Mannerism

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Kirsten Lodge

This is an overview of Mannerism in 16th-century Itay.

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Mannerism (from maniera, manner, or style), the artistic style prevailed in Italy from the end of the High Renaissance in the 1520s until Baroque style 1590. Early Mannerism (c.1520-35) is known for its "anti-classical" or "anti-Renaissance" style, which later evolved into High Mannerism (c.1535-1580), a more intricate, inward-looking, and academic style intended to cater to more sophisticated patrons. The term used for anti-classical indicates that the naturalism painting style is during the high renaissance departure to an artificial and exaggerated painting style, also known as Mannerism.

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Mannerism

1. Mannerism c. 1520-1600

2. Laocoön (date contested) Excavated 1506

3. Painting

4. Michelangelo 1475-1564

5. The Last Judgment, 1536-41

6. Parmigianino 1503-1540

7. Madonna with the Long Neck, 1534-40

8. Bronzino 1503-1572

9. Allegory with Venus and Cupid, c. 1546

10. Tintoretto 1518-1594

11. The Last Supper, 1592-94

12. Giuseppe Arcimboldo c. 1526-1593

13. Autumn, 1573

14. El Greco 1541-1614

15. The Burial of Count Orgaz, 1586

16. Sculpture

17. Benvenuto Cellini 1500-1571

18. Saltcellar of Francis I, 1539-43

19. Perseus, 1545-54

20.

21. Architecture

22. Michelangelo and Bartolomeo Ammanati (1511-1592)

23. Vestibule and Staircase of the Laurentian Library in Florence 1524-71

24.

25.

26. Andrea Palladio 1508-1580

27. Villa Rotunda, Vicenza, c. 1567-70

Mannerism

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