3. production experiments
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The document describes the process of creating a digital artwork with lightning effects. The key steps included: (1) creating a black and white gradient and placing it diagonally, (2) using the "Difference Clouds" filter to generate a lightning shape, (3) inverting the colors, (4) adjusting levels, (5) removing unwanted lightning with a brush, (6) changing the layer blending mode to screen. Additional touches included copying the lightning to make it look more "menacing" and adding a blue color overlay. Reflection questions ask which elements may be included in the final product.
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6. production reflection
The document describes processes for creating various visual effects in Photoshop, including a lightning effect, star field effect, dispersion splatter effect, and banana bonfire effect. For each effect, the document outlines the steps taken such as using filters, layers, blending modes, and tools to manipulate and combine images to achieve the final visual result.
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The document describes editing a CD cover photo in Photoshop. First, the photographer cropped the image and adjusted levels to make blacks darker and whites brighter. Then they used the Spot Healing Brush tool to remove blemishes. Gaussian blur was added to smooth skin, and the Dust and Scratches filter removed noise. Dodge and burn tools brightened eyes and hair. Finally, the photo was converted to black and white by adjusting color balance and increasing brightness and contrast.
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2. research
- The majority of the target audience is male aged 16-19 who prefer images featuring multiple special effects over a single effect.
- Popular special effects included lightning, star fields, and fire. Wallpaper and poster sized images were preferred over other sizes.
- While most audience members did not have a preference on the number of images or using a theme, there was some interest in both 3 images and a superhero theme.
- Specific superhero characters like Aquaman, Bane, Iron Man, Thor, and Loki that could appeal to parts of the audience were identified.
5. pre production
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3. production experiments
Grace Gilbert experimented with editing a front cover image in Photoshop. She changed the font size and style of the letter T, used the quick selection tool to select the trousers and refined the selection, then filled the selection with a solid color and changed the blending mode to color. For her final product, she will reflect on which elements from her experiments to include.
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The document describes the three stage editing process used to edit a photograph. In stage one, the red lipstick was smudged so the editor used the eye dropper and paint brush tools to cover it up. In stage two, all blemishes on the face were removed using the spot healing brush tool to give a "perfect" look. In stage three, shadows and tones were adjusted to make the final image brighter and more vibrant while retaining the photo's attitude.
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2. Remove the background using selection tools and delete it.
3. Fill the background with a solid color on a new layer.
4. Increase the contrast to emphasize details using the Threshold adjustment.
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2) Tasks include using selection tools to select parts of images for editing, using adjustment tools like selective color and levels to modify hue, brightness and colors, and touch up tools like the healing, spot healing and clone stamp tools to fix imperfections.
3) Advanced techniques include blending multiple images together using selection and mask tools, and tools like the dodge and burn tools to add shadows and highlights to help images realistically blend
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2. research
- The majority of the target audience is male aged 16-19 who prefer images featuring multiple special effects over a single effect.
- Popular special effects included lightning, star fields, and fire. Wallpaper and poster sized images were preferred over other sizes.
- While most audience members did not have a preference on the number of images or using a theme, there was some interest in both 3 images and a superhero theme.
- Specific superhero characters like Aquaman, Bane, Iron Man, Thor, and Loki that could appeal to parts of the audience were identified.
5. pre production
The document outlines pre-production details for a special effects image project, including style sheets discussing color choices for various effects (e.g., red for fire, blue for lightning). Schedules and contingency plans are also included, with the project spanning 8 days and involving creating effects like lightning, star fields, fire, and dispersion splatter. Health and safety considerations are discussed like taking breaks to avoid injury.
7. Evaluation
The document provides an evaluation of the student's final media production project. It summarizes the strengths and weaknesses of different aspects of the pre-production process, including surveys, audience profiles, experiments, interviews, and planning. It also discusses time management, target audience appeal, technical and aesthetic qualities of the finished special effects products, and feedback from peers. The student agrees with the positive feedback praising aspects like dispersion effects and humor of the banana fire image. The only area of disagreement is that the student does not find the lens flare in the star field image hard to see. More experimentation with the banana fire effect is identified as an area for improvement.
1. initial plans
The document summarizes a mood board analysis and initial plans for a graphics portfolio project. It was found that the mood board images were dramatic, used a lot of blue and purple, special Photoshop effects, and mostly featured people. The mood board will influence the final product to look artistic and include effects like motion blur, dispersion, flaming objects, and more. An informal proposal outlines a concept graphics portfolio including those types of effects using Photoshop. The intended audience is ages 8+ in first world countries across certain social grades. Some initial project ideas were considered but not chosen.
4. proposal
This proposal is for a graphic portfolio titled "Getting it Donne – by Will Donne" that will showcase various special effects created in Photoshop, including a lightning effect, star field effect, flaming object effect, and dispersion splatter effect. The portfolio aims to appeal to audiences aged 8 to 27 of both genders from social classes C1, C2, and B who enjoy balanced, contemporary art. The content will contain several images demonstrating each special effect and will not include any potentially offensive, discriminatory, or copyrighted material.
Development pro forma(3)
This document contains a student's work on developing a digital graphic narrative. It includes their original script based on the folktale of Jack and the Beanstalk, a breakdown of the script, a draft version, and their final script. Feedback provided praised the clear story overview but noted some areas needed further development, such as finishing the proposal and adding more detail to idea generation elements. The student agreed some parts could be improved and explained their thinking around story choices.
Development pro forma(3)
The princess loses her golden ball down a well. A frog retrieves it in exchange for being her companion. The princess agrees but then refuses to uphold her end of the bargain. The frog comes to the castle, frightening the princess. The king insists she allow the frog in as promised.
File types pro forma(1) shahz
Digital file formats can be either raster or vector graphics. Raster graphics use pixels to form images while vector graphics use mathematical equations to define shapes. Common raster file formats include JPEG, TIFF, GIF and BMP, with each having advantages and disadvantages for image quality, file size and use cases. Vector formats include AI, PSD, FLA and WMF. File size can be optimized through compression and resizing while maintaining quality. Images are captured through scanners, cameras and graphics tablets and should be accurately named and organized into folders for easy asset management in projects.
Graphic narrative
The document provides summaries for three graphic narratives:
1) The Princess and the Pea - A prince wants to marry a real princess so he tests a woman by placing a pea under her mattress. She is kept awake by the pea, proving she is a real princess and they marry.
2) Cinderella - Cinderella is mistreated by her stepmother and stepsisters but her fairy godmother helps her go to a ball where she meets and wins the heart of the prince.
3) Goldilocks and the Three Bears - Goldilocks smells porridge and enters the three bears' house, sampling their porridge, chairs, and beds before being confronted by the returning bears.
Graphic narrative
The document summarizes three English fairy tales - Mr. Fox, Master of All Masters, and Lazy Jack. It then analyzes characters, locations, audiences, and visual styles of the tales. Key points include: the main characters are usually children or teenagers, with supporting characters like parents or employers; settings reflect wealth or poverty of characters; the target audience is younger adolescents; and the visual style will be futuristic while grounded with realistic character formats. Ideas like the protagonist trying different methods to succeed from Lazy Jack, or a seeming friend hiding a crucial tool like in Mr. Fox, could be adapted to the author's own graphic narrative story.
File types pro forma
This document discusses different types of file formats used for digital graphics. It begins by defining raster and vector graphics. Raster graphics use pixels to create images and lose quality when zoomed in, while vector graphics use paths and can be scaled without loss of quality. The document then discusses various raster and vector file formats, providing definitions, examples of typical uses, and advantages and disadvantages of each format. These include JPEG, TIFF, GIF, BMP, PSD, AI, FLA, and WMF. The document also covers topics like image compression, capture methods, optimizing images, file sizes, naming conventions, and asset management.
Planning booklet
The document provides guidance for planning a digital graphic narrative project. It outlines several key considerations for the project including costs, available resources, quantity, audience, quality factors, codes of practice, regulations, copyright, ethical issues, and health and safety. A production schedule is included to help divide the work into manageable chunks to keep the project on track and on time.
Planning booklet. story book
The document outlines the planning process for a digital graphic narrative project. It discusses considering costs, available resources like the college computer and storyboard, aiming for a small publication quantity of 10 books, a target audience of 3-5 year old children, quality factors like focus and avoiding procrastination, codes of practice for working with a publisher, regulation for content in books marketed to children, copyright issues in adapting an existing story, a lack of ethical issues seen in the simple story, and ensuring needed resources like a computer and storyboard are available. It also includes a sample production schedule and considers health and safety issues like tripping hazards and ergonomics.
File types pro forma(1)
This document provides definitions and information about different types of digital file formats including raster graphics, vector graphics, and compression. It discusses raster graphics file formats like JPEG, TIFF, GIF, and BMP. It also covers vector graphics file formats such as PSD, AI, FLA, and WMF. The document then discusses concepts like file naming conventions, asset management, file size, storage, compression, and image capture methods.
Development pro forma(3) shahs
This document summarizes a student's digital graphic narrative development project. It includes evaluations of images the student created using different techniques like shape tasks, rotoscoping, and comic books. The student provides what they liked about each image and how they could improve. It also includes a proposal for a children's storybook focusing on respecting all creatures, to be created using rotocoping and shape tasks. The proposal discusses dimensions, format, deadline, audience, and production methods. Areas for further development in the proposal include simplifying cultural context. Idea generation strengths include themes of respect, while context could have been explored more.
Planning booklet
This document provides a planning document for a digital graphic narrative project. It outlines considerations for costs, available resources, quantity, audience, quality factors, codes of practice, regulation, copyright, ethical issues, and health and safety. It also includes a production schedule that breaks the project into 10 sessions over 2 weeks, detailing the tasks and progress planned for each session. This thorough planning aims to ensure a successful and well-executed project that considers all relevant factors.
Development pro forma
The proposal is for an 8-page children's book that retells the story of Jack and the Beanstalk in a modern setting. Jack trades his pet goat for magic beans, which grow into a beanstalk reaching into the sky. At the top is a portal to another planet where a cyclops alien has captured a princess. Jack rescues the princess and is rewarded with gold, allowing his mother to live comfortably. The book will be drawn by hand and colored digitally in Photoshop. Formats will include PDF and JPEG. The target audience is 3-6 year olds, focusing on pictures over text for early readers. Areas for improvement include more details on appealing to the target audience and production methods.
Development pro forma(3)
Here is a draft script based on the story breakdown you provided:
It was the day of the big Intergalactic Race and all the farm animals were getting ready. Oinky the pig had won the last 9 trial races in a row and was feeling very confident. However, his best friend Baah the sheep was starting to get jealous of all the attention Oinky was getting.
As Oinky was preparing his rocket buggy for the big race, he discovered that one of his tires was flat. "Oh no!" cried Oinky, "how am I going to race without a spare tire?" He searched high and low around the barn but couldn't find the spare anywhere.
Worried that he wouldn't be able
Development pro forma(3)
The proposal outlines a graphic narrative adaptation of Goldilocks set in Antarctica. The story will follow Goldilocks as she loses her dog Bella and seeks shelter in an igloo belonging to penguins. She eats their food and sleeps in their beds before being chased out. The proposal provides details on the 8-10 page A4 landscape format, target audience of 3-6 year olds, and plans to use rotoscoping and filters to illustrate the story. Strengths include the unique setting twist and thoughtful explanations, while further work could refine the mood boards.
File types pro forma(1)
The document provides definitions and information about different types of digital file formats including raster graphics, vector graphics, and specific file formats like JPEG, TIFF, GIF, BMP, PSD, AI, FLA, and WMF. It also discusses topics like image capture methods, file size, file naming conventions, and asset management. Key points covered include the differences between raster and vector graphics, uses and advantages/disadvantages of different file formats, factors that affect file size, best practices for naming and organizing digital assets into folders, and tools for capturing images like scanners, cameras, and graphics tablets.
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Poster construction powerpoint
This document provides instructions for creating a poster using Photoshop in 5 steps:
1. The first step describes using Picmonkey to apply a blue cross process tint and dusk effect to the image.
2. Step two explains how to add a shattered glass effect over the image by importing a glass texture into Photoshop and resizing it.
3. Step three details using the burn tool to darken an eyeball and switch the brush color to red to add eyeliner.
4. Step four covers adding and formatting text over the image by creating text boxes and changing font colors and styles.
5. The final step discusses dodging and burning the credits by changing the highlight strength
More photoshop skills
1) The document provides an overview of techniques used to create a magazine in Photoshop, including changing colors, cutting out images, adding shadows and glow effects, creating shapes and adjusting lighting.
2) Key elements created include the magazine cover with modified text and images, a contents page with fading colors and cut-out pictures, a CD image with adjusted lighting and text, and a double page spread with background images at reduced opacity.
3) Techniques demonstrated include selecting items using various tools, filling selections, adjusting layers, adding layer styles like drop shadows and soft light, and transforming and warping elements.
Basic image manipulation tutorial
This document provides instructions for using Photoshop to add a tattoo and makeup effects to an image of a girl. The steps include opening images in Photoshop, using tools like the move tool and magic wand to add a tattoo from another image onto the girl's arm, adjusting the tattoo size and shape using transform and liquify tools, and adding makeup effects like red lips and green-toned eyes by filling selections and adjusting levels and blending modes. Following all the steps results in a final edited image of the girl with an added tattoo and makeup effects.
Production experiments
The document summarizes four experiments conducted by Harry Taylor to develop techniques for a music poster and album cover. In the first experiment, Taylor created a poster for a summer tour using techniques like cutting out the artist, adding a stroke, and experimenting with brush fonts. In the second experiment, Taylor created a CD cover using graffiti text over a scenic image. The third experiment created a glitch effect using layers, blending modes, and overlays. The fourth experiment was an animation replicating the glitch effect over multiple frames. Taylor reflected on including elements from the experiments, like graffiti and glitch effects, in a final product.
Tools
The document provides instructions for using various software tools to edit documents, images, and create designs. It includes over 30 steps describing how to use tools in Excel, Photoshop, Publisher, and Word to perform tasks like merging cells, adding graphics and text, adjusting colors and lighting, selecting and cutting out objects, and more. The tools and techniques covered allow for organizing information, representing data visually, designing page layouts, editing photographs, and creating advertisements.
Process of creating front cover
The document outlines the step-by-step process of creating a magazine front cover in Photoshop. Key steps include:
1. Choosing a base magazine cover image and photo to use.
2. Transferring the photo onto the cover image and changing the background using various tools to suit EDM genre.
3. Adding elements like a gradient background, checker pattern, darker uniform, and customized masthead with effects.
4. Changing the model's glasses, adding "freebie" text and posters graphic, and placing artist names in different fonts and styles to complete the cover design.
Album cover art tutorial ravin schmidl 10 e
This document provides a 9 step tutorial for creating a final album cover design in Photoshop. The steps include: adding background images and adjusting opacity; adding brush strokes as a filter to one image; adding random icons and adjusting perspective; adding a black silhouette photo and adjusting brightness/contrast; adjusting opacity and blend mode of the silhouette; adding a stained glass filter; adding overlapping text using a gradient overlay on each letter; and adding larger text inside the silhouette.
Development Diary
The document describes the process of creating a digipack for a CD. It includes:
1) Opening templates and images to add models jumping over amps on the CD. Pictures were edited and elements dragged onto the template and resized.
2) Creating the inside cover by opening photos, editing skin tones, and adding them to a document layout. Text was also added.
3) Designing the front cover by scanning a hand-drawn design, adding color, and incorporating a photo of an iPod displaying an album cover.
4) Setting up the overall digipack template and adding the front and back covers, with text and a barcode on the back.
Photoshop Layer Styles
This tutorial provides instructions for using Photoshop to make objects appear to pop out of images in 3 steps:
1. Cut the selected object from the background layer and place it on its own layer.
2. Apply layer styles like strokes and drop shadows to the object layer to make it stand out.
3. Edit the drop shadow layer separately to ensure shadows only appear outside the image area.
6. fmp production reflection
The document is a production reflection by Reece Boland. It discusses the process of selecting and editing images from Game of Thrones to create duotone images. It describes cropping out backgrounds, adjusting colors and tones, and placing the images on various products like shirts and mugs. It also covers taking screenshots from audio editing software to feature music elements and captions. Overall the document provides details on the creative process and technical steps taken to develop graphic designs and images for different projects.
3. production experiments
Grace Gilbert experimented with designing a magazine cover in Photoshop. She selected and resized text, used selection tools to isolate parts of an image, and applied blending options to add color. For her double page spread experiment, she included a large central photo on one page with accompanying text article on the other. In her reflection, Grace notes elements she aims to include in her final product, such as the modeled person overlaying text, questions around the person, and consistent title formatting to brand the magazine.
Creating my vinyl
This document provides a 7 step process for creating the appearance of a vinyl record in an image editing program:
1) Create a dark grey "vinyl" layer with added noise and apply radial blur to create a circular texture. Duplicate and adjust the layer for more texture.
2) Use the ellipse tool to create a circular shape layer and center it. Mask the "vinyl" layer with the shape to cut out the circle.
3) Add shine by filtering clouds and difference clouds on a "contrast" layer, applying radial blur. Adjust brightness and contrast and mask to keep highlights.
4) Create gradients by dragging, transforming, and stretching layers set to soft light to add highlights around the
Creating my vinyl
This document provides a 7 step process for creating the appearance of a vinyl record in an image editing program:
1) Create a dark grey "vinyl" layer with added noise and apply radial blur to create a circular texture. Duplicate and adjust the layer for more texture.
2) Use the ellipse tool to create a circular shape layer and center it. Mask the "vinyl" layer with the shape to cut out the circle.
3) Add shine by filtering clouds and difference clouds on a "contrast" layer above the masked vinyl layer. Apply radial blur.
4) Create gradients by transforming and stretching a layer with dragged lines. Set to soft light and duplicate for highlights.
5
Powerpoint exercise
1. The document provides instructions for completing a PowerPoint practice exercise to learn skills for an upcoming assignment. It guides the user through tasks like adding and deleting slides, inserting clipart and charts, applying design templates, and advanced animation and slide transition effects.
2. The exercises cover topics such as inserting transparent graphics, editing slide masters, arranging and grouping objects, setting slide timings for autoplay, and creating looping presentations.
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In design task evidence
The document provides instructions for inserting and formatting various elements in InDesign, including inserting a picture from a file, adding text using text boxes, changing colors using the windows tab color icon and CYMK options, changing font and text size using the characters window, outlining shapes for a sharper effect, and inserting stars using the polygon tool accessed by double clicking.
6. production reflection(1) (1)
Grace Gilbert created several pieces for a production including a front cover, double page spread, and additional pages. For the front cover, she outlined a face shape in Photoshop, arranged flower images, and added text. She used selection and color tools to fill parts of an image for the double page spread. Additional pages included applying paper and edge filters in Photoshop before inserting images and writing text in InDesign.
6. production reflection(1) (1)
Grace Gilbert created several pieces for a production including a front cover, double page spread, and additional pages. For the front cover, she outlined a face shape in Photoshop, arranged flower images, and added text. She used selection and color tools to fill parts of an image for the double page spread. Additional pages included applying paper and edge filters in Photoshop before inserting images and writing text in InDesign.
Digi-Pack Development Diary
The document describes the process of creating a digipack for a CD. It involves opening templates, editing photos, placing elements like models and amps on the CD template, and adding design elements like lines and colors. The same process is followed for the inside cover, using photos edited with soft focus, color/tone adjustments, and filters. Text is then added. The front cover is a mashup created by scanning a hand-drawn design, outlining it, and adding color. An iPod is incorporated by selecting and pasting an album cover onto a photo. Finally, all elements are assembled into a digipack template.
Ppt exercise
Increase your power point experience by solving this exercise this exercise will increase your understanding about powerpoint
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This document provides instructions for creating a neon glow effect in 16 steps. It begins with creating a radial gradient from red to black as the base layer. Additional layers are added like duplicating the base layer and changing its blend mode, adding clouds and chrome filters to create a smoky texture, drawing curved lines with the pen tool and applying layer styles to add outer glows and drop shadows, adding text and particles, and finally blending color layers to give the effect a blue-purple hue. The overall goal is to demonstrate how to combine different elements and effects to create an advanced neon glow design.
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The image shows a group of people gathered around a table eating a meal together. In the background is a kitchen with cabinets and countertops. The people appear to be enjoying each other's company over food and conversation.
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This document outlines a client pitch for a double-sided leaflet promoting OG Games. It will advertise what they sell, their events, and opening times. The target audience is mostly males aged 26-35 from social grades A, B, and C1 who have an emulating psychographic. The client is the only personnel required. The budget is £0 and the production schedule includes making the pitch, front cover, and back cover between May 11th and May 17th.
Client evaluation
The client, OG Games, requested that the student create a double-sided A5 leaflet advertising their gaming events and store items. They provided guidelines on using their logo and purple color scheme but gave creative freedom otherwise. The student created drafts of the leaflet, getting feedback from OG Games. They learned about using official images and ensuring clear communication with the client to meet requirements. The leaflet was completed within the agreed upon timeframe.
Working to a brief pro forma
The document discusses different types of client briefs that a media company may receive, including contractual, formal, informal, co-operative, negotiated, commission, tender, competition, and my brief. It provides definitions and advantages and disadvantages of each brief type. The document also covers important aspects of reading, negotiating, and identifying opportunities within a client brief for a leaflet being created for a local gaming store.
Og games leaflet info and requirements
OG Games wants a leaflet promoting their gaming store and various events. The leaflet should be A5 size and include details about gaming nights, opening times, and what they sell. It must use purple text as the standard color and include their logo of Oggie the Ogre. The contact provided, Ol Knesebeck, can provide more details on events and opening times.
Idea development pro forma
The client, OG Games, is a gaming store located in York that sells board games, card games, roleplaying games, and game accessories. Their main competition is another store called Travelling Man that has multiple locations. Market research conducted by the client found that OG Games' typical customers are male, aged 26-45, and interested in collectible card games, board games, and gaming events. This information will help guide the design and messaging of the promotional leaflet.
Factual writing task 1
The document provides instructions and guidelines for different types of factual writing such as how-to guides, leaflets, journalism articles, and instruction manuals. It analyzes the examples based on criteria such as clarity, conciseness, ambiguity, formality, references, and avoiding bias or libel. Overall, the document examines features that make factual writing accurate, clear, and credible for audiences.
Working to a brief pro forma
The document discusses different types of client briefs that a media company may receive, including contractual, formal, informal, co-operative, negotiated, commission, tender, competition, and my brief. It provides definitions and advantages and disadvantages of each brief type. The document also covers important aspects of reading, negotiating, and identifying opportunities within a client brief for a leaflet being designed for a local gaming store.
Fanzine evaluation
This document evaluates a fanzine created about the Monster Hunter video game series. It summarizes the creator's intentions, audience, content style, and areas for improvement. The creator aimed to replicate the notebook from Monster Hunter World and succeeded in creating 12 pages with different elements. Their audience is fans aged 16-34. Technical skills like textures and effects were developed by following online tutorials. While overall successful, the creator notes areas like making the leather cover redder and improving layouts could further enhance authenticity. Planning was smooth but learning new skills took some time initially.
Factual writing pre production
The document provides details on the planning and design process for a fanzine about the video game Monster Hunter. It includes mood boards with notes on font, color, and layout inspiration from existing Monster Hunter magazines. Mockups are presented comparing a dark versus light background. A schedule is outlined for completing the fanzine pages over a 3 week period in March and April.
Factual writing planning
The document summarizes an interview with the director and producer of Monster Hunter World. In the interview, they discuss that while Monster Hunter World may not have the most monsters total compared to previous games, it has a large roster. They highlight the very challenging Nergigante monster. They also discuss the largest monster, Zorah Magdaros, and fun armor abilities like those provided by Tobi-Kadachi. The director's favorite map is the Coral Highlands from Monster Hunter World.
Writing stuff for the fanzine final
My brother enjoys Monster Hunter World. He likes the unique monsters, weapons, and multiplayer. While initially finding the controls complex, he began to appreciate the challenge. His favorite monster is Pukei-Pukei due to its hidden lethality. He recommends the game highly to others.
Writing stuff for the fanzine draft 1
My brother enjoys Monster Hunter World. He likes the unique monster hunting premise, crazy weapon designs, and multiplayer. His favorite weapon is the Charge Blade. His favorite monster is Pukei-Pukei because it's secretly lethal. The hardest monster he faced was Odogaron due to its quick attacks. He recommends the game to friends due to its fun gameplay, though notes it has a learning curve.
Factual writing task 2
This document discusses whether factual writing should contain bias. It provides examples of biased reporting from both left- and right-leaning newspapers on the topics of Jeremy Corbyn and fracking. On fracking, left-wing newspapers depict protesters as heroes while right-wing ones bring up protesters' criminal histories to discredit them. The author's opinion is that factual writing should not contain bias so readers can make informed decisions after considering multiple perspectives. Bias can involve lying, omitting details, or only presenting one side of the issue.
Factual writing task 1
This document summarizes key elements of several different types of documents:
1. The how-to guide is clear and avoids ambiguity by providing exact instructions on how to perform tasks on a phone.
2. The leaflet is concise by using tables and color coding to clearly differentiate bus times and routes.
3. The news article on vegan activism presents arguments from both sides in an objective manner, naming the groups involved in the debate.
4. The instruction manual eliminates ambiguity through labeled images and parts, using visuals and formal language for clear step-by-step directions.
Aims and considerations sheet
1) The document outlines a research plan to promote motorcycle safety by analyzing existing materials like advertisements and websites, conducting primary research through an online survey of 10 motorcyclists, and creating posters and a website.
2) Issues that may arise include receiving non-serious or rude responses in online surveys, needing permission to post posters publicly, and funding costs for printing and displaying the materials.
3) Ethical considerations involve avoiding graphic injury or death images and ensuring research is approved properly and respects communities.
6. [pro forma] project pro-forma
This document contains a photography project with contact sheets and edited images. The student took photos of architecture around York and edited them using techniques like changing to black and white, adding fog, replacing skies, and combining images. They discuss specific edited images and the techniques used. Feedback praised the creative effects but suggested some images could be improved with adjustments to curves, backgrounds, or color vibrancy. The student reflected that they achieved their goal of fine art images of architecture and learned photography skills like using manual mode and post-production editing.
9. video game evaluation for guardian golem
William Donne developed a unique game idea for a long time so he had clear ideas and good time management. His final game concept followed his original plans closely. While his pixel art graphics and character animation were decent, they lacked detail compared to professional games. He would have improved aspects like background detail and adding a point scoring system if given more time.
6. mood board for guardian golem
The mood board for a video game called "Your Name" focuses on golems as earthly creatures made of rocks or clay. Most images feature golems in shades of brown with varying numbers of eyes from 1 to 7. Landscape shots commonly include mountains, and the font chosen for the title reflects a rocky, earthy style to match the main character. Pixelated gameplay images also fit the intended retro, pixel graphics of the game.
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【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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一比一原版加拿大多伦多大学毕业证（uoft毕业证书）如何办理
一模一样【微信：A575476】【加拿大多伦多大学毕业证（uoft毕业证书）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
My storyboard for a sword fight scene with lightsabers
My storyboard for a sword fight scene with lightsabers
Full CAD Project Cardiovascuwhore Debut PDF CAD Meena Pittman
Full CAD Project Cardiovascuwhore Debut PDF CAD
Meena Pittman
ARNAUVALERY RECORD STORE SCAVENGER HUNT.
This is my presentation for the Record Store Scavenger Hunt.
Ealing London Independent Photography meeting - June 2024
Photographs from trip to American Deep South
Cherries 32 collection of colorful paintings
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
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6:个人职称评审加20分
7:个人信誉贷款加10分
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My storyboard for a sword fight scene with lightsabers
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Full CAD Project Cardiovascuwhore Debut PDF CAD Meena Pittman
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Ealing London Independent Photography meeting - June 2024
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Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss
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3. production experiments
- 2. Process • First, I used the gradient tool to make a black and white gradient then I place it in diagonally • Secondly, I click on Filters>Render>Difference Clouds to get the lightning shape • Then I inverted the colours by pressing Ctrl+I • I needed to adjust the levels so pressed Ctrl+Alt+L to bring op the slider then I adjusted it • After that I got rid of some of the lightning I didn’t want by using a black paint brush • To make the black background go away I change the layer blending mode to Screen • I copied and pasted the lightning to make the big lightning look more menacing although I think I should of made new lightnings instead of using the same one • Then I merge them into one image • After that I clicked on layer>layer style>colour overlay and chose the colour blue • There was still a background in my image so to get rid of it so I clicked on the layer style button then I clicked on blending options the I checked the box that said “Blend Interior Effects as a group” then I pressed the ok button and now the background has gone
- 3. Reflection • What elements of your experiments will you include in your final product? • I feel like I will use all the techniques that I used to make the experiments such as the blending options, filter>render thing,
Editor's Notes
- Discuss the tools and processes used in your experiments