Jan van Eyck was a 15th century Flemish painter considered the master of oil painting technique during the Northern Renaissance. His most famous work is the Ghent Altarpiece, painted for a cathedral in Ghent, which depicts important religious scenes and figures in intricate detail across multiple panels. Through its realistic figures and landscapes, the altarpiece tells the story of Christianity from the Old Testament prophets to the coming of Christ and the final judgment, focusing on redemption and humanity's return to paradise rather than damnation. Van Eyck's innovative oil technique allowed for photorealistic precision down to the smallest details, reflecting the new Renaissance view of nature as a reflection of the divine.
A slideshow connected to a lecture of Art of the Americas After 1300 available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Marisa Lerer.
This Powerpoint slideshow presentaion includes a collections of all the major paintings within the Sistine Chapel, Vatican, Rome. Amongst them are a series of paintings on the Life of Moses, Life of Christ, Michelangelo's famous ceiling of the biblical stories and Michelangelo's masterpiece of the Last Judgement.
A slideshow connected to a lecture of Art of the Americas After 1300 available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Marisa Lerer.
This Powerpoint slideshow presentaion includes a collections of all the major paintings within the Sistine Chapel, Vatican, Rome. Amongst them are a series of paintings on the Life of Moses, Life of Christ, Michelangelo's famous ceiling of the biblical stories and Michelangelo's masterpiece of the Last Judgement.
National Gallery, London - Selected MasterpeicesJerry Daperro
The National Gallery of London is one of the top art gallery for European paintings in the world. Its collection covers all the major developments in European painting from its beginning all the way to the 19C. It also includes paintings from all the major European masters in its collection, from Van Eyck. Leonardo to the Impressionists. There are very few paintings available by the leading Italian and the Low Countries in the world. With the Louvre and the Uffizi of Florence, the National Gallery of London is in the first rank of European gallery. A visit to the National Gallery in London for an afternoon will give you good feel of what European painting is about.
Founded in 1824, the National Gallery is one of the youngest painting galleries of Europe. Unlike most other great European galleries, the core of the collection was not a royal or princely collections taken over by the state. The English Royal collection remains as a separate entity, although many of the royal paintings are on display in the National Gallery on loan. Its collection is renowned for what is probably the most balanced collection of painting in the world. Today the collection has only about two thousand paintings, less than half the number in the Louvre and about two third of the Hermitage collection in St Petersburg.
As the collection belongs to the nation, it is FREE to visit the National Gallery, London. It is opened to the general public and to all overseas visitors as well. It is a shrine for the achievement of humanity, a truly deserve the title a gallery for the world. In this slideshow I have selected six paintings by the best historical masterpieces from its collections. I would like to dedicate this presentation to anyone who help to make the entrance to the gallery free. It is not only a celebration of human achievement it also inclusive all men and enhance the enjoyment of the visit.
Jan van Eyck was one of the greatest revolutionaries in art. He radically changed the way in which men look at the natural world. His artistic achievements were well-known in Renaissance Italy. Vasari, who wrote about Van Eyck a hundred years later, wrongly attributed the discovery of oil painting to him. Only a few years after his death in 1441, Jan van Eyck was being hailed on both sides of the Alps as one of the greatest painter of the age.
Despite Van Eyck’s great fame, little is known of his life except for his last years. For the last 16 years of his life, he worked at the court of Philip the Good, The Duke of Burgundy. The Duke made use of his skills as both painter and diplomat, sending him on numerous secret missions.
The works of Jan van Eyck are celebrated for their visual splendor and precision of detail. Their brilliant colours and magnificent definition are due to Jan’s refinement of the oil-painting technique and died even before the great High Renaissance master painters were even born.
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptxEduSkills OECD
Andreas Schleicher presents at the OECD webinar ‘Digital devices in schools: detrimental distraction or secret to success?’ on 27 May 2024. The presentation was based on findings from PISA 2022 results and the webinar helped launch the PISA in Focus ‘Managing screen time: How to protect and equip students against distraction’ https://www.oecd-ilibrary.org/education/managing-screen-time_7c225af4-en and the OECD Education Policy Perspective ‘Students, digital devices and success’ can be found here - https://oe.cd/il/5yV
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Ethnobotany and Ethnopharmacology:
Ethnobotany in herbal drug evaluation,
Impact of Ethnobotany in traditional medicine,
New development in herbals,
Bio-prospecting tools for drug discovery,
Role of Ethnopharmacology in drug evaluation,
Reverse Pharmacology.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
2. Jan Van Eyck, Portrait of a
Man (Self Portrait?), 1433,
National Gallery, London
The undisputed master of 15th century Flemish painting was Jan Van Eyck, who may be
the subject of this portrait in the National Gallery in London
3. Scholars believe the painting may be a self-portrait, painted as a kind of portfolio piece
to showcase the artist’s skill
5. The realism of the picture is astonishing, and demonstrates Van Eyck’s mastery of the oil
medium
6. Van Eyck’s most famous painting is the Ghent Altarpiece, which was made for an altar in
St. Bavo Cathedral, Ghent
7. You may recognize it from George Clooney’s movie about the Monuments Men, who
rescued art works stolen by the Nazis in World War II
George Clooney shows a slide of the Ghent Altarpiece to the president in The Monuments Men, 2014
8. The painting is a polyptych (a multi-paneled altarpiece) which could be opened and
closed according to the liturgical calendar
10. Jan Van Eyck, Ghent Altarpiece
(closed), 1432
The figures on top represent the ancient Prophets and Sybils who foretold the coming of
the Messiah
11. Jan Van Eyck, Ghent Altarpiece
(closed), 1432
Down below are the donors, Jodocus Vyd and his wife Isabella Borluut
12. Jan Van Eyck, Ghent Altarpiece,
c. 1432
Oil on panel
11” X 7’ 6”
They pray piously towards painted statues of Saint John the Baptist, and St. John the
Evangelist
13. Jan Van Eyck, Ghent Altarpiece,
c. 1432
Oil on panel
11” X 7’ 6”
The theme of prophecy and fulfillment is at the heart of the piece: John the Baptist was
the last Prophet of the Old Testament, and John the Evangelist was the first Prophet of
the New Testament
14. Jan Van Eyck, Ghent Altarpiece,
c. 1432
Oil on panel
11” X 7’ 6”
This means that John the Baptist was the last to proclaim the coming of Christ, and John
the Evangelist was the first to proclaim that Christ will come again
15. The fulfillment of the prophecy begins to unfold in the middle register, where the
Annunciation takes place in a room that continues across three panels
16. The scene is painted in grisaille – a kind of monochrome (sort of like black and white
TV), suggesting a moment of transition in the “coming to life” of the prophecy
17. The angel carries a lily, symbolic of the Virgin, and recites the words “Hail Mary full of
grace the Lord is with thee” (written in gold script across the panel)
18. Mary responds with a gesture of submission, while a symbol of the Holy Dove floats
above her head. Her response is written upside down and backwards (presumably for
God to read)
19. In the center, the wooden supports of the panels cast shadows onto the floor, and there
is a view out the window towards a Flemish town
20. As in Campin’s work, the miraculous has been brought down to earth and placed in
setting that is concrete and real
21. When opened, the Ghent Altarpiece portrays a glorious image of Christ’s Second
Coming, when he returns to judge the living and the dead
22. Last Judgment, Autun Cathedral, 1130-45
While Medieval Last Judgments emphasized damnation (with the horrors of hell
depicted in vivid detail), Van Eyck’s painting focuses on redemption, and humanity’s
joyous return to Paradise
23. The Lord is depicted in the center upper panel dressed in rich red robes and wearing the
papal crown on his head, with an earthly crown rests at his feet. This shows that he is
“king of kings” and ruler of heaven and earth
24. Note the realistic treatment of fabric and skin, and the reflective surfaces of metal, glass,
and jewels, all made possible by Van Eyck’s mastery of oil technique
25.
26.
27. The Virgin Mary is seated on his right, wearing a crown studded with roses and lily’s,
symbols of her urity
28. St. John the Baptist is seated on his left, recognizable by the “hair shirt” he wears
beneath his cloak (he had lived as a hermit, and so wore primitive fur clothing)
29. Flanking them are the music making angels, who Van Eyck humanized by making them
look like a high school girls choir performing at a school assembly
32. To the left and right of the angels are Adam and Eve, the first sinners who were
banished from the Garden of Eden
33. They were the one’s who first got thrown out of Paradise, so the story has finally come
full circle
34. The realism of the figures is astonishing, with the lifelike skin tones and body hair, and
the palpable sense of blood pulsing through the veins
35. Adam’s foot even projects out of his niche, as if entering into our space
36. Adam, the first man, has been resurrected and brought back to life, which is the central
theme of the altarpiece
37. Eve is somewhat less anatomically convincing, perhaps because Van Eyck did not have
access to a nude female model
38. The lower panels depict an expansive landscape, with the sacrificial lamb (symbolic of
Christ) bleeding into a chalice on an altar
39. The faithful converge from all four corners of the earth, representing humanity’s joyous
return to Paradise
40. In contrast to Medieval images of the Last Judgment, there are no images of the
damned. Instead, the focus is on the the Blessed whose sins have been forgiven
46. The details reveal far more than the human eye is capable of seeing, suggesting that the
picture represents God’s perfect vision, rather than the imperfect vision of the human
eye
47. Jan Van Eyck’s attention to the tiniest details of the natural world reflects a new attitude
towards nature that was in itself a break with the past:
48. “During the Middle Ages, official doctrine had placed earthly realities on the lowest level
of the scale of Creation – if they were not, indeed, the work of the devil himself.
However, by the time of the Van Eyck brothers….People began to view the entire world
as the work of God, the source of all creation, and present in its every detail, no matter
how small and insignificant. Thus nature came to be seen as sacred, as it was a
reflection of God’s spirit. Where mediaeval art had focussed on a world beyond this
world, the new art was devoted to scrupulous observation of what lay before the artist’s
eyes. Imagination was replaced by attention. Every creature, every thing, was now
perceived as a sign – a metaphor – representing a spiritual truth. This vision determined
the artist’s vocation: to imitate the visible world as faithfully as possible, not merely in
order to glorify creation, but so as to reveal the metaphysical dimension that lay
concealed within.”
Web Gallery of Art