Camparision between renaissance and mannerism
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The document compares and contrasts the Renaissance and Mannerism periods of art and architecture. The Renaissance saw a rebirth of classical Greco-Roman styles and ideals like realism, order, and harmony. Famous Renaissance artists included Leonardo da Vinci. Mannerism emerged later as a more stylized and complex reaction against Renaissance ideals, featuring elongated proportions, complex compositions, and dramatic lighting. Key differences included Renaissance art's stability versus Mannerism's instability, and Renaissance's adherence to classical standards versus Mannerism's experimentation. Examples are given comparing works by Renaissance masters like Raphael to Mannerist artists like Pontormo and Parmigianino.
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![The way renaissance follow perspective,depth and maturity is absent in mannerism.it is of more
intense,dramatic,unnatural color and flatten space.[1]
[1]
Renaissance is the rebrith of humanism has satisfactory and firm human figures unlike
mannerism’s long limbs and short heads.[1]
The artists of High Renaissance developed a system of scientifically defined proportion and
structure based on the harmony of the parts. Whereas Manerism sculptures had oddly proportional
form.
The establishing attitude of High Renaissance painting was usually a geometric shape. Mannerism
beleivies in illusions.
We can say that if renaissance is classism then mannerism is expressionism.
ART
Leonardo da Vinci. The Last Supper](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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2) An interest in the medieval, fantastic, and sublime - including dark emotions like horror. This was seen in works depicting nightmares and terrifying scenes.
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El documento resume el estilo artístico Rococó, que surgió en Francia en el siglo XVIII. Se caracteriza por colores suaves, formas inspiradas en la naturaleza y temas amorosos y galantes. El Rococó se extendió por toda Europa, tomando características locales. En España combinó elementos del Barroco, mientras que en Italia se limitó a la pintura de Tiépolo y Canaletto. Francia fue su cuna y desde allí influyó en la arquitectura, mobiliario y pintura de otras naciones.
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The Baroque period saw the development of Baroque painting and art styles between 1600-1750 characterized by drama, deep colors, and contrasting light and dark. Key Baroque artists included Caravaggio known for realistic depictions of emotion and lighting effects, Rembrandt a leading Dutch painter noted for compositions like "The Night Watch", Rubens who emphasized movement and sensuality in works like "The Fall of Man", Velázquez the leading Spanish artist with complex works like "Las Meninas", and Poussin who brought order and clarity to mythological scenes such as "Venus and Adonis".
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During the 15th-16th centuries, Renaissance art developed from the works of early masters like Leonardo da Vinci and Michelangelo. This High Renaissance style used vivid colors and focused on religious themes. In the mid-16th century, Mannerism emerged, trading naturalism for a more elongated and artificial style with dimmer tones. Key artists discussed include Jacopo Comin, known for his dramatic gestures, and Paolo Veronese, who began as a Mannerist and later adopted a more naturalistic influence from Titian. The document compares styles between High Renaissance and Mannerism, noting how the former uses bright scenes while the latter employs darker, more emotionally resonant works.
High Renaissance and Mannerism PART 1
The document provides an overview of the High Renaissance period in Italy from 1495-1520. It discusses key developments including the rising status of artists, who became international celebrities socializing with royalty. Leonardo da Vinci is highlighted as a quintessential Renaissance man with wide-ranging interests from science to art. The document analyzes several of his most famous works including the Last Supper and Mona Lisa, noting his mastery of techniques like sfumato. Raphael is also discussed for works like School of Athens, combining elements of Michelangelo, Leonardo, and his own teacher Perugino.
ART HISTORY 2 Test 2 review
Leonardo da Vinci was one of the most influential artists of the High Renaissance in Italy. He was a true "Renaissance man" with expertise in many fields including art, science, engineering and more. Some of his most famous works include the Mona Lisa, The Last Supper and Madonna of the Rocks. These works reflected his interest in naturalism, complex compositions, and subtle effects of light and shadow. Michelangelo was another towering figure who excelled at sculpture and architecture. His David and works for the tomb of Pope Julius II show his mastery of the human form and ability to imbue stone with dramatic movement and emotion. Raphael was a highly skilled painter known for his harmonious
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This document provides an overview of the Mannerism art movement including its key characteristics and two prominent artists, Parmigianino and Jacopo Tintoretto. Mannerism arose in the 16th century as a transition between Renaissance elegance and Baroque theatricality. It is characterized by elongated figures, artificial poses, and ornate decoration. Parmigianino was renowned for his sensual and elongated figures as seen in works like Madonna with Long Neck. Tintoretto blended Mannerist styles with dramatic lighting effects, as in his Last Supper which contrasts spiritual and earthly realms.
Sexuality In Renaissance Art
This document discusses sexuality and eroticism in Renaissance art. It notes that Renaissance art commonly depicted nude or sexualized women, which promoted a female beauty standard tied to sexuality. The document analyzes three paintings - The Birth of Venus by Botticelli, Danae by Titian, and Portrait of Simonetta Vespucci by Piero di Cosimo - that exemplify this trend. It suggests sexuality was seen as a source of power for women at the time, as evidenced by the high social status of courtesans. However, sexuality was also viewed as a punishment from original sin. The document examines how artists depicted idealized female forms and ownership of female sexuality in their works.
Prado Museum
The Prado Museum in Madrid, Spain has opened a new gallery focused on mythology and religion. The gallery features 12 artworks from around the world displayed in a circular room with ceilings painted with astrological designs. Each artwork is summarized, identifying key elements like medium, date, mythology depicted, use of lines and shapes, lighting, and symbolism. The pieces range from sculptures like "Orestes & Pylades" to paintings such as "Jacob's Dream", "Descent from the Cross", and "The Nude", showcasing various mythological and biblical stories from Greek, Roman, and Christian traditions.
Still life
A still life is a drawing or painting of objects arranged in a composition. Traditionally, the objects depicted had symbolic meanings representing concepts like life, death, beauty, and decay. Still life paintings use techniques like shading, value scales, and layering of foreground, mid-ground and background elements to create a sense of depth, volume and mass. In the 1800s, artists like Manet and Cezanne enhanced the mood and symbolism of still life works through loose brushwork, textures and manipulated light. Their impressionistic styles influenced later artists to portray the world in a more creative, gestural manner.
art-appreciation principle-G2-1-1-1.pptx
This document discusses different types of subject matter that can be depicted in art. It describes representational art as depicting real-world objects or events through figurative images, while non-representational art does not make references to the real world and focuses more on visual elements like shapes and colors. Some common sources of subject matter discussed include nature, history, Greek and Roman mythology, and Judeo-Christian traditions. Specific artworks are cited as examples. A variety of subjects are also outlined, such as still life, animals, figures, landscapes, and cityscapes.
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Raphael
Fra Bartolommeo:
Fra Girolamo Savonarola
about 1497
Fra Bartolommeo painted this portrait of the Dominican friar and preacher Girolamo Savonarola. Savonarola had become famous for his fiery apocalyptic sermons in Florence, in which he warned of God's imminent punishment for moral corruption and political intrigue. The painting captures Savonarola in a pensive pose, his hands folded as if in prayer, reflecting his devout personality and mission of promoting religious reform.
Sistine Chapel Essay
Michelangelo undertook painting the ceiling of the Sistine Chapel during the High Renaissance, depicting scenes from Genesis including God's creation of Earth and man. The frescoes combined Catholic and classical elements, showing the religious motivations of patron Pope Julius II while also representing the humanist interests of the period through figures and architecture. As a religious leader, Julius II would be interested in including tenets of the Catholic church, and other elements like pagan symbols represented the humanist values prominent during the Renaissance.
Western Art Movements
This document provides an overview of major art movements throughout history, beginning with prehistoric art and continuing through modern movements such as Pop Art and Assemblage. Key periods and styles discussed include Ancient Greek and Roman art, Renaissance art, Baroque, Impressionism, Surrealism, Cubism, and Abstract Expressionism. Critical characteristics and examples are given for each movement.
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Camparision between renaissance and mannerism
- 1. RENAISSANCE Renaissance is called as rebirth of learning mainly of ancient greece and rome. The renaissance introduces the concept of intellectuallity in art. The most famous is Leonardo da Vinci. Art, architecture and science were closely connected during the Renaissance peroid. MANNERISM Mannerism is also called as late renaissance. The genius of this era is michelangelo. It is like the counter narrative or reaction of renaissance. Baroques style replace it. COMPARISION Early renaissance begens from milan high from rome and mannerism from florence. Renaissance had high regards to classical time’s standards,it was a form of art tries to show idealized world. Whereas, mannerism was extremely anticlassist. Renaissance removed emotion detailes in art whereas mannerism is more playfull and emotional. Renaissance art is more stable than mannersim. Both has nudes figures but mannersism complex and artificial position or body posture is just opposite to renaissance stability. Renaissance art was categorized through realism and naturalism. Mannerism is less logical and unnatural.
- 2. The way renaissance follow perspective,depth and maturity is absent in mannerism.it is of more intense,dramatic,unnatural color and flatten space.[1] [1] Renaissance is the rebrith of humanism has satisfactory and firm human figures unlike mannerism’s long limbs and short heads.[1] The artists of High Renaissance developed a system of scientifically defined proportion and structure based on the harmony of the parts. Whereas Manerism sculptures had oddly proportional form. The establishing attitude of High Renaissance painting was usually a geometric shape. Mannerism beleivies in illusions. We can say that if renaissance is classism then mannerism is expressionism. ART Leonardo da Vinci. The Last Supper
- 3. Jacopo Tintoretto. The Last Supper We can see the difference of narrative ,composition,and light in both the style. Renaissance has prespective ,unity, focal point and natural light. Mannerism has no prespective , no focal point, more dramatic and playful lighting. Raphael, The Entombment , panel Pontormo, The Entombment , panel
- 4. In both the picture we can see clear difference of both era. Renaissance has nature spce or background ,accurate body posture and nature color. And are stable on ground. Mannerism has abnormal body posture ,unnatural color and flat spce or background. All are over one another. Raphael. Colonna Madonna
- 5. Parmigianino Madonna In the Raphael painting both the Madonna and Child appear to be in an accepted and idealised mother and child story. There is a very normal relations between the two subjects. In the Parmigianino there contact between mother and child is very unnatural, it is almost abnormal with very little details between the subjects. Like background is so unnatutal,proportion and figure is bumpy and uncomfortable. ARCHITECTURE Saint Peters Basillica
- 6. Saint Peters Basillica has both renaissance and mannerism role.The Renaissance style places highlighting on symmetry, proportion, geometry and the regularity of parts, and is highly influenced by the many examples of the architecture of Roman architecture. Mannerism emphasis on stylishness in design applied to a building just like painting, showed extensive knowledge of Roman architectural style but not necessary united entirely. SCULPTURE Michelangelo david Giambologna The rape of sabine women The renaissance sculpture is stable, proportional and shows ideal human figure whereas mannerism has drama,story to tell and uneven and uncomfortable body posture. In my view, mannerism is more apealing as compared to renaissance as it belief in experiment and exploration whereas renaissance is stiff to classicism idea. Proportion idea is not so good as every body not have perfect proportion in reality like shown in renaissance ,mannerism on contrary has
- 7. variety. I love that every painting is from artist’s point of view rather being considerate about reality and has similar concept. (PICTURE SOURSE IS GOOGLE IMAGES)