Alienation Effect
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The V-effekt, or alienation effect, was a dramatic theory developed by German playwright Bertolt Brecht that used techniques to distance the audience from emotional involvement in a play. This was meant to make the audience think critically rather than experience catharsis. Examples included explanatory captions, actors breaking character, and unusual stage designs that exposed the theatrical elements. Brecht's goal was for viewers to see the "real world" reflected on stage and question the production's relationship to real-life events and history. He opposed dramatic forms that elicited emotion over analysis.
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Bertolt Brecht & Epic Theatre
Bertolt Brecht was a German playwright who developed Epic Theatre, which used techniques like alienation effects to encourage audiences to think critically rather than become absorbed in the story. He wanted audiences to question social issues and power structures, not just passively watch drama. Some techniques included having the house lights on during performances or using placards to provide information rather than fully immersing audiences in realistic characters and plots.
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Bertolt Brecht was a German playwright and theatre practitioner who created Epic Theatre, which aimed to educate audiences and provoke social and political change through critical thinking. Epic Theatre breaks the fourth wall and uses distancing effects like songs, captions, and episodic formats to remind viewers they are watching a representation, not reality itself, in order to shape attitudes and society. Brecht believed theatre's greatest function was to educate rather than provide escapism.
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1. An aside allows a character to address the audience directly while remaining unheard by other characters on stage. It differs from a monologue or soliloquy.
2. A play within a play involves a play being performed by characters within the larger play, often with symbolic or psychological significance.
3. Songs in plays can serve expositional, conflict-narrating, narrational, emotional climax, and summarizing functions in addition to entertainment. They help develop the total dramatic effect.
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Each play is produced with the use of a different method, and one of the methods which has a significant influence on drama is constructed by Bertolt Brecht. According to him, the best way to show his reaction against the system and stimulate the audience to take action against such system is epic theatre. His aim is to create a conscious society. For this aim, he uses epic theatre to create a distance between the play and the audience so that the audience can gain a critical insight. The reason is that such distance makes the audience use their reasons not feelings, which creates the feeling of rebel against the system including politics, economy (Benjamin, 1969). This helps the audience question the system and give the strength to change it. In order to activate the audience, he uses certain techniques of alienation based on distance between the audience and the play in epic theatre (Akçeşme, 2009). The Good Woman of Setzuan by Brecht is a significant play to analyse such techniques. With the techniques, he shows the injustice against the lower class and class distinction in the play. In other words, he leads the audience to question the capitalist society. Such techniques as giving a distant setting, the communication between the actor and the audience and the use of songs and verses can be observed throughout the play in order to break the illusion. Thus, this paper intends to analyse the techniques of epic theatre in the play The Good Woman of Setzuan to understand how Brecht break the automatized perceptions of the audience and show them a different world with the aim of rebel against the capitalist system.
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Absurdism
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Bertolt Brecht was a German playwright and theatre theorist born in 1898 who developed the theory and practice of epic theatre. Some key points about Brecht include:
- He was exposed to death and conflict from a young age which influenced his extreme theatre methods.
- In the 1920s he wrote several influential plays and collaborated with composers, developing his rejection of dramatic theatre in favor of epic theatre.
- He fled Germany in 1933 due to his leftist political views and opposition to Hitler, spending years in exile before reaching America.
- Epic theatre used techniques like the alienation effect to encourage spectators to think critically rather than emotionally experience the play. It emphasized social and political themes through a dist
Shen Te as an ‘Alter Ego’ of Shui Ta in Brecht’s The Good Woman of Setzuan: A...
ABSTRACT: The paper analyses the main character, Shen Te in the play The Good Woman of Setzuan on
dealing various works and businesses in the society. The study investigates the attitudes of men towards others
in different affaires of the society. It also discusses the understatement of being done on Shen Te. The special
emphasis of the paper goes with the performances and excellences of the protagonist performed in the play. The
executed services of Shen Te for the gods are not less valuable than that of other people of the society as Shui
Ta, the alter ego of herself. Her achievement and humankind should be valued like other members of the
society. She should no longer be distressed. Thus, the focal point of the researcher is to examine how the effort
and enthusiasm of an individual can be more valuable for having a smooth community to ensure peaceful lives
in the world.
KEYWORDS: Literary Style, Alter Ego, Complex Identity, Frustration, Social Change, Class Struggle
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Bertolt Brecht was a German playwright and theatre theorist born in 1898 who developed the theory and practice of epic theatre. Some key points about Brecht include:
- He was exposed to death and conflict from a young age which influenced his extreme theatre methods.
- In the 1920s he wrote several influential plays and collaborated with composers, developing his rejection of dramatic theatre in favor of epic theatre.
- He fled Germany in 1933 due to his leftist political views and opposition to Hitler, spending years in exile before reaching America.
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ABSTRACT: The paper analyses the main character, Shen Te in the play The Good Woman of Setzuan on
dealing various works and businesses in the society. The study investigates the attitudes of men towards others
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emphasis of the paper goes with the performances and excellences of the protagonist performed in the play. The
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Ta, the alter ego of herself. Her achievement and humankind should be valued like other members of the
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and enthusiasm of an individual can be more valuable for having a smooth community to ensure peaceful lives
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KEYWORDS: Literary Style, Alter Ego, Complex Identity, Frustration, Social Change, Class Struggle
Week 13, section 2, brecht
Bertolt Brecht was a Marxist playwright who developed Epic Theatre, which sought to provoke rational self-reflection in audiences rather than emotional identification. Some key features of Epic Theatre included distancing effects to remind audiences the play was constructed, direct addresses to audiences to adopt a critical perspective, and a focus on argument over suggestion to move audiences to social action. Brecht employed techniques like placards, songs interrupting action, and past tense narration to achieve the "Verfremdungseffekt" or estrangement effect. He aimed to transform theatre into a forum for political ideas and critique of social realities through this modernist realism.
Theatre styles
A great overview of theatre styles citing origins, pictures, key characteristics and aims of style. Lot of work but worth it. Don't claim it as your own or you're dead meat!!
Top Girls
The document discusses the plays Top Girls by Caryl Churchill and how it draws influence from Bertolt Brecht's epic theatre techniques. It notes how Churchill and Brecht both use their work to take controversial ideological stances while entertaining audiences. Some of the epic techniques the play uses include verfremdungseffekt, montage, geste, and rejecting cathartic emotional spectatorship in favor of critical reflection. The structure of Top Girls eschews suspenseful plotting in favor of loosely connected episodic scenes that build a feminist critique of traditional patriarchal dramatic forms and values.
Bertolt Brecht workshop
Bertolt Brecht was a 20th century German playwright and theatre practitioner who significantly influenced modern theatre. Some of his key ideas and practices included epic theatre, alienation effects, non-linear storytelling, and exposing the theatrical elements to encourage audience reflection rather than emotional engagement. He developed these theories over his career while living in exile to escape the Nazis, writing many plays and establishing his own theatre company in East Berlin.
Theatre Reflection Paper
The document is a reflective essay about the responsibilities of a theatre director. It discusses how the author's high school theatre class divided directing duties among students for their 50th anniversary production. Each of five students was responsible for directing selected scenes from one of the five chosen plays. This gave the students experience with the directing challenges of choosing a style and concept, working with actors through rehearsals, and coordinating with technical elements during dress rehearsals. The author realized how much work directing entails after taking on directing responsibilities for a section of the production.
Course Reader Reading #3 What is Design .docx
Course Reader: Reading #3
What is Design?
Excerpts from:
Adolph Appia, Lee Simon (from: “The Ideas of Adolphe Appia”),
Robert Edmund Jones, Leonard Pronko,
and Gaston Bachelard
Intro to Theater: What is Design? Page #1
Intro to Theater: What is Design? Page #1
r;;e: The American
s: 145-155.
Harry N. Abrams
~
Chapter 3
Adolph Appia
ACTOR, SPACE, LIGHT,
PAINTING
T HE ART OF STAGE PRODUCTION is the art of projecting into Space what the original author was only able to project in
Time. The temporal element is implicit within any text, with or
without music . . . The first factor in staging is the interpreter: the
actor himself. The actor carries the action. Without him there can
be no action and hence no drama ... The body is alive, mobile and
plastic; it exists in three dimensions. Space and the objects used
by the body must most carefully take this fact into account. The
overall arrangement of the setting comes just after the actor in
importance; it is through it that the actor makes contact with and
assumes reality within the scenic space.
Thus we already have two essential elements: the actor and
the spatial arrangement of the setting, which must conform to his
plastic form and his three-dimensionality.
What else is there?
Light!
Light, just like the actor, must become active; and in order to
grant to it the status of a medium of dramatic expression it must
be placed in the service of ... the actor who is above it in the
production hierarchy, and in the service of the dramatic and plastic
expression of the actor.
... Light has an almost miraculous flexibility . . . it can cre
ate shadows, make them living, and spread the harmony of their
vibrations in space just as music does. In light we possess a most
powerful means of expression through space, if this space is placed
in the service of the actor.
29
Intro to Theater: What is Design? Page #2
Intro to Theater: What is Design? Page #2
ACTOR, SPACE, LIGHT, PAINTING
So here we have our nonnal established hierarchy: ,
the actor presenting the drama;
space in three dimensions, in the service of the actor's plastic fonn;
liBht giving life to each.
But as you have inferred, there is a but what about painting? What do we
understand about painting in terms of scenic art?
A collection of painted backcloths and flats arranged vertically on the stage,
more or less parallel to one another, and extending upstage. These are covered
with painted light, painted shadow, painted fonns, objects and architecture; all of
it, of course, on a flat surface since that is the nature of painting ...
Our staging practice has reversed the hierarchical order: on the pretext of
providing us with elements which are difficult or impossible to realize in solid
form, it has developed painted decor to an absurd degree, and disgracefully
subordinated the living body of the actor to it. Thus light illuminates the b.
Chapter 2
The document discusses various elements of theatre including:
1. Peter Brook's theory that theatre requires only three elements - an empty space, a person in action, and someone observing.
2. Theatre can occur anywhere through social interactions and performances between people.
3. Each theatrical performance is unique and can only happen once due to the changing experiences of actors and audiences.
4. Different types of stages are discussed, including proscenium, thrust, arena, and found/site-specific spaces.
Determining Musical Genre
- There is no agreed upon definition of modernism, as evidenced by the large number of scholarly works debating its meaning. Modernism resists a coherent theoretical model.
- Modernism is typically defined based on works from the early 20th century, though some argue certain post-World War II works should also be considered modernist.
- Most definitions of modernism focus on developments in poetry and the novel, but the document argues music/opera of the early 20th century should also be viewed through a modernist lens given the creative surge of the time period.
Modern Day Theatre
I appreciate you sharing this personal reflection. Theater can be a powerful medium for self-expression and growth. As with any art, the most impactful works explore our shared humanity while respecting all people. Perhaps consider how your talents might uplift and bring people together and help them understand different experiences. Wishing you the very best moving forward.
Gender Portrait in media (Stage Drama)
The document discusses issues with Pakistani stage dramas. It notes that recent dramas promote vulgarity through indecent language, gender stereotypes, and shameful roles for men and women. Specifically, it calls out plays like "Hont Rseele Tere" and "Kajrar-e-Naina" for vulgar jokes and comments. It also criticizes plays like "Chalak Totay" for using abusive language, and "Kajrar-e-Naina" for inappropriate dancing scenes. The document argues commercial theaters prioritize profits over cultural values and call for reforms to address these problems.
Ch 14 (8th Ed) Ch 15 in 7th Ed
Norwegian dramatist Henrik Ibsen was a pioneer of realistic drama in the late 19th century, dealing with taboo subjects that mirrored everyday life. Along with August Strindberg, he revolutionized theater by presenting controversial works that could not be produced commercially. Ibsen is known for plays like "A Doll's House" and "Hedda Gabler" that tackled controversial topics and refused to make clear moral judgments. Strindberg further intensified realism to focus on internal personal conflicts between characters. Together, they established modern realistic drama that dealt with serious social issues of the time.
What has influenced Burton's film Vincent (1982)?
Vincent (1982) is a short film that pays homage to the works of Vincent Price and references styles seen in German Expressionist films. It utilizes elements of Gothic horror such as dramatic shadows, reflective surfaces, anthropomorphism, and abstractionism. The documentary discusses Tim Burton's influences, including German Expressionist cinema of the 1920s, Gothic literature, and Vincent Price films.
Bertolt Brecht Epic Theatre - No Photos
Bertolt Brecht was a German playwright who developed Epic Theatre, which aimed to make audiences think critically rather than simply accept what they saw on stage. He was interested in Marxism and how industrialization affected society. To achieve his goal, Brecht used techniques like Verfremdungseffekt ("alienation effect") to remind viewers they were watching a play, not becoming absorbed in the story. This prevented emotional engagement and encouraged questioning the ideas presented. His unconventional approach revolutionized theater by transforming it into a medium for examining social issues.
Beggs_Writing Sample_Modern Drama_Revisiting _Marat_Sade
This document provides a lengthy analysis and summary of Peter Weiss's play The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade (Marat/Sade). The author argues that the play remains relevant for university study due to its structure as an "irresolvable inquiry" through dialogues between the characters. The author also analyzes the philosophical debates between Marat and de Sade's characters and how the play comments on different historical periods through its framing. Differences in early productions of the play in Berlin, London, and East Germany that emphasized different political messages are also discussed.
Creative writing
This document provides an overview of different play genres and theatrical terms:
- Comedies are designed to be humorous and use elements like wit, unusual characters, and mistaken identities. Common genres include farces, satires, and restoration comedies.
- Tragedies have darker themes like death and contain a tragic flaw that leads to the protagonist's downfall.
- Other genres include historical plays, musical theatre, theatre of cruelty, and theatre of the absurd.
- The document also defines key terms like "play" and discusses Shakespeare's plays which fall into categories of tragedies, comedies, histories, and romances.
The Impact Of The Rise Of Hitler
The rise of Hitler had a significant impact on theatre in Germany. After coming to power in 1933, Hitler systematically removed those who opposed him from positions of influence, including many theatre artists. Theatre shifted towards propaganda that promoted Nazi ideology. In response, some artists developed new forms of political theatre like epic theatre, which used non-traditional techniques to promote critical thinking in audiences and distance them from emotional engagement with characters. Notable figures who developed epic theatre to resist Nazi influence included Bertolt Brecht, Erwin Piscator, and Wolfgang Langhoff.
Similar to Alienation Effect (18)
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Beggs_Writing Sample_Modern Drama_Revisiting _Marat_Sade
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More from Greg A.
Ancient Non-Western Art - Oceania and India
Oceanic art comprises works created by native peoples across Oceania, including Hawaii and Easter Island. Two groups settled the region at different times - Australo-Melanesians 40,000-60,000 years ago, and Austronesians 30,000 years ago. The Lapita culture emerged around 1500 BC and dispersed across more remote Oceanic islands by 1000 BC. Artistic traditions vary across Oceania and include tattooing, petroglyphs, wood carvings, masks, and monumental stone figures like Easter Island's moai.
Mesopotamian Architecture
Mesopotamian architecture was characterized by massive monumental structures like ziggurats and palaces. Ziggurats were large stepped towers built out of mudbricks that served both practical and religious purposes. They dominated cities and symbolized the rule of gods. Some notable ziggurats included those at Uruk, Borsippa, and Ur. Palaces were also grand architectural feats, such as Sargon's palace at Dur-Sharrukin in Assyria and the structures built by Persian kings at Pasargadae and Persepolis, including the Apadana palace and Hall of 100 Columns.
Elements and Principles of Art and Design
This document outlines various elements and principles of art and design, including concepts like symmetry, asymmetry, radial balance, contrast in size, color and value, emphasis through location and value, use of space, grouping, movement and rhythm through techniques like motion lines, medium disturbance, anticipated movement, and multiple images. It also discusses unity through conceptual and gestalt approaches, use of materials, and repetition through patterns that can be regular, random, alternating or flowing.
Social realism
Social Realism was an art movement from 1929 to the late 1950s that depicted realistic representations of the working class and poor during times of economic hardship like the Great Depression. Artists aimed to bring awareness to social issues through paintings, photographs and other media showing the lives and conditions of everyday people. Some notable artists included Grant Wood, Edward Hopper, Diego Rivera, and Charles White. The movement influenced later generations of artists and continued addressing themes of social and political issues.
Minimalism
Minimalism started in the 1960s in New York and aimed to remove elements of self-expression from art. Minimalist artists used industrial materials and focused on simple geometric forms and colors to create artworks that referred only to themselves. Some notable minimalist artists mentioned include Sol LeWitt, Donald Judd, Frank Stella, and Carl Andre. LeWitt's modular cubes and Stella's bright geometric paintings exemplified the movement. Minimalism emphasized neutrality and influenced later modern architecture through figures like Mies van der Rohe. Some Filipino artists also explored minimalism, like Constancio Bernardo's abstract meditative works.
Postmodernism
Postmodernism began as a reaction against modernism in art in the 20th century. It questioned master narratives and ideas of single meanings, instead seeing the viewer as helping determine a work's meaning. It included styles like conceptual art, minimalism, video art, performance art, and installation art. Key artists mentioned include Justin Michael Jenkins, Max Book, and Aydin Aghdashloo. Important works discussed are Roy Lichtenstein's Whaam!, Damien Hirst's Away from the Flock, and Jeff Koons' New Hoover Convertibles. Postmodernism has had influence beyond art and tried to replace ideas of the future with an eternal present.
Abstract Expressionism
Abstract Expressionism was a post-World War II art movement developed by American painters in New York in the 1940s-1950s. It emphasized spontaneous, emotional expression and the unconscious through gestural brushstrokes and pouring paint onto large canvases. Leading artists included Jackson Pollock, Willem de Kooning, Mark Rothko, and Barnett Newman. Their works, such as Pollock's No. 5, 1948 and de Kooning's Woman II, had a significant impact and established New York as the new center of modern art. Filipino artists like Jose Joya and Frederick Agustin also participated in the abstract expressionist movement.
Art Deco
The document provides information about Art Deco, including its origins in the 1920s Paris Exposition, key characteristics like simple clean shapes and geometric ornamentation, and examples of iconic Art Deco architecture like the Empire State Building. It also profiles some influential Art Deco artists such as Erté, Tamara de Lempicka, and Emile-Jacques Ruhlmann, and discusses materials and designs commonly used in Art Deco furnishings. Later in the document, it outlines the decline of Art Deco during WWII and its legacy as a source of inspiration for modern design styles.
Surrealism
Surrealism was an artistic movement that began in the early 1920s. It aimed to release the creative potential of the unconscious mind and rejected logic and reason. Artists used techniques like automatic writing to create strange and illogical combinations of images. Leading surrealist artists included Salvador Dali, Joan Miro, and Rene Magritte. They created works like Dali's The Persistence of Memory that combined everyday objects in dreamlike scenes. Surrealism has had a worldwide influence and spread quickly, influencing later artistic movements like abstract expressionism.
Futurism
Futurism was an early 20th century avant-garde art movement founded by Filippo Tommaso Marinetti in 1909. It celebrated speed, technology, youth, violence and modern objects while rejecting traditional forms of culture. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Natalia Goncharova, whose works used techniques like divisionism and cubism to depict motion and modern life. While initially an Italian movement, Futurism later influenced other art forms and 20th century art movements globally.
Dadaism
Dadaism originated in Zürich, Switzerland as an art movement that represented frustration with nationalism and conformity after World War 1. It used diverse art forms like sculpture, painting and poetry to promote anti-authoritarian and anti-art ideals. Notable Dadaist artists included Marcel Duchamp, Max Ernst, and Kurt Schwitters. While controversial, Dadaism had a significant influence on later art movements and styles like Surrealism, Pop Art, and Conceptual art.
Pop art
Pop art emerged in the 1950s in America and Britain, drawing inspiration from popular and commercial culture. It featured imagery from everyday life and objects rather than traditional artistic themes. Leading pop artists included Andy Warhol, Roy Lichtenstein, James Rosenquist, and Claes Oldenburg, known for works depicting celebrities, comics, advertisements, and consumer goods. While critically acclaimed, pop art was also accused of lacking originality. It brought popular culture and advertising into the realm of fine art and influenced later generations of artists.
Constructivism
Constructivism originated in Russia in the 1920s as an art movement that combined mechanical objects into abstract structural forms and influenced architecture and design. It rejected art for art's sake and instead promoted social ideas and practices. Key figures included Tatlin, considered the founder, and Rodchenko, Popova, and Gabo, who pioneered Constructivist sculpture, painting, photography and more. The movement emphasized dynamic human experience and possibilities over static forms but was limited by its association with Communism. It influenced modern design and architecture through its use of industrial materials and bold shapes.
De Stijl
The document provides an overview of De Stijl, a Dutch artistic movement founded in 1917 that advocated pure abstraction and simplicity using only primary colors, black, white, and straight horizontal and vertical lines. Key figures included Piet Mondrian, Theo van Doesburg, and Gerrit Rietveld. The movement sought to remake society after WWI through a utopian vision of universal order in art. It emphasized form, construction and function, influencing later International Style architecture of the 1920s-30s. Mondrian's later works like Broadway Boogie-Woogie showed the influence of New York on his more energetic rhythmic style.
Fauvism
Fauvism was a style of French painting from 1898 to 1906 characterized by vivid, raw colors applied in broad flat areas. Led by artists like Matisse, Derain, and Vlaminck, Fauvism emphasized spontaneity and expressiveness over realism. It was influenced by Post-Impressionism and a teacher, Gustave Moreau, and in turn influenced later movements like Expressionism and abstract art. While short-lived, Fauvism marked an experimental shift away from academic color theory towards emotion-driven use of color.
Post impressionism
Post-Impressionism emerged in the late 1880s as younger artists rejected Impressionism's emphasis on light and color over subject matter. The term was coined by art critic Roger Fry in 1910 to describe diverse styles including Pointillism, Cloisonnism, Synthetism and others. Key figures included Paul Cezanne, Vincent van Gogh, Paul Gauguin and Georges Seurat, who concentrated on subjective expression over optical effects. Their works laid the foundation for later avant-garde styles like Cubism and Expressionism. Japanese woodblock prints also strongly influenced these artists through their asymmetrical designs, flat forms and emphasis on nature.
Feminism and Art
The feminist art movement began in the 1960s as women artists sought to define and express their experiences, which had long been ignored or trivialized in the male-dominated art world. Key events and groups in the 1970s helped promote feminist art and address the lack of opportunities for women artists. While feminist art brought greater recognition to women's experiences and perspectives, it also faced criticism for issues like an essentialist view of women's experiences. The movement significantly influenced later generations by questioning artistic norms and canonical views of art history.
Philippine Komiks
This document provides a history of komiks in the Philippines. It discusses early beginnings in the 1920s with satirical magazines. Formal komiks started in 1929 with Kenkoy. Tony Velasquez is considered the father of Philippine komiks. Popular komiks creators from the 1950s-1970s included Mars Ravelo who created Lastikman and Captain Barbell. Bomba komiks peaked in popularity in the late 1960s. Realist komiks dealt with contemporary issues while romantic komiks featured handsome male characters. The komiks industry declined due to monopolization and creators found work elsewhere. Komiks have left a legacy but more can be done to continue that legacy.
Postmodern art
This document provides an overview of postmodernism across various artistic disciplines from the 1960s onward. It summarizes some of the key characteristics and qualities of postmodernist works, including extreme self-reflexivity, the breakdown of boundaries between high and low cultural forms, a questioning of grand narratives, and a focus on visuality, simulacra, and temporal experimentation. Various postmodern artists and artworks are referenced as examples that demonstrate these postmodern concepts and traits.
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
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【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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This document is all about Colour Theory for Fine Artist / Painter.
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学校原件一模一样【微信：741003700 】《(UNITO毕业证书)都灵大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
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如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
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◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
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◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Cherries 32 collection of colorful paintings
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
一比一原版加拿大多伦多大学毕业证（uoft毕业证书）如何办理
一模一样【微信：A575476】【加拿大多伦多大学毕业证（uoft毕业证书）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9
Explore the exquisite art of Tanjore Painting, known for its vibrant colors, gold foil work, and traditional themes. Discover its cultural significance today!
一比一原版美国加州大学圣地亚哥分校毕业证（ucsd毕业证书）如何办理
一模一样【微信：A575476】【美国加州大学圣地亚哥分校毕业证（ucsd毕业证书）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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storyboard: Victor and Verlin discussing about top hat
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Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9
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Alienation Effect
- 1. The V-effekt
- 2. V-effekt Alienation effect A-effect Distancing effect Verfremdungseffekt (German) V-effekt
- 3. Dramatic theory -idea central to the idea of German dramatist-director Bertolt Brecht --German poet, playwright, theater director --1898-1956 --Augsburg, Germany
- 4. Works (4 great plays)
- 5. Works
- 6. Works
- 7. What is V-effekt --involves the use of techniques designed to distance the audience from emotional involvement in the play through jolting reminders of the artificiality of the theatrical performance.
- 8. Inspired by --theory of ostranenie (German, making it strange, defamiliarization) -as pushed forward by: G.W.F. Hegel Karl Marx Viktor Shklovksy
- 9. What is it? --conceived as a specific aesthetic program or alternative --conceived as a political mission of the theater
- 10. Examples -- such techniques include explanatory captions or illustrations projected on a screen; --actors stepping out of character to lecture, summarize, or sing songs --stage effects that are strange or unusual --stage designs that are strange and do not represent any locality but that, by exposing the lights and ropes, keep the spectators aware of being in a theatre.
- 11. The Matter of Origins Liz Lehman Dance Exchange Mixed medium show of particle physics and cosmology
- 12. Goals of v-effekt The audience’s degree of identification with characters and events is presumably thus controlled, and it can more clearly perceive the “real” world reflected in the drama. It helps the audience or viewers understand the complex nexuses of historical development and societal relationships.
- 13. End result intended to assign the audience an active role in the production by forcing them to ask questions about the artificial environment and how each individual element related to real- life events. In doing so, it was hoped that viewers would distance themselves emotionally from problems that demanded intellectual solutions.
- 15. Personal taste --detested “Aristotelian” drama and the manner in which it made the audience identify with the hero without enough analysis of the hero’s flaws. -- To him, when such drama produced feelings of terror and pity and led to an emotional catharsis, the process prevented audience members from thinking.
- 16. Personal taste --(It is the ancient quarrel between philosophers and poets once again, with another thinker trying to reform poetry.) Determined to destroy what he considered theatrical illusions, Brecht made his dreams into realities when he took over the Berliner Ensemble. --In one of his early productions, he famously put up signs which said, "Glotzt nicht so romantisch!" (“Don't stare so romantically!”)