SURREALISM
Almeda, Jodi
Ranjo, Veron
Tiangco, Antoinne
“I do not understand why, when I ask for a
Grilled lobster in a restaurant, I am never
served with a cooked telephone.”
Salvador Dali
SURREALISM
● “Above and beyond
reality”
● It seeks to release the
creative potential of
the UNCONSCIOUS
MIND.
● It rejects logic and
reasoning
“Lobster Telephone” (1936)
Steel, plaster, rubber, resin, and
paper
178 x 330 x 178 mm
Salvador Dali
ORIGIN (Late 1910s →
Early 1920s)
A Literary Movement
● It experimented with
“AUTOMATISM”
Officially consecrated by Andre
Breton in 1924 (Paris)
It became an international,
intellectual and political movement
Andre Breton
French writer, poet and
fascist
ORIGIN (Late 1910s →
Early 1920s)
Influenced by SIGMUND FREUD
● Artists, writers and poets were
inspired to explore the conscious
and subconscious mind
Sigmund Freud
Austrian Neurologist
CHARACTERISTI
CS OF
SURREALISM
Write whatever
comes to your mind
without stopping or
structuring your
thoughts
Put together crazy
things that people
wouldn’t normally
associate one
another
Accept irrationality
as a big part of a
human being’s
identity
AUTOMATIC
WRITING
JUXTAPOSITI
ON
IRRATIONAL
It is the source of
the irrational and
the source of
creativity
The dream world is
where strange
things happen
Escape the old,
corrupted ways of
thought and enter
new ways of
thought that would
be more productive
rather than
destructive
REVOLUTIONTHE
UNCONSCIOU
S
DREAM AND
FANTASY
Surrealist
literature reflects
the craziness of the
war
Dadaists also
wanted to destroy
the old cultural
forms and create
new ones
It defines the
movement and
gives it expression
THE 1ST
MANIFESTO
OF
SURREALISM
WORLD WAR
I
DADAISM
LEADING
ARTISTS AND
THEIR
FABULOUS
ARTWORKS
ANDRE BRETON
CONTRIBUTIONS: The 1st Manifesto of Surrealism
ART STYLE: Fusing art and culture, using symbols for self-
expression
ARTWORKS: Cadavre Exquis, The African Mask, Poeme
Objet, Poeme, and Egg in the Church or The Snake
“The Egg in the Church or the
Snake”
Andre Breton
Photographic Collage
ANTONIN ARTAUD
CONTRIBUTIONS: Theatre of Cruelty, first surrealism
film
ART STYLE: targeted all five senses, expressive, lighting,
sound, movement, and mysterious
ARTWORKS/WORKS: The Seashell and the Clergyman
and The theatre and its double
“The Seashell and the
Clergyman”
(1928)
Antonin Artaud
JOAN MIRO
CONTRIBUTIONS: invented a new kind of pictorial space
and balanced spontaneity and automatism in surrealism
ART STYLE: bold and expressive, poetic, and harsh
ARTWORKS: The Tilled Field, Maternity, The Ear of
Grain, The Farm, and The Beautiful Bird Revealing the
Unknown to a Pair of Lovers
“The Tilled Field” (1923)
26 x 36.5 in
Joan Miro
Oil on Canvas
René Magritte
CONTRIBUTIONS: Became a leading figure in the
surrealist movement. Paved the way to a new form of
illusionistic surrealism practiced by Salvador Dali
ART STYLE: Powerful paradox (beautiful in simplicity
and in clarity but mysterious) , words and images
employed together
ARTWORKS: The son of Man
“The Son of Man” (1964)
116 cm × 89 cm (45.67 in × 35 in)
René Magritte
Oil on Canvas
SALVADOR DALI
CONTRIBUTIONS: The idea that life is the greatest form
of art
ART STYLE: Themes of eroticism, death, and decay,
religious symbols, animal imagery, and fetishes
ARTWORKS: The Persistence of Memory, Archeological
Reminiscence of Millet's 'Angelus', The Enigma of William
Tell, Lobster Telephone, etc
“The Great Masturbator”
(1929)
43.3 x 59.1 in
Salvador Dali
Oil on Canvas
“The Persistence of
Memory” (1931)
9.5 x 13 in
Salvador Dali
Oil on Canvas
FURTHER DEVELOPMENTS
Breton’s “The Second Manifesto of Surrealism”: added
more principles to the Surrealist Movement
1. “Coincidenta Oppositorium”: breaking down
opposing binaries
2. Marxism: achieving psychological freedom
through social and economic freedom
3. Delirious Love: passionate commitment liberates
INFLUENCE AND LEGACIES
● A WORLDWIDE INFLUENCE AND SPREAD QUICKLY
● JOSEPH CORNELL
- Used surrealism to form “shadow boxes”
● ABSTRACT EXPRESSIONISM
● POP ART
● CONCEPTUALISM
● COMPUTER ART
● ELEMENTS FOUND IN SITUATIONISM AND IN THE
FEMINIST MOVEMENT
● STILL ALIVE AND EVEN USED IN MODERN TIMES
SURREALISM IN
THE PHILIPPINES
ANDRES BARRIOQUINTO
Tyrant Destroyer
DANNY CASTILLONES SILLADA
Rodin ‘s Le Penseur II
JOSE SANTOS III
Paper Dolls
CRITICISM DURING THAT
TIME
Criticism before
FEMINISM - Believed that it is a male movement and a male
fellowship, believing it adopts typical male attitude towards
women.
FREUDIAN - to Freud surrealism was about their conscious
work and not their unconscious mind.
SITUATIONIST - They were surrealist themselves and were
critical of the movement, they also continued the surrealist
praxis.
ARTWORK
EVALUATION
STRENGTHS:
● You can use your imagination
● You can express it in different ways
● They were simplistic
WEAKNESSES:
● You can’t understand the message easily
● It was mysterious
● It could have multiple meaning to different
people
REFERENCES
“List of Top 10 Surrealist Artists.” History Lists,
http://www.historylists.org/art/list-of-top-10-surrealist-
artists.html.
Mann, Jon. “What You Need to Know about Surrealism, beyond
Dalí.” Artsy, Artsy, 23 Sept. 2016, www.artsy.net/article/artsy-
editorial-what-is-surrealism.
“Salvador Dalí Biography, Art, and Analysis of Works.” The Art
Story, www.theartstory.org/artist-dali-salvador.htm.
“Cornell Joseph Biography, Art, and Analysis of Works.” The Art
Story, http://www.theartstory.org/artist-cornell-joseph.htm.
“All You Need to Know About the Surrealist Movement.”
Widewalls, www.widewalls.ch/surrealist-movement/.
“Surrealism - Later Developments.” Carbon, Energy, Greenhouse,
and Atmosphere - JRank Articles,
www.science.jrank.org/pages/11373/Surrealism-Later-
Developments.html.
Tate. “Surrealism – What Is That? | Tate Kids.” Tate, Tate, n.d.
www.tate.org.uk/kids/explore/what-is/surrealism.
Voorhies, James. “Surrealism.” In Heilbrunn Timeline of Art
History. New York: The Metropolitan Museum of Art, 2000–, Oct.
2004, http://www.metmuseum.org/toah/hd/surr/hd_surr.htm

Surrealism

  • 1.
  • 2.
  • 3.
    “I do notunderstand why, when I ask for a Grilled lobster in a restaurant, I am never served with a cooked telephone.” Salvador Dali
  • 4.
    SURREALISM ● “Above andbeyond reality” ● It seeks to release the creative potential of the UNCONSCIOUS MIND. ● It rejects logic and reasoning “Lobster Telephone” (1936) Steel, plaster, rubber, resin, and paper 178 x 330 x 178 mm Salvador Dali
  • 5.
    ORIGIN (Late 1910s→ Early 1920s) A Literary Movement ● It experimented with “AUTOMATISM” Officially consecrated by Andre Breton in 1924 (Paris) It became an international, intellectual and political movement Andre Breton French writer, poet and fascist
  • 6.
    ORIGIN (Late 1910s→ Early 1920s) Influenced by SIGMUND FREUD ● Artists, writers and poets were inspired to explore the conscious and subconscious mind Sigmund Freud Austrian Neurologist
  • 7.
  • 8.
    Write whatever comes toyour mind without stopping or structuring your thoughts Put together crazy things that people wouldn’t normally associate one another Accept irrationality as a big part of a human being’s identity AUTOMATIC WRITING JUXTAPOSITI ON IRRATIONAL
  • 9.
    It is thesource of the irrational and the source of creativity The dream world is where strange things happen Escape the old, corrupted ways of thought and enter new ways of thought that would be more productive rather than destructive REVOLUTIONTHE UNCONSCIOU S DREAM AND FANTASY
  • 10.
    Surrealist literature reflects the crazinessof the war Dadaists also wanted to destroy the old cultural forms and create new ones It defines the movement and gives it expression THE 1ST MANIFESTO OF SURREALISM WORLD WAR I DADAISM
  • 11.
  • 12.
    ANDRE BRETON CONTRIBUTIONS: The1st Manifesto of Surrealism ART STYLE: Fusing art and culture, using symbols for self- expression ARTWORKS: Cadavre Exquis, The African Mask, Poeme Objet, Poeme, and Egg in the Church or The Snake
  • 13.
    “The Egg inthe Church or the Snake” Andre Breton Photographic Collage
  • 14.
    ANTONIN ARTAUD CONTRIBUTIONS: Theatreof Cruelty, first surrealism film ART STYLE: targeted all five senses, expressive, lighting, sound, movement, and mysterious ARTWORKS/WORKS: The Seashell and the Clergyman and The theatre and its double
  • 15.
    “The Seashell andthe Clergyman” (1928) Antonin Artaud
  • 16.
    JOAN MIRO CONTRIBUTIONS: inventeda new kind of pictorial space and balanced spontaneity and automatism in surrealism ART STYLE: bold and expressive, poetic, and harsh ARTWORKS: The Tilled Field, Maternity, The Ear of Grain, The Farm, and The Beautiful Bird Revealing the Unknown to a Pair of Lovers
  • 17.
    “The Tilled Field”(1923) 26 x 36.5 in Joan Miro Oil on Canvas
  • 18.
    René Magritte CONTRIBUTIONS: Becamea leading figure in the surrealist movement. Paved the way to a new form of illusionistic surrealism practiced by Salvador Dali ART STYLE: Powerful paradox (beautiful in simplicity and in clarity but mysterious) , words and images employed together ARTWORKS: The son of Man
  • 19.
    “The Son ofMan” (1964) 116 cm × 89 cm (45.67 in × 35 in) René Magritte Oil on Canvas
  • 20.
    SALVADOR DALI CONTRIBUTIONS: Theidea that life is the greatest form of art ART STYLE: Themes of eroticism, death, and decay, religious symbols, animal imagery, and fetishes ARTWORKS: The Persistence of Memory, Archeological Reminiscence of Millet's 'Angelus', The Enigma of William Tell, Lobster Telephone, etc
  • 21.
    “The Great Masturbator” (1929) 43.3x 59.1 in Salvador Dali Oil on Canvas
  • 22.
    “The Persistence of Memory”(1931) 9.5 x 13 in Salvador Dali Oil on Canvas
  • 23.
    FURTHER DEVELOPMENTS Breton’s “TheSecond Manifesto of Surrealism”: added more principles to the Surrealist Movement 1. “Coincidenta Oppositorium”: breaking down opposing binaries 2. Marxism: achieving psychological freedom through social and economic freedom 3. Delirious Love: passionate commitment liberates
  • 24.
    INFLUENCE AND LEGACIES ●A WORLDWIDE INFLUENCE AND SPREAD QUICKLY ● JOSEPH CORNELL - Used surrealism to form “shadow boxes” ● ABSTRACT EXPRESSIONISM ● POP ART ● CONCEPTUALISM ● COMPUTER ART ● ELEMENTS FOUND IN SITUATIONISM AND IN THE FEMINIST MOVEMENT ● STILL ALIVE AND EVEN USED IN MODERN TIMES
  • 25.
  • 26.
  • 27.
  • 28.
  • 29.
  • 30.
    Criticism before FEMINISM -Believed that it is a male movement and a male fellowship, believing it adopts typical male attitude towards women. FREUDIAN - to Freud surrealism was about their conscious work and not their unconscious mind. SITUATIONIST - They were surrealist themselves and were critical of the movement, they also continued the surrealist praxis.
  • 31.
  • 32.
    EVALUATION STRENGTHS: ● You canuse your imagination ● You can express it in different ways ● They were simplistic WEAKNESSES: ● You can’t understand the message easily ● It was mysterious ● It could have multiple meaning to different people
  • 33.
    REFERENCES “List of Top10 Surrealist Artists.” History Lists, http://www.historylists.org/art/list-of-top-10-surrealist- artists.html. Mann, Jon. “What You Need to Know about Surrealism, beyond Dalí.” Artsy, Artsy, 23 Sept. 2016, www.artsy.net/article/artsy- editorial-what-is-surrealism. “Salvador Dalí Biography, Art, and Analysis of Works.” The Art Story, www.theartstory.org/artist-dali-salvador.htm. “Cornell Joseph Biography, Art, and Analysis of Works.” The Art Story, http://www.theartstory.org/artist-cornell-joseph.htm. “All You Need to Know About the Surrealist Movement.” Widewalls, www.widewalls.ch/surrealist-movement/. “Surrealism - Later Developments.” Carbon, Energy, Greenhouse, and Atmosphere - JRank Articles, www.science.jrank.org/pages/11373/Surrealism-Later- Developments.html. Tate. “Surrealism – What Is That? | Tate Kids.” Tate, Tate, n.d. www.tate.org.uk/kids/explore/what-is/surrealism. Voorhies, James. “Surrealism.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–, Oct. 2004, http://www.metmuseum.org/toah/hd/surr/hd_surr.htm

Editor's Notes

  • #3 Ver: Sir said to put the names after the title slide
  • #4 Ver: Sir said to put the names after the title slide
  • #13 We can include popular works here (at least 7)
  • #15 We can include popular works here (at least 7)
  • #17 We can include popular works here (at least 7)
  • #19 We can include popular works here (at least 7)
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