The document describes 6 artworks and asks the reader to identify the historical period each is from. Artwork A, dated 1406 CE, depicts the Madonna and Child with angels and is identified as being from the Renaissance period due to its lifelike figures and use of perspective. Artwork B, dated 3rd century BCE, shows the nude Venus and represents classical style with its balanced poses and serenity. Artwork C from 1482 CE features Primavera and the coming of spring, also placing it in the Renaissance period. Artwork D from 1280 CE depicts the Madonna and Child on a throne but with flat, two-dimensional figures, identifying it as Medieval. Artworks E and F are
Masaccio's Trinity Altarpiece from 1425 was revolutionary in its use of linear perspective to create a rational, three-dimensional space. It was one of the first works of art to use this technique, which had been discovered by Brunelleschi and codified by Alberti. Masaccio also used shading, modeling, and accurate human anatomy to make the figures appear lifelike and volumetric. In the Brancacci Chapel, his fresco The Tribute Money from 1427 further developed these innovations by arranging figures in a semicircle, using gestures to guide the narrative, and establishing a single light source to cast consistent shadows. Both works had humanist themes but also reflected contemporary civic and political issues
The document summarizes the key events and developments of the Italian Renaissance in Florence. It describes how Florence was a center of civic pride and humanist learning during this period, governed as a republic rather than a monarchy. Major events discussed include the competition between Ghiberti and Brunelleschi to design baptistry doors, reflecting both religious and civic themes, and Brunelleschi's engineering of the dome of Florence Cathedral, which became a symbol of the city's achievements. The document argues these cultural and artistic developments embodied the secular, humanist ideals of the Renaissance and demonstrated Florence's view of itself as heir to ancient Greek and Roman culture.
The document provides an overview of developments in European art from approximately 1000 CE to the early 16th century. It summarizes key artistic innovations and movements during this period, including the emergence of Renaissance art and ideals in the 15th-16th centuries with a focus on naturalism, perspective, and the human form. Major artists discussed include Giotto, Donatello, Masaccio, Botticelli, Leonardo da Vinci, Michelangelo, Raphael, and their significant works.
Donatello was a leading Renaissance sculptor in Florence who drew inspiration from classical antiquity. His statue of Saint Mark for the city's Orsanmichele church marked a radical departure from medieval representations of saints. Depicting Saint Mark in a natural, weight-bearing pose and engaged with the world, it embodied the humanist ideals of civic virtue and the dignity of man. Donatello's later bronze David, commissioned by Cosimo de' Medici, celebrated the human body and human potential through its contrapposto pose and nudity inspired by classical Greek art. It became a symbol of Florence's civic pride and liberties.
The Catholic Counter Reformation was a response by the Catholic Church to the Protestant Reformation. It included reforms decreed by the Council of Trent from 1545-1563 to clarify church doctrine. The Council instituted reforms like ending the sale of indulgences but also reaffirmed Catholic stances on issues like justification by faith alone. The Jesuit order was founded to spread Catholicism worldwide more effectively. The Counter Reformation also included a crackdown on heresy through the Inquisition and tighter regulation of religious art to keep imagery focused on spiritual messages.
Jan van Eyck was a 15th century Flemish painter considered the master of oil painting technique during the Northern Renaissance. His most famous work is the Ghent Altarpiece, painted for a cathedral in Ghent, which depicts important religious scenes and figures in intricate detail across multiple panels. Through its realistic figures and landscapes, the altarpiece tells the story of Christianity from the Old Testament prophets to the coming of Christ and the final judgment, focusing on redemption and humanity's return to paradise rather than damnation. Van Eyck's innovative oil technique allowed for photorealistic precision down to the smallest details, reflecting the new Renaissance view of nature as a reflection of the divine.
Rogier Van der Weyden was a 15th century Flemish painter who was a student of Robert Campin and later rivaled his fame. This painting depicts Saint Luke drawing the Virgin Mary while she breastfeeds the Christ child, commissioned by the artists' guild of Brussels to honor their profession. It is believed Van der Weyden used his own face as a model for Saint Luke, reflecting the increasing self-awareness and professional identity of artists. The scene takes place in a contemporary Flemish interior with a view of a landscape outside, typical of Flemish style.
The document describes 6 artworks and asks the reader to identify the historical period each is from. Artwork A, dated 1406 CE, depicts the Madonna and Child with angels and is identified as being from the Renaissance period due to its lifelike figures and use of perspective. Artwork B, dated 3rd century BCE, shows the nude Venus and represents classical style with its balanced poses and serenity. Artwork C from 1482 CE features Primavera and the coming of spring, also placing it in the Renaissance period. Artwork D from 1280 CE depicts the Madonna and Child on a throne but with flat, two-dimensional figures, identifying it as Medieval. Artworks E and F are
Masaccio's Trinity Altarpiece from 1425 was revolutionary in its use of linear perspective to create a rational, three-dimensional space. It was one of the first works of art to use this technique, which had been discovered by Brunelleschi and codified by Alberti. Masaccio also used shading, modeling, and accurate human anatomy to make the figures appear lifelike and volumetric. In the Brancacci Chapel, his fresco The Tribute Money from 1427 further developed these innovations by arranging figures in a semicircle, using gestures to guide the narrative, and establishing a single light source to cast consistent shadows. Both works had humanist themes but also reflected contemporary civic and political issues
The document summarizes the key events and developments of the Italian Renaissance in Florence. It describes how Florence was a center of civic pride and humanist learning during this period, governed as a republic rather than a monarchy. Major events discussed include the competition between Ghiberti and Brunelleschi to design baptistry doors, reflecting both religious and civic themes, and Brunelleschi's engineering of the dome of Florence Cathedral, which became a symbol of the city's achievements. The document argues these cultural and artistic developments embodied the secular, humanist ideals of the Renaissance and demonstrated Florence's view of itself as heir to ancient Greek and Roman culture.
The document provides an overview of developments in European art from approximately 1000 CE to the early 16th century. It summarizes key artistic innovations and movements during this period, including the emergence of Renaissance art and ideals in the 15th-16th centuries with a focus on naturalism, perspective, and the human form. Major artists discussed include Giotto, Donatello, Masaccio, Botticelli, Leonardo da Vinci, Michelangelo, Raphael, and their significant works.
Donatello was a leading Renaissance sculptor in Florence who drew inspiration from classical antiquity. His statue of Saint Mark for the city's Orsanmichele church marked a radical departure from medieval representations of saints. Depicting Saint Mark in a natural, weight-bearing pose and engaged with the world, it embodied the humanist ideals of civic virtue and the dignity of man. Donatello's later bronze David, commissioned by Cosimo de' Medici, celebrated the human body and human potential through its contrapposto pose and nudity inspired by classical Greek art. It became a symbol of Florence's civic pride and liberties.
The Catholic Counter Reformation was a response by the Catholic Church to the Protestant Reformation. It included reforms decreed by the Council of Trent from 1545-1563 to clarify church doctrine. The Council instituted reforms like ending the sale of indulgences but also reaffirmed Catholic stances on issues like justification by faith alone. The Jesuit order was founded to spread Catholicism worldwide more effectively. The Counter Reformation also included a crackdown on heresy through the Inquisition and tighter regulation of religious art to keep imagery focused on spiritual messages.
Jan van Eyck was a 15th century Flemish painter considered the master of oil painting technique during the Northern Renaissance. His most famous work is the Ghent Altarpiece, painted for a cathedral in Ghent, which depicts important religious scenes and figures in intricate detail across multiple panels. Through its realistic figures and landscapes, the altarpiece tells the story of Christianity from the Old Testament prophets to the coming of Christ and the final judgment, focusing on redemption and humanity's return to paradise rather than damnation. Van Eyck's innovative oil technique allowed for photorealistic precision down to the smallest details, reflecting the new Renaissance view of nature as a reflection of the divine.
Rogier Van der Weyden was a 15th century Flemish painter who was a student of Robert Campin and later rivaled his fame. This painting depicts Saint Luke drawing the Virgin Mary while she breastfeeds the Christ child, commissioned by the artists' guild of Brussels to honor their profession. It is believed Van der Weyden used his own face as a model for Saint Luke, reflecting the increasing self-awareness and professional identity of artists. The scene takes place in a contemporary Flemish interior with a view of a landscape outside, typical of Flemish style.
Leonardo da Vinci was a quintessential Renaissance man who made significant advances in multiple areas. He pioneered the study of movement, emotion, oil painting technique, and uniting the human and divine. As a painter, sculptor, architect, astronomer, scientist, engineer and inventor, Leonardo combined interests in art, religion and science. He was a pioneer in capturing movement, emotion, and human psychology in his works. His most famous painting, the Mona Lisa, exemplifies his mastery of techniques like sfumato and pyramidal composition to express the sitter's mysterious inner nature.
The document provides context on the High Renaissance and Mannerism periods. It discusses key events and developments in various regions during this time, including the expanding world through European exploration, the growing power of the Papal States in Rome, Spain's rise to power under Ferdinand and Isabella, and the expansion of the Ottoman Empire. It also covers artistic concepts and styles of the High Renaissance and Mannerism, and profiles influential artists like Leonardo da Vinci, Michelangelo, and Raphael.
The document provides an overview of the High Renaissance period in Italy from 1500-1524. It discusses important artists of the time like Leonardo da Vinci, Bramante, Michelangelo, Raphael, Bellini, Giorgione and Titian. Their works embodied classical ideals of balance, symmetry, and ideal proportions. Key locations included Rome, which saw a revitalization under Pope Julius II, and Venice, where artists used oil paint and canvas to create colorful works with sensuous forms.
The document discusses key developments in art during the Renaissance period in Europe. It describes how Renaissance artists drew inspiration from classical forms and focused on realistic human representation, perspective, and proportion. Major artists mentioned include Masaccio, Leonardo Da Vinci, Michelangelo, Raphael, and Pieter Bruegel. Their works illustrated new interest in secular subjects, the human experience, and perfect forms, moving beyond the religious focus of earlier eras.
The document discusses changes in art during the Renaissance that illustrate changes in how humans viewed themselves and their relationship to the world. During the Middle Ages, art focused on religion and learning centered around the church. Renaissance art began depicting saints and other figures in a more natural, human way rather than ideally. Artists also began using techniques like linear perspective and oil paints to represent three-dimensions and textures more realistically.
The document discusses art before and during the Renaissance period. It notes that during the Middle Ages, the church was very powerful in Europe and art was abstract and served to communicate religious ideas to illiterate populations. It contrasts this with Renaissance art which embraced more naturalistic styles and individualism as humanist thought grew. The document uses Giotto as an example of an early Renaissance artist who moved away from medieval abstraction and began directly observing nature.
The Catholic Counter Reformation saw the emergence of Baroque art and architecture, characterized by dramatic lighting, compositions, and realism. Key artists included Caravaggio, who used tenebrism and painted biblical scenes with intense realism, influencing the Caravaggisti movement. One follower was Artemisia Gentileschi, one of the first female painters, who imitated Caravaggio's style but added her own perspective, as seen in her emotionally charged painting "Judith and Holofernes." Baroque art aimed to elicit strong emotional reactions from viewers through drama, action, and special effects.
This document provides information about Leonardo da Vinci and Michelangelo, two famous Renaissance artists. It summarizes several of Leonardo's early works painted in Verrocchio's workshop in Florence in the 1470s, including Tobias and the Angel and The Baptism of Christ, which shows Leonardo's influence. It also describes some of Michelangelo's early relief sculptures from age 16 and his first large sculpture Bacchus produced in Rome in 1496-98 after studying classical statues. Finally, it discusses in detail several of Leonardo's famous later works like the Last Supper, Virgin of the Rocks and The Vitruvian Man as well as Michelangelo's Sistine Chapel ceiling frescoes
The document discusses Michelangelo's Tomb of Giuliano de' Medici and how it reflects the humanist philosophy of its time. The tomb features figures such as Night and Day that represent complex symbolic meanings. It also discusses Michelangelo's famous works The Creation of Adam and Pietà, noting how they showcase the ideal human forms and qualities celebrated by humanism.
The document provides summaries of several key works of art from the Renaissance period in Italy and Northern Europe:
- Leonardo da Vinci's The Last Supper depicts Jesus announcing that one of the Apostles will betray him.
- His Vitruvian Man illustrates the proportions of the ideal human form.
- Michelangelo's Sistine Chapel ceiling depicts scenes from Genesis on the vaulted ceiling.
- Albrecht Dürer's Melencolia I reflects the self-doubt artists faced after returning from Italy.
- Raphael's School of Athens depicts Plato and Aristotle surrounded by ancient philosophers.
Romanticism emerged in the late 18th century as a reaction against Enlightenment rationalism and values. It emphasized emotion, imagination, individualism, and nature over reason and rules. Key figures like Jean-Jacques Rousseau advocated developing minds free from imposed social norms. Romantic artists explored a wider range of human emotions and passions. Their style was loose and expressive rather than precise, sparking a shift toward artistic freedom and individuality. Romanticism influenced literature, music, painting and society's appreciation of nature.
This document summarizes Venetian art of the High Renaissance and Mannerism periods. It describes key artists such as Bellini, Giorgione, Titian, and Tintoretto and their major works. It also discusses Mannerist characteristics like elongated proportions, complex compositions, and sophisticated symbolism. Palladian architecture is introduced as a neoclassical style influenced by Roman design principles that emphasized harmony and symmetry.
The document provides context on the Early Renaissance period in three paragraphs. It discusses how the Renaissance began in Italy between 1400-1600 as an artistic revival centered on classical Greco-Roman styles and ideals. Key factors that influenced this rebirth were the decline of Constantinople which brought Greek scholars to Italy, and the rediscovery of classical texts. The arts during this period, especially painting, sculpture and architecture, began embracing principles of realism, anatomy, and linear perspective that had been lost since antiquity. Major artists like Masaccio and Botticelli produced influential works that advanced these naturalistic styles and techniques.
Art History in Renaissance time. feautring Donatello, Leonardo, Michelangelo, Raphael, and Botiicelli
This is made for our class reporting,but my professor changed his mind, so maybe it would be of help to others if I share it.
This document provides an overview of the Italian Renaissance and its spread to Northern Europe. It discusses several key factors that fostered the Renaissance in Italy, including thriving city-states, a wealthy merchant class, and Italy's classical heritage. Important Renaissance figures like Leonardo da Vinci and Raphael are mentioned. The document also notes how Renaissance ideas spread north to places like France and the Low Countries, influenced by travelers and royal patrons. Key artistic and literary developments in these northern regions are summarized as well.
Camparision between renaissance and mannerismFirshaSaleem
The document compares and contrasts the Renaissance and Mannerism periods of art and architecture. The Renaissance saw a rebirth of classical Greco-Roman styles and ideals like realism, order, and harmony. Famous Renaissance artists included Leonardo da Vinci. Mannerism emerged later as a more stylized and complex reaction against Renaissance ideals, featuring elongated proportions, complex compositions, and dramatic lighting. Key differences included Renaissance art's stability versus Mannerism's instability, and Renaissance's adherence to classical standards versus Mannerism's experimentation. Examples are given comparing works by Renaissance masters like Raphael to Mannerist artists like Pontormo and Parmigianino.
The document summarizes key aspects of the Italian Renaissance. It explains that the Renaissance began in Italy due to several advantages, including the urbanization and wealth of the city-states of Northern Italy from trade. Merchants grew powerful in cities like Florence, with families like the Medicis rising to rule cities. Renaissance scholars looked to ancient Greek and Roman culture, sparking interest in subjects like history, literature, and philosophy. Wealthy patrons sponsored new styles of realistic painting and sculpture that focused on portraying the human form and worldly subjects rather than solely religious themes. Famous Renaissance artists and writers like Leonardo da Vinci, Michelangelo, and Petrarch advanced these new styles and topics that defined the cultural
The Renaissance began in Italy in the 14th century and spread throughout Europe over the next few centuries. It marked a transition from the medieval period to modern times and was characterized by a revival of interest in classical learning. Major developments included an increased emphasis on humanism and individualism, breakthroughs in scientific thinking and discoveries, and revolutionary artistic works by figures like Leonardo da Vinci, Michelangelo, and Raphael. The Renaissance had wide-ranging impacts across many fields and helped usher in the modern era.
Dutch genre painting flourished after the Thirty Years' War as the Dutch Republic grew wealthy through trade. With the Protestant faith banning religious images, artists turned to depicting everyday middle class scenes that reflected Calvinist values like hard work and modest prosperity. Genre works included portraits, landscapes showing the industrious Dutch landscape, and still lifes sometimes including vanitas symbols about the transience of life. These paintings served as morality lessons on virtuous behavior based on the Protestant work ethic.
Norelle Thompson has over 30 years of experience in office management and administration roles in both retail and healthcare settings. She has a proven track record of leading teams to meet business goals and patient requirements. Her most recent role was as Owner/Manager/Administrator at Nemesis Management, where she scheduled modeling photo shoots and interviews. She is seeking new opportunities in the healthcare industry.
This document discusses CAD stylings and self paced projects in 2 sentences or less. It appears to be about computer aided design projects that can be done independently without a set schedule.
Leonardo da Vinci was a quintessential Renaissance man who made significant advances in multiple areas. He pioneered the study of movement, emotion, oil painting technique, and uniting the human and divine. As a painter, sculptor, architect, astronomer, scientist, engineer and inventor, Leonardo combined interests in art, religion and science. He was a pioneer in capturing movement, emotion, and human psychology in his works. His most famous painting, the Mona Lisa, exemplifies his mastery of techniques like sfumato and pyramidal composition to express the sitter's mysterious inner nature.
The document provides context on the High Renaissance and Mannerism periods. It discusses key events and developments in various regions during this time, including the expanding world through European exploration, the growing power of the Papal States in Rome, Spain's rise to power under Ferdinand and Isabella, and the expansion of the Ottoman Empire. It also covers artistic concepts and styles of the High Renaissance and Mannerism, and profiles influential artists like Leonardo da Vinci, Michelangelo, and Raphael.
The document provides an overview of the High Renaissance period in Italy from 1500-1524. It discusses important artists of the time like Leonardo da Vinci, Bramante, Michelangelo, Raphael, Bellini, Giorgione and Titian. Their works embodied classical ideals of balance, symmetry, and ideal proportions. Key locations included Rome, which saw a revitalization under Pope Julius II, and Venice, where artists used oil paint and canvas to create colorful works with sensuous forms.
The document discusses key developments in art during the Renaissance period in Europe. It describes how Renaissance artists drew inspiration from classical forms and focused on realistic human representation, perspective, and proportion. Major artists mentioned include Masaccio, Leonardo Da Vinci, Michelangelo, Raphael, and Pieter Bruegel. Their works illustrated new interest in secular subjects, the human experience, and perfect forms, moving beyond the religious focus of earlier eras.
The document discusses changes in art during the Renaissance that illustrate changes in how humans viewed themselves and their relationship to the world. During the Middle Ages, art focused on religion and learning centered around the church. Renaissance art began depicting saints and other figures in a more natural, human way rather than ideally. Artists also began using techniques like linear perspective and oil paints to represent three-dimensions and textures more realistically.
The document discusses art before and during the Renaissance period. It notes that during the Middle Ages, the church was very powerful in Europe and art was abstract and served to communicate religious ideas to illiterate populations. It contrasts this with Renaissance art which embraced more naturalistic styles and individualism as humanist thought grew. The document uses Giotto as an example of an early Renaissance artist who moved away from medieval abstraction and began directly observing nature.
The Catholic Counter Reformation saw the emergence of Baroque art and architecture, characterized by dramatic lighting, compositions, and realism. Key artists included Caravaggio, who used tenebrism and painted biblical scenes with intense realism, influencing the Caravaggisti movement. One follower was Artemisia Gentileschi, one of the first female painters, who imitated Caravaggio's style but added her own perspective, as seen in her emotionally charged painting "Judith and Holofernes." Baroque art aimed to elicit strong emotional reactions from viewers through drama, action, and special effects.
This document provides information about Leonardo da Vinci and Michelangelo, two famous Renaissance artists. It summarizes several of Leonardo's early works painted in Verrocchio's workshop in Florence in the 1470s, including Tobias and the Angel and The Baptism of Christ, which shows Leonardo's influence. It also describes some of Michelangelo's early relief sculptures from age 16 and his first large sculpture Bacchus produced in Rome in 1496-98 after studying classical statues. Finally, it discusses in detail several of Leonardo's famous later works like the Last Supper, Virgin of the Rocks and The Vitruvian Man as well as Michelangelo's Sistine Chapel ceiling frescoes
The document discusses Michelangelo's Tomb of Giuliano de' Medici and how it reflects the humanist philosophy of its time. The tomb features figures such as Night and Day that represent complex symbolic meanings. It also discusses Michelangelo's famous works The Creation of Adam and Pietà, noting how they showcase the ideal human forms and qualities celebrated by humanism.
The document provides summaries of several key works of art from the Renaissance period in Italy and Northern Europe:
- Leonardo da Vinci's The Last Supper depicts Jesus announcing that one of the Apostles will betray him.
- His Vitruvian Man illustrates the proportions of the ideal human form.
- Michelangelo's Sistine Chapel ceiling depicts scenes from Genesis on the vaulted ceiling.
- Albrecht Dürer's Melencolia I reflects the self-doubt artists faced after returning from Italy.
- Raphael's School of Athens depicts Plato and Aristotle surrounded by ancient philosophers.
Romanticism emerged in the late 18th century as a reaction against Enlightenment rationalism and values. It emphasized emotion, imagination, individualism, and nature over reason and rules. Key figures like Jean-Jacques Rousseau advocated developing minds free from imposed social norms. Romantic artists explored a wider range of human emotions and passions. Their style was loose and expressive rather than precise, sparking a shift toward artistic freedom and individuality. Romanticism influenced literature, music, painting and society's appreciation of nature.
This document summarizes Venetian art of the High Renaissance and Mannerism periods. It describes key artists such as Bellini, Giorgione, Titian, and Tintoretto and their major works. It also discusses Mannerist characteristics like elongated proportions, complex compositions, and sophisticated symbolism. Palladian architecture is introduced as a neoclassical style influenced by Roman design principles that emphasized harmony and symmetry.
The document provides context on the Early Renaissance period in three paragraphs. It discusses how the Renaissance began in Italy between 1400-1600 as an artistic revival centered on classical Greco-Roman styles and ideals. Key factors that influenced this rebirth were the decline of Constantinople which brought Greek scholars to Italy, and the rediscovery of classical texts. The arts during this period, especially painting, sculpture and architecture, began embracing principles of realism, anatomy, and linear perspective that had been lost since antiquity. Major artists like Masaccio and Botticelli produced influential works that advanced these naturalistic styles and techniques.
Art History in Renaissance time. feautring Donatello, Leonardo, Michelangelo, Raphael, and Botiicelli
This is made for our class reporting,but my professor changed his mind, so maybe it would be of help to others if I share it.
This document provides an overview of the Italian Renaissance and its spread to Northern Europe. It discusses several key factors that fostered the Renaissance in Italy, including thriving city-states, a wealthy merchant class, and Italy's classical heritage. Important Renaissance figures like Leonardo da Vinci and Raphael are mentioned. The document also notes how Renaissance ideas spread north to places like France and the Low Countries, influenced by travelers and royal patrons. Key artistic and literary developments in these northern regions are summarized as well.
Camparision between renaissance and mannerismFirshaSaleem
The document compares and contrasts the Renaissance and Mannerism periods of art and architecture. The Renaissance saw a rebirth of classical Greco-Roman styles and ideals like realism, order, and harmony. Famous Renaissance artists included Leonardo da Vinci. Mannerism emerged later as a more stylized and complex reaction against Renaissance ideals, featuring elongated proportions, complex compositions, and dramatic lighting. Key differences included Renaissance art's stability versus Mannerism's instability, and Renaissance's adherence to classical standards versus Mannerism's experimentation. Examples are given comparing works by Renaissance masters like Raphael to Mannerist artists like Pontormo and Parmigianino.
The document summarizes key aspects of the Italian Renaissance. It explains that the Renaissance began in Italy due to several advantages, including the urbanization and wealth of the city-states of Northern Italy from trade. Merchants grew powerful in cities like Florence, with families like the Medicis rising to rule cities. Renaissance scholars looked to ancient Greek and Roman culture, sparking interest in subjects like history, literature, and philosophy. Wealthy patrons sponsored new styles of realistic painting and sculpture that focused on portraying the human form and worldly subjects rather than solely religious themes. Famous Renaissance artists and writers like Leonardo da Vinci, Michelangelo, and Petrarch advanced these new styles and topics that defined the cultural
The Renaissance began in Italy in the 14th century and spread throughout Europe over the next few centuries. It marked a transition from the medieval period to modern times and was characterized by a revival of interest in classical learning. Major developments included an increased emphasis on humanism and individualism, breakthroughs in scientific thinking and discoveries, and revolutionary artistic works by figures like Leonardo da Vinci, Michelangelo, and Raphael. The Renaissance had wide-ranging impacts across many fields and helped usher in the modern era.
Dutch genre painting flourished after the Thirty Years' War as the Dutch Republic grew wealthy through trade. With the Protestant faith banning religious images, artists turned to depicting everyday middle class scenes that reflected Calvinist values like hard work and modest prosperity. Genre works included portraits, landscapes showing the industrious Dutch landscape, and still lifes sometimes including vanitas symbols about the transience of life. These paintings served as morality lessons on virtuous behavior based on the Protestant work ethic.
Norelle Thompson has over 30 years of experience in office management and administration roles in both retail and healthcare settings. She has a proven track record of leading teams to meet business goals and patient requirements. Her most recent role was as Owner/Manager/Administrator at Nemesis Management, where she scheduled modeling photo shoots and interviews. She is seeking new opportunities in the healthcare industry.
This document discusses CAD stylings and self paced projects in 2 sentences or less. It appears to be about computer aided design projects that can be done independently without a set schedule.
Mohamad Selim Doha is an Egyptian national born in 1985 seeking a new challenging position. He has over 10 years of experience in sales, marketing, procurement, and project coordination roles. He holds a diploma in tourism and hotel management and is fluent in English and Arabic. His most recent role was as a general coordinator for Aldar Aljameela in Doha, where he oversaw furnishing projects and guided supervisors.
O documento descreve duas práticas experimentais: 1) Cromatografia de canetas hidrográficas para identificar os pigmentos que compõem cada cor e 2) Reação entre mentos e Coca-Cola que causa uma explosão de bolhas devido ao ácido cítrico presente nos mentos quebrar o equilíbrio entre o gás carbônico e o líquido no refrigerante.
La brigada de primeros auxilios es un grupo de funcionarios capacitados para brindar asistencia médica básica ante emergencias. Sus funciones incluyen identificar riesgos, tener equipo disponible, coordinar capacitación y brindar primeros auxilios como evaluar pacientes, controlar sangrados y determinar si requieren más atención médica. El documento proporciona detalles sobre cómo atender diferentes tipos de lesiones como heridas, quemaduras, fracturas y obstrucciones de la vía aérea.
The human cardiovascular system transports blood throughout the body via the heart and blood vessels. It is a closed-loop system that circulates blood to and from all tissues and organs via arteries, veins, and capillaries. The cardiovascular system is vital for delivering oxygen and nutrients to tissues and removing carbon dioxide and other wastes.
Mojo magazine is a monthly music publication focused on classic rock. It was originally launched in 1993 by Emap but is now published by Bauer Media Group, a large international publishing company. Bauer owns several popular magazines and media platforms. Mojo provides in-depth profiles of famous musicians and bands, both established legends and up-and-coming artists, through insightful writing and interviews.
Disciplinas Canónicas y Las Nuevas Prácticas ArtísitcasLorena Rodriguez
El documento describe las disciplinas artísticas canónicas como pintura, escultura, danza, teatro, literatura, arquitectura y música, así como también las nuevas prácticas artísticas modernas como el arte povera, la pintura de acción, el arte genético, los happening, el arte digital y el arte conceptual.
- Quine rejected the classical empiricist view that individual sentences correspond to individual experiences. For Quine, our entire web of beliefs faces experience as a whole.
- Davidson criticized Quine for not going far enough, arguing that the notion of our beliefs fitting experience does not add anything intelligible to the concept of beliefs being simply true.
- Rorty drew on Quine and Davidson to argue that philosophy should abandon searching for foundations of knowledge and instead see beliefs as connected to other beliefs rather than reality. However, Rorty's views were ambiguous and sometimes suggested radical positions not supported by Davidson.
Presentación Ricardo Valdiviesco - eCommerce Day Lima 2015eCommerce Institute
Diapositivas presentadas por Ricardo Valdivieso, Country
Manager de Cuponatic, en el eCommerce Day Lima 2015 en la plenaria "CÓMO USAR LAS REDES SOCIALES
Y LAS COMPRAS COLECTIVAS EN FORMA EFECTIVA EN PERÚ PARA GENERAR VENTAS".
Suzanne N. Stevens has over 15 years of experience in the mortgage servicing industry. She is currently a Loan Servicing Representative at Select Portfolio Servicing where she reviews loss mitigation options and acts as a point of contact for customers. Previously she held leadership roles at PNC Mortgage and Convergys where she oversaw teams and ensured quality customer service and productivity goals were met.
The document provides an overview of several major artistic periods and styles between the 16th and 18th centuries in Europe, including Mannerism, Baroque, and Rococo. [1] Mannerism emphasized style over substance and featured twisted figures. [2] Baroque art was characterized by bright colors, dramatic emotions, and grand themes as seen in the works of Bernini and Rubens. [3] Rococo emerged in the 18th century as a lighter and more delicate offshoot of Baroque featuring pastoral scenes and pastel colors.
When a computer turns on, the BIOS performs a POST check of the hardware components and will make beeping sounds from the motherboard speaker to indicate if any errors are detected. Different BIOS manufacturers like AMI and Award use unique beep codes to signify the type and location of hardware errors, helping technicians diagnose potential problems.
The document outlines a new energy blueprint for Israel that envisions transitioning to more renewable and efficient sources of energy between 2007 and 2025. It provides statistics showing Israel's current energy generation sources in 2007 and proposes changes to increase solar and decrease coal and natural gas usage by 2025. This would reduce rejected energy and increase energy services. Transportation is also envisioned to transition largely to electric vehicles, reducing petroleum usage and increasing electricity. The blueprint forecasts Israel becoming more energy efficient and independent by 2025 through these transitions driven by material science and new business models.
During the Renaissance, art was commissioned by powerful groups and individuals to glorify themselves and promote particular religious doctrines. Subject matter became more secular over time, depicting myths and portraits that displayed wealth and physical uniqueness. Artists gained more social status and signed their works, seeing themselves as divine creators on par with God. The culture of the Renaissance mainly affected the educated elite and mercantile class.
The document provides an overview of art during the Medieval period and Renaissance period in Italy. It describes key differences in artistic styles, including a shift from religious-focused artwork with limited realism during Medieval times to more realistic and secular artwork during the Renaissance that featured techniques like linear perspective. Prominent Renaissance artists like Leonardo da Vinci, Michelangelo, and Raphael are discussed, along with their famous works showcasing new Renaissance ideals and techniques.
KCC Art 211 Ch 16 Renaissance, Mannerism, BaroqueKelly Parker
This document provides an overview of key figures and developments during the Italian Renaissance and Baroque periods in Europe. It summarizes the artistic innovations of early Renaissance artists like Giotto, Brunelleschi, Masaccio, Piero della Francesca, and Donatello. It also discusses the patronage of the Medici family in Florence and their support of artists including Michelangelo, da Vinci, and Raphael. Key points about da Vinci's paintings, drawings, and notebooks are summarized at the end.
The Renaissance was a period between 1400-1700 where new ideas in art, expression, and intellectual works flourished. Major writings from ancient Greece and the Middle East were translated into Latin, spreading new ideas. The Renaissance began in Italy, where wealthy merchant cities like Florence and Venice funded the arts. Notable Renaissance figures included Leonardo da Vinci, Michelangelo, and Raphael, who pioneered new styles of art like realistic perspective and emphasis on individual subjects. The Renaissance valued humanism and reason over religious superstition.
The Renaissance was a period between 1400-1700 that saw a rebirth of interest in classical learning and values. Major developments included an emphasis on humanism and reason over religious superstition, and increased access to ancient Greek and Muslim writings through translations into Latin. This led to new ideas exploding across Europe. The Renaissance began in Italy, where wealthy merchant cities like Venice and Florence funded the arts. Iconic Italian Renaissance artists included Leonardo da Vinci, Michelangelo, Raphael, and Botticelli. The Northern Renaissance saw a continuation of medieval realism with an emphasis on details, landscapes, middle-class life, and portraiture by artists like Jan van Eyck.
The Italian Renaissance was a period between 1300-1600 when learning, art, and culture revived and flourished. Wealthy merchant families like the Medicis in Florence supported scholars, artists, and humanism. Artists studied classical Greek and Roman works and applied realistic styles to subjects like portraits and sculptures of prominent individuals. Major artists of the time included Leonardo da Vinci, Michelangelo, Raphael, and female artists like Sofonisba Anguissola and Artemisia Gentileschi. Writers also embraced vernacular languages and individual expression in works by figures like Petrarch, Boccaccio, and Machiavelli.
A presentation based on representative Renaissance art. This work is being used under the "Fair Use for Education" clause of the copyright law. It may only be used for my class, and will be deleted when the project is finished.
This document discusses sexuality and eroticism in Renaissance art. It notes that Renaissance art commonly depicted nude or sexualized women, which promoted a female beauty standard tied to sexuality. The document analyzes three paintings - The Birth of Venus by Botticelli, Danae by Titian, and Portrait of Simonetta Vespucci by Piero di Cosimo - that exemplify this trend. It suggests sexuality was seen as a source of power for women at the time, as evidenced by the high social status of courtesans. However, sexuality was also viewed as a punishment from original sin. The document examines how artists depicted idealized female forms and ownership of female sexuality in their works.
The document provides background information on two early Italian Renaissance artists, Cimabue and Giotto. It discusses Cimabue's role as a pioneer of naturalism in painting who began moving away from Byzantine styles. While few of Cimabue's works can be confirmed, tradition attributes several significant works to him. It then introduces Giotto as Cimabue's pupil who surpassed his master and is seen as the founder of Western painting, breaking from stylization through realistic depictions and a sense of space. Giotto had immense influence on later Florentine painting and inspired artists like Masaccio and Michelangelo.
The summary is:
1) 15th century Italy was made up of independent city-states like Florence, Milan, and Padua that were sometimes at war. Wealthy merchant families like the Medici rose to power and became major art patrons, helping launch the Italian Renaissance.
2) Early Renaissance art in Italy showed a greater focus on realistic human forms and classical influences compared to Northern Renaissance art, using techniques like linear perspective pioneered by Brunelleschi.
3) Major artists included Donatello, who created the first life-size nude statue since antiquity, and Masaccio, a pioneer of linear perspective and realistic human emotion in frescoes. Their innovations spread throughout Italy and influenced other
The document provides an overview of the European Renaissance from 1300-1600. It begins with a poem by Petrarch lamenting the "evil years" of his time and praising a past golden age. The Renaissance was a period of intellectual, artistic, and economic rebirth in Europe. It began in northern Italian city-states like Florence, Venice, and Milan before spreading north. Factors that contributed to the Renaissance included recovery from the Black Death, contact with the Muslim world that revived classical texts, increased wealth funding the arts, and a secular worldview. Humanism focused on human potential and studying classical antiquity. Renaissance art moved away from religious subjects and embraced realism, perspective, and the human form. Famous
The document provides biographical information on prominent figures of the Italian Renaissance such as Leonardo da Vinci and Michelangelo, and describes some of their major works. It discusses Leonardo's Last Supper fresco in Milan and Mona Lisa. It outlines Michelangelo's fresco of the Sistine Chapel ceiling in Rome and his sculptures of David and Moses. It also summarizes Bramante's design of St. Peter's Basilica in Rome and Michelangelo's later work on the building's dome.
This document discusses developments during the Renaissance period in Italy, including:
- Artists like Giotto and Donatello renewed interest in naturalism and classicism over medieval styles.
- Filippo Brunelleschi's dome for the Florence Cathedral demonstrated innovations in architecture.
- Leonardo da Vinci was a quintessential Renaissance man who excelled in many fields including painting, anatomy, and engineering. His works like the Last Supper and Vitruvian Man exemplified Renaissance ideals.
- Michelangelo was a highly influential sculptor and painter who took naturalism and idealized human forms to new heights.
The document provides an overview of Renaissance art between 1400-1600 AD. It began in Italian city-states and reflected classical art from Rome and Greece. This era saw advances in literature, science, and architecture with famous authors like Shakespeare and poets like Walter Ralegh. Scientists made discoveries in fields like botany, zoology, and astronomy. Architecture featured classical columns and domes. Famous Renaissance artists included Leonardo da Vinci, who painted the Mona Lisa and The Last Supper, Raphael, known for his Madonna paintings and Michelangelo, who spent years painting the ceiling of the Sistine Chapel.
1. During the Italian Renaissance, art was used to communicate social, political, and spiritual values. Wealthy Italian families and banking interests spent large sums patronizing artists.
2. Renaissance art was characterized by increased realism, use of linear perspective, classical influences like symmetry and balance, and emphasis on individualism and portraiture.
3. Famous Renaissance artists included Leonardo da Vinci, Michelangelo, Raphael, Botticelli, and Donatello. Their works reflected humanism, scientific observation, and mastery of techniques like chiaroscuro. Northern Renaissance art had more emphasis on realism, landscapes, and middle-class life.
European renaissancepowerpointactivatorsactivitieshistory101 1-(3)NeilTerry7
The document provides an overview of the Renaissance period in Italy. It discusses how the Renaissance began in northern Italy in cities like Florence, driven by a new wealthy merchant class. Artists and scholars during this period looked to ancient Greek and Roman artifacts and manuscripts for inspiration. Notable individuals mentioned include Leonardo da Vinci, Michelangelo, and Raphael, who advanced realistic painting styles and often depicted religious subjects. The document also references the patronage of wealthy families like the Medicis in supporting the arts.
Raphael
Fra Bartolommeo:
Fra Girolamo Savonarola
about 1497
Fra Bartolommeo painted this portrait of the Dominican friar and preacher Girolamo Savonarola. Savonarola had become famous for his fiery apocalyptic sermons in Florence, in which he warned of God's imminent punishment for moral corruption and political intrigue. The painting captures Savonarola in a pensive pose, his hands folded as if in prayer, reflecting his devout personality and mission of promoting religious reform.
The document provides an overview of developments during the Renaissance period, including:
- The Renaissance saw developments in science, art, architecture, painting, and sculpture as humanism flourished and scholars looked to antiquity for inspiration. Figures like Leonardo da Vinci and Michelangelo were influential in multiple disciplines.
- Architecture revived classical elements and emphasized harmony and proportion. Brunelleschi and Alberti were pioneers. Painting developed techniques like perspective and idealized figures. Key painters included Masaccio, Botticelli, da Vinci, Michelangelo, Raphael, and Titian. Sculpture also emulated antiquity through proportions and anatomy, with masters including Ghiberti,
The Italian Renaissance began in the 14th century and lasted for about 250 years, sparking a rebirth of art and culture. It started in Italy for several reasons, including remnants of Roman culture, wealthy city-states, and a middle class that could patronize the arts. During this period, major advances occurred in many areas of art and science. The Renaissance is best known for its developments in art, which were heavily influenced by the rediscovery of ancient Greek and Roman artistic principles and humanist philosophy. Famous Renaissance artists included Leonardo da Vinci, Michelangelo, Raphael, and Masaccio, who developed new techniques like linear perspective to create highly realistic paintings and sculptures.
The document provides an overview of the major art movements in the 20th century. It discusses how modern art reflected the changing times with cameras making realistic art obsolete and mass production making art marketable. Artists valued originality over beauty and would shock audiences if they couldn't please them. Key movements discussed include Fauvism, Cubism, Surrealism, Abstract Expressionism, Pop Art, and Post-Modernism. Major artists from each movement like Picasso, Kandinsky, Pollock, and Warhol are also mentioned.
The document provides an overview of major art movements from the 20th century, including Modern art, Cubism, Abstract art, Expressionism, Dada, Surrealism, Abstract Expressionism, Pop Art, and Post-Modernism. It summarizes key works and artists from each movement, such as Picasso's Les Demoiselles d'Avignon for Cubism and Warhol's Campbell's Soup Cans for Pop Art. The document traces how art evolved from realistic representations to more conceptual and interactive forms over the turbulent 20th century.
The document summarizes major art movements in the 19th century, including Neoclassicism, Romanticism, Pre-Raphaelism, Realism, Impressionism, Post-Impressionism, Pointillism, and Art Nouveau. It provides examples of influential artists and their works for each movement, such as Jacques-Louis David's The Death of Socrates for Neoclassicism, J.M.W. Turner's Snow Storm for Romanticism, and Gustav Klimt's The Kiss for Art Nouveau. Each movement is accompanied by a brief rule or philosophy in parentheses.
The document summarizes key developments in 19th century Europe, including the Industrial Revolution, rise of nationalism, and unification of Italy and Germany. The Industrial Revolution transformed Europe's economy from agriculture to industry and linked countries through new rail networks. New ideas like socialism and technologies like steel and glass stimulated industrialization and architectural advances. Nationalist sentiments grew as people identified with their own ethnic groups and languages. Italy and Germany unified in the latter half of the century after being divided into smaller states for centuries.
France was ruled by a series of monarchs from 497 AD to 1793. Louis XIV established absolute rule and moved the royal court to Versailles in 1682, setting French culture as preeminent in Europe. Growing discontent among the peasant and middle classes led to the French Revolution in 1789. The storming of the Bastille prison sparked mass revolution across France, ushering in a Reign of Terror and the rise of Napoleon Bonaparte, who established the French Empire before his eventual defeat in 1815.
The document discusses the spread of the Northern Renaissance from Italy to other parts of Europe in the 15th and 16th centuries. Key artists of the Northern Renaissance such as Jan van Eyck and Hieronymus Bosch are mentioned for their highly detailed realist style. The document also outlines some of the political, religious, and economic developments occurring in major European powers such as Spain, England, and the Netherlands during this period.
The Renaissance period from 1400-1600 saw a rebirth of classical Greek and Roman influences in Europe. This cultural movement valued humanism and reason over religious doctrine, with individuals seen as capable of shaping their own destiny rather than being controlled by supernatural forces. Renaissance art reflected these ideals through its realistic depictions of the human body and natural world, as well as themes of beauty, balance, and human achievement. Famous artists like Michelangelo, da Vinci, Botticelli, and Raphael produced iconic works that demonstrated the period's artistic innovations and mastery of techniques like perspective, anatomy, and proportion.
During the Dark Ages from 500-1000 AD, church-funded art in Europe served religious purposes and educated the illiterate masses. Altarpieces in churches typically featured figures of Mary or saints in stylized, symbolic poses. Secular art existed but little has survived. Meanwhile, other major civilizations like the Byzantine Empire, Islamic world, and Mayans flourished with stable governments and cultural achievements. Charlemagne briefly united parts of western Europe and revived classical Roman influences before his empire was divided after his death.
The Dark Ages spanned from around 500 AD to 1000 AD. This period followed the collapse of the Western Roman Empire and was characterized by economic and political instability, migrations of people, and a decline in arts, culture, and education. Christianity spread throughout Europe during this time, while paganism remained influential in northern regions. Monks worked to preserve knowledge by copying manuscripts in monasteries and helped reconstruct European society after the fall of Rome.
The document summarizes the founding and history of Rome. It describes how Rome was founded by Romulus and Remus and eventually grew to become a republic ruled by senators. Rome then expanded through war and conquered the Etruscans, Greeks, Carthaginians, and many other neighboring cultures. The republic transitioned into an empire under Caesar and later emperors like Augustus, who initiated the Pax Romana period of peace and prosperity that lasted over 200 years.
Roman architecture evolved over time, with innovations like the arch and concrete allowing them to construct grand structures. The Romans advanced architectural forms originated by previous civilizations and developed techniques like the rounded arch. Major Roman constructions discussed include the Pont du Gard aqueduct, the Colosseum, the Pantheon, and widespread use of mosaics in decorative art. These constructions showcase the Romans' architectural abilities and innovations in materials like brick and concrete.
Homer was a blind poet who lived between 1150 BC and 800 BC and is best known for writing down two epic poems, The Iliad and The Odyssey, that describe events during the Trojan War and its aftermath. The Iliad focuses on Achilles and the battle of Troy, while The Odyssey describes Odysseus' long journey home after the war through encounters with monsters, gods, and spirits. Both poems feature many of the same characters and helped establish foundations of Greek mythology and culture.
Greek theaters had common elements like the machina, a crane used to simulate flying, the ekkyklema, a wagon to reveal characters, and trap doors. Performances used masks to distinguish characters and amplify sound. There were three main types of Greek plays: comedies to amuse audiences through mistakes and silly situations; satyr plays that parodied myths with drunkenness and pranks; and tragedies that taught moral lessons through a hero's suffering caused by human and divine actions, often ending in misery. Some key playwrights included Aristophanes for comedy and Sophocles for his surviving tragedies including Oedipus Rex and Antigone.
Socrates was a famous Greek philosopher who was put on trial in Athens and sentenced to death for corrupting the youth and not believing in the state gods. He refused to escape and chose death over breaking his social contract with Athens. Plato was a student of Socrates and wrote about his trial and teachings. Plato established the Academy where philosophy was taught and believed in an ideal world of forms behind the material one. Aristotle was a student of Plato who focused on studying and organizing the natural world through classification.
The document discusses the evolution of Greek art and sculpture from 3000 BC to 40 BC. It covers early Cycladic fertility symbols, the Kouros style of male figures from 700 BC, Karyatids columns from 420 BC, and famous sculptures such as the Statue of Poseidon from 460 BC, Discus Thrower from 450 BC, Apollo Belvedere from 350 BC, Venus de Milo from 100 BC, and Winged Victory of Samothrace from 190 BC and ending with Laocoon from 40 BC.
The document summarizes the history of ancient Greece from the Archaic period through the Hellenistic age. It describes the rise of the city-states and Athenian democracy. It highlights Athens' role in defeating the Persians and the cultural Golden Age that followed. It also discusses Sparta's militaristic society and the eventual decline of the city-states with Macedonian conquest. The spread of Greek culture and language throughout Alexander the Great's vast empire marked the Hellenistic period.
The document summarizes the Minoan civilization that dominated Crete from 2000-1400 BC. The Minoans created a safe, prosperous society with advanced plumbing and public works. They dominated trade and business in the region. Their palaces served as command centers for both commerce and culture. Though their written language has never been deciphered, Minoan culture emphasized beauty, sports, and equality. Suddenly around 1450 BC, their civilization mysteriously collapsed, with palaces abandoned overnight. The Mycenaeans then dominated mainland Greece until mysteriously disappearing themselves around 1200 BC.
The document lists different architectural structures from ancient Egypt including post and lintel structures, temples such as the Ramesseum and Temple of Hapshepsut, the Temple at Seti and Temple at Karnak, and the Temple of Amen-Re which featured Hypostyle Halls. It also mentions Ziggurats and Pyramids as well as the modern Transamerican Building in San Francisco.
The document discusses several types of Egyptian architecture besides pyramids, including obelisks which were dedicated to the sun god Ra and carved with hieroglyphics, temples which were made of thick brick walls and supported by stone columns in a post-and-lintel style, and the Great Sphinx of Giza which is the largest monolith statue in the world and oldest known monumental sculpture.
The passage discusses several key aspects of ancient Egyptian art and beliefs:
1) Egyptians relied on the predictable flooding of the Nile for agriculture, and the flood cycle was a major theme in their art.
2) They believed the Nile flooded due to the goddess Isis's tears for her dead husband Osiris.
3) Art depicted important religious figures like Osiris and scenes from the afterlife journey, including weighing the heart against a feather to enter the realm of the dead.
4) Pharaohs unified Egypt and were seen as gods, wearing symbolic crowns and clothing that displayed their power and authority over society.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
Thinking of getting a dog? Be aware that breeds like Pit Bulls, Rottweilers, and German Shepherds can be loyal and dangerous. Proper training and socialization are crucial to preventing aggressive behaviors. Ensure safety by understanding their needs and always supervising interactions. Stay safe, and enjoy your furry friends!
Assessment and Planning in Educational technology.pptxKavitha Krishnan
In an education system, it is understood that assessment is only for the students, but on the other hand, the Assessment of teachers is also an important aspect of the education system that ensures teachers are providing high-quality instruction to students. The assessment process can be used to provide feedback and support for professional development, to inform decisions about teacher retention or promotion, or to evaluate teacher effectiveness for accountability purposes.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
54. Is Mary too young? Historically, she was around 45-50 years old when Jesus died. Michelangelo said he made her youthful deliberately because the effects of time could not mar the virginal features of this, the most blessed of women. He also said that he was thinking of his own mother's face, he was only five when she died: the mother's face is a symbol of eternal youth.
55. It is the only piece of art he ever signed: MICHAELA[N]GELUS BONAROTUS FLORENTIN[US] FACIEBA[T] (Michelangelo Buonarroti, Florentine, made this)