Ch. 19 Gothic to Renaissance
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The document summarizes developments in art from the Gothic to Renaissance periods in Italy. Key events included the Black Death that killed millions, weakening the Catholic Church and leading to the Great Schism. Humanism rose, with interest in Roman and Greek art and literature. Artists like Giotto and Duccio abandoned some medieval conventions, adding illusionism, emotion, and naturalism to works. Their innovations marked the shift from Gothic to early Renaissance styles in Italy.
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Famous singers
This document provides information on several famous singers from different genres of music:
Elvis Presley was an early popularizer of rockabilly music and one of the most influential musicians of the 20th century. Frank Sinatra was known as "The Voice" and was a founding member of the Rat Pack. Michael Jackson's 1982 album Thriller is the best selling album of all time. Metallica is an American heavy metal band known for songs like "Master of Puppets" and "Nothing Else Matters".
Reims cathedral
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Revision on Gothic Painting including Lineal style, Italian Gothic, International style and Flemish Gothic.
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Duccio di Buoninsegna: Christ's Passion, Back panels of the Maestà
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Giotto and other early Italian Renaissance artists like Duccio and Lorenzetti moved painting away from the flat Byzantine style towards realistic three-dimensional naturalism through techniques like foreshortening and realistic proportions. Giotto's frescoes in the Scrovegni Chapel showing biblical scenes with complex emotions helped establish him as the father of modern European painting. Duccio and Simone Martini combined Byzantine elements with Italian trends towards realism, creating works with elegant lines and refined colors.
Art history chap._19_a
This document summarizes key developments in 14th century Italian art during the transition from Gothic to Renaissance styles. It discusses how the Renaissance emerged out of revived interest in classical Greco-Roman culture and humanism. Artists like Giotto introduced more naturalistic, observation-based styles and techniques like fresco that helped establish painting as a major art form. Works by artists including Duccio, Simone Martini, and the Lorenzetti brothers incorporated classical elements while depicting religious subjects in new, emotionally expressive ways.
12. 14th – 15th c. italy
An artist creates visual works through skills like drawing, painting, or sculpting. They think creatively and use elements of design. The role of the artist has changed since prehistoric times, evolving from a craftsman in medieval times to a respected intellectual during the Renaissance who was seen as skilled in both art and philosophy. The document discusses important artworks from 13th to 15th century Italy that demonstrate developments for artists during the Early Renaissance period.
Chap 21 15th century italian art humanism and antiquity
1) During the 15th century in Italy, humanism and a renewed interest in antiquity influenced art and culture. Artists drew inspiration from Greek and Roman works as well as from early Italian works like Dante's Divine Comedy.
2) Wealthy families like the Medicis in Florence became important patrons of the arts, commissioning works from major artists of the time like Donatello, Brunelleschi, and Botticelli.
3) Artists developed new techniques like linear perspective and illusionistic effects that drew upon principles of classical art and architecture. Major works from this period include Donatello's David, Brunelleschi's dome for Florence Cathedral, and Botticelli
Precursor to the Renaissance
International Gothic was a style of painting and sculpture in Europe from 1150-1450. This period saw a precursor to the Renaissance in Italy, with artists beginning to consciously revive classical styles and focus on humanism and naturalism in their works. Some key developments included Nicola Pisano's classical-inspired pulpits from the 13th century, Giotto's frescoes showing more realistic human emotion and form, and Duccio's large altarpieces which helped to establish panel painting as a major artistic medium in Italy.
Ch13 presentation
This document provides an overview of the artistic developments that occurred during the High Renaissance period in Italy, centered around Rome and Venice. It discusses the patronage of the Catholic Church and various popes who commissioned major works from leading artists such as Raphael, Michelangelo, and Titian. Key works covered include Michelangelo's frescoes in the Sistine Chapel and The Last Judgment, as well as his contributions to St. Peter's Basilica. Music during this period is also summarized, focusing on composers like Josquin des Prez and Giovanni Pierluigi da Palestrina.
01 Proto Renaissance
The 14th century in Italy saw the beginnings of major changes that would define the Renaissance period. In cities like Florence and Siena, there was a shift away from Byzantine styles towards more naturalistic and observation-based representations influenced by classical examples. Artists like Cimabue and Giotto led this movement with more three-dimensional figural styles. In Siena, painters such as Duccio and Lorenzetti also advanced realism through emotional expression and convincing spatial illusions in their works. This period established many principles that would underpin Renaissance humanism, education, and the study of antiquity.
AT 1001_Lecture 2 Late Medieval Italy.pptx
This document provides context on late medieval and early Renaissance Italy. It summarizes that Italy was divided into city-states during this time with advanced economies. The Black Death impacted Italian culture in the late 1340s. Artistic production was governed by guilds. It then examines specific works like Nicola Pisano's pulpit from 1260 that blended Gothic and classical elements. Duccio's Maestà altarpiece from 1308 showed departures from the Italo-Byzantine style. Giotto's frescoes in the Arena Chapel around 1305 were pioneering in their use of three-dimensional space and individualization of figures.
High renaissance 2
The document provides an overview of the High Renaissance period in Italy from 1500-1524. It discusses important artists of the time like Leonardo da Vinci, Bramante, Michelangelo, Raphael, Bellini, Giorgione and Titian. Their works embodied classical ideals of balance, symmetry, and ideal proportions. Key locations included Rome, which saw a revitalization under Pope Julius II, and Venice, where artists used oil paint and canvas to create colorful works with sensuous forms.
Gothic Art
Gothic art developed in Northern Europe between the 5th and 16th centuries AD. Key characteristics included churches with distinctive arched designs, stained glass windows, and illuminated manuscripts. A famous example is Notre-Dame cathedral in Paris, which was constructed between 1163-1250 CE. Major Gothic artists mentioned include Simone Martini, Benedetto Antelami, Arnolfo di Cambio, Giovanni da Milano, and Giotto di Bondone.
Gothic Art
Gothic art developed in Northern Europe between the 5th and 16th centuries AD. Key characteristics included churches with distinctive arched designs, stained glass windows, and illuminated manuscripts. A famous example is Notre-Dame cathedral in Paris, which was constructed between 1163-1250 CE. Major Gothic artists mentioned include Simone Martini, Benedetto Antelami, Arnolfo di Cambio, Giovanni da Milano, and Giotto di Bondone.
Chapter 20 16th century art in italy
The document summarizes 16th century art in Italy, focusing on major artists and developments. It discusses the High Renaissance in Rome led by artists like Michelangelo, Raphael, and Bramante. It then examines key works by Leonardo da Vinci, Michelangelo, Raphael, and Bramante. Next it discusses developments in the early 16th century including Mannerism and the influential Venetian artist Titian. It concludes by noting the Catholic Counter-Reformation and Michelangelo's Last Judgment fresco in the Sistine Chapel.
Rennaisance y
The Renaissance began with the opening of the Silk Road by the Mongols, which exposed Europeans to Chinese goods and ideas through the travels of Marco Polo. The Black Death had some positive impacts by not damaging infrastructure and causing people to spend more. Ottoman conquests led Greek and Roman scholars to flee to Italy with ancient texts. Major trading cities like Florence and Venice grew wealthy during this period, with Florence being a center of art and architecture due to the patronage of the powerful Medici family.
English version tra le cento torri di s.gimignano
San Gimignano rose as a small Etruscan village in the 3rd century BC located on a hill overlooking the Elsa Valley. In the Middle Ages, its strategic position on the Via Francigena pilgrimage route led to increased wealth and development. Internecine struggles in the late medieval period divided the city into Guelph and Ghibelline factions. The Black Death plague drastically reduced the population in 1348, throwing the city into crisis. Over subsequent centuries, San Gimignano recovered and its cultural and architectural heritage was rediscovered, including numerous towers dating to the 11th-13th centuries and artworks in its churches.
Lecture-10; Renaissance Humanism
The document provides an overview of the history of Christianity from 1300-1570 CE, focusing on the Protestant Reformation. It describes how European states rebuilt politically and economically after the plague in the 15th century. It also discusses the Renaissance period in Europe, including its origins in Italy and emphasis on classical learning, individualism, and questioning religious traditions. The Protestant Reformation began during this time in response to issues like the selling of indulgences by the Catholic Church.
The European Renaissance.pptx Literature
The document summarizes the major developments during the Renaissance period in Europe between the 14th and 17th centuries. It describes how the Renaissance originated in Italy and was characterized by a revival of interest in classical antiquity. It also discusses the growth of powerful states, major artistic figures like Da Vinci and Michelangelo, and the spread of humanism, which emphasized secular themes and the importance of the individual. The printing press helped disseminate new ideas and writings across Europe.
Week 1 Review Done
The document discusses key developments in Italian Renaissance art from the 13th to 16th centuries. It focuses on pioneers like Giotto who moved away from Gothic styles towards more naturalism. It also covers major Renaissance artists like Leonardo da Vinci, Michelangelo, Raphael, as well as Venetian masters like Giorgione and Titian who emphasized color over disegno (drawing). Their works had a dramatic impact and defined new approaches to painting.
Week 1 Review Done S P R
The document discusses key developments in Italian Renaissance art from the 13th to 16th centuries. It focuses on pioneers like Giotto who moved away from Byzantine styles towards more naturalism. Artists discussed include Leonardo da Vinci, Michelangelo, Raphael, as well as Venetian masters like Giorgione and Titian who emphasized color over disegno (drawing). Major works and styles of each period are summarized.
14thcenteuropresentation
This document discusses late medieval Europe in the 14th century following the Black Plague pandemic. It was a time of upheaval with famine, war, and plague wiping out almost half the population. However, the arts began to gradually flourish again with the rise of the middle class and growing interest in humanism and classical works. Notable artists mentioned include Giotto, whose more naturalistic and realistic style marked an important shift away from Byzantine traditions and laid the groundwork for the Renaissance in Italy.
Unit 6.Renacimiento y reforma.
The document provides an overview of cultural changes in Europe between 1450-1600, focusing on the Renaissance, Humanism, and Reformation movements. It discusses developments in philosophy (Humanism), art (Renaissance), and religion (Reformation). Key figures discussed include Leonardo da Vinci, Michelangelo, Botticelli, Luther, Calvin, Erasmus, and others. Architecture, sculpture, and painting of the Renaissance are described for Italy and Spain. The origins and spread of Protestant ideas with Martin Luther are also summarized.
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Chap 21 15th century italian art humanism and antiquity
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Ch.28 Rococo
The document summarizes artistic and architectural trends during the Rococo period in the 18th century and the transition to Neoclassicism. Specifically, it discusses how Rococo art featured lavish decoration, curved lines, and themes of aristocratic leisure. It then outlines how the Enlightenment led to a rejection of Rococo themes in favor of Neoclassicism, which took inspiration from classical antiquity and emphasized rational thought and science over tradition. The transition included English painters moving towards more naturalistic styles and the emergence of Neoclassical history painting on both sides of the Atlantic.
Ch22 highrenaissanceandmannerism
The document provides an overview of major artists and artistic developments during the High Renaissance and Mannerism periods in the 15th-17th centuries. Key figures discussed include Leonardo da Vinci, Michelangelo, Raphael, and Titian. Their most famous works incorporating developments in areas like anatomy, perspective, and new styles are described, as well as architectural achievements of the time. The emergence of Mannerism as a more elegant and sophisticated style is also covered.
Ch. 33 Modern art
Modern Art saw many developments in the 20th century including two World Wars, the Great Depression, and scientific/technological advances like Einstein's theory of relativity and the atom bomb. New art movements emerged like Fauvism, Expressionism, Cubism, Futurism, Dada, Surrealism, Bauhaus, De Stijl, Pop Art, Minimalism, and more that experimented with color, form, materials, and concepts like incorporating everyday objects and mass culture into art. Major artists included Picasso, Matisse, Duchamp, Pollock, Warhol, and more who pushed artistic boundaries and influenced the evolution of modern art.
Themes of ap_art_to_the_5_07_exam
The document lists past AP art history exam themes and sample questions. It provides examples of 14 different themes that have appeared on exams from 1993 to 2007, including themes about art and technology, nature, symbolism, narration, traditions, the human figure, patronage, power/authority, text/images, sacred space, light, portraiture, self-portraits, and religious buildings. For each theme, it outlines questions students may be asked to compare and analyze two works of art that illustrate that theme.
ROME
The document provides an overview of Roman history from the Roman Republic to the Early Empire period. It discusses Roman architecture such as barrel vaults, groin vaults, and domes. It describes temples, funerary reliefs, and portraits from this time. It also summarizes Pompeii and the cities of Vesuvius before the 79 CE eruption. Important emperors like Augustus, Trajan, Hadrian, and the Antonines are briefly mentioned along with some of their architectural accomplishments.
Pre historic art
The document discusses three prehistoric artworks: the Venus of Willendorf, an exaggeratedly rounded female fertility figurine from 28,000-25,000 BCE; paintings in the Lascaux Caves in France including primitive handprints; and Stonehenge, a megalithic monument in England built from 2550-1600 BCE using large vertical stones topped with a lintel.
Ch. 13 Islam
- Islam originated in the 7th century Arabia and was founded by the prophet Muhammad. His message resonated strongly with Arabs and the religion spread widely across North Africa, the Middle East, parts of Spain, India, and Central Asia.
- The chief building for Muslim worship is the mosque. Early mosques were influenced by Roman and Byzantine architecture and incorporated elements like hypostyle prayer halls with arched colonnades.
- Over time, Islamic architecture developed distinctive features like domes, minarets, mihrabs, and intricate decorative elements including calligraphy, mosaic tiles, and muqarnas vaulting. Major historic mosques were built in places like Jerusalem, Syria, Tunisia, Andalusia
ch. 18 Gothic art
Gothic art originated in France in the 12th century and spread to other parts of Europe. It featured rib vaulting that allowed churches to be built taller with higher ceilings. Gothic cathedrals like Notre Dame and Chartes featured rose windows, flying buttresses, and intricate jamb sculptures depicting biblical scenes. Money to build these massive churches was raised through the selling of indulgences which pardoned sins.
Ch. 9 Etruscan pp
Etruscan art flourished in the 6th century BCE, as seen in ornate wooden temples with Doric columns and terracotta statuary that housed the gods. Notable artworks include the statue of Apollo from a temple roof and a sarcophagus with a reclining couple. Etruscan tombs from the period accommodated generations of families and featured stucco reliefs and murals depicting domestic scenes and entertainers that connected the living with the dead. After 509 BCE, when the Romans expelled the last Etruscan kings, Etruscan dominance declined as tomb construction and luxury goods decreased, though bronze sculptures like the Capitoline Wolf remained.
Chapter 23 – Baroque art –
1) The document discusses the key events and figures of the Protestant Reformation and Catholic Counter-Reformation in the 16th century, including Martin Luther's dissatisfaction with the Catholic Church and resulting reforms.
2) It profiles influential artists from this period like Durer, Cranach, Bruegel and El Greco, noting how their works reflected and influenced the religious changes taking place across Europe.
3) The document also examines the growth of political powers like Spain and France during this time as well as the development of artistic styles such as realism that flourished in the 15th-16th centuries.
Chapter 11 Christitan art
Early Christian art incorporated symbols and imagery from both Roman imperial styles and Jewish traditions to represent their new faith. Scenes from the Old Testament like the story of Jonah were popular subjects in places like the catacombs of Rome. As Christianity became the official religion of the Roman Empire under Constantine, new church buildings like Old St. Peter's in Rome combined the forms of imperial architecture with Christian themes and symbols of faith.
Chapter 5 Greek
- The document provides an overview of Greek art from the Early Greek period through the Hellenistic period, covering major developments, styles, and works.
- Early Greek art was geometric in style and oriented, with the emergence of temples and sculpture influenced by Egypt. The Classical period saw the Parthenon and other temples on the Acropolis, with sculptures like the Riace Bronzes and the Doryphoros.
- The Hellenistic period followed the conquests of Alexander and was marked by large monumental sculptures depicting battle, such as the Pergamon Altar friezes.
Chapter 4 – Prehistoric Aegean
1) The document summarizes prehistoric Aegean cultures including the Minoans of Crete and the Mycenaeans.
2) The Minoans were known for their large palaces at sites like Knossos and had an advanced civilization with complex architecture, art, and religion centered around figures like the Minotaur.
3) The Mycenaeans built massive fortified citadels and palaces, as seen at sites like Tiryns and Mycenae, defended by monumental stone lions gate carvings, and buried their rulers in treasuries with gold funerary masks.
Chapter 3 egyptian art
The document provides an overview of ancient Egyptian art and architecture from approximately 2500 BCE to 1290 BCE. It describes early artifacts like the Narmer Palette that showed the unification of Upper and Lower Egypt. Mastabas and pyramids were built to house belongings and ensure happiness in the afterlife. The Old Kingdom saw the rise of massive pyramids at Giza for pharaohs like Khufu. The Middle Kingdom era featured rock-cut tombs and statues of rulers like Senusret III. Notable structures from the New Kingdom include Hatshepsut's mortuary temple, Ramses II's temples, and Akhenaten's artistic changes during his religious revolution.
Chapter 2 – Near East
The document summarizes the origins and developments of early civilizations in Mesopotamia and the Near East. Key points include:
1) The Neolithic Revolution led humans to become farmers and herders in Mesopotamia, laying the foundations for civilization.
2) Major early civilizations like Sumer emerged, with city-states ruled over by different deities. Ziggurats and temples dominated sacred architecture.
3) Art evolved from early votive statues and cylinder seals to monumental sculptures and reliefs glorifying kings as civilizations like Akkadia and Assyria rose and fell in Mesopotamia.
Chap9 etruscans
The document provides information about the Etruscans, including that they were a fusion of immigrant and native populations in Italy who had an influence on Greek colonies and art in Italy. It describes early Etruscan art as being skilled at sea trade and reflective of trade, with Greco-Roman gods similar to Greek gods. Specific Etruscan temples and tombs from the 6th century BCE are discussed, noting architectural differences from Greek structures and the use of terracotta statues and reliefs.
Ch16 Europe after the fall of rome
Early medieval art in Europe between 400-1400 AD saw the decline of the Roman Empire and rise of new powers like the Huns, Vandals, Franks and Goths. Art during this period was used mainly to display status and wealth, as seen in artifacts like belt buckles, weapons and jewelry found in burials. Significant works included the elaborate ship burial at Sutton Hoo in England, decorated with gold and gems, and the carved animal head posts on Viking ships. Hiberno-Saxon art from the British Isles combined Celtic and Anglo-Saxon styles in illuminated gospel books featuring intricate patterns and carpet pages. Carolingian art revived classical Roman styles under Charlemagne in the 9th century, seen
Byzantine art
Byzantine art developed out of eastern Roman imperial art and reflected Christian religious themes. It utilized styles like mosaics, icons, and illuminated manuscripts. Major artistic periods included the Early Byzantine era featuring works like the Hagia Sophia and mosaics of Justinian and Theodora, the Iconoclastic controversy which banned religious images, and the Middle Byzantine period when icons were restored. Art was used to convey religious messages and assert political power in monumental church buildings and luxurious objects.
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Ch. 19 Gothic to Renaissance
- 1. Chapter 19 From Gothic To Renaissance
- 4. Berlinghieri – St. Francis altarpiece 1235
- 5. Pisano- pulpit of Pisa Cathedral baptistery
- 6. Nicola Pisano- Left ( The Annunciation and the Nativity 1259) Giovanni Pisano – Right ( The Annunciation and the Nativity 1297)
- 13. Duccio di Buoninsegna – Virgin and Child Enthroned( Altarpiece 1308)
- 17. Martini – and Memmi(?)