The Baroque
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The Baroque period lasted from 1600-1750 originating in Counter-Reformation Italy. Baroque art and architecture was dramatic, emotional, and ornate meant to impress viewers and express power. Key features included exaggerated lighting, intense emotions, and high detail. Masters like Caravaggio, Rubens, Rembrandt, and Bernini created emotional, dynamic paintings and sculptures while architects like Bernini and Borromini designed grand churches and squares. Baroque styles then spread across Europe especially in painting, sculpture, architecture, music, and decorative arts.
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Baroque art
The document provides an overview of Baroque art across various mediums from the 1600s-1700s. It began in Rome and spread across Europe as a style that used dramatic details to produce grandeur and tension. The Catholic Church encouraged the Baroque style in response to the Protestant Reformation to communicate religious themes directly through emotional art. Painting featured contrasts of light/shadow and movement. Sculpture often had dynamic figures and concealed elements. Theatre became multimedia with changing stage scenery; actresses and breeches roles were introduced. The period saw major artists like Caravaggio, Bernini, and Moliere working across mediums to engage audiences through the Baroque style.
Baroque art
The Baroque period saw the development of Baroque painting and art styles between 1600-1750 characterized by drama, deep colors, and contrasting light and dark. Key Baroque artists included Caravaggio known for realistic depictions of emotion and lighting effects, Rembrandt a leading Dutch painter noted for compositions like "The Night Watch", Rubens who emphasized movement and sensuality in works like "The Fall of Man", Velázquez the leading Spanish artist with complex works like "Las Meninas", and Poussin who brought order and clarity to mythological scenes such as "Venus and Adonis".
Baroqueart
For educational purposes only. All rights reserved. Images reproduced by permission of textbook publisher.
Ms. Fuentes AP Art History class.
Baroque
Baroque art originated in Rome in the late 16th century as a style that glorified Catholicism and absolute monarchs in response to the Protestant Reformation. Baroque art is characterized by grandeur, drama, movement, and vibrant colors in large-scale works. Key artists included Bernini, whose sculptures exemplified drama and movement, and Rubens, whose paintings depicted religious scenes with theatrical flourishes. Caravaggio introduced greater realism through life-like figures and tenebrism techniques. In Protestant Holland, Baroque art focused on realistic genre paintings, portraits, landscapes and still lifes for the bourgeois class rather than public religious works.
Baroque n rococo
The document discusses the Rococo art style that flourished in France and Germany in the early 18th century. Rococo art focused on depicting the carefree lifestyle of the aristocracy rather than grand historical themes. It was characterized by free flowing movement, delicate colors, and playful use of line. Jean-Antoine Watteau and Jean Honoré Fragonard were two prominent Rococo artists known for their paintings of fêtes galantes and romantic scenes.
Ahtr 1400 to 1600 italian renaissance final
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Caravaggio
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Baroque art
The Baroque style originated in Rome in the 17th century and later spread across Europe. It rejected some principles of the Renaissance like symmetry and proportion in favor of complex, dramatic forms intended to astonish viewers. Baroque art was often propagandistic, used by the Catholic Church and absolute monarchs to promote their authority. Key characteristics included dynamism, movement, and depicting strong emotions. Major Baroque artists included Bernini in Italy, Rubens in Flanders, Rembrandt in Holland, and Velazquez in Spain, each known for their realistic styles and masterful use of color, light, and composition.
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Baroque art
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Baroque art
The Baroque period saw the development of Baroque painting and art styles between 1600-1750 characterized by drama, deep colors, and contrasting light and dark. Key Baroque artists included Caravaggio known for realistic depictions of emotion and lighting effects, Rembrandt a leading Dutch painter noted for compositions like "The Night Watch", Rubens who emphasized movement and sensuality in works like "The Fall of Man", Velázquez the leading Spanish artist with complex works like "Las Meninas", and Poussin who brought order and clarity to mythological scenes such as "Venus and Adonis".
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For educational purposes only. All rights reserved. Images reproduced by permission of textbook publisher.
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Caravaggio
The document discusses the High Renaissance period from 1490-1527 and the development of chiaroscuro technique. It then focuses on Michelangelo Caravaggio's use of tenebrism, a dramatic form of chiaroscuro using deep shadows. Caravaggio lived from 1571-1610 and is known for bringing about techniques that influenced the Baroque period through his realistic religious works featuring tenebrism. The document concludes by mentioning Caravaggio's followers, the Caravaggisiti.
Baroque art
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The document provides an overview of Baroque art from the late 16th to early 18th centuries. It discusses key artists and styles that emerged in Italy, the Habsburg lands, Flanders/Netherlands, and France during this period. In Italy, Bernini and Borromini pioneered dramatic Baroque sculpture and architecture, while Caravaggio introduced tenebrism in painting. The Dutch Golden Age saw the rise of portrait and genre paintings by artists like Rembrandt and Vermeer. Under the "Sun King" Louis XIV, France emerged as the new center of European art and culture in the 17th century.
Southeast asian art 2
Southeast Asian arts share some common traditions that predate Indian cultural influences, including wet-rice agriculture, metallurgy, navigation, and certain art forms. The region's cultures were shaped by influences from China, India, and internal developments. Some enduring art forms found across the region are shadow puppet theater, gong-chime orchestral music, tattooing, and scripts descended from Indian writing systems. Traditional dances like the Apsara also fused Hindu ideas with local styles.
Baroque Art
This document discusses the characteristics and major artists of Baroque art in 17th century Italy and Spain, including Bernini, Borromini, Caravaggio, and Velazquez. It focuses on their architectural works like St. Peter's Basilica and churches, as well as paintings depicting religious subjects. The Baroque style was influenced by the Catholic church and used dramatic lighting, movement, and emotion to convey religious themes and glorify wealthy patrons.
06 Baroque in Italy and Spain
Slideshow is a companion to Gardner's Art Through the Ages (Global) textbooks. Prepared for ART 102 at Montgomery County Community College. Jean Thobaben - Adjunct Innstructor.
Baroque Italy and Spain
The chapter discusses Baroque art in Italy and Spain between 1600-1700. In Italy, key developments included the establishment of the Catholic Church's power through grand architecture projects like St. Peter's Basilica and innovations in sculpture and painting to create emotional drama. Caravaggio influenced other artists with his realistic religious scenes using tenebrism. Ceiling paintings were also used to glorify the church. In Spain, artists like Zurbaran and Velazquez painted dramatic religious scenes and portraits of royalty, with Velazquez employing complex spatial constructions and brushwork.
Baroque Art of Northern Europe
This document provides an overview of Northern European Baroque art from 1600 to 1700. It introduces some of the major artists of the period from countries like the Netherlands, France, and England. These include Peter Paul Rubens, Anthony van Dyck, Frans Hals, Rembrandt, and Vermeer among others. Their signature works are highlighted, such as Rubens' Elevation of the Cross and Vermeer's The Letter. The document also discusses the development of landscape painting and still life genres during this era in Northern Europe.
Baroque 2011
The document provides an overview of Baroque art in 17th century Europe, highlighting prominent artists and works from Italy, Spain, Flanders, Holland, and France. In Italy, artists like Bernini promoted the Catholic Counter-Reformation through works commissioned by the Roman Catholic Church. Caravaggio and Gentileschi developed a tenebrist style. In Spain, artists focused on religious scenes of martyrdom and death. Rubens was a leading painter in Flanders. Dutch artists like Rembrandt and Vermeer captured the Protestant middle class through portraits and genre scenes. In France, classical influences were seen in works by Poussin, while Versailles was constructed under Louis XIV. English Baroque architecture, led
Baroque power point
The Baroque era spanned from 1600 to 1750 and was characterized by grandiose and ornate styles in art, music, and architecture. This period saw advancements in music theory including figured bass, major and minor tonalities, and standardization of tuning systems. New genres like opera, oratorio, and concerto emerged and instrumental music became more popular. Key composers who advanced music through new virtuosic styles and genres included Monteverdi, Purcell, Handel, Vivaldi, and Bach.
The Baroque Period
The Baroque period and style began in 1600 in Rome and spread across Europe, known for exaggerated gestures and drama in sculpture, painting, literature, dance and music. Baroque architecture is characterized by grand buildings like the Palace of Versailles. Baroque painting used dynamic movement and emotion in works by artists like Rubens. Baroque music featured mood-driven works, complex melodies, basso continuo accompaniment, terraced dynamics and polyphonic textures.
Baroque architecture
Baroque architecture developed from the late 16th century to 1750 across Europe and America. It reflected the scientific advances and religious/political conflicts of the time through dramatic use of light, illusionistic painting/sculpture, asymmetrical and curved designs. In Italy, architects like Bernini and Borromini created dramatic church designs fusing architecture, art and sculpture. French Baroque like Versailles was more ordered and classical, showing royal power. Rococo later emphasized ornate interiors and decoration.
Baroque Period
The document provides an overview of the Baroque period in art from 1600-1750. It discusses the origins and characteristics of Baroque art, noting three main tendencies: religious tensions in Christianity, the rise of absolute monarchies and middle class, and new interests in science and nature. The Baroque period saw developments in painting, sculpture, architecture, music, literature and other mediums. Important artists of the period included Caravaggio, Bernini, Velazquez, Zurbaran, van Dyck, Rubens, and Vermeer. Their works reflected the dramatic and emotional styles that came to define Baroque art.
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The Baroque art movement originated in the Catholic countries of 17th century Europe. It featured highly emotional, dramatic, and ornamental styles intended to inspire religious devotion. In Italy, Baroque art was exemplified by the sculptor Bernini, whose works included the dramatic Ecstasy of St. Teresa and the grandiose colonnades of St. Peter's Square in Rome. The painter Caravaggio also influenced the development of the Italian Baroque with his naturalistic style and use of tenebrism. Architects like Borromini designed buildings employing complex geometries and theatrical effects of light and space. The Baroque style emphasized emotion, movement, and grandeur to promote the ideals of the Counter-Reformation.
Baroque Art
Baroque art developed in 17th century Europe in response to the Protestant Reformation and Counter-Reformation. It featured dramatic lighting, elaborate details, and emotional religious themes to impress viewers. The style spread across Europe, seen in works like Caravaggio's realistic religious scenes, Bernini's sculptural architecture, and Versailles' ornate interior. Baroque emphasized dramatic contrast and movement to astonish audiences.
mapeh9artsquarter2.pptx
The document provides an overview of the Renaissance and Baroque periods in art history. It summarizes that the Renaissance flourished in Italy in the 1400s and was an era of great creativity and innovation in painting, sculpture, and literature. It also discusses key works like Leonardo da Vinci's Mona Lisa and Michelangelo's Pieta. The document then notes that the Baroque period from 1600-1800 was characterized by exaggerated motion, drama, and ornamentation. Important Baroque works mentioned include Rubens' portrait of his wife Helene Fourment and Bernini's Ecstasy of St. Teresa sculpture.
BAROQUE ART.pptx
The Baroque art style originated in the 1600s and dominated European art through the 1750s. It was influenced by scientific discoveries, religion, and politics of the time period. Baroque art is characterized by dramatic, curved lines and tenebrism techniques that create high contrast between light and dark areas. Some notable Baroque artists include Caravaggio, known for his realistic style; Rubens, who emphasized skin tones; and Bernini, a skilled sculptor who designed structures for St. Peter's Basilica.
17th and 18th Century Art
The document provides an overview of Baroque, Rococo, and Neoclassical art from the 17th-18th centuries in Europe. It discusses key characteristics of Baroque style including dramatic lighting, architecture, and religious works supporting the Catholic Church. Rococo art emerged in the 18th century as a playful reaction to Baroque. The document profiles paintings, sculptures, and buildings exemplifying these styles. It also introduces the Enlightenment, Romanticism, and emphasis on reason and feelings in art during this period.
The_Transcendence_of_Art.pptx
The Baroque style originated in the 1600s in Rome, Italy and was characterized by elaborate ornamentation and complex lines that departed from the restraint of the Renaissance. The Counter-Reformation and Catholic Church promoted Baroque art as a means of emotional and sensory appeal. Early Baroque art aimed to stimulate the senses through simple, direct iconography. Italian painters like Carracci and Caravaggio broke from Mannerism and fostered Baroque painting through classical and realist approaches. Movement was a key characteristic of Baroque sculpture, featuring twisting bodies and figures extending outward.
Art1100 LVA 17 Baroque Online
François Girardon: equestrian statue of Louis XIV, bronze,
h. 5.5 m, 1699 (Paris, Place de la Concorde)
The Baroque in France
Bernini was invited to Paris by Louis XIV in 1665 to design a grandiose
equestrian statue for the king. However, Bernini's design was deemed too
extravagant and costly. The commission was eventually given to François
Girardon, who produced a more restrained version in 1699.
Renaissance, baroque and modern art
The Renaissance period originated in 14th century Florence, Italy and was characterized by advances in art, literature, architecture, and science that reflected a renewed interest in classical learning and values. Notable Renaissance artists included Leonardo da Vinci, Michelangelo, and Raphael. The Baroque style emerged in the 17th century and featured dramatic, ornate forms that emphasized movement, light/dark contrast, and emotion. Modern art began in the late 19th century with Impressionism and Post-Impressionism and evolved in the early 20th century through movements like Cubism, Futurism, and Expressionism that experimented with new techniques and perspectives. Major developments continued after World War II with Abstract Expressionism and
Baroque, Rococo and New-Classicism in the 19th Century.
It's a powerpoint about three of the main artistic movements of the 19th century. Baroque,Rococo and New-Classicism.
It has many examples which are very famous but people don't know about their origins and what artistic style they belong to.
Reformation to Baroque part 1 de Beaufort
The document provides an overview of the Protestant Reformation and key events that led to divisions within Christianity in 16th century Europe. It discusses figures like Martin Luther who criticized the Catholic church and its sale of indulgences. Over time this grew into conflicts and wars between Protestant and Catholic states, most notably the Thirty Years War. The document also introduces the concept of the Counter Reformation by the Catholic church to stem the growth of Protestantism. It provides examples of influential Baroque artists like Bernini and Caravaggio who worked during this period.
Mannerism & Baroque
The document provides an overview of several major artistic periods and styles between the 16th and 18th centuries in Europe, including Mannerism, Baroque, and Rococo. [1] Mannerism emphasized style over substance and featured twisted figures. [2] Baroque art was characterized by bright colors, dramatic emotions, and grand themes as seen in the works of Bernini and Rubens. [3] Rococo emerged in the 18th century as a lighter and more delicate offshoot of Baroque featuring pastoral scenes and pastel colors.
Renaissance
The document summarizes how art changed from the Renaissance to Romanticism era. During the Renaissance, art focused on classicism and featured works by legendary artists like Da Vinci. Architecture used Greek elements. Art became more free and perspective advanced. Music developed balanced rhythm and form. Great literature emerged. The Baroque era saw grand, dark architecture and contrast in painting. Music used polyphony and new instruments. Rococo featured detailed, bright art. Romanticism allowed emotion in art and featured subjective painting and program music. Literature expressed social issues and unique novels emerged.
How art changed from Renaissance to Romanticism
The document summarizes how art changed from the Renaissance to Romanticism era. During the Renaissance, art focused on classicism and featured prominent artists like Da Vinci. Architecture used Greek pillars and domes. Art became more free from religion. Music progressed with balanced rhythm. Great literature works emerged. The Baroque era saw grand, dark architecture and contrast in painting. Music used basso continuo and polyphony. Rococo featured detailed, bright art. Romanticism allowed emotion in art, with architecture focusing on nature and primitive styles. Music used free form and program music. Literature explored social issues and characters' inner lives.
baroqueart.pptx
The Baroque period saw a shift from the calm rationality of the Renaissance to dramatic, emotional art meant to evoke passion. Baroque painting was characterized by deep colors, rich drama, and intense light and dark shadows. Some of the greatest Baroque painters included Caravaggio, known for his realistic depictions and use of lighting; Rembrandt, a master of emotion and lighting; Rubens, who emphasized movement, color and sensuality; Velázquez, a leading artist at the Spanish court and model for realist painting; and Poussin, known for clarity, logic and order who favored line over color. Their works demonstrate the emergence of emotional, dramatic Baroque styles.
From High renaissance to Neoclassicism.pdf
The document provides an overview of the transition from the High Renaissance period to Neoclassicism in Western art. It describes the High Renaissance as being centered around the works of Leonardo da Vinci, Michelangelo, and Raphael from the 1490s to 1520s. Mannerism emerged as a reaction against High Renaissance ideals in the later 16th century, featuring elongated proportions and compositional instability. Baroque art then flourished in the 17th century, using drama, movement and grandeur. Rococo followed in the 18th century, emphasizing ornate decoration, curving forms and natural motifs. Finally, Neoclassicism looked to antiquity for inspiration, featuring clean lines and minimal colors.
From High renaissance to Neoclassicism.pdf
The document provides an overview of several major artistic periods from the High Renaissance to Neoclassicism. It discusses the key figures and characteristics of the High Renaissance such as Leonardo da Vinci, Michelangelo, and Raphael. It then describes Mannerism as a reaction to High Renaissance ideals through exaggerated features. Baroque art is summarized as using dramatic contrast, movement and grandeur. Rococo art emphasized ornate decoration, curving forms and vivid colors. Finally, Neoclassicism drew inspiration from classical antiquity through simple forms and minimal color.
Week9 17thand18th C
Martin Luther emphasized that the Bible, not the Pope, was the sole religious authority. He believed that faith alone, not good works, was necessary for salvation. Baroque art emerged during the Counter Reformation and was characterized by dramatic lighting, emotion, and theatricality. Neoclassical art drew from the balanced compositions and restraint of the Italian Renaissance.
Baroque art
The Baroque art movement originated in the 17th-18th centuries, emphasizing motion, drama, and emotion over Renaissance ideals. Religious Baroque art served as Counter-Reformation propaganda, depicting miracles and martyrdom to reinforce Catholic traditions against Protestantism. Secular Baroque art depicted the splendor and absolute power of monarchs. Notable artists included Bernini, Caravaggio, and Velázquez. Spanish Baroque art and architecture focused on Catholic religious subjects through extreme realism and ornate styles.
Baroque Neoclassical Art
This document provides an overview of the 17th century Baroque period from 1600-1800. Some key points:
- In the early 1600s, Rome was the leader of the Baroque style, though Baroque arrived later in France due to strict classicism. France later emerged as a major cultural center under Louis XIV.
- The latter half of the period saw the Enlightenment and French Revolution. Rococo style rose as Baroque ended. Neoclassicism followed the Enlightenment with a focus on antiquity.
- The 18th century saw the rise and fall of Rococo style and the emergence of Neoclassicism and later Romanticism, which emphasized emotion and individuality over reason.
Our art – their world
The document provides an overview of developments in France and Europe between 1600-1800. During this period, France emerged as a major power under the rule of absolutist monarchs like Louis XIV. The Baroque style originated in Rome and spread across Europe, though France maintained a neoclassical style for much of the 17th century. The 18th century saw the rise of Rococo art, as well as the Enlightenment and Neoclassical movements, before Romanticism developed by the late 1700s.
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Ancient Non-Western Art - Oceania and India
Oceanic art comprises works created by native peoples across Oceania, including Hawaii and Easter Island. Two groups settled the region at different times - Australo-Melanesians 40,000-60,000 years ago, and Austronesians 30,000 years ago. The Lapita culture emerged around 1500 BC and dispersed across more remote Oceanic islands by 1000 BC. Artistic traditions vary across Oceania and include tattooing, petroglyphs, wood carvings, masks, and monumental stone figures like Easter Island's moai.
Mesopotamian Architecture
Mesopotamian architecture was characterized by massive monumental structures like ziggurats and palaces. Ziggurats were large stepped towers built out of mudbricks that served both practical and religious purposes. They dominated cities and symbolized the rule of gods. Some notable ziggurats included those at Uruk, Borsippa, and Ur. Palaces were also grand architectural feats, such as Sargon's palace at Dur-Sharrukin in Assyria and the structures built by Persian kings at Pasargadae and Persepolis, including the Apadana palace and Hall of 100 Columns.
Elements and Principles of Art and Design
This document outlines various elements and principles of art and design, including concepts like symmetry, asymmetry, radial balance, contrast in size, color and value, emphasis through location and value, use of space, grouping, movement and rhythm through techniques like motion lines, medium disturbance, anticipated movement, and multiple images. It also discusses unity through conceptual and gestalt approaches, use of materials, and repetition through patterns that can be regular, random, alternating or flowing.
Social realism
Social Realism was an art movement from 1929 to the late 1950s that depicted realistic representations of the working class and poor during times of economic hardship like the Great Depression. Artists aimed to bring awareness to social issues through paintings, photographs and other media showing the lives and conditions of everyday people. Some notable artists included Grant Wood, Edward Hopper, Diego Rivera, and Charles White. The movement influenced later generations of artists and continued addressing themes of social and political issues.
Minimalism
Minimalism started in the 1960s in New York and aimed to remove elements of self-expression from art. Minimalist artists used industrial materials and focused on simple geometric forms and colors to create artworks that referred only to themselves. Some notable minimalist artists mentioned include Sol LeWitt, Donald Judd, Frank Stella, and Carl Andre. LeWitt's modular cubes and Stella's bright geometric paintings exemplified the movement. Minimalism emphasized neutrality and influenced later modern architecture through figures like Mies van der Rohe. Some Filipino artists also explored minimalism, like Constancio Bernardo's abstract meditative works.
Postmodernism
Postmodernism began as a reaction against modernism in art in the 20th century. It questioned master narratives and ideas of single meanings, instead seeing the viewer as helping determine a work's meaning. It included styles like conceptual art, minimalism, video art, performance art, and installation art. Key artists mentioned include Justin Michael Jenkins, Max Book, and Aydin Aghdashloo. Important works discussed are Roy Lichtenstein's Whaam!, Damien Hirst's Away from the Flock, and Jeff Koons' New Hoover Convertibles. Postmodernism has had influence beyond art and tried to replace ideas of the future with an eternal present.
Abstract Expressionism
Abstract Expressionism was a post-World War II art movement developed by American painters in New York in the 1940s-1950s. It emphasized spontaneous, emotional expression and the unconscious through gestural brushstrokes and pouring paint onto large canvases. Leading artists included Jackson Pollock, Willem de Kooning, Mark Rothko, and Barnett Newman. Their works, such as Pollock's No. 5, 1948 and de Kooning's Woman II, had a significant impact and established New York as the new center of modern art. Filipino artists like Jose Joya and Frederick Agustin also participated in the abstract expressionist movement.
Art Deco
The document provides information about Art Deco, including its origins in the 1920s Paris Exposition, key characteristics like simple clean shapes and geometric ornamentation, and examples of iconic Art Deco architecture like the Empire State Building. It also profiles some influential Art Deco artists such as Erté, Tamara de Lempicka, and Emile-Jacques Ruhlmann, and discusses materials and designs commonly used in Art Deco furnishings. Later in the document, it outlines the decline of Art Deco during WWII and its legacy as a source of inspiration for modern design styles.
Surrealism
Surrealism was an artistic movement that began in the early 1920s. It aimed to release the creative potential of the unconscious mind and rejected logic and reason. Artists used techniques like automatic writing to create strange and illogical combinations of images. Leading surrealist artists included Salvador Dali, Joan Miro, and Rene Magritte. They created works like Dali's The Persistence of Memory that combined everyday objects in dreamlike scenes. Surrealism has had a worldwide influence and spread quickly, influencing later artistic movements like abstract expressionism.
Futurism
Futurism was an early 20th century avant-garde art movement founded by Filippo Tommaso Marinetti in 1909. It celebrated speed, technology, youth, violence and modern objects while rejecting traditional forms of culture. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Natalia Goncharova, whose works used techniques like divisionism and cubism to depict motion and modern life. While initially an Italian movement, Futurism later influenced other art forms and 20th century art movements globally.
Dadaism
Dadaism originated in Zürich, Switzerland as an art movement that represented frustration with nationalism and conformity after World War 1. It used diverse art forms like sculpture, painting and poetry to promote anti-authoritarian and anti-art ideals. Notable Dadaist artists included Marcel Duchamp, Max Ernst, and Kurt Schwitters. While controversial, Dadaism had a significant influence on later art movements and styles like Surrealism, Pop Art, and Conceptual art.
Pop art
Pop art emerged in the 1950s in America and Britain, drawing inspiration from popular and commercial culture. It featured imagery from everyday life and objects rather than traditional artistic themes. Leading pop artists included Andy Warhol, Roy Lichtenstein, James Rosenquist, and Claes Oldenburg, known for works depicting celebrities, comics, advertisements, and consumer goods. While critically acclaimed, pop art was also accused of lacking originality. It brought popular culture and advertising into the realm of fine art and influenced later generations of artists.
Constructivism
Constructivism originated in Russia in the 1920s as an art movement that combined mechanical objects into abstract structural forms and influenced architecture and design. It rejected art for art's sake and instead promoted social ideas and practices. Key figures included Tatlin, considered the founder, and Rodchenko, Popova, and Gabo, who pioneered Constructivist sculpture, painting, photography and more. The movement emphasized dynamic human experience and possibilities over static forms but was limited by its association with Communism. It influenced modern design and architecture through its use of industrial materials and bold shapes.
De Stijl
The document provides an overview of De Stijl, a Dutch artistic movement founded in 1917 that advocated pure abstraction and simplicity using only primary colors, black, white, and straight horizontal and vertical lines. Key figures included Piet Mondrian, Theo van Doesburg, and Gerrit Rietveld. The movement sought to remake society after WWI through a utopian vision of universal order in art. It emphasized form, construction and function, influencing later International Style architecture of the 1920s-30s. Mondrian's later works like Broadway Boogie-Woogie showed the influence of New York on his more energetic rhythmic style.
Fauvism
Fauvism was a style of French painting from 1898 to 1906 characterized by vivid, raw colors applied in broad flat areas. Led by artists like Matisse, Derain, and Vlaminck, Fauvism emphasized spontaneity and expressiveness over realism. It was influenced by Post-Impressionism and a teacher, Gustave Moreau, and in turn influenced later movements like Expressionism and abstract art. While short-lived, Fauvism marked an experimental shift away from academic color theory towards emotion-driven use of color.
Post impressionism
Post-Impressionism emerged in the late 1880s as younger artists rejected Impressionism's emphasis on light and color over subject matter. The term was coined by art critic Roger Fry in 1910 to describe diverse styles including Pointillism, Cloisonnism, Synthetism and others. Key figures included Paul Cezanne, Vincent van Gogh, Paul Gauguin and Georges Seurat, who concentrated on subjective expression over optical effects. Their works laid the foundation for later avant-garde styles like Cubism and Expressionism. Japanese woodblock prints also strongly influenced these artists through their asymmetrical designs, flat forms and emphasis on nature.
Feminism and Art
The feminist art movement began in the 1960s as women artists sought to define and express their experiences, which had long been ignored or trivialized in the male-dominated art world. Key events and groups in the 1970s helped promote feminist art and address the lack of opportunities for women artists. While feminist art brought greater recognition to women's experiences and perspectives, it also faced criticism for issues like an essentialist view of women's experiences. The movement significantly influenced later generations by questioning artistic norms and canonical views of art history.
Alienation Effect
The V-effekt, or alienation effect, was a dramatic theory developed by German playwright Bertolt Brecht that used techniques to distance the audience from emotional involvement in a play. This was meant to make the audience think critically rather than experience catharsis. Examples included explanatory captions, actors breaking character, and unusual stage designs that exposed the theatrical elements. Brecht's goal was for viewers to see the "real world" reflected on stage and question the production's relationship to real-life events and history. He opposed dramatic forms that elicited emotion over analysis.
Philippine Komiks
This document provides a history of komiks in the Philippines. It discusses early beginnings in the 1920s with satirical magazines. Formal komiks started in 1929 with Kenkoy. Tony Velasquez is considered the father of Philippine komiks. Popular komiks creators from the 1950s-1970s included Mars Ravelo who created Lastikman and Captain Barbell. Bomba komiks peaked in popularity in the late 1960s. Realist komiks dealt with contemporary issues while romantic komiks featured handsome male characters. The komiks industry declined due to monopolization and creators found work elsewhere. Komiks have left a legacy but more can be done to continue that legacy.
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一比一原版美国加州大学圣地亚哥分校毕业证（ucsd毕业证书）如何办理
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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The Baroque
- 1. THE BAROQUE
- 2. • THE Baroque Period • 1600-1750 (150 years) • Origin: Counter-Reformation Italy
- 3. • Baroque: • term used in 1750 by Johann Joachim Wincklemann • barocco (Portuguese) • barrueco (Spanish) – pearl or tooth of unequal size, oddly-shaped pearl
- 4. • Baroque: derogatory term • Used to describe the allegedly excessive art of the preceding era • Implies : “imbalance and ugliness” • Also, “elaborate” or “highly detailed” Wall bracket, unknown maker, 1695-1710
- 5. • It gained respect in 19th century through the writings of German art historians. • Art that is distinct and vital from that of the hallowed Renaissance Heinrich Wólfflin Renaissance und Barock Baroque – as a stylistic category and a serious area of study
- 6. Factors on the spread of Baroque: 1) post-Counter Reformation Italy: that the arts should communicate religious themes in direct and emotional involvement (clerical abuses, especially nepotism, simony, usury, pluralism and the sale of indulgences) 2) the aristocracy: its dramatic style is a means to impress visitors and express triumph, power and control Council of Trent 1545-63
- 7. Essentially, Baroque is… • Catholic Art • also art for monarchy • that started in: Italy • and spread to: Spain, Spanish Netherlands, southern Germany Grinling Gibbons The Stoning of St Stephen Woodcarving Grinling Gibbons About 1680-1710 Carved limewood and lancewood relief, with later paint
- 8. Baroque extends to: • Painting • Sculpture • Music • Architecture • Fashion • Literature • Dance Johann Pachelbel Baroque composer http://www.youtube.com/watc h?v=y_XiDPXM24I
- 9. Masters of Baroque: • Caravaggio (precursor, painting, Italian) • Peter Paul Rubens (painting, French) • Rembrandt (painting, Dutch) • Gian Lorenzo Bernini (architecture, Italian) • Diego Velasquez (painting, Spanish) • Johann Sebastian Bach (music, German) • George Handel (music, German) • Antonio Vivaldi (music, Italian) • Pietro da Cortona (architecture, Italian) • Francesco Borromini (architecture, Italian) George Handel Music is lively, tuneful and expresses order
- 10. Features of Baroque Art: (painting) • Exaggerated lighting • Intense emotions • Highly detailed • Release from restraint • Drama • Exuberance • Grandeur • Artistic sensationalism • Technique: chiaroscuro • Iconography: direct, obvious, dramatic
- 11. Caravaggio The Calling of Saint Matthew Oil on canvas 1599-1600
- 12. Caravaggio The Entombment of Christ 1602-1603
- 13. Caravaggio Conversion on the Way To Damascus Oil on canvas 1600-1601
- 14. Peter Paul Rubens Massacre of the Innocents oil on panel 1611-12
- 15. Peter Paul Rubens The Disembarkation at Marseilles Oil on canvas 1622-25 Marie de Medici Wife of France’s Henry XIV Series of 24 paintings
- 16. Peter Paul Rubens Venus at a Mirror Painting 1613-1614
- 17. Rembrandt The Polish Rider Oil on canvas 1655
- 18. Rembrandt The Storm on the Sea of Galilee Oil on canvas 1633
- 19. Diego Velasquez Las Meninas Oil on canvas 1565
- 20. Diego Velasquez Old Woman Frying Eggs 1618
- 21. Gian Lorenzo Bernini Ecstacy of Saint Therese Marble 1645-52
- 22. Baroque Architecture: • Emphasis on bold spaces • Domes • Bold massing • Collonades • Light-and-shade (chiaroscuro) • Curved wall • Sculpted surfaces • Concentration of rich elements
- 23. Gian Lorenzo Bernini St. Peter’s Baldachino Bronze canopy over the tomb of St. Peter
- 24. Francesco Borromini San Carlo alle Quattro Fontane Rome 1638-1646
- 25. Gian Lorenzo Bernini Saint Peter’s Square
- 26. Jules Hardouin Mansart Versailles Palace
- 27. Nicola Salvi Trevi Fountain Carara marble 1732
- 28. Decorative arts • Use of foliage motifs • Marquetry • Putti (‘boys’, chubby infants) • Crests and initials • Lambrequin motif Melville bed
- 29. Key Bickford family About 1700 Steel, pierced, chiselled and engraved
- 30. Marquetry: laying of veneers of different-coloured woods onto the surface of furniture. This novel form of decoration was learned from French and Dutch cabinet-makers. John Byfield About 1700 Marquetry of walnut, burr walnut, sycamore, other woods and ivory, with some staining, on a pine and oak carcase, with brass fittings
- 31. Key Terms • Baroque • Counter-Reformation • chiaroscuro • collonades • marquetry • putty • lambrequin