Abstract Expressionism
Antonio Feredo
Francis Mutuc
David Pangulayan
INTRODUCTION:
- Term applied to new forms of
abstract art developed by
progressive American painters in
the 1940s-50s.
- Often characterised by gestural
brush-strokes or mark-making, with
an impression of spontaneity.
INTRODUCTION
- Mostly based in NYC- expressionists
became known as the New York
school.
- Aim was to make art abstract,
but also emotional in its effect
- Inspired by surrealist idea
that art should come from
unconscious mind.
INTRODUCTION
- Also by automatism of artist
Joan Míro
- Automatism: method of art
making in which artist
suppressed conscious control
over making process .
Joan Míro
KEY IDEAS AND CONCEPTS
- Movement comprised of many
different painterly styles varying
in both technique/ quality of
expression. Thus, they share
various broad characteristics
- Abstract- depict forms not drawn
from visible world
- Emphasize free, spontaneous,
personal emotional expression
- Exercise considerable freedom of
technique and execution to attain
a goal, with particular emphasis
laid on the exploitation of variable
physical character of paint- evoke
expressive qualities
- “sensuousness, dynamism,
violence, mystery, lyricism”
KEY IDEAS AND CONCEPTS
- “ They show similar emphasis on the unstudied and intuitive application of
that paint in a form of psychic improvisation akin to the automatism of the
Surrealists, with a similar intent of expressing the force of the creative
unconscious in art.” -Britannica
- Abandonment of conventionally structured composition- replaced with
single, unified, undifferentiated field that exists in another space
Leading artists and their styles
Jackson Pollock and Willem de Kooning-
worked in a spontaneous improvisatory
manner, using large brushes to make
sweeping gestural marks. Pollock placed
canvas on the ground and danced around
it, pouring paint from the can or trailing
it from the brush or stick.
Jackson Pollock Willem de Kooning
Examples
Woman II by Willem de Kooning
(1952) Oil on Canvas 1.5 x 1.9m
Mural by Jackson Pollock
(1943) Oil on Canvas 8 x
19 ft
Leading artists and their styles
- Mark Rothko, Barnett Newman,
Clyfford Still- deeply interested in
religion and myth.
- Created simple compositions in large
areas of colour needed to produce a
contemplative or meditational
response in the viewer
Examples
FOUR DARKS IN RED By: Mark Rothko
1958
Examples
CANTO VII By: Barnett Newman
Lithograph on Paper 37 x 39 cm
Examples
PH-118 By: Clyfford Still 1947
Oil on Canvas 69 x 53
Leading artists and their styles
In a 1948 essay, Newman said:
“Instead of making cathedrals out of Christ, man, or
‘'life'’, we are making it out of ourselves, out of our own
feelings”
Popular Works
The Liver Is the Cock's Comb by Arshile Gorky (1944)
Popular Works
Woman II by Willem De Kooning (1952)
Oil on Canvas 1.5 x 1.9 m
Popular Works
Orange and Yellow, by Mark Rothko (1956)
Oil on Canvas 91 x 71 inches
Popular Works
“Back View,” by Philip Guston (1977)
Oil on Canvas 69 x 94 inches
Popular Works
No. 5, 1948 by Jackson Pullock
Oil on Fiberboard 8ft x 4ft
Popular Works
Door to the River by Willem de Kooning (1960)
Popular Works
She-Wolf by Jackson Pollock (1943)
Oil Paint 106 x 170 cm
Filipino Abstract Expressionist Artists and their Artworks
Jose T. Joya
A mixed media artist and the
former dean of the University of
the Philippines' College of Fine
Arts. He was best known for his
utilization of various techniques
which include controlled drips,
impasto strokes, and transparent
layering.
Filipino Abstract Expressionist Artists and their Artworks
Woman’s Head (1956)
Mixed Media on Paper 25 x 18 cm
Filipino Abstract Expressionist Artists and their Artworks
Frederick Agustin
Another Filipino abstract
expressionist artist. His artworks
are described as “free from
objects and forms that define the
physical world”. They are also
defined by layers of colors, lines,
and textures.
Filipino Abstract Expressionist Artists and their Artworks
Desperate Joy
Oil on Canvas 4 x 5 feet
Filipino Abstract Expressionist Artists and their Artworks
Alfonso A. Ossorio
A Filipino American abstract
expressionist artist. He was close friends
with Jackson Pollock who also served as
his inspiration. He often experimented
with diverse mediums and he often tried
to avoid the use of oil paint.
Filipino Abstract Expressionist Artists and their Artworks
Beach Comber (1953)
Oil on Canvas 84 x 144 in
Further developments+Influence and legacy
- Had great impact on both American/European art scenes during 1950s.
Movement marked shift of creative centre of modern painting from Paris to
NYC in postwar decades.
- In course of 1950s, movement’s younger followers increasingly followed the
lead of colour-field painters ---> by 1960, participants generally drift away
from the highly charged expressiveness of action painters.
Insights and Evaluations
- The art movement was monumental in it’s own right, transcending all
bounds of spontaneity and subverting current norms, redefining what we
regard today as actual art. Through this innovation, the art form of abstract
expressionism has propelled the evolution of art mediums as a whole.
Though the credibilty of expressionist art forms are still debated to this day,
there is no doubt that this form was one word- different.
RESOURCES:
Tate. (n.d.). Abstract expressionism – Art Term. Retrieved from
http://www.tate.org.uk/art/art-terms/a/abstract-expressionism
Britannica, T. E. (2016, December 16). Abstract Expressionism. Retrieved from
https://www.britannica.com/art/Abstract-Expressionism
(n.d.). Retrieved from https://www.metmuseum.org/toah/hd/abex/hd_abex.htm

Abstract Expressionism

  • 1.
  • 2.
  • 3.
    INTRODUCTION: - Term appliedto new forms of abstract art developed by progressive American painters in the 1940s-50s. - Often characterised by gestural brush-strokes or mark-making, with an impression of spontaneity.
  • 4.
    INTRODUCTION - Mostly basedin NYC- expressionists became known as the New York school. - Aim was to make art abstract, but also emotional in its effect - Inspired by surrealist idea that art should come from unconscious mind.
  • 5.
    INTRODUCTION - Also byautomatism of artist Joan Míro - Automatism: method of art making in which artist suppressed conscious control over making process . Joan Míro
  • 6.
    KEY IDEAS ANDCONCEPTS - Movement comprised of many different painterly styles varying in both technique/ quality of expression. Thus, they share various broad characteristics - Abstract- depict forms not drawn from visible world - Emphasize free, spontaneous, personal emotional expression - Exercise considerable freedom of technique and execution to attain a goal, with particular emphasis laid on the exploitation of variable physical character of paint- evoke expressive qualities - “sensuousness, dynamism, violence, mystery, lyricism”
  • 7.
    KEY IDEAS ANDCONCEPTS - “ They show similar emphasis on the unstudied and intuitive application of that paint in a form of psychic improvisation akin to the automatism of the Surrealists, with a similar intent of expressing the force of the creative unconscious in art.” -Britannica - Abandonment of conventionally structured composition- replaced with single, unified, undifferentiated field that exists in another space
  • 8.
    Leading artists andtheir styles Jackson Pollock and Willem de Kooning- worked in a spontaneous improvisatory manner, using large brushes to make sweeping gestural marks. Pollock placed canvas on the ground and danced around it, pouring paint from the can or trailing it from the brush or stick. Jackson Pollock Willem de Kooning
  • 9.
    Examples Woman II byWillem de Kooning (1952) Oil on Canvas 1.5 x 1.9m Mural by Jackson Pollock (1943) Oil on Canvas 8 x 19 ft
  • 10.
    Leading artists andtheir styles - Mark Rothko, Barnett Newman, Clyfford Still- deeply interested in religion and myth. - Created simple compositions in large areas of colour needed to produce a contemplative or meditational response in the viewer
  • 11.
    Examples FOUR DARKS INRED By: Mark Rothko 1958
  • 12.
    Examples CANTO VII By:Barnett Newman Lithograph on Paper 37 x 39 cm
  • 13.
    Examples PH-118 By: ClyffordStill 1947 Oil on Canvas 69 x 53
  • 14.
    Leading artists andtheir styles In a 1948 essay, Newman said: “Instead of making cathedrals out of Christ, man, or ‘'life'’, we are making it out of ourselves, out of our own feelings”
  • 15.
    Popular Works The LiverIs the Cock's Comb by Arshile Gorky (1944)
  • 16.
    Popular Works Woman IIby Willem De Kooning (1952) Oil on Canvas 1.5 x 1.9 m
  • 17.
    Popular Works Orange andYellow, by Mark Rothko (1956) Oil on Canvas 91 x 71 inches
  • 18.
    Popular Works “Back View,”by Philip Guston (1977) Oil on Canvas 69 x 94 inches
  • 19.
    Popular Works No. 5,1948 by Jackson Pullock Oil on Fiberboard 8ft x 4ft
  • 20.
    Popular Works Door tothe River by Willem de Kooning (1960)
  • 21.
    Popular Works She-Wolf byJackson Pollock (1943) Oil Paint 106 x 170 cm
  • 22.
    Filipino Abstract ExpressionistArtists and their Artworks Jose T. Joya A mixed media artist and the former dean of the University of the Philippines' College of Fine Arts. He was best known for his utilization of various techniques which include controlled drips, impasto strokes, and transparent layering.
  • 23.
    Filipino Abstract ExpressionistArtists and their Artworks Woman’s Head (1956) Mixed Media on Paper 25 x 18 cm
  • 24.
    Filipino Abstract ExpressionistArtists and their Artworks Frederick Agustin Another Filipino abstract expressionist artist. His artworks are described as “free from objects and forms that define the physical world”. They are also defined by layers of colors, lines, and textures.
  • 25.
    Filipino Abstract ExpressionistArtists and their Artworks Desperate Joy Oil on Canvas 4 x 5 feet
  • 26.
    Filipino Abstract ExpressionistArtists and their Artworks Alfonso A. Ossorio A Filipino American abstract expressionist artist. He was close friends with Jackson Pollock who also served as his inspiration. He often experimented with diverse mediums and he often tried to avoid the use of oil paint.
  • 27.
    Filipino Abstract ExpressionistArtists and their Artworks Beach Comber (1953) Oil on Canvas 84 x 144 in
  • 28.
    Further developments+Influence andlegacy - Had great impact on both American/European art scenes during 1950s. Movement marked shift of creative centre of modern painting from Paris to NYC in postwar decades. - In course of 1950s, movement’s younger followers increasingly followed the lead of colour-field painters ---> by 1960, participants generally drift away from the highly charged expressiveness of action painters.
  • 29.
    Insights and Evaluations -The art movement was monumental in it’s own right, transcending all bounds of spontaneity and subverting current norms, redefining what we regard today as actual art. Through this innovation, the art form of abstract expressionism has propelled the evolution of art mediums as a whole. Though the credibilty of expressionist art forms are still debated to this day, there is no doubt that this form was one word- different.
  • 31.
    RESOURCES: Tate. (n.d.). Abstractexpressionism – Art Term. Retrieved from http://www.tate.org.uk/art/art-terms/a/abstract-expressionism Britannica, T. E. (2016, December 16). Abstract Expressionism. Retrieved from https://www.britannica.com/art/Abstract-Expressionism (n.d.). Retrieved from https://www.metmuseum.org/toah/hd/abex/hd_abex.htm