Sound design in computer games 5
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The document provides analysis of the soundtrack from the video game The Last of Us. In a scene where Joel's daughter Sarah gets shot and starts crying, the setting establishes sounds of crying, zombies chasing people, and blown up cars. The mood created by the soundtrack is described as horrible, conveying the characters' upset emotions through crying sounds and Sarah's screaming. The game genre is described as action and horror, with the western-style soundtrack gradually increasing in intensity. The narrative follows Joel and Ellie's journey, with the soundtrack techniques conveying that both characters are upset and traumatized by Joel's daughter dying.
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Sound design in computer games analysis work sheet dark space 3
The document analyzes the soundtrack of the video game "Dark Space 3". It identifies different sound elements used in two settings - a snowy outskirts and a futuristic city. Production techniques are suggested for specific sounds, like field recordings for walking in snow and Foley artistry for futuristic doors. The mood created by the music and sounds is described as dramatic and tragic. Elements like gunshots, explosions and hits were likely produced with real recordings, Foley artistry or VST plugins. The narrative jumps between three characters experiencing misfortune - someone lost in the snow, a soldier killed by his general, and a man forced on a mission after a disturbing message. Dialogues were likely studio recordings while other voices were modified digit
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The document summarizes the sound design techniques used in a cut scene from the video game Grand Theft Auto. It describes the setting as two characters discussing a job, then one being warned of a psychopath who may learn of their deeds and that character's subsequent death. It identifies the production techniques used to create the soundtrack as VST instruments and effects, studio recording, and use of traditional and audio field recordings. It notes the mood shifts from cheerful celebration to concern to enraged arguing. The genre is identified as an action shooter, and the narrative as a mixture of cheerful, angered and upset moods in the characters' voices.
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The document analyzes the sounds used in the Rainbow Six: Siege trailer video. It describes the setting as a vehicle driving up to a mansion with a struggle occurring inside where a person is tied up. The mood is described as a serious action/panic situation. The genre is identified as a first or third person shooter based on the sounds. The narrative is summarized as a team cooperating to save a hostage being held in a house by criminals.
Ig1 task 2 analysis work sheet spiderman
The document summarizes sound elements from a scene in the Spiderman 3 movie soundtrack. It analyzes the setting, mood, game genre, and narrative based on the sounds. For each element, it clearly states what production techniques were likely used to create specific soundtrack parts, such as using VST instruments to make helicopter and breaking glass sounds for the setting, recording voices in a studio to make an evil impression for the mood, and using VSTs and recording in a sound studio to cut out noise for the music and voices.
Ig1 task 2 analysis work sheet ass creed
The document provides an analysis of the opening cutscene of Assassin's Creed. It describes the different sound elements used: the angry mob shouting, a ringing bell in the background, a drum beat that gets louder as the assassin approaches the guards. It notes the Gregorian chant and fast-paced drum beat mimic a fast heartbeat during the action scene. It also describes the guard's brief narrative. The document then analyzes the possible production techniques used to create each sound element, such as recording an actual mob, using stock sounds, or recording a choir and drums/dialogue in a studio.
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The document provides an analysis of sound design techniques used in the video game "The Last of Us". It summarizes sounds from an abandoned power plant scene that establish mood and setting, including Foley effects of opening a gate and squishy footsteps. It then analyzes how the music and tone shift to reflect dangers and a reunion between characters. Finally, it briefly describes the post-apocalyptic narrative context of the game and how a variety of sound design techniques were used to create its emotional soundtrack.
Fire Emblem: Awakening (cut scene 6: Two Falchions)
The cut scene depicts a fight between two characters in the game Fire Emblem: Awakening. The music at the beginning conveys a sense of shock and mystery, and then takes on a more intense and orchestral sound as the battle begins. The genre is fantasy or adventure based on the inclusion of trumpets and clanging swords. The narrative follows one character's shock and questioning of who taught his opponent to fight and who their father is. The soundtrack elements were likely produced through live recordings of an orchestra and ambient sword fighting sounds, with voice recordings processed with reverb to match the arena setting.
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The document provides an analysis of sound elements from the game DOOM 4. It describes the opening sounds which include a woman speaking, a disturbing monster growling, and machine noises. The analysis then speculates that the monster growling was likely made by editing human or pig sounds, and that the machine sound was created by editing metal scraping. It concludes that the sounds aim to create a spooky and tense atmosphere typical of the horror game genre through unsettling music, subtle monster noises, and strange speech from the woman.
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The document analyzes the soundtrack of the video game "Dark Space 3". It identifies different sound elements used in two settings - a snowy outskirts and a futuristic city. Production techniques are suggested for specific sounds, like field recordings for walking in snow and Foley artistry for futuristic doors. The mood created by the music and sounds is described as dramatic and tragic. Elements like gunshots, explosions and hits were likely produced with real recordings, Foley artistry or VST plugins. The narrative jumps between three characters experiencing misfortune - someone lost in the snow, a soldier killed by his general, and a man forced on a mission after a disturbing message. Dialogues were likely studio recordings while other voices were modified digit
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Ig1 task 2 analysis work sheet spiderman
The document summarizes sound elements from a scene in the Spiderman 3 movie soundtrack. It analyzes the setting, mood, game genre, and narrative based on the sounds. For each element, it clearly states what production techniques were likely used to create specific soundtrack parts, such as using VST instruments to make helicopter and breaking glass sounds for the setting, recording voices in a studio to make an evil impression for the mood, and using VSTs and recording in a sound studio to cut out noise for the music and voices.
Ig1 task 2 analysis work sheet ass creed
The document provides an analysis of the opening cutscene of Assassin's Creed. It describes the different sound elements used: the angry mob shouting, a ringing bell in the background, a drum beat that gets louder as the assassin approaches the guards. It notes the Gregorian chant and fast-paced drum beat mimic a fast heartbeat during the action scene. It also describes the guard's brief narrative. The document then analyzes the possible production techniques used to create each sound element, such as recording an actual mob, using stock sounds, or recording a choir and drums/dialogue in a studio.
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The document provides an analysis of sound design techniques used in the video game "The Last of Us". It summarizes sounds from an abandoned power plant scene that establish mood and setting, including Foley effects of opening a gate and squishy footsteps. It then analyzes how the music and tone shift to reflect dangers and a reunion between characters. Finally, it briefly describes the post-apocalyptic narrative context of the game and how a variety of sound design techniques were used to create its emotional soundtrack.
Fire Emblem: Awakening (cut scene 6: Two Falchions)
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The document provides an analysis of sound elements from the game DOOM 4. It describes the opening sounds which include a woman speaking, a disturbing monster growling, and machine noises. The analysis then speculates that the monster growling was likely made by editing human or pig sounds, and that the machine sound was created by editing metal scraping. It concludes that the sounds aim to create a spooky and tense atmosphere typical of the horror game genre through unsettling music, subtle monster noises, and strange speech from the woman.
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This document analyzes sound elements from the game The Last of Us. It describes sounds used to establish mood and setting in an intense scene where the main character encounters unfriendly survivors in an abandoned power plant. These include Foley sounds of metal grinding and footsteps added in post-production. The mood shifts from intense to lighter as the character reunites with his long-lost brother. Musical scores, voice acting, environmental sounds, and Foley effects are used to create sounds for the action-adventure, survival-horror genre and support the game's powerful narrative.
Ig1 task 2 analysis work sheet the walking dead
The document summarizes sounds used in the video game The Walking Dead. It analyzes four key elements - setting, mood, game genre, and narrative - and describes the sounds used for each. For the setting of a zombie apocalypse in America, recorded zombie sounds were used with background music from VST or VSTi instruments. The mood is sad, reflecting the hardship of surviving, achieved through VST effects and background music. The genre involves surviving as a man named Lee with a girl called Clementine, using various recorded zombie sound effects. Small narrative sections show important decisions, with sounds recorded in a studio to remove background noise.
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The document analyzes the sound design of the game trailer Gears of War. It summarizes that the setting sounds post-apocalyptic based on voiceover and footsteps. It describes the mood as dark and sinister created using deep, low pitched audio and a cold female voice. The game genre is identified as an action survival or shooter based on the narrative of humanity facing extinction. Audio editing software was likely used to adjust pitch and tone to achieve the dark feel.
Battlefield
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The document analyzes the sounds used in a video game sequence from Alan Wake. It describes the sounds used to establish the setting, mood, game genre, and narrative. The setting is described as a bird's eye view of the woods based on a lack of environmental sounds and use of narration. The mood is set as mysterious through background music and a stressed narrator voice. The game genre of adventure is determined by the narration being used to set multiple scenes in different locations. The voices of three characters, two men and a woman, were likely recorded separately in a sound booth, with each character conveying different emotions.
Modern warfare 2
This document analyzes the soundtrack from the cut scene in Call of Duty: Modern Warfare 2. It describes the setting as a dangerous warzone with gunfire and explosions during a battle between Russia and the USA. It states the mood is one of sadness, betrayal, and anger due to the captain siding with the enemy and shooting the player. It believes the gunshots and explosions were recorded from real wars and modified digitally, while other sounds were computer-generated. It suggests the violin soundtrack was remixed on a computer to convey the mood of betrayal and sorrow. The genre of war games is said to always portray war as bad, so the soundtrack implies the sadness and betrayal of countries fighting.
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The document analyzes the sound sequence from the game BattleBlock Theatre. It describes how the sounds establish the setting, mood, and game genre through 3 key paragraphs. For setting, the sounds transition between being on a boat in the ocean to being on land. For mood, the sounds make the listener feel intrigued at first but then tense as the story takes a turn. For game genre, the sounds indicate a comedy/adventure genre through the humorous narrative. Production techniques like field recording, foley artistry, and recording voices in a sound booth were used to create the soundtrack elements.
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The document provides an analysis of the soundtrack elements in a cutscene from the video game Final Fantasy XIII. It describes the setting of the cutscene as taking place in an arena with combat occurring. The mood is exciting and action-packed to match the fighting. Being a Japanese role-playing game, the soundtrack uses typical anime-style sound effects and voices. While there is little dialogue, the music and sound effects convey the tense and dramatic nature of the battle through cues like clashing swords and a revving motorcycle.
Ig1 task 2 analysis work sheet
The document analyzes the sounds used in the trailer for the game Rainbow Six: Siege. It describes hearing engines of a vehicle, sounds of struggle from a tied-up hostage, and footsteps of people rushing through a house. The mood is described as a serious action/panic situation. The game genre is identified as FPS and action. The narrative is summarized as four team-mates cooperating to save a hostage held in her house by criminals. For each section, the document states that most sounds were likely created in a game engine sound editor or by recording real-life sounds outdoors and manipulating them.
Dead space 3 sound analysis
The document provides an analysis of the sounds used in a video game cut scene from DeadSpace 3. It describes how the sounds establish the setting as stormy and futuristic. The sounds create a cold and chilling atmosphere filled with danger, helping to set the mood. The audio reinforces the game genre as a futuristic shooter in open space. The sounds also help provide narrative and background story between characters. Field recordings, traditional instruments, and studio recordings were likely used to create specific soundtrack elements and establish the proper ambience, mood, and quality of sounds.
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The sounds in Resident Evil 4 were produced using sound creation software in a studio. Layering and adjustments to volume and pitch were used in post-production to blend sound effects with the soundtrack. This enhances the gaming experience by creating a tense, dark atmosphere through natural sounds alone and building fear through the monster's sounds and the scary, uneasy music as it attacks. The boss fight exemplifies the action/horror genre through its ability to scare the player trapped in a small room with the monster.
Dead island
The document provides details from the video game Dead Island to analyze sound techniques used in its soundtrack. It describes the setting as being in a club listening to rap music, with 3D audio making it seem like walking around. The mood is described as violent with people pushing and shouting in distress. Background zombie noises and a narrative of stumbling drunkenly in the club create a sense of fear and convey being drunk and slow.
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The document discusses sound design techniques used in the game Dead Island. It analyzes three examples of sound from the game's soundtrack that set the setting, mood, and narrative. The setting is described as being in a club with 3D audio making it seem like the player is walking around. The mood is described as violent with distressed shouting. The narrative has the player stumbling around drunk in the club before getting kicked out.
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The document analyzes the sound design of the game Lollipop Chainsaw. It describes the setting as a destroyed farm shown through burning fires and screams. The mood is established as scary at first but becomes funnier due to the voice acting. The genre is identified as hack and slash based on the sound of chainsaws and mentions of zombies. Production techniques are assessed, finding that some sounds like instruments and effects seem recorded on location while others like voices and effects were made in a studio.
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The document provides analysis of sound design in video game cutscenes from several popular games including World of Warcraft, Gears of War 3, Borderlands, League of Legends, and Heroes of the Storm. Production techniques used to create specific soundtrack elements are identified, such as foley artistry, field recordings, and audio editing software. Mood, setting, genre, and narrative are described for each cutscene example through analysis of soundtrack, sound effects, and visuals.
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This document provides an analysis of sound elements in the Halo 4 cinematic introduction.
It examines the setting, mood, game genre, and narrative based on audio cues. For the interrogation room setting, it suggests virtual studio technology (VST) was used to create echo effects. Sadness in the mood is attributed to fade effects and live orchestral recordings. Depicting the game as a sci-fi shooter is achieved through edited or virtual instrument-created weapon sounds, battle audio, and an explanatory script. The story is communicated through a live recorded conversation following an edited script to seem like an interrogation.
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The document summarizes sounds used in the video game Saw 2 – Flesh&Blood. It analyzes 4 examples of sounds:
1) The setting introduces crackling TV and talking sounds, which would have been recorded voice overs and Foley artistry.
2) Mood conveys fear and struggling through screaming and movement sounds, which would be voice overs and studio recorded without background noise.
3) Genre is identified as horror/adventure based on pain and atmosphere sounds created by pure silence.
4) Narrative features a voice on TV, moving metal objects, and bad signal sounds created through Foley artistry and voice overs.
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The document provides an analysis of sound elements in a video game cutscene from DeadSpace 3. It summarizes the use of strong wind sounds and crunching footsteps in snow to set the scene in a cliffside location. It describes the confusing mood set by the winds with the addition of machinery sounds, breathing, shouting and character voices. The horror genre of the game is reflected in the loud, unsettling guitar-based music. Character voices sound as if they have done something terribly wrong and discuss saving a character from space, with voices changing as the situation progresses.
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The document provides an analysis of sound elements in a video game cutscene from DeadSpace 3. It summarizes the use of strong wind sounds and crunching footsteps in snow to set the scene in a cliffside location. It describes the confusing mood set by the winds with the addition of machinery sounds, breathing, shouting and character voices. The horror genre of the game is reflected in the loud, unsettling guitar-based music. Character voices sound as if they have done something terribly wrong and discuss saving a character from space, with voices changing as the situation develops.
Dead space 3 sond desighn 1
The document provides an analysis of sound elements in a video game cutscene from DeadSpace 3. It analyzes the sounds that establish setting, mood, game genre, and narrative. For setting, strong winds and crunching footsteps in snow are described. For mood, confusing sounds at first like winds and machinery then breathing and shouting are noted. For game genre, voices, breathing, gunshots and horror music style indicate an action/horror genre. For narrative, the voices of three men discussing saving a character named Ellie from space are described.
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This document analyzes sound elements from the game The Last of Us. It describes sounds used to establish mood and setting in an intense scene where the main character encounters unfriendly survivors in an abandoned power plant. These include Foley sounds of metal grinding and footsteps added in post-production. The mood shifts from intense to lighter as the character reunites with his long-lost brother. Musical scores, voice acting, environmental sounds, and Foley effects are used to create sounds for the action-adventure, survival-horror genre and support the game's powerful narrative.
Ig1 task 2 analysis work sheet the walking dead
The document summarizes sounds used in the video game The Walking Dead. It analyzes four key elements - setting, mood, game genre, and narrative - and describes the sounds used for each. For the setting of a zombie apocalypse in America, recorded zombie sounds were used with background music from VST or VSTi instruments. The mood is sad, reflecting the hardship of surviving, achieved through VST effects and background music. The genre involves surviving as a man named Lee with a girl called Clementine, using various recorded zombie sound effects. Small narrative sections show important decisions, with sounds recorded in a studio to remove background noise.
Ig1 task 2 analysis work sheet skyrim
The document summarizes the use of sound in the video game The Elder Scrolls V: Skyrim. It analyzes the setting, mood, game genre, and narrative of specific scenes and examples. For each, it clearly states what production techniques were likely used to create the soundtrack elements. This includes using a sound booth to record breathing, building music with trumpets to set a dramatic mood, realistic sound effects to portray weapons and fire, and a studio with good microphones to record loud, distant vocals for the battle music.
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The document provides an analysis of sound elements in the video game Assassin's Creed. It describes the setting of an interrogation room based on sounds of locks and handcuffs. It states the mood seems stressful or urgent based on voice actors. The genre is identified as a war shooter due to references to military operations. The narrative appears to be of a player being interrogated for a past mission that was done wrong. Production techniques are said to include recording voice actors and locks/cuffs in a sound booth.
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The document analyzes the sound design of the game trailer Gears of War. It summarizes that the setting sounds post-apocalyptic based on voiceover and footsteps. It describes the mood as dark and sinister created using deep, low pitched audio and a cold female voice. The game genre is identified as an action survival or shooter based on the narrative of humanity facing extinction. Audio editing software was likely used to adjust pitch and tone to achieve the dark feel.
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The document discusses a cut scene from the game Battlefield 3. It analyzes the setting, mood, genre, and narrative established by the sounds in the cut scene. The setting of a prison cell is conveyed through distant police sirens and rattling noises. The mood is one of confusion due to the lack of background music. The narration indicates the game genre will be a shooter as it describes a marine arrested for knowledge of a terrorist plot in New York. Field recordings were likely used for ambient sounds while narration was recorded in a studio.
Nathan mather alan wake sound design in computer games analysis work sheet
The document analyzes the sounds used in a video game sequence from Alan Wake. It describes the sounds used to establish the setting, mood, game genre, and narrative. The setting is described as a bird's eye view of the woods based on a lack of environmental sounds and use of narration. The mood is set as mysterious through background music and a stressed narrator voice. The game genre of adventure is determined by the narration being used to set multiple scenes in different locations. The voices of three characters, two men and a woman, were likely recorded separately in a sound booth, with each character conveying different emotions.
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This document analyzes the soundtrack from the cut scene in Call of Duty: Modern Warfare 2. It describes the setting as a dangerous warzone with gunfire and explosions during a battle between Russia and the USA. It states the mood is one of sadness, betrayal, and anger due to the captain siding with the enemy and shooting the player. It believes the gunshots and explosions were recorded from real wars and modified digitally, while other sounds were computer-generated. It suggests the violin soundtrack was remixed on a computer to convey the mood of betrayal and sorrow. The genre of war games is said to always portray war as bad, so the soundtrack implies the sadness and betrayal of countries fighting.
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The document provides an analysis of the soundtrack elements in a cutscene from the video game Final Fantasy XIII. It describes the setting of the cutscene as taking place in an arena with combat occurring. The mood is exciting and action-packed to match the fighting. Being a Japanese role-playing game, the soundtrack uses typical anime-style sound effects and voices. While there is little dialogue, the music and sound effects convey the tense and dramatic nature of the battle through cues like clashing swords and a revving motorcycle.
Ig1 task 2 analysis work sheet
The document analyzes the sounds used in the trailer for the game Rainbow Six: Siege. It describes hearing engines of a vehicle, sounds of struggle from a tied-up hostage, and footsteps of people rushing through a house. The mood is described as a serious action/panic situation. The game genre is identified as FPS and action. The narrative is summarized as four team-mates cooperating to save a hostage held in her house by criminals. For each section, the document states that most sounds were likely created in a game engine sound editor or by recording real-life sounds outdoors and manipulating them.
Dead space 3 sound analysis
The document provides an analysis of the sounds used in a video game cut scene from DeadSpace 3. It describes how the sounds establish the setting as stormy and futuristic. The sounds create a cold and chilling atmosphere filled with danger, helping to set the mood. The audio reinforces the game genre as a futuristic shooter in open space. The sounds also help provide narrative and background story between characters. Field recordings, traditional instruments, and studio recordings were likely used to create specific soundtrack elements and establish the proper ambience, mood, and quality of sounds.
How you think the sound in your chosen example has been produced resi
The sounds in Resident Evil 4 were produced using sound creation software in a studio. Layering and adjustments to volume and pitch were used in post-production to blend sound effects with the soundtrack. This enhances the gaming experience by creating a tense, dark atmosphere through natural sounds alone and building fear through the monster's sounds and the scary, uneasy music as it attacks. The boss fight exemplifies the action/horror genre through its ability to scare the player trapped in a small room with the monster.
Dead island
The document provides details from the video game Dead Island to analyze sound techniques used in its soundtrack. It describes the setting as being in a club listening to rap music, with 3D audio making it seem like walking around. The mood is described as violent with people pushing and shouting in distress. Background zombie noises and a narrative of stumbling drunkenly in the club create a sense of fear and convey being drunk and slow.
Ig1 task 2 analysis work sheet
The document discusses sound design techniques used in the game Dead Island. It analyzes three examples of sound from the game's soundtrack that set the setting, mood, and narrative. The setting is described as being in a club with 3D audio making it seem like the player is walking around. The mood is described as violent with distressed shouting. The narrative has the player stumbling around drunk in the club before getting kicked out.
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Nathan mather alan wake sound design in computer games analysis work sheet
Nathan mather alan wake sound design in computer games analysis work sheet
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Ig1 task 2 analysis work sheet lollipop chainsaw
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3) Genre is identified as horror/adventure based on pain and atmosphere sounds created by pure silence.
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The document provides an analysis of sound elements in a video game cutscene from DeadSpace 3. It summarizes the use of strong wind sounds and crunching footsteps in snow to set the scene in a cliffside location. It describes the confusing mood set by the winds with the addition of machinery sounds, breathing, shouting and character voices. The horror genre of the game is reflected in the loud, unsettling guitar-based music. Character voices sound as if they have done something terribly wrong and discuss saving a character from space, with voices changing as the situation progresses.
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The document provides an analysis of sound elements in a video game cutscene from DeadSpace 3. It summarizes the use of strong wind sounds and crunching footsteps in snow to set the scene in a cliffside location. It describes the confusing mood set by the winds with the addition of machinery sounds, breathing, shouting and character voices. The horror genre of the game is reflected in the loud, unsettling guitar-based music. Character voices sound as if they have done something terribly wrong and discuss saving a character from space, with voices changing as the situation develops.
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The document provides an analysis of sound elements in a video game cutscene from DeadSpace 3. It analyzes the sounds that establish setting, mood, game genre, and narrative. For setting, strong winds and crunching footsteps in snow are described. For mood, confusing sounds at first like winds and machinery then breathing and shouting are noted. For game genre, voices, breathing, gunshots and horror music style indicate an action/horror genre. For narrative, the voices of three men discussing saving a character named Ellie from space are described.
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Sound design in computer games the last of us
This document analyzes the sounds used in a video game soundtrack clip from The Last of Us. It describes the sounds that establish the setting, mood, and narrative. It suggests that sounds like the wind were created using field recordings or a MIDI soundboard, while dialogue and fighting noises were recorded and edited in a studio. Musical instruments or an orchestra likely created the intense music. Foley artistry was used to capture sword clashing sounds clearly without ambient noise. All dialogue was recorded in a studio given its high audio quality.
The last of us sound analyse
This document provides an analysis of the soundtrack from the video game The Last of Us. It describes the mood as adventurous and unknowing, achieved through the use of VST effects and field recordings. The genre of the game is identified as a zombie apocalypse about a father and child defending themselves. VST instruments are said to have been used to create zombie sounds. The narrative of the cut scene is described as using a girl's imagination to create a game-like environment, with dialogue possibly recorded in a studio to minimize background noise.
Sound design in computer games shadow of mordor
This document provides analysis of sound elements in the video game Middle Earth: Shadow of Mordor. It examines 4 different aspects:
1) The setting features footsteps to indicate an outdoor dirt path, and the sound of many footsteps together to represent an approaching battle. These were likely created using foley artistry or studio recordings.
2) The mood is intense due to building dramatic music and angry voices, establishing this as a fighting game. The music was likely created digitally rather than with acoustic instruments.
3) The game genre is a role-playing game related to The Lord of the Rings, as evidenced by voices of characters from that lore. These distant voices were edited recordings.
4
The last of us
The document provides descriptions and analysis of sounds from a game trailer for The Last of Us. It analyzes how the sounds establish the setting, mood, game genre, and narrative. For the setting, background machine noises and footsteps create a small enclosed space. The mood shifts from calm to excitement through up-tempo background music. The game genre of action/adventure is conveyed through sounds of fighting like punches and clashing swords. The narrative of two girls discussing gameplay is established through one girl providing instructions and changing her tone of voice for different characters.
Halo 2 analysis
This document analyzes the sounds used in the opening cutscene of the video game Halo 2. It describes the sounds that establish the setting as possibly a factory or building due to an alarm sound and later explosions and gunfire, suggesting a war zone. It identifies lifts and aircraft sounds that indicate the character is in a building set in the future. The document states the mood is serious due to violent sounds of gunshots and explosions, and an emotional musical score. It suggests the game genre is a sci-fi first or third person shooter due to futuristic laser and gunshot sounds. The narrative involves humans fighting another clan on earth, as indicated by references to attacking and defending the planet.
Sound design in computer games analysis work sheet - The Last of Us
The document analyzes the soundtrack of the game The Last of Us. It describes the setting of the imaginary game as a shadow temple or battle area with tropical instruments played. The mood starts quiet but builds tension with impacts and faster beats as the battle begins. Specific sound effects like hits were likely made with foley artistry or plugins. The narrative involves Ellie wanting to play an arcade game but it's broken, so Riley narrates an imaginary fighting adventure game for her using voice actors with some panning.
Brienna hick hyrule warriors cutscene audio
The document summarizes sounds used in the opening scene of the video game Hyrule Warriors. It analyzes the background sounds of birds tweeting and low rumbling that set a relaxed outdoor scene. The mood then changes quickly as the music takes a darker tone. While the genre is difficult to determine from the short scene, the voice acting and music suggest an action-adventure RPG. The narrative is driven primarily by the music and background effects with little dialogue, introducing the threat of the game.
Call of duty black ops 2 zombie origins
The document provides an analysis of the soundtrack from the video game Call of Duty Black Ops 2 zombies origins. It describes how the soundtrack uses computer-generated sounds like a creepy nursery rhyme and war siren to set a tense and eerie mood that matches the gloomy setting. The narrative scene shows two children arguing while a siren sounds, indicating danger, and the soundtrack enhances the tension and creepiness of the moment as the children head to the basement for safety.
Call of duty black ops 2 zombie origins
The document provides an analysis of the soundtrack from the video game Call of Duty Black Ops 2 zombies origins. It describes how the soundtrack uses computer-generated sounds like a warped nursery rhyme and war siren to set a tense, creepy mood that matches the gloomy setting. Specific production techniques are identified, such as tweaking sounds to make them spookier or coming from a speaker. The narrative scene of children playing is interrupted by the siren, and the soundtrack enhances the tension and eeriness as it dies down after they leave.
Ig1 task 2 analysis work sheet (1)
The document provides an analysis of the soundtrack elements in a cutscene from the video game Final Fantasy XIII. It describes the setting of the cutscene as taking place in an arena with combat occurring. The mood is exciting and action-packed to match the fighting. Being a Japanese role-playing game, the soundtrack uses typical anime-style sound effects and voices. While there is little dialogue, the music and sound effects convey the tense and dramatic nature of the battle through cues like clashing swords and a revving motorcycle.
Ig1 task 2 analysis work sheet deadpool
This document provides analysis of sounds used in a video game trailer.
The setting is described as inside the character Deadpool's apartment, where background noise like rain would have been recorded. Mood is described as comedy/adventure, and virtual studio technology effects were likely used to create ambient noise. Game genre is described as comedy/adventure, and virtual instruments were probably used to make screams in the background. Narrative techniques included using different voice actors to portray voices in the character's head. Dialogue was likely recorded in a studio to minimize noise.
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Sound recording glossary improved vershion 2
The document is a glossary of terms related to sound design and production for computer games. It contains definitions of terms such as foley artistry, sound libraries, file formats like .wav and .mp3, audio limitations involving sound cards and processors, recording systems such as MIDI and CDs, and concepts in audio sampling like bit depth and sample rate. For each term, the student provided a short definition from an online source as well as how the term relates to their own production practice.
Sound desighn
The document discusses different audio tools used to create sounds from selections and recordings. Screenshots show audio that was used to make sounds by double clicking on a bar which brought up a selection, and this was then used to create a sound. Additional screenshots show a sound recorder with different buttons for sounds that can be used to improve the created sounds.
Sound kit budget sheet final
The production company is producing a project with a budget of £4,000. The production includes a Roland R-05 stereo recorder, Hama RMZ-16 directional microphone, SanDisk 16GB SD card, USB cable, Pioneer HDJ-1500k headphones, Reaper audio software, Samsung 1TB portable hard drive, sound card with VST plugins, basic VST effects, Duracell batteries, and the estimated recording dates are with team members Tom Dowson, Tom Crook, and Jake Thomsphon. The total actual cost of £684.41 is under the £4,000 budget.
Cue cards
The document outlines details for a scene involving gangsters collecting a package that goes wrong. It describes the characters as Italian-American mafia members who swear and have deep voices. When they go to pick up the package, another gang starts shooting at them, so they grab the package and drive off while delivering gunfire. Audio for the scene would include gunshots, dialogue in an Italian-American accent, horns, footsteps, cars, rap/hip-hop/rock music. Sounds will be recorded using a sound recorder and Foley artistry with objects to replicate needed sounds.
Pitch adjustment
The document discusses adjusting the pitch of a water splash to make it more efficient. A screenshot shows the pitch adjustment setting for a water splash. The creator used the pitch adjustment feature to modify a water splash to improve its efficiency.
Reaper project 2
The document discusses Thomas Dowson's work on several Reaper audio projects. For the first project, he used an original sequence of three sounds. The second project featured a running on gravel sound effect that was enhanced with volume and panning adjustments. For the third project, the pitch of a sound was adjusted by changing settings after double clicking on the sound. The fourth project demonstrated using plugins to alter and improve a sound.
Personal staement
This document provides a draft personal statement for Thomas Dowson applying to Salford City College's Eccles Sixth Form Centre BTec Level 3 90 Credit Diploma in Creative Media Production Games Design program. It begins answering questions about his dream job being a games designer, skills like communication and trustworthiness, lack of work experience but current job, strengths in teamwork and confidence with room to improve problem solving, and hobbies of playing games, sports like rugby, and watching films. The document is a work in progress that Thomas will refine over the year.
Cv template
This curriculum vitae provides biographical and educational details for Thomas Dowson, who is pursuing a 90 Credit Diploma in Creative Media Production - Games Design at Salford City College Eccles Sixth Form Centre. It lists his address, contact information, date of birth, education history from 2003-2015, pending qualifications, lack of work experience but a willingness to work, skills including reliability and enthusiasm, interests in games, cinema and rugby, and referee contact of his tutor Harry Arnold.
What is a sound designer 2
A sound designer is responsible for managing a team of sound engineers and recording, modifying, and designing sounds for games and other productions. They must understand pre-production, manage staff, and have skills in computer systems and quality control to ensure sounds work properly. A sound designer sometimes needs to create their own software and must record and play instruments. They gather props for field recording and communicate with other departments to integrate and sequence sounds.
The last of us sound desighn game 4
The document provides an analysis of sound elements from the video game The Last of Us.
It summarizes that the setting sounds establish an abandoned arcade with quiet ambient noises until the character begins playing the game in her mind, accompanied by a loud noise. The mood starts quiet and lightens as the character plays, conveying the happy emotion between the two friends.
The game genre of horror and adventure is identified, with fighting sounds indicating this. The narrative uses sound well to show the happy environment and fun the two girls are having together.
The evil within 2
This document provides analysis of sound elements from the video game The Evil Within 8:18 to 9:07. It analyzes the setting, mood, game genre, and narrative based on the sounds used. The setting establishes a quiet, isolated singing with no movement. The mood is dull with no characters present, conveyed through the singing voice and repetitive guitar. The game genre is identified as horror based on the scary singing and ominous music. There is no narrative in the cutscene apart from a man singing. Production techniques like guitar playing were likely used to create the soundtrack elements.
The last of us 2 sound desighn
The document provides analysis of the soundtrack from the video game The Last of Us. In a scene where Joel's daughter Sarah gets shot and starts crying, the setting establishes sounds of crying, zombies chasing people, and blown up cars. The mood created by the soundtrack is described as horrible, conveying the characters' upset emotions through crying sounds and Sarah's screaming. The game genre is described as action and horror, with the western-style soundtrack gradually increasing in intensity. The narrative follows Joel and Ellie's journey, with the soundtrack techniques conveying that both characters are upset and traumatized by Joel's daughter dying.
The last of us sound desighn game 4
The document provides an analysis of sound elements from the video game The Last of Us.
It summarizes that the setting sounds establish an abandoned arcade with quiet ambient noises until the character begins playing the game in her mind, accompanied by a loud noise. The mood starts quiet and lightens as the character plays, conveying the happy emotion between friends.
The game genre of horror and adventure is identified, with fighting sounds indicating this. The narrative uses sound well to show the happy environment and fun the characters are having together.
The last of us 2 sound desighn
The document provides analysis of the soundtrack from the video game The Last of Us. In a scene where Joel's daughter Sarah is shot and starts crying, the setting establishes sounds of crying and zombies chasing people, as well as blown up cars. The mood created by the soundtrack is described as horrible, with both characters crying and Sarah screaming. The game genre is described as action and horror, with the music played in a way that establishes a western country feel through sounds of violins, bass guitar, and a gradually increasing quiet sound. The narrative follows Joel and Ellie embarking on a journey where their friendship grows closer as they encounter infected, though both are upset in this scene as Joel's daughter is dying and he is traum
The evil within 2
This document provides analysis of sound elements from the video game The Evil Within 8:18 to 9:07. It analyzes the setting, mood, game genre, and narrative based on the sounds used. The setting establishes a quiet, lonely atmosphere through singing and guitar music with no character movement. The mood is dull and quiet conveyed through the singer's voice and repetitive guitar playing. The game genre is identified as horror based on the scary singing and low, horror-style guitar music. While there is no narrative evident from the cutscene itself, the guitar sounds provide good music for the cutscenes.
Sound recording glossary 6
The document is a glossary of terms related to sound design and production for computer games. It contains definitions of terms researched by the student from online sources, along with explanations of how each term relates to the student's own production practice. The glossary covers areas such as sound design methodology, sound file formats, audio limitations, audio recording systems, audio sampling, and MIDI keyboard instruments.
Assisgment breif
This document provides an assignment brief for a qualification in creative media production. The assignment involves producing audio assets for computer game cut sequences, including recording dialogue and sound effects, and editing them together. It consists of 11 tasks, such as researching sound design terms, analyzing existing game audio, scriptwriting, recording dialogue in a studio, editing sounds using software, and programming the finished audio into a game. The tasks assess learning outcomes related to understanding sound design, pre-production documentation, communication skills, and applying audio production skills to industry standards. The deadline for completion is June 5th, 2015.
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三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
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◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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Architectural and constructions management experience since 2003 including 18 years located in UAE.
Coordinate and oversee all technical activities relating to architectural and construction projects,
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changes.
Organize and typically develop, and review building plans, ensuring that a project meets all safety and
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skills are required for this role.
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- 1. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games Game Title The Last of Us https://www.youtube.com/watch?v=xn8qr_sNI5Y 4:10 to 6:00 Provide detailed descriptions from chosen examples of sounds that establish… Clearly state what production technique(s) you think have been used to create specific soundtrack elements Setting The settingiswhere Joel isholdinghisdaughterinhisarmasandtheycome across a guard and thenthe guard starts shootingandsarhjoels daughtergetsshotand thenshe starts cryingbecause she hasbeenshotand thenjoel startscrying. In the settingthere issoundtrackelements because there isa lotof cryingand alsotherirthe sounedof some kindof zombieschasingafter people alsothere isthe sounedof blownupcars aswell. Mood The mood inthe cutscene isreally horrible becausebothof the charctersare upset because joelsdaughteriscryingandthe moddsare just horrible bothof themcrying and sarah screaming. The soundtrackthat you here istalkingbutalso youhre the lastof saoundtrackall the way though the cutscene.Soit reallytellsthe moodinthe soundof it. Game genre The game genre isactionand alsohorror the way that the musicisplayedinthe cutscene isreallyquite goodittellsyouthatitis kindof a westerncountrybecause of the soundthat itmakestheris alsoa realyyquietsondandthengraduallygets higherandhigher. The sond track elementsthatyoucanhere is probablyviolinsaswell asbassgutair. Narrative The story isabout Joel andEllie whoembarkonthisjourneywhere there are lotsof The soundtracktechniquesisthattheybothspeak
- 2. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games quaritendzonesJoel hastolookafterEllie andgetherto the firfliesbuttheyare encountedbyinfectedandtheylivesstarttochange but theirfriendshipgetscloser. but theyare both are upsetbecause hisdaughter isdyingand he is tramatized.