.
3. Formal Proposal - Advergame
This document outlines a proposed advergame called "Pixel Cola Game" that would promote Coca-Cola. The game would be released online and feature a female character collecting Coca-Cola cans. The goal is to communicate that drinking Coca-Cola refreshes and relaxes people in a seasonal mood. It is inspired by Mario in its coin-collecting gameplay. The target audience is adolescents of all genders and social statuses, who would be interested due to Coca-Cola's popularity. No offensive content would be included to ensure it is child-friendly and avoids offending any groups. While using Coca-Cola's branding, the game aims to be sufficiently original to avoid copyright issues.
Advergame proposal
The document proposes a sidescrolling platformer game called "Coke Crusher" where the player collects Coca-Cola products to complete levels and win the game. It would be released on gaming consoles and mobile platforms worldwide, targeting ages 3 and up. The game's style is inspired by Mario games with pixel art, and its main purpose is to promote the Coca-Cola brand through extensive in-game branding. The developer claims the game avoids copyright issues by not using existing characters and creating its own Coca-Cola themed content instead.
Advergame proposal
The document proposes a sidescrolling platformer game called "Coke Crusher" where the player collects Coca-Cola products to complete levels and win the game. It would be released on gaming consoles and mobile platforms worldwide, targeting ages 3 and up. The game's style is inspired by Mario games with pixel art, and its main purpose is to promote the Coca-Cola brand through extensive in-game branding. The developer claims the game avoids legal and ethical issues through original characters and researching cultural sensitivities to prevent offense.
3. formal proposal advergame
This document outlines a proposed side-scrolling advergame to advertise Coca-Cola using familiar Mario characters and gameplay. The game would be released worldwide on pixel-based platforms without language to appeal broadly. It would tell a simple story of Mario collecting Coca-Cola cans to communicate the product in a fun, recognizable game. The target audience is gamers of all ages since games appeal broadly. Care will be taken to avoid offending anyone through sensitive portrayals and to sufficiently distinguish the game from copyrighted Mario and Coca-Cola assets through original artwork.
Christmas advert proposal
This document outlines a proposed Christmas-themed advergame that would promote Coca-Cola. The game would have the player tackle obstacles to collect presents, including a Coke can, to win. It draws inspiration from Super Mario in its gameplay of defeating objects. The target audience is teenagers and young adults who enjoy gaming and PCs. Legal considerations include ensuring the game does not offend any groups and avoids copyright issues.
3. formal proposal advergame
This document proposes a retro-style advergame called "coca cola bootleg mario game" that would be released worldwide but targeted towards English-speaking audiences ages 9 and up. The game would have gameplay and mechanics similar to Super Mario Bros. and Mega Man, with the player collecting Coca-Cola to defeat alien enemies, communicating the Coca-Cola brand message in a nostalgic 8-bit graphical style appealing to both young and older generations.
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The document discusses various filmmaking practices related to continuity, lighting, storyboarding, shot testing, shot composition, and job roles. It provides examples and definitions for continuity, lighting tests, storyboards/narratives, shot testing, and shot composition. It then ranks different filmmaking practices in order of importance for the job of a film director and provides a rationale. Finally, it discusses various job titles and definitions related to film production.
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The document discusses several potential marketing images for a film. For each image, the author explains what aspects of the image they like such as how it represents the story, draws attention to important elements like the main character, and enhances features of the actor's appearance. The images show the actor's face, body, and reactions to enhance understanding of the character and story.
Film Concept Evaluation
The filmmaker considers adding a trigger warning at the start for viewers sensitive to topics like stealing. Otherwise, there aren't any major changes to the project suggested by previous subjects. The document discusses potential content warnings and lack of other suggested changes to the filmmaker's project.
Production Planning and Financing
The document discusses production planning and financing for a student film project. It outlines a schedule for filming, editing, and post-production between March 21st and May 2nd. Locations are identified along with required release forms and notices. A cast and crew are listed along with scheduling details like call sheets and production reports. Budget items are identified totaling around £10. Risk assessments are made for the filming locations. Contingency plans are put in place for potential issues. Cloud storage on OneDrive is identified to store project files. Various options for financing are discussed including private investment, studio funding, pre-sales/co-productions, product placement, film funds, crowdfunding, with pre-sales identified as
Film Concept
The document discusses the process of writing a script and creating a storyboard for a film project. The writer used an online scriptwriting website to help develop the script. They believe the script fits the assigned brief as well as possible and have put in effort to create a decent story. Storyboard drawings were done by borrowing storyboard sheets, which provided enough space to draw each shot, though the writer acknowledges their drawing skills are limited.
Film Concept Evaluation
The filmmaker considers adding a trigger warning at the start for viewers sensitive to topics like stealing. Otherwise, there aren't any major changes to the project suggested by previous subjects. The document discusses potential content warnings and lack of other suggested changes to the filmmaker's project.
Unit 7 & 34 Photoshoot experiments
Harry T. Docwra conducted several photography experiments involving shutter speed, aperture, ISO, and photoshop manipulations. For a neon photoshoot, they used red and blue lights on each side of the subject's face at ISO 200, which produced good contrast. In photoshop, Harry created fake movie posters by replacing their own head into images from Jaws and Logan, requiring selection tools and attention to color matching details. They also conducted a lens experiment shooting a subject across various focal lengths from 10mm to 300mm.
Film practices and photography
The document discusses various filmmaking techniques including continuity, lighting tests, storyboarding, shot testing, shot composition, and job roles related to filmmaking such as director, producer, and cinematographer. It provides examples of continuity errors and describes the importance of continuity in ensuring smooth transitions between shots. It also ranks different filmmaking elements in order of importance for the role of director and provides a rationale. Finally, it defines several jobs in the film industry and their responsibilities.
HNC Unit 7 & 34 Marketing plan
This document provides information on various distribution, marketing, and exhibition concepts for a film. For distribution, it discusses strategies like straight-to-DVD/Blu-ray release, online streaming, cinema distribution, and television distribution. For marketing, it outlines key art design, press packs, social media promotion, blogging, websites, and networking events. For exhibition, it covers test screenings, press screenings, and film festivals. The document evaluates these various concepts and notes that social media promotion is likely the most beneficial marketing strategy, while press screenings provide the best feedback for artists at the exhibition stage.
HNC unit 7 & 34 evaluation
This document contains summaries and analyses of 8 images created for a student film project. Each image is described in terms of its original purpose, the visual and technical codes used, and a critical reflection on how well it achieved its purpose and the quality of execution. The images include posters, character headshots and full body shots, and screenshots from scenes. Overall, the analyses indicate that the images generally fulfilled their intended purposes to showcase characters, wardrobe, and convey the film's narrative, though some had issues with contrast, lighting, or use of post-production effects like vignettes.
HNC unit 7 & 34 Evaluation
This document provides guidelines for evaluating 8 images as part of a unit. Each image evaluation must discuss:
1. The visual codes used in the image such as composition, narrative, contrast, etc.
2. The technical codes used such as production techniques, image manipulation, and technology.
3. The original purpose of the image such as its media format, style, and intended audience.
4. A critical reflection of how well the image achieves its intended purpose.
5. A critical reflection of the quality of execution regarding techniques, process, production, and development needs.
Audience feedback
The document contains feedback from multiple viewers on a video product. Viewers liked that the video was short and to the point but noted issues with the narration audio sounding unnatural. Specifically, the narration was noted to be poorly rendered, too bass boosted, and recorded separately from the filming. To improve, the creator would need to fix audio pitching in the narration and include more details about the film itself.
Research
Quentin Tarantino is an American film director, writer and producer born in 1963 in Tennessee. He was raised primarily in Los Angeles. One of his most famous films is 1994's Pulp Fiction, which had an all-star cast and non-linear storyline following three separate stories that intersect. The film explores themes of fate and morality. It was nominated for several Academy Awards including Best Picture. Tarantino's distinctive directing style involves nonlinear storytelling and the use of homage and pastiche.
Evaluation 1
This document contains an evaluation of Harry T. Docwra's video product. It summarizes how the product reflects specific trends and contexts by featuring a diverse cast from the source film and being available on YouTube. It meets the brief by discussing the film's promotion on social media, though could have covered additional platforms. The product drew inspiration from the lighting of Pulp Fiction and sound mixing of The Social Network. While the product is good, the research materials were superior. Compared to previous projects, this one had stricter time limits but the presenter made their best effort. The product appeals to its target teenage audience by discussing a teen drama/sci-fi film and being presented by a young adult.
Planning
This document outlines Harry Docwra's plans for a short film project on how social media is used in film promotion. It will target a UK male audience aged 16-20 and have a British main character. Initial ideas focus on how specific films used social media for promotion. Harry analyzes the strengths and weaknesses of each idea. He provides a schedule, shot list, skills audit, script outline, storyboard, and equipment needs. Risks and solutions for health and safety are also discussed, along with potential problems and solutions for the production. An experiment video is included.
Weekly reflection
This document provides a weekly reflection from Harry T. Docwra over their first 6 weeks in a film studies course. Some key events summarized:
In week 1, Harry presented on the Classic Hollywood era and found the workload overwhelming. In week 2, Harry began planning a social media video discussing delays of the film The New Mutants. By week 3, Harry completed planning documents and started research for the video project. Harry filmed footage for the project in week 4 but wishes technical aspects went smoother. Harry contributed to a group presentation on narrative forms in weeks 5-6 and continues editing their social media video to meet the 2-3 minute runtime.
FMP Evaluation
The document provides an evaluation of Harry T. Docwra's film project. It discusses the research conducted, including watching sitcoms like The Office and Faulty Towers. Surveys were also used to understand the target audience. Planning involved writing scripts and storyboards. Filming went well despite COVID restrictions. Post-production was done using iMovie on an iPad. Sound synchronization was used to address audio issues between scenes shot in open spaces. Managing the cast and crew was challenging at times. The project met the brief of a mockumentary-style sitcom exploring the filmmaker's skills.
Fmp proposal 2021 copy
Harry Taylor Docwra proposes creating a 3-episode sketch comedy show inspired by "The Office" for his final major project. He will focus on film and plans to direct, write, and star in the show. Each episode will be around 10 minutes long. Harry will do research on similar shows and film the project over 3 weeks at York College, editing in iMovie. He will evaluate his work using reflective journals and create 2 cuts of the film to upload online along with a website presenting his work.
Planning
The document provides planning details for a student film project. It includes a risk assessment of various filming locations around a school that could present hazards or conflicts. It then provides solutions to those risks, such as removing trip hazards or filming in less busy areas. The document also includes a proposed 3-day filming schedule, storyboards illustrating the planned scenes, and outlines for each scene. The goal is to safely film the scenes around the school within the scheduled time frame.
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