The document discusses Gothic art and architecture from the 12th to 16th centuries in France and England. It begins by introducing Gothic style, noting its emergence in France under Abbot Suger at Saint-Denis. Suger introduced innovations like rib vaults, pointed arches, rose windows, and stained glass, creating a new sense of light, space, and verticality. The document then examines key Gothic cathedrals like Chartres and Amiens that featured soaring vaults and vast stained glass areas. It traces the evolution of Gothic sculpture and the spread of Gothic styles across Europe.
1. Sandrine Le Bail AP Art History
Gothic Art
12th century to 16th
France and England
2. Gothic
• From 12th to 16th century
• Francigenum Opus
• Emerged in France from 1137-1144
• By Abbot Suger
• Word invented in the 16th century by Vasari–
“monstrous and barbarous”
• Spread all around Europe
3. New Era…
• Opus Modernum
• Era of peace and prosperity (merchands organized in
guilds)
• Era of knowlegde: 1st Universities (importance of Paris as
intellectual center)
• Era of deep spirituality : the religious life shifted from
monasteries to secular cities
• Era of extraordinary technological inventions
6. Abbot Suger
(1081-1151)
• Political and religious
advisor of the kings of
France
• Regent of France when
Louis VII in crusade
• 1122 - Abbot of Saint
Denis Monastery
• Church in disrepair
7. Suger’s theory
• Inspired by Dyonisus (mistaken for S.Denis)
• Place of great physical beauty (gold, jewels)
• Mathematics Harmony
• Mystical effect of light
• Light = God
• Stain glasses = theology
8. Innovation In Architecture
Goals: Higher and lighter
Based of Romanesque innovations
• Rib vault = standard vaulting practice
• Bays : repeated vertical elements
• Rose window
• Pointed arches
• Flying buttress
• Pinnacles
10. Ribbed vaults:
• Reinforce the vault
• Distribute the weight more efficiency
• Free space for windows
• The infilling (web) can be of a lighter material
11. Pointed arches were
divided to allow higher
ceiling in the nave area
of the church
13. Bays
Piers:
The ribs of the
vaults formed a
serie of lines
which continued
down to the floor
by colonnettes
branching off into
arches and vaults.
Vertical unity
16. Flying buttresses:
Masonry struts that
transfer he thrust of the
nave vaults across the
roofs of the side aisles
and ambulatory to a tall
pier rising above the
church’s exterior wall.
17.
18.
19. Pinnacle
Sharply pointed ornament
capping the piers or flying
buttresses
• Decorative
• Stabilize forces in a wind
storm
26. In the figures, the lead is
arranged to conform to an
ouline
The background is divided
into randon sections.
Details added in black
enamel
Framed by an iron armature
Cross Bars
27. Stained glass
• Depicted biblical and historical stories
• Brought colored light to the interior of
churches
• Created a mystical atmosphere inside the
churches
28. Characteristics of Gothic architecture
• Tall and narrow
• Religious Symbolism
• Competition between cities to have the taller
cathedral
• In the cities (limited space)
29. 4 periods of French Gothic
Architecture
• Early Gothic
• High Gothic
• Rayonnant “radiating”
• Late / Flamboyant “flaming”
45. Early Gothic characteristics
• Round columns in the interior
• Rib vault starts at the ceiling but travel down
only to the top of the column capitals
46. The birthplace of Gothic art and architecture
was Saint-Denis, where Abbot Suger used rib
vaults with pointed arches to rebuild the
Carolingian royal church and filled the window
of the ambulatory with stained glass. On the
west façade, Suger introduced sculpted figures
on the portal jambs, a feature that appeared
shortly later on the Royal Portal of Chartres
Cathedral.
49. Importance for local economy
• Lot of worker
• Patrons: clergy, noblemen, royal family,
citizens, guilds, pilgrims…
• Recognition of the patrons (coat of arms,
stained windows…)
• Importance of the master builder
50. Chartres, Façade
- 2 towers
Tripartite (association
with the Trinity: Father,
Son and Holy Ghost)
- cross between
Romanesque and early
Gothic
Begun 1504 Before 1194
51. Chartres,
Façade
Gallery of niche figures representing the
Old Testament Kings
Rose window
3 stained-glass lancet windows
Portals
76. Our Lady of the
beautiful
Window
(12-13th
century)
77. North
Rose
Window
and
lancets
Given by King Louis VIII
in honor of Queen
Blanche de Castille.
Connection between
the HolyFamily and the
royal family
90. Virgin of Paris,
early 14th century
Notre Dame de Paris
Balance between greater
naturalism and propriety.
S- Curve
91. Evolution of Gothic Sculpture
• More realistic
• More movement
• More freedom
• More inspired from classical models
• New realism
• Gothic S-curve
92. Characteristics of High Gothic
• Articulated columns in the interior: rib vaults
from the ceiling down to the floor
• Larger window space
• Larger choirs and chevets
• More sculpture on the façade
93. High Gothic
After a fire in 1194, Chartres cathedral was
rebuilt with flying buttresses, four-part nave
vaults, and a three-story elevation of nave :
arcade, triforium and clerestory. These features
set the pattern for High Gothic (1194-1300)
cathedrals. French architects sought to construct
naves of soaring heights. The vault of Amiens
cathedral are 144m high.
94. High Gothic
Flying buttresses made possible huge stained-glass
windows. High gothic windows employed
delicate stained windows. The colored stained
converted natural sunlight into divine light,
dramatically transforming the character of
church interior.
95. High Gothic
The High Gothic jamb statue broke up of the
architectural straightjacket of their early gothic
predecessors. At Chartres, Reims, and
elsewhere, the sculpted figures move freely and
sometimes converse with their neighbors.
97. Sainte Chapelle, Paris, 1243-1248
Commissioned by Louis IX
Rayonnant Style
Chapel of the royal palace
Designed by Thomas de
Cormont
Built for the crucifixion relics=
Giant reliquary
104. Difficults times
• 1337-1453 – Hundred Years’ War between
France and England
• 1248 – The Black Death / The Plague
A quarter to a third of the world perished.
109. Characteristics of Flamboyant
• Same structure than previous style
• Highly decorative
• Mass of pinnacles and tracery
• Ogee arches are used
110. Gothic in Europe
French masons who worked in the Gothic style
traveled around Europe looking for work. This
helped disseminate the French Gothic Style.
123. Characteristics of the Perpendicular
Gothic
• Enormous window spaces
• Elaborate decorative vertical patterns of stone
tracery
• Clusters of vertical shafts rise dramatically
• Fan Vault
130. Holy Roman Empire
German architects eagerly embraced the French
gothic architectural style at Cologne cathedral
and elsewhere. German originality manifested
itself most clearly in the Gothic period in
sculpture.
133. Romanesque
• Dark
• Fear-inspiring decoration
• Barrel Vaults
• Thick walls
Gothic
• Lot of light
• Heavenly decoration
• Ribbed vaults
• Flying Buttresses
Editor's Notes
Gothic is rude
As the Goths destroyed the classical art
Importance of the cathedral (burial ground of kings)
Symbol of French Monarchy
Aimed to increase the prestige of the church and the king
He wrote 3 treatises about his activities
Great beauty contrasts with the last judgement
The weigh of the ribbed vult is concentrated only at the corners of the bay. Structures can be buttressed at intervals freeing up more spaces for windows
The pointed arches can be raised to any height regardless of the distance between the support – more flexible
In romanesque – thick walls
Support the roof
Weight bypass the walls and travel down to piers outside
Stabilize the building
In romanesque – thick walls
Support the roof
Weight bypass the walls and travel down to piers outside
Stabilize the building
Notre Dame
Ambulatory – more pilgrims to visit the church without disturbing the priests
Need more space between the choir and the
Cut the piece
Fitted into a model
Strips of lead
Énamel – email
From saint chapelle
Illustration of sophisticated theological program
Stones exactly carved on the carry
Cranes and scaffolding
Nave / Later
Legendary burial ground of Saint Denis
!st use of stained glass
Moves away from the demarcation of spaces in the Romanesque period: Radiating chapels open up and one continuous space is created
Spaces between the chapels flow from one to the other
Rib vaults start at the ceiling and go down as far as the capitals on the columns
Columns are round ans unarticulated
No big piers but slender columns
Pointed arches
Sense of unity
Suger wanted light filtered by stained glass to saturate the inside of the building
Pointed arches
Seens very light
From Suger
But decoration lost
Cathedral – seat of the bishop (cathedra)
Importance of the cult of Virgin Mary (legend of the statue of Mary found in Pagan time) veil of mary
Fire in 1194
Importance of local economy
Construction lasted from 1134 to 1510
Importance of verticality
Evolution of style : 2 towers
Verticality and heights
Not formally symmetric
Rose _ symbole of Christ and universality
Many tripartite elements
Chapls and flying buttresses
5 lancet windows
Royal portal because depict kings and queen from the old testament
Entering a church = centering the paradise
Didactic function – tell a story
Story of the virgin
Christ nativity,
Enthroned Virgin
7 liberal Arts (Grammar/ Rhetoric/ Dialectic/ Arithmetic/Geometry/Astronomy / Music)
Importance of learning
Second coming of Christ (Book of revelation)
Seated Christ with mandorla
!2 apostles
24 elders
In front of the columns/ not columns
Earliest example of Early Gothic sculpture
// Byzantine art
Projected forwards the columns
Concentric composition of the rove
King and queen are the precursors of Jesus Christ
More human
Lines less sharp
Earliest example of Early Gothic sculpture
// Byzantine art
Projected forwards the columns
King and queen are the precursors of Jesus Christ
Iconography
Portals on the side : life of Christ
Central _ secondcoming of Christ
The New testament is supported by the Old Testament
More sense of depth
Not stucked on the colonnes
More natural
Less elongated
Less frontal
More variety of poses, gestures and costume
More sense of depth
Folds more deeply carved
Earlier example of High Gothic
Vault : 120 feet / 37.58 m.)
Heigh possible thanks to buttressing system
In 1906, the glazier Gaudin restored Mary's head. While before Mary's gaze was fixed straight ahead, her head is now inclined very slightly towards the viewer's left.
IMPORTANT FOR PATRONAGE
Center Mary and 12 elements (12 apostles)
Painting in light
1st serie : doves and angels
2nd serie: Old testament king (square)
12 qutrefoils – symbol of the king of France
Outer semicircles : 12 apostles
With the name of the master builder
High Gothic style
Tallest of the Gothic French churches
Head of Satin John deposited by crusaders
More extravagant use of sculpture
Concentration of light and dark
Arcgitectural projection
Unified plan – built from scratch after fire
Evolution
More realistic
More movement
Beau Dieu : Almost 3 dimentional // Teacher blessing to those who enter through the doorway
Kind teacher and not a fearful judge
Triumph over evil
3 angels // Dead of Christ
More and more independent from the doorjam
Vertical façade
Liberal use of glass
Extra long nave and very high roof
More realistic and naturalistic
Convesarion / interaction
Contrapposto
1st example in monumental Christian Art of an interested in the relationship between drapery and the human form // Classical statuary
Almost 3 dimensional
In conversation
Gothic S-curve
The folds are complex but don’t reveal her body.
// Praxiteles
Fragment of the True Cross, Crown of thorns, lance, sponge and nail
The walls disapearedPure light
5 portals
Skeletal glabes over portals
Complexity of design