Watch dogs
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The document analyzes the sound elements in a game trailer for Watchdogs. It identifies the setting as the lobby of a public building like a restaurant or hotel based on narrative dialogue. Criminal activity like hacking is also identified from dialogue. No mood is conveyed since there is no sound or narrative. The game genre is identified as underground crime/action based on dialogue about hacking and taking out a rival gang member. The narrative solely relies on dialogue recorded in a studio, as other sounds don't help explain the setting, mood, or genre.
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![Salford City College
Eccles Sixth Form Centre
BTEC Extended Diploma in GAMES DESIGN
Unit 73: Sound For Computer Games
Game Title Watchdogs
Provide detailed descriptions from chosen examples that establish… Clearly state what production technique(s)
you think have been used to create specific
soundtrack elements
Setting The setting for this is a public building called Merlaut. I know this because of
the narrative line ‘Okay I’m in the lobby at the Merlaut’. Also due to this line I
believe the public building could be a restaurant or hotel/motel. It would
appear that the person is in the lobby to engage in crime actives. I know this
because of the narration the person says ‘I’m hacking in’ (0:22) and after that
he also says ‘How much we got?’ Immediately afterward another character
says ‘A hundred grand in thirty seconds’. This is clearly a criminal operation
in a lobby of a hotel/restaurant.
In studio recording world have been used to
gather the narrative.
Mood The trailer doesn’t give me any mood. This is because there is no sound or
narrative to make me feel like something bad, good, sad, etc. is happening.
No production techniques would have been
used.
Game genre The game genre is [underground crime/action]. I know this is a game based
on cybercrime because of the phase ‘I’m hacking in’ (0:22) and the
conversation ‘How much we got?’ Immediately afterward another character
says ‘A hundred grand in thirty seconds’. Towards the end of the cutscene we
hear a conversation between to other people ‘You’re assigned Aiden Peirce.
Take him out’. Initially I would have thought that is a secret police operation,
but then I hear the next of the conversation ‘Hit the family if you need to. This
guy’s hacking days are over’. Now having heard all the conversation I believe
this is a gang that is aiming to take out a member of a rival gang.
In studio recording world have been used to
gather the narrative.
Narrative In this cutscene the narrative solely relies on narration. This is because all the
other sound effects don’t justify their use in the cutscene: they don’t help to
explain the setting, mood and game genre.
In studio recording world have been used to
gather the narrative.
http://www.youtube.com/watch?v=MXb6RvnLjSs](https://image.slidesharecdn.com/watchdogs-140610094515-phpapp02/85/Watch-dogs-1-320.jpg)
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The game genre is assessed as medieval fantasy based on the battle sounds and references to armies and wizardry, though it may also have childish elements.
Throughout, the narrative is conveyed through ambient recordings, directional recordings, and narration. Field recordings
IG3 Evidence
The document provides instructions for inserting a sound into a game. It describes double clicking on a sound option which opens a menu. From there, the user clicks a file button to browse for a sound file, selects it, and then clicks "Ok" to insert it into the game. The instructions are repeated across multiple sections with minor variations in wording.
Killzone shadow fall
This document analyzes the soundtrack elements in a cutscene from the game Killzone Shadow Fall. It examines the setting, mood, game genre, and narrative established by the cutscene. For most elements, such as the narration, in-studio recording was used. However, for the gunfire sound effect, field recordings were likely used and edited with specialist software to achieve the final sound. The cutscene establishes a sci-fi setting involving a war between alien races and the destruction of a planet, creating feelings of sadness, anger, and a sense that justice has been served.
Gta v
Franklin provides sniper cover while Michael cuts through a fence at Fort Zancudo. Trevor stands ready with a mortar. Michael cuts through and hides by a tree. Franklin signals that the plane is ready. Trevor fires the mortar as a distraction. Most guards leave for the mortar site. Franklin shoots the plane's pilots, allowing Michael to take off in the plane alone to retrieve weapons for their heist. Trevor, Franklin and Michael plan to meet up at the airport after escaping Fort Zancudo.
Gtav script 2
Trevor and Franklin arrive at Michael's house out of breath, claiming they are being followed and will be probed by aliens. Michael doesn't believe them until an 8-foot alien appears at the door, throws Michael aside, grabs Michelle and disappears in a flash of light, taking Michelle with it. Michael, Franklin and Trevor decide to get in a chopper to pursue the alien, leaving Jimmy and Tracey confused and shocked.
Setting up a game
A SNES console and games were set up with a CRT TV and power supply on March 18th. On the same day an Xbox 360 was connected to a PC with a scart lead. A photo was taken where a student's foot can be seen but another pupil is partially blocking their body.
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Battleffield 3
The document provides an analysis of a soundtrack excerpt from the game Battlefield 3. It describes the setting as an indoor interrogation with subtle ambient sounds like footsteps and machinery. The mood is described as tense due to the angry and pressing questioning. The genre is determined to be action based on the dialogue. The narrative centers around characters interrogating a third about someone named "Dima" and events in Paris, suggesting an intelligence or military scene. Production techniques identified include foley artistry, software sequencers, field recording, and studio recording.
Ig1 task 2 analysis work sheet halo 4 opening
This document provides an analysis of sound elements in the Halo 4 cinematic introduction.
It examines the setting, mood, game genre, and narrative based on audio cues. For the interrogation room setting, it suggests virtual studio technology (VST) was used to create echo effects. Sadness in the mood is attributed to fade effects and live orchestral recordings. Depicting the game as a sci-fi shooter is achieved through edited or virtual instrument-created weapon sounds, battle audio, and an explanatory script. The story is communicated through a live recorded conversation following an edited script to seem like an interrogation.
Ig1 task 2 analysis work sheet
The document analyzes sound elements from the game GTA 5. It describes settings of a bank robbery with screaming and fearful voices that were likely recorded separately and combined. The mood is set as violent with aggressively shouting robbers. The genre is identified as a shooter where the player robs places for money. The narrative conveyed is that someone will get hurt as the aggressive robbers will do anything to get what they want. Production techniques like using voice actors, weapon sounds, and altering pitch and direction are thought to have been used.
Battlefield
The document discusses a cut scene from the game Battlefield 3. It analyzes the setting, mood, genre, and narrative established by the sounds in the cut scene. The setting of a prison cell is conveyed through distant police sirens and rattling noises. The mood is one of confusion due to the lack of background music. The narration indicates the game genre will be a shooter as it describes a marine arrested for knowledge of a terrorist plot in New York. Field recordings were likely used for ambient sounds while narration was recorded in a studio.
Ig1 task 2 analysis worksheet assassin's creed ii
The document provides an analysis of sound elements in a scene from the video game Assassin's Creed II. Specifically, it examines the sounds used between 16:21 and 17:34 that establish the nighttime setting of a dark place. Dialogue and background music with a violin are used to set a calm but intense mood. The gameplay genre of an action-adventure stealth game is conveyed through grunts and heavy breathing during climbing. Narrative elements like scripted dialogue, story, and musical background are enhanced with sound effects of rocks during roof climbing.
Jack newton final research & planning powerpoint
The document provides analysis of visual, audio, technical, action, and narrative codes used in the opening sequences of two horror films: Paranormal Activity and Seven. For Paranormal Activity, it notes the use of handheld camera footage, diegetic screams and noises, and night vision shots to create tension. For Seven, it highlights the close-up shots, lack of dialogue, unsettling non-diegetic score, and enigmatic actions in the opening to immediately intrigue viewers. The analysis suggests incorporating similar techniques like close-up hands and an ominous score in the horror film trailer summary is creating.
Grand theft auto v analysis
The document summarizes the sound design techniques used in a cut scene from the video game Grand Theft Auto. It describes the setting as two characters discussing a job, then one being warned of a psychopath who may learn of their deeds and that character's subsequent death. It identifies the production techniques used to create the soundtrack as VST instruments and effects, studio recording, and use of traditional and audio field recordings. It notes the mood shifts from cheerful celebration to concern to enraged arguing. The genre is identified as an action shooter, and the narrative as a mixture of cheerful, angered and upset moods in the characters' voices.
watch dogs analysis
The document discusses the sound design of the game Watch Dogs. It analyzes specific soundtrack elements and effects used to set the urban setting of a Chicago-like city with ambient street sounds. The mood is described as serious, using distorted and "static" sounds to convey a sense of a terrorist attack. The narrative voiceover was likely recorded in a professional sound studio using high-quality soundproofing and condenser microphones to achieve clear audio quality.
GTA 5
This document provides an analysis of the soundtrack used in a cutscene from the video game GTA 5. The cutscene takes place at night in a cemetery in North Yankton, USA, where the character Trevor Phillips is digging up a grave looking for money. The soundtrack is described as a computer-generated sound meant to create tension and make the cemetery feel eerie. It is a long, droning horn-like sound. This sound successfully sets the mood and fits the action-adventure genre of the game by adding to the dangerous and upsetting vibe. The narrative of the cutscene involves Trevor discovering that his friend Michael is actually dead, not hiding money as he suspected.
Ig1 task 2 analysis work sheet (3)
The document provides details about the game Beyond Two Souls including a scene summary and analysis of sound design techniques used. It describes a scene set in a police station office where the only initial sound is a fan in the background. As questioning intensifies, audio effects build tension by drawing attention to a cup of coffee, making the viewer feel something is about to happen. The game is an interactive drama/action-adventure that follows Jodie's life from a sheltered military base upbringing to working for the CIA and potentially entering a romance while trying to escape as a fugitive.
Watch dogs
The document discusses the game Watch Dogs and analyzes various sound elements from the game trailer. It describes the setting as an urban city environment with ambient sounds of cars and people. It suggests the mood seems serious, with background music and effects conveying a sense of terrorist attack. The sounds of chaos and narrative indicate the game genre is an open world shooter/action game involving hacking. It proposes the sounds were created using audio manipulation software and the narrative was professionally recorded in a soundproof studio using high-quality microphones.
Ig1 task 2 analysis work sheet 1
The document discusses the soundtrack of the Grand Theft Auto V game trailer. It analyzes the setting, mood, genre, and narrative conveyed by the trailer. For the soundtrack, it states that computer software was likely used to create an upbeat, techno-style track that fits the game's chaotic world and action-packed tone without overwhelming the character dialogue. The energetic music matches and enhances the trailer's fast pacing and variety of scenes, supporting the game's crazy, comedic narrative.
Murdered Soul Suspect Analasys
The document analyzes the soundtrack of the video game "Murdered Soul Suspect".
It begins with birds flying away and a woman's voice reporting a body, setting the scene in a forest transitioning to a city. Multiple sounds are used including a woman crying and screaming, possibly recorded by a voice actor. Gunshots and other effects were likely obtained from online sources and enhanced in the game engine.
The mood is described as grim, with the sounds of voices, gunshots and breaking glass recorded in high quality to depict the crime committed by the serial killer plaguing Salem. The narrative incorporates voices of a distressed woman on the phone to police and a news reporter covering the incident.
Ig1 task 2 analysis work sheet [Prototype 2]
This document summarizes audio elements from the game Prototype 2. It describes the post-apocalyptic setting suggested by a character's line about a new world. Dark mood is conveyed through a sound of ripping flesh that could have been recorded online or with thick liquids. Hack-and-slash genre is implied by blade sounds. Shifting tones in a narrative between calm and shouting men and women are analyzed to have been recorded voices with ambient effects added.
Ig1 task 2 analysis work sheet 3
The document summarizes a game design unit analyzing the soundtrack of the game Devil May Cry. It describes the setting as involving both the real world and demonic realms, with a dark and scary mood. Production techniques identified include recording real-life sounds and music that were implemented digitally to set the mood of action and chaos in a cutscene. The game genre is listed as action/adventure.
Ig1 task 2 analysis work sheet Hitman Absolution
The document summarizes sound elements from the game Hitman: Absolution. It describes the setting as present day based on a courtroom scene. The mood is described as dark, evidenced by rain sounds after gunfire. The genre is identified as a shooter based on gunfire sounds. Narrative elements include radio communications, conversations between characters, and an open room discussion with added ambient noise.
Ig1 task 2 analysis work sheet
The document discusses sound design techniques used in the game Dead Island. It analyzes three examples of sound from the game's soundtrack that set the setting, mood, and narrative. The setting is described as being in a club with 3D audio making it seem like the player is walking around. The mood is described as violent with distressed shouting. The narrative has the player stumbling around drunk in the club before getting kicked out.
Ig1 task 2 analysis work sheet
The document discusses sound design techniques used in the game Dead Island. It analyzes three examples of sound from the game's soundtrack that set the setting, mood, and narrative. The setting is described as being in a club with 3D audio making it seem like the player is walking around. The mood is described as violent with distressed shouting. The narrative has the player stumbling around drunk in the club before getting kicked out.
Dead island
The document provides details from the video game Dead Island to analyze sound techniques used in its soundtrack. It describes the setting as being in a club listening to rap music, with 3D audio making it seem like walking around. The mood is described as violent with people pushing and shouting in distress. Background zombie noises and a narrative of stumbling drunkenly in the club create a sense of fear and convey being drunk and slow.
Ig1 task 2 analysis work sheet deadpool
This document provides analysis of sounds used in a video game trailer.
The setting is described as inside the character Deadpool's apartment, where background noise like rain would have been recorded. Mood is described as comedy/adventure, and virtual studio technology effects were likely used to create ambient noise. Game genre is described as comedy/adventure, and virtual instruments were probably used to make screams in the background. Narrative techniques included using different voice actors to portray voices in the character's head. Dialogue was likely recorded in a studio to minimize noise.
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Tropico 5
The document summarizes a game cutscene from Tropico 5. It analyzes the setting, mood, game genre, and narrative based on quotes and music from the cutscene. For each element, it states that in-studio recording was used to record the narrative and music. The cutscene takes place in the Caribbean or Hawaii, has a mood of confidence and faith, suggests a city builder genre, and uses narration and music to set the scene and mood. In-studio recordings were used to capture both the narrative and background music.
Skills Audit
This skills audit document lists various soft skills relevant to the computer games industry such as problem solving, communication, creativity, teamwork, self-presentation, confidence, and public speaking. It asks the reader to identify which skills they possess or need to develop and how in order to understand their strengths and weaknesses for a career in games design.
Progression training
The document describes several apprenticeship opportunities across different industries including games development, software development, hairdressing, construction, landscaping, plant maintenance, security installation, engineering technical support, and motor vehicle engineering. The vacancies provide on-the-job training, classroom instruction, and qualifications in areas such as programming, design, customer service, construction trades, horticulture, equipment repair, security systems, and automotive mechanics. Employers offer salaries, benefits, and support to develop skills over multi-year apprenticeship programs.
Presentation
This document describes Graham Wall's plans for a new video game console called the 4Gear. It provides a list of the proposed components and their prices, totaling £218.45. It also shares results from market research conducted primarily with 16-18 year old boys. This research found that gameplay is the most important factor for games and that the target audience buys 1-2 games per month and spends £30-50 per game. Considering these findings, the 4Gear aims to be a low-cost console focused on indie games with an emphasis on multiplayer gameplay.
IG2 Task 1 Work Sheet
The document defines and describes various terms related to sound design for computer games. It provides short definitions for terms like Foley artistry, sound libraries, uncompressed and lossy file formats like WAV and MP3. It also discusses audio hardware components like sound processor units, digital signal processors and limitations like random access memory. Methods of audio playback and recording are covered, such as mono, stereo, surround sound, and analogue recording. The student explains the relevance of each term to their own production work for the games design course and unit.
Progression higher education
This document provides information on several higher education programs related to video game development in the UK. The first program is a Progression course at Birmingham City University for games development with entry requirements including programming or art skills and abilities. The second is a 3D Games Modelling Masters program at Staffordshire University requiring a 2:2 degree and 3D modeling portfolio. The final three programs are Bachelor's degrees from UCLAN-Futureworks in Games Design, Game Art, and 3D Visual Effects all with similar entry requirements of A-level grades or diploma results and portfolio review along with a yearly cost of £6600.
Cv
Graham Wall is applying for the BTec Level 3 Extended Diploma in Creative Media Production Games Design program at Salford City College Eccles Sixth Form Centre. He provides his contact information, education history, qualifications including GCSEs and BTECs, 2 weeks of work experience at a local aquarium store, skills like reliability and enthusiasm, and interests like martial arts and sports. His referee is listed as his new media tutor Harry Arnold from the college.
Production Log
The document provides details from Graham Wall's production log for a 3D modeling assignment creating a robot sidekick character. Over multiple dates, Graham documents progress modeling different parts of the robot including the head, neck, body, arms, and legs. He describes techniques used like halving and mirroring shapes as well as challenges encountered in shaping certain areas like the eyes and backpack. The log concludes with Graham adding facial features, a shield, and color to complete the 3D robot model.
Task 1
The document provides information for a project charter for designing a sidekick robot character for a game using 3D modeling software. It includes:
1) A skills audit where the student summarizes their strengths in research, illustration, and 3D modeling software but weaknesses in time management and Photoshop skills.
2) Answers to assignment structure questions confirming their understanding of the project goals, scenarios, and skills being assessed regarding modeling a robot sidekick in Lightwave for a police officer character in the game Second Life.
3) Identification of the main technical constraint being designing a robot suitable for the game and staying within their modeling abilities.
HA5
This document provides an assignment brief for a 3D modelling and games design qualification. The assignment requires students to: 1) Devise and create a 3D model of a robotic sidekick following industry practice; 2) Use project management techniques to plan and execute the project; and 3) Evaluate the final model and process. Students will research sidekick designs, develop concepts, create a design pack and 3D model, and present the final prototype. They will apply skills in areas like 3D modelling, project planning, and self-evaluation. The assignment aims to develop technical skills while mirroring real-world industry workflows and standards.
HA4
The document provides an assignment brief for an article on the basics of 3D modeling. The student must write a blog post covering: 1) applications of 3D in different industries, 2) displaying 3D animations through APIs and graphics pipelines, 3) geometric principles of 3D space, 4) mesh construction techniques, 5) 3D software tools, and 6) constraints of 3D like polygon counts. The goal is to comprehensively explain 3D theory and applications using examples and terminology. The assignment aims to assess the student's skills in explaining, applying, and working with 3D concepts.
IG1 Task 6 Annotations
This document contains annotations for 4 different tracks. Each track uses different virtual instruments to create music or natural sounds. The first track uses eSLine String and MinimogueVa to create a fast-paced piano and drum composition. The second uses Cheapo Tone and Tromine GT to make a song with cheapo sounds and background noise. The third recreates nature with rain and bird noises from rain and oscine tract. The fourth is a composition of drums from EXD-80 and guitar-style music from Extractor.
Glossary
The document provides definitions for various computing and gaming related terms. It defines RAM as temporary memory that is wiped when power is lost, making it suitable for game data. The CPU is described as the central component that performs arithmetic and logical operations. The GPU is specialized in graphics processing and improves processing speed. Interpreted programming languages like Java and C# execute instructions instantly, while compiled languages like C++ are translated to binary first.
Unit 73 IG2 Assignment Breif
The assignment brief asks the student to complete two tasks:
1) Produce a glossary of terms related to sound design and production, including definitions from research connected to their own production work.
2) Create original sound samples and short musical compositions for different game genres to add to a sample library, combining computer-generated and recorded audio with effects plugins.
The assignment aims to support learning outcomes about sound design methods and principles and creating game sound assets following industry practices. The student must submit their glossary and samples to blogs for assessment against criteria related to communication skills and sound design.
Assignment instructions
This assignment brief outlines three tasks for a Level 3 BTEC National qualification in computer game platforms and technologies. The purpose is to assess understanding of hardware and software technologies for game platforms. For task 1, students must research and compare features of existing game consoles and mobile technologies in two tables. Task 2 requires designing a specification, including concept artwork, for an open source game console. Task 3 involves producing a glossary of key hardware and software terms related to game technologies, with descriptions and examples. The deadline for submission is March 10th.
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The document describes various parts of a controller including a main menu button, touch screen buttons, a soft rubber grip coating, back buttons that may change position, and a battery life indicator.
Sound manipulation 6 annotated
By moving audio signals off a straight diagonal line, the creator produced a static-like sound, finding that greater movement led to more static. This manipulation gave the sound a high-pitched ringing quality.
Sound manipulation 5 annotated
Lowering the frequency makes sounds appear more muffled, lowering the gain makes sounds quieter, and lowering the tilt lowers the pitch while raising the tilt raises the pitch.
Sound manipulation 4 annotated
These buttons control the volume of two types of sounds - the dry buttons control dry sounds and the wet button controls wet sounds.
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Watch dogs
- 1. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games Game Title Watchdogs Provide detailed descriptions from chosen examples that establish… Clearly state what production technique(s) you think have been used to create specific soundtrack elements Setting The setting for this is a public building called Merlaut. I know this because of the narrative line ‘Okay I’m in the lobby at the Merlaut’. Also due to this line I believe the public building could be a restaurant or hotel/motel. It would appear that the person is in the lobby to engage in crime actives. I know this because of the narration the person says ‘I’m hacking in’ (0:22) and after that he also says ‘How much we got?’ Immediately afterward another character says ‘A hundred grand in thirty seconds’. This is clearly a criminal operation in a lobby of a hotel/restaurant. In studio recording world have been used to gather the narrative. Mood The trailer doesn’t give me any mood. This is because there is no sound or narrative to make me feel like something bad, good, sad, etc. is happening. No production techniques would have been used. Game genre The game genre is [underground crime/action]. I know this is a game based on cybercrime because of the phase ‘I’m hacking in’ (0:22) and the conversation ‘How much we got?’ Immediately afterward another character says ‘A hundred grand in thirty seconds’. Towards the end of the cutscene we hear a conversation between to other people ‘You’re assigned Aiden Peirce. Take him out’. Initially I would have thought that is a secret police operation, but then I hear the next of the conversation ‘Hit the family if you need to. This guy’s hacking days are over’. Now having heard all the conversation I believe this is a gang that is aiming to take out a member of a rival gang. In studio recording world have been used to gather the narrative. Narrative In this cutscene the narrative solely relies on narration. This is because all the other sound effects don’t justify their use in the cutscene: they don’t help to explain the setting, mood and game genre. In studio recording world have been used to gather the narrative. http://www.youtube.com/watch?v=MXb6RvnLjSs