The document provides an overview of Gothic art and architecture in Europe from the 12th-14th centuries. It examines the origins and spread of the Gothic style from France, exploring key cathedrals like Notre Dame and Chartres. It then discusses variations of Gothic architecture and sculpture in England, Germany, and Italy, analyzing features like rib vaulting, stained glass windows, and illuminated manuscripts. The document contains over 50 figures to illustrate different elements of Gothic art.
Romanesque paintings are from medieval period, only depicting religious sentiments. Were enormous in size and covered entire church walls.
"To know more about it......watch this presentation."
Romanesque paintings are from medieval period, only depicting religious sentiments. Were enormous in size and covered entire church walls.
"To know more about it......watch this presentation."
Summery about Gothic and Romanesque architecture in Europe (Italy ,France,Germany,England and Spain (Gothic)
Reference : Fletcher (A HISTORY OF ARCHITECTURE IN COMPARATIVE METHOD).
We all have good and bad thoughts from time to time and situation to situation. We are bombarded daily with spiraling thoughts(both negative and positive) creating all-consuming feel , making us difficult to manage with associated suffering. Good thoughts are like our Mob Signal (Positive thought) amidst noise(negative thought) in the atmosphere. Negative thoughts like noise outweigh positive thoughts. These thoughts often create unwanted confusion, trouble, stress and frustration in our mind as well as chaos in our physical world. Negative thoughts are also known as “distorted thinking”.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
How to Split Bills in the Odoo 17 POS ModuleCeline George
Bills have a main role in point of sale procedure. It will help to track sales, handling payments and giving receipts to customers. Bill splitting also has an important role in POS. For example, If some friends come together for dinner and if they want to divide the bill then it is possible by POS bill splitting. This slide will show how to split bills in odoo 17 POS.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
How to Create Map Views in the Odoo 17 ERPCeline George
The map views are useful for providing a geographical representation of data. They allow users to visualize and analyze the data in a more intuitive manner.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
The Indian economy is classified into different sectors to simplify the analysis and understanding of economic activities. For Class 10, it's essential to grasp the sectors of the Indian economy, understand their characteristics, and recognize their importance. This guide will provide detailed notes on the Sectors of the Indian Economy Class 10, using specific long-tail keywords to enhance comprehension.
For more information, visit-www.vavaclasses.com
24. Figure 18-16 Virgin and Child and angels (Notre Dame de la Belle Verrière), detail of a window in the choir of Chartres Cathedral, Chartres, France, ca. 1170, with 13th century side panels. Stained glass, full height 16’.
25. Figure 18-17 Saints Martin, Jerome, and Gregory, jamb statues, Porch of the Confessors (right doorway), south transept, Chartres Cathedral, Chartres, France, ca. 1220–1230.
26. Figure 18-18 Saint Theodore, jamb statue, Porch of the Martyrs (left doorway), south transept, Chartres Cathedral, Chartres, France, ca. 1230.
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28. Figure 18-19 ROBERT DE LUZARCHES, THOMAS DE CORMONT, and RENAUD DE CORMONT, interior of Amiens Cathedral (looking east), Amiens, France, begun 1220.
29. Figure 18-21 ROBERT DE LUZARCHES, THOMAS DE CORMONT, and RENAUD DE CORMONT, west facade of Amiens Cathedral, Amiens, France, begun 1220.
30. Figure 18-22 Christ ( Beau Dieu ), trumeau statue of central doorway, west facade, Amiens Cathedral, Amiens, France, ca. 1220–1235.
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32. Figure 18-23 West facade of Reims Cathedral, Reims, France, ca. 1225–1290.
33. Figure 18-24 Annunciation and Visitation , jamb statues of central doorway, west facade, Reims Cathedral, Reims, France, ca. 1230-1255
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35. Figure 18-26 Virgin and Child ( Virgin of Paris ), Notre-Dame, Paris, France, early fourteenth century.
36. Figure 18-27 West facade of Saint-Maclou, Rouen, France, ca. 1500–1514.
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38. Figure 18-31 VILLARD DE HONNECOURT, figures based on geometric shapes, folio 18 verso of a sketchbook, from Paris, France, ca. 1220-1235. Ink on vellum, 9 ¼” X 6”. Bibiliotheque Nationale, Paris.
39. Figure 18-32 God as architect of the world, folio 1 verso of a moralized Bible, from Paris, France, ca. 1220-1230. Ink, tempera, and gold leaf on vellum, 1’ 1 ½” X 8 ¼”. Osterreichische Nationalbibliothek, Vienna.
40. Figure 18-33 Blanche of Castile, Louis IX, and two monks, dedication page (folio 8 recto) of a moralized Bible, from Paris, France, 1226–1234. Ink, tempera, and gold leaf on vellum, 1’ 3” X 10 1/2”. Pierpont Morgan Library, New York.
41. Figure 18-34 Abraham and the three angels, folio 7 verso of the Psalter of Saint Louis , from Paris, France, 1253–1270. Ink, tempera, and gold leaf on vellum, 5” X 3 1/2”. Bibliothèque Nationale, Paris.
42. Figure 18-35 MASTER HONORÉ, David anointed by Samuel and battle of David and Goliath, folio 7 verso of the Breviary of Philippe le Bel , from Paris, France, 1296. Ink and tempera on vellum, 7 7/8” X 4 7/8”. Bibliothèque Nationale, Paris.
43. Figure 18-36 JEAN PUCELLE, David before Saul, folio 24 verso of the Belleville Breviary , from Paris, France, ca. 1325. Ink and tempera on vellum, 9 1/2” X 6 3/4”. Bibliothèque Nationale, Paris.
44. Figure 18-37 Virgin of Jeanne d’Evreux , from the abbey church of Saint-Denis, France, 1339. Silver gilt and enamel, 2’ 3 1/2” high. Louvre, Paris.
45. Fig 18-38 The Castle of Love and knights jousting, lid of a jewelry casket, from Paris, France, ca. 1330-1350. Ivory and iron, 4 ½” x 9 ¾”. Walters Art Museum, Baltimore.
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48. Figure 18-39 Aerial view of Salisbury Cathedral, Salisbury, England, 1220–1258; west facade completed 1265; spire ca. 1320–1330.
49. Figure 18-40 Plan of Salisbury Cathedral, Salisbury, England, 1220–1258.
52. Figure 18-43 ROBERT and WILLIAM VERTUE, fan vaults of the chapel of Henry VII, Westminster Abbey, London, England, 1503–1519.
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54. Figure 18-44 Tomb of Edward II, Gloucester Cathedral, Gloucester, England, ca. 1330–1335.
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57. Figure 18-46 GERHARD OF COLOGNE, interior of Cologne Cathedral (looking east), Cologne, Germany, choir completed 1322.
58. Figure 18-47 Interior of Saint Elizabeth (looking west), Marburg, Germany, 1235–1283.
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60. Figure 18-48 Death of the Virgin, tympanum of left doorway, south transept, Strasbourg Cathedral, Strasbourg, France, ca. 1230.
61. Figure 18-49 Ekkehard and Uta, statues in the west choir, Naumburg Cathedral, Naumburg, Germany, ca. 1249–1255. Painted limestone, Ekkehard 6’ 2” high.
62. Figure 18-50 Equestrian portrait ( Bamberg Rider ), statue in the east choir, Bamberg Cathedral, Germany, ca. 1235–1240. Sandstone, 7’ 9” high.
63. Figure 18-51 Virgin with the Dead Christ ( Röttgen Pietà ), from the Rhineland, Germany, ca. 1300–1325. Painted wood, 2’ 10 1/2” high. Rheinisches Landemuseum, Bonn.
64. Figure 18-52 NICHOLAS OF VERDUN, sacrifice of Isaac, detail of the Klosterneuburg Altar , from the abbey church at Klosterneuburg, Austria, 1181. Gilded copper and enamel, 5 1/2” high. Stiftsmuseum, Klosterneuburg.