Dead space 3 sound design in computer games analysis work sheet
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The document analyzes and summarizes sound elements from two scenes in the video game DeadSpace 3. Field recordings were likely used for environmental sounds like snow, ice, and wind in the first arctic setting. Musical instruments like violins were used to set tense and ominous moods. Gunshot sounds could have been either field recordings or studio recordings for clarity. The narrative in the first scene involves a character searching for an unknown object, while the second urban scene provides context about the player character's backstory and introduces enemy factions through dialogue recordings.
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Dead space 3 sound design in computer games analysis work sheet
The document analyzes and describes the sound design of two settings from the game DeadSpace 3. Field recordings were likely used for environmental sounds like snow, ice, and wind in the first arctic setting. Music using real instruments like violins was used to set the tense and ominous mood. Gunshot sounds were probably field recordings or studio recordings. The narrative in the first setting involves a character searching for an unknown object. In the second urban setting, dialogue reveals relationship and military details, with "Unitologists" identified as enemies. All dialogue was likely recorded in a studio.
Brienna hick dead space 3 cutscene audio
The document provides an analysis of sounds from the video game DeadSpace 3 between timestamps 3:45 and 9:22. It summarizes that:
The initial sounds establish a cold, windy, snowy outdoor setting. Foley artistry was likely used for footsteps and crunching snow, while weather effects used field recordings.
The mood is built to be serious and threatening through slow, building violin music and actors' urgent, angry voices in dialog, illustrated further by gunshots and thrown objects. Musical instruments were likely recorded by an orchestra, while dialog and gun sounds used Foley artistry and voice actors.
The sound clips convey the genre as a survival/horror or sci-fi game,
Dead space 3
The document provides descriptions of sounds from the video game Deadspace 3 and analyzes the production techniques used to create the different sound elements. It summarizes that the opening sounds establish a cold, windy remote location through field recordings or foley work. Background music builds suspense and the genre is established as sci-fi through futuristic sound effects that were likely digitally created using MIDI. Voices were recorded in a studio with voice actors.
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The document summarizes the sounds used in different parts of the God of War 3 video game. It describes the crumbling rocks, rushing wind, and metallic clashing sounds were likely recorded outdoors, while the electrical sounds were computer generated or edited. It also states the shouting was recorded outside, the music was recorded in a studio, and the narrative was recorded outside or in a studio and edited.
Dead space 3 sound analysis
The document provides an analysis of the sounds used in a video game cut scene from DeadSpace 3. It describes how the sounds establish the setting as stormy and futuristic. The sounds create a cold and chilling atmosphere filled with danger, helping to set the mood. The audio reinforces the game genre as a futuristic shooter in open space. The sounds also help provide narrative and background story between characters. Field recordings, traditional instruments, and studio recordings were likely used to create specific soundtrack elements and establish the proper ambience, mood, and quality of sounds.
Dead space 3 sond desighn 1
The document provides an analysis of sound elements in a video game cutscene from DeadSpace 3. It summarizes the use of strong wind sounds and crunching footsteps in snow to set the scene in a cliffside location. It describes the confusing mood set by the winds with the addition of machinery sounds, breathing, shouting and character voices. The horror genre of the game is reflected in the loud, unsettling guitar-based music. Character voices sound as if they have done something terribly wrong and discuss saving a character from space, with voices changing as the situation develops.
Dead space 3 sond desighn
The document provides an analysis of sound elements in a video game cutscene from DeadSpace 3. It summarizes the use of strong wind sounds and crunching footsteps in snow to set the scene in a cliffside location. It describes the confusing mood set by the winds with the addition of machinery sounds, breathing, shouting and character voices. The horror genre of the game is reflected in the loud, unsettling guitar-based music. Character voices sound as if they have done something terribly wrong and discuss saving a character from space, with voices changing as the situation progresses.
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This document analyzes the sounds used in the opening cutscene of the video game Halo 2. It describes the sounds that establish the setting as possibly a factory or building due to an alarm sound and later explosions and gunfire, suggesting a war zone. It identifies lifts and aircraft sounds that indicate the character is in a building set in the future. The document states the mood is serious due to violent sounds of gunshots and explosions, and an emotional musical score. It suggests the game genre is a sci-fi first or third person shooter due to futuristic laser and gunshot sounds. The narrative involves humans fighting another clan on earth, as indicated by references to attacking and defending the planet.
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Dead space 3 sound design in computer games analysis work sheet
The document analyzes and describes the sound design of two settings from the game DeadSpace 3. Field recordings were likely used for environmental sounds like snow, ice, and wind in the first arctic setting. Music using real instruments like violins was used to set the tense and ominous mood. Gunshot sounds were probably field recordings or studio recordings. The narrative in the first setting involves a character searching for an unknown object. In the second urban setting, dialogue reveals relationship and military details, with "Unitologists" identified as enemies. All dialogue was likely recorded in a studio.
Brienna hick dead space 3 cutscene audio
The document provides an analysis of sounds from the video game DeadSpace 3 between timestamps 3:45 and 9:22. It summarizes that:
The initial sounds establish a cold, windy, snowy outdoor setting. Foley artistry was likely used for footsteps and crunching snow, while weather effects used field recordings.
The mood is built to be serious and threatening through slow, building violin music and actors' urgent, angry voices in dialog, illustrated further by gunshots and thrown objects. Musical instruments were likely recorded by an orchestra, while dialog and gun sounds used Foley artistry and voice actors.
The sound clips convey the genre as a survival/horror or sci-fi game,
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The document provides descriptions of sounds from the video game Deadspace 3 and analyzes the production techniques used to create the different sound elements. It summarizes that the opening sounds establish a cold, windy remote location through field recordings or foley work. Background music builds suspense and the genre is established as sci-fi through futuristic sound effects that were likely digitally created using MIDI. Voices were recorded in a studio with voice actors.
Ig1 task 2 god of war
The document summarizes the sounds used in different parts of the God of War 3 video game. It describes the crumbling rocks, rushing wind, and metallic clashing sounds were likely recorded outdoors, while the electrical sounds were computer generated or edited. It also states the shouting was recorded outside, the music was recorded in a studio, and the narrative was recorded outside or in a studio and edited.
Dead space 3 sound analysis
The document provides an analysis of the sounds used in a video game cut scene from DeadSpace 3. It describes how the sounds establish the setting as stormy and futuristic. The sounds create a cold and chilling atmosphere filled with danger, helping to set the mood. The audio reinforces the game genre as a futuristic shooter in open space. The sounds also help provide narrative and background story between characters. Field recordings, traditional instruments, and studio recordings were likely used to create specific soundtrack elements and establish the proper ambience, mood, and quality of sounds.
Dead space 3 sond desighn 1
The document provides an analysis of sound elements in a video game cutscene from DeadSpace 3. It summarizes the use of strong wind sounds and crunching footsteps in snow to set the scene in a cliffside location. It describes the confusing mood set by the winds with the addition of machinery sounds, breathing, shouting and character voices. The horror genre of the game is reflected in the loud, unsettling guitar-based music. Character voices sound as if they have done something terribly wrong and discuss saving a character from space, with voices changing as the situation develops.
Dead space 3 sond desighn
The document provides an analysis of sound elements in a video game cutscene from DeadSpace 3. It summarizes the use of strong wind sounds and crunching footsteps in snow to set the scene in a cliffside location. It describes the confusing mood set by the winds with the addition of machinery sounds, breathing, shouting and character voices. The horror genre of the game is reflected in the loud, unsettling guitar-based music. Character voices sound as if they have done something terribly wrong and discuss saving a character from space, with voices changing as the situation progresses.
Halo 2 analysis
This document analyzes the sounds used in the opening cutscene of the video game Halo 2. It describes the sounds that establish the setting as possibly a factory or building due to an alarm sound and later explosions and gunfire, suggesting a war zone. It identifies lifts and aircraft sounds that indicate the character is in a building set in the future. The document states the mood is serious due to violent sounds of gunshots and explosions, and an emotional musical score. It suggests the game genre is a sci-fi first or third person shooter due to futuristic laser and gunshot sounds. The narrative involves humans fighting another clan on earth, as indicated by references to attacking and defending the planet.
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It describes the setting as an ancient fantasy battlefield based on sounds of sword fighting and crowds. However, the name "Kupa Keep" and a line about the wizard king being cool create confusion about whether it is meant for children.
The mood is described as confusing due to the clash between the bloody battle sounds and childish elements.
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Presentation script
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This document provides information about Unit 62: Digital Video Production for Interactive Media. The unit aims to introduce learners to producing and using digital video for interactive media products. Learners will examine video technology, plan and create a video sequence, and prepare it for use in an interactive media product. The unit assesses understanding of digital video technology, devising a video sequence, shooting/sourcing assets, and creating a sequence following industry standards. Resources listed include textbooks, websites, and possible work experience.
Btec Unit 62 and 1 assignment 1
This document provides an assignment brief for a BTEC Level 3 qualification in Creative Media Production. Learners are asked to create a 30-60 second looping digital video advert for a fictional client, Fizzy Drink Inc, to promote their product online. As part of the assignment, learners must complete pre-production tasks including research, assigning roles, storyboarding, and documentation. They are also asked to create a newsletter outlining how digital video technology helps user experience across different delivery platforms. The tasks aim to develop learners' understanding and application of pre-production techniques and principles of digital video technology in interactive media.
Soundtrack production for the moving image
This document outlines a unit on soundtrack production for moving images. The unit aims to develop skills in acquiring original sound, using existing audio resources, and operating post-production software to produce soundtracks. It covers understanding relationships between sound and pictures, recording audio for moving images in various environments, devising soundtracks by planning components and intellectual property, and producing soundtracks by editing sound to picture and mixing sound sources.
Unit 11 analysis of scripts
The document summarizes and compares the format, content, narrative structure, genre, and target audience of four different media scripts: radio drama, news broadcast, short film, and TV comedy sketch. The radio drama script focuses on dialogue and sound effects with informal language. The news broadcast script is brief and factual. The short film follows a linear story from beginning to end. And the comedy sketch uses silly humor and sci-fi elements to make its audience laugh.
Sound design in computer games analysis work sheet - The Last of Us
The document analyzes the soundtrack of the game The Last of Us. It describes the setting of the imaginary game as a shadow temple or battle area with tropical instruments played. The mood starts quiet but builds tension with impacts and faster beats as the battle begins. Specific sound effects like hits were likely made with foley artistry or plugins. The narrative involves Ellie wanting to play an arcade game but it's broken, so Riley narrates an imaginary fighting adventure game for her using voice actors with some panning.
Nathan mather battle block theatre sound design in computer games analysis wo...
The document analyzes the sound sequence from the game BattleBlock Theatre. It describes how the sounds establish the setting, mood, and game genre through 3 key paragraphs. For setting, the sounds transition between being on a boat in the ocean to being on land. For mood, the sounds make the listener feel intrigued at first but then tense as the story takes a turn. For game genre, the sounds indicate a comedy/adventure genre through the humorous narrative. Production techniques like field recording, foley artistry, and recording voices in a sound booth were used to create the soundtrack elements.
Methods and Principles of Sound Design and Production
The document is a glossary produced by a student named Michael Williams for a unit on sound design and production. It contains definitions and examples of over 30 key terms related to sound design methodology, file formats, limitations, recording systems, MIDI, sampling, and more. For each term, Michael provides a short definition from an online source as well as how the term relates to his own production practice, such as using uncompressed files, WAV and MP3 formats, RAM, MIDI keyboards, software plugins, and setting sample rate and bit depth when rendering sounds.
Methods and principles of sound design and production
This document contains a glossary of terms related to sound design and production. It provides researched definitions for terms like Foley artistry, sound libraries, wav and aiff file formats, lossy compression like mp3, sound hardware like sound processor units and RAM, audio formats like mono, stereo and surround sound, recording systems like analog and digital audio tape, MIDI and software sequencers, and considerations for audio sampling like bit depth and sample rate. For each term, the student provides a short definition from an online source, and reflects on whether and how the term relates to their own production work.
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Unit 73 ig1 assignment computer game audio cut sequence production 2013_y2
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Sound design in computer games analysis work sheet - The Last of Us
Sound design in computer games analysis work sheet - The Last of Us
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Methods and Principles of Sound Design and Production
Methods and Principles of Sound Design and Production
Methods and principles of sound design and production
Methods and principles of sound design and production
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Dead space 3 cutscene analysis
The document provides an analysis of sound design techniques used in three scenes from the video game DeadSpace 3. In the first snowy scene, ambient wind and snow sounds establish the isolated winter setting. The second public space scene features broadcast sounds and vehicle engines. The third interior scene includes personal phone dialogue and papers being shuffled. Foley artistry was likely used to recreate footsteps and gunshots, while vehicles sounds were probably digitally created. String instruments set a tense, dark mood. The sci-fi and action elements indicate the game's genre. Dialogue reveals a plot involving danger to Earth and a mission the main character is forced to undertake.
Dead space 3 analysis work sheet 1
The document analyzes sound elements from the DeadSpace 3 game soundtrack between 3:45 and 9:22 minutes. It identifies the setting as outdoors in the future based on wind, snow, and robotic walking sounds. Field recordings and foley artistry were likely used to create these setting sounds. The mood is described as nervous and courageous based on the soldier's radio dialogue and orchestral music. Only musical instruments were used to set the mood. The game genre is identified as adventure and action based on the orchestral music during a mission briefing. Musical instruments and studio recordings were used to portray the narrative and genre.
Ig1 task 2 analysis work sheet
The document analyzes sound design elements in the first two scenes of the game DeadSpace 3. In the first scene, field recordings of winds and snow were likely used to establish an isolated, arctic setting. In the second scene, vehicle sounds imply an indoor location in a city. Music and dialogue were used to create moods of confusion, loneliness, tension, anger and frustration. The game genre is described as a sci-fi shooter with horror elements, driven by a narrative focused on finding something important to humanity's survival. Field recordings and studio recordings were used for sound effects and dialogue to advance the plot.
Sound design in computer games dead space
1) The ambient sounds in the video establish a setting that is either a very snowy place or near an ocean, as footsteps can be heard crunching in snow or on waves hitting rocks, along with a loud, strong wind and the sound of cracking ice.
2) The mood created by the intense music building in volume creates suspense, added to by the sound of gunshots.
3) Based on the sounds and suspense, the game genre is likely a horror/survival game or an action game.
Nathan mather dead space 3 sound design in computer games analysis work sheet
The document provides analysis of a sound sequence from the video game Dead Space 3. It summarizes the setting, mood, genre, and narrative established by the sounds. For the setting, strong winds and crunching snow sounds create the impression of a barren, snowy outdoor area that later changes to indoor city sounds. The mood of confusion is created by mysterious background music from a studio orchestra combined with field recordings and foley artistry in the sound effects. The genre is described as a horror/action adventure game based on the intensity of the orchestra music and narrative cues from the characters' voices. Regarding narrative, the emotions in the characters' voices change from confused to urgent to panicked and proud and then angry, creating
Ig1 task 2 analysis worksheet dead space
This document provides descriptions of sounds used in the video game DeadSpace 3. It analyzes sounds that establish the setting as a snowy, windy desert-like location on a different planet. Moods within the game are conveyed through scary, nervous, fearful, and dramatic music that changes based on the intensity of scenes. The game genre is identified as a sci-fi, space-themed action adventure game that contains violent and brutal scenes depicted through gunshot sounds and shouting voices. Narrative elements such as script, dialogue and story are advanced through sounds of people talking and noises of movement like crunching snow.
Ig1 task 2 analysis worksheet.
This document provides descriptions of sounds used in the video game DeadSpace 3. It analyzes sounds that establish the setting as a snowy, windy desert-like location on a different planet. It describes the mood as scary, nervous, and dramatic, achieved through ambient sounds and music recordings using instruments. It identifies the game genre as a sci-fi, space-themed action-adventure game that includes violent and brutal scenes conveyed through gunshot sounds and shouting voices. It notes that narrative, script, dialogue and story are communicated through people talking over radios while background sounds of snow crunching are heard.
Brienna hick the last of us cutscene audio
The audio establishes an enclosed indoor setting through lack of echo in dialogue and background noises. The setting then changes to an imagined ancient area conveyed through dialogue and percussion-based music. The dialogue was likely recorded in a studio with actors and microphones, while background noises may have been Foley artistry or field recordings. The music uses percussion to set a fast-paced, exciting yet dangerous mood that builds the imaginary setting. Swords clashing and other fight sounds suggest the game genre is an RPG or fighter due to actions in the imagined section, with these effects created through Foley artistry. The narrative is clear from dialogue describing actions and sound effects of swords clashing during fighting.
Ig1 task 2 analysis work sheet 2
The document provides analysis of sounds used in the game Deadspace 3 between timestamps 3:45 and 9:22. In the first location, heavy wind blowing and snow crunching sounds establish an open, high-wind mountain setting. In the second location, sounds of ships and advertising establish a busy futuristic city. Most environmental sounds were likely field recorded and edited for placement in the game. String instruments and an orchestra were used to create a dark, creepy, and intense musical mood. Modified engine noises and gunshots give the game a sci-fi feel and were likely field recorded and edited. Character voices with military terminology and fear/worry imply a huge hopeless battle and were recorded in a sound booth then edited for clarity
Dead space 3 sond desighn 1
The document provides an analysis of sound elements in a video game cutscene from DeadSpace 3. It analyzes the sounds that establish setting, mood, game genre, and narrative. For setting, strong winds and crunching footsteps in snow are described. For mood, confusing sounds at first like winds and machinery then breathing and shouting are noted. For game genre, voices, breathing, gunshots and horror music style indicate an action/horror genre. For narrative, the voices of three men discussing saving a character named Ellie from space are described.
Meet the Pyro
1) The opening sounds establish a battlefield setting with burning sounds, breaking glass, and spent rounds clattering, alluding to a fire/flame-based character. Wooden doors being broken creates the image of a small wooden village or town.
2) The mood music has a slow beat and low pitch, creating anxiety and fear, while hissing sounds add to the sense of fear of the unknown. After the characters speak, the surreal baby-esque sounds and music contradict their descriptions, changing the mood.
3) The narrative from the characters shows they fear and refuse to acknowledge the Pyro, seeing it as inhuman and imagining dreams of chronic cruelty, showing their discomfort around it.
Ig1 task 2 analysis work sheet 2
The document provides an analysis of sounds used in the video game Deadspace 3 between timestamps 3:45 and 9:22.
It describes how field recordings of wind and snow were likely used to set the open and creepy setting. Orchestral strings and instruments were used to create an intense and dark mood.
Modified engine and gunshot sounds edited with software help establish the sci-fi genre. Character voices recorded in a sound booth were edited to sound worried and fearful, furthering the narrative.
Cod ghosts analysis
The document analyzes the sound design of the Call of Duty: Ghosts trailer. It discusses the production techniques used to create different soundtrack elements for setting, mood, and game genre. Microphones were used for voiceovers and soundproof rooms were used for voice recordings. Instruments and sound editing software were used to add mysterious music and create sequences with the right tones and pitches. The narrative of the game and scenarios are clearly described through the sounds used.
Ig1 task 2 analysis work sheet
This document provides an analysis of sounds used in the cut scene for the video game DeadSpace 3. It describes the sounds used to establish the snowy setting, including wind sounds and footsteps crunching in the snow. It notes that field recordings were likely used to create the ambient snow and wind sounds. The mood is described as anxious, scared, and confused at first, and then scared with a serious dramatic musical score. The genre is identified as sci-fi and action/adventure based on sounds of aircraft and spaceship doors. Software like MIDI is suggested to have been used to create the sci-fi sound effects. The narrative involves two people talking over a satellite phone with no signal in the snow before meeting another person and
Sound design in computer games bioshock infinite
The document summarizes the analysis of sound elements in a video game soundtrack. It identifies production techniques used to create specific sounds through three paragraphs:
1) Field recordings or MIDI boards were used for ocean waves and footsteps, while Foley artistry created rainfall sounds.
2) An acoustic orchestra produced the varying sinister and calm background music.
3) Field recordings or MIDI boards created ambient wind sounds. Dialogue was likely recorded in a studio to be clear and high quality.
Another world cutscene analysis
This document provides an analysis of sound effects and music used in the cutscene introduction of the video game Another World: 20th Anniversary Edition. It analyzes three different settings depicted by the sounds, including Lester arriving by car at an outdoor lab, traveling by lift indoors, and entering a main lab room. Production techniques like foley artistry and synthesisers are identified. The mood set by the suspenseful synthesized music is described. Based on the sci-fi and machine-like sounds, the game genre is identified as sci-fi adventure. The narrative progression is summarized through the sounds of doors, lifts, machines, and a climactic explosion.
Sunset overdrive
The document provides descriptions of sounds from the video game trailer Sunset Overdrive and analyzes the possible production techniques used to create the sounds. In 3 sentences:
The trailer establishes a city setting through sounds of trains and crowds that were likely field recorded or used foley artistry. Upbeat, loud music builds tension and conveys panic, possibly recorded with live musicians. Various sounds like gunshots, police sirens, and monster roars suggest an action/adventure genre and may have been field recorded or used foley artistry and digital enhancement.
Sound design in computer games shadow of mordor
This document provides analysis of sound elements in the video game Middle Earth: Shadow of Mordor. It examines 4 different aspects:
1) The setting features footsteps to indicate an outdoor dirt path, and the sound of many footsteps together to represent an approaching battle. These were likely created using foley artistry or studio recordings.
2) The mood is intense due to building dramatic music and angry voices, establishing this as a fighting game. The music was likely created digitally rather than with acoustic instruments.
3) The game genre is a role-playing game related to The Lord of the Rings, as evidenced by voices of characters from that lore. These distant voices were edited recordings.
4
Deadspace analysis
The document analyzes the soundtrack of the video game Dead Space 3 from the time period of 2:45 to 7:12. It describes the setting as a windy, snowy area with futuristic technology. Field recordings of wind and snow were likely used, along with VST effects for mechanical sounds. An eerie ostinato of a string quartet was used from 2:45 to 5:16 to make the player feel uneasy. The game genre seems to be horror based on the worried dialogue of characters, creating suspense. Voice actors would have recorded dialogue in a controlled booth, as the cut scene contains no narration.
Ig1 task 2 analysis work sheet mass effect
The document provides descriptions of sounds from the game Mass Effect 3 to analyze production techniques. It summarizes that:
1) The opening sounds of a spaceship in slipspace travel and mention of approaching the Sol Relay indicate the scene takes place in the solar system.
2) Most sounds were likely created digitally using software and foley artistry.
3) The hopeful, victorious music creates a mood that a big fight is about to happen. Orchestral instruments like violins were probably used.
4) Sounds of lasers, spaceships, and mentions of fleets suggest the sci-fi genre. Software was used to record and edit laser sounds.
5) The
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I imported a new sound file called "explosion3" into Gamemaker by right clicking Sounds, selecting Create Sound, naming the file, and selecting the sound file. I then edited the code for the player and enemy explosion objects to play the new sound by clicking on the objects, selecting Create, and replacing the previous sound name with "explosion3" on the last line of code.
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Dead space 3 sound design in computer games analysis work sheet
- 1. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games Game Title DeadSpace 3 https://www.youtube.com/watch?v=nUgrIBqFHY43:45 - 9:22 Provide detailed descriptions from chosen examples that establish… Clearly state what production technique(s) you think have been used to create specific soundtrack elements Setting The firstsettingseemstotake place inan arctic location,because the soundof crunchingsnowand crackingice can be heardat pointsinthe scene. The locationalsohas incredibly strongwinds,whichcouldmeanit’sinanisolated location.Whentryingtocommunicate,there seemedtobe alot of static,which reinforcesthatidea. The secondsettingseemstobe inan urban location,because vehiclescanbe heard inthe background. Itis muchquieterthanthe firstsettingandthe soundof doors can be heard,whichcouldsuggestthatitis interior. Fieldrecordingswere likelyusedinthe first setting,forsoundssuchas the snowand ice,as well asthe strong winds. Mood The mood inthe firstsettingisone of both frustrationandconfusion. The musicin the backgroundisverytense.The maincharacter inthisscene soundsfrustrated whenhe sayshe doesn’tknowwhathe’slookingfor,anddoesn’tseemtoknow much aboutwhat ishappening. In the secondsetting,the dominantmoodisanger.Atone pointthe soundof papers beingshovedoff adeskcan be heard.There isalso a lotof violentlanguagebeing usedinthe dialogue,andpunchingisheard. There isalso a sense of impendingdoominthe firstsetting,becausethe musicis low,andthe charactersseemto be ina hurry. The music usedtoset the moodsforthe settings wouldhave beendone usingreal musical instruments,like the violins. Game genre The game seemstobe Sci-fi,because ata pointin the firstsetting,there ismention of Earth and Colonies.The vehiclesinthe secondscene alsoseemtobe hightech,as well asa roboticvoice for a messagingsystem. The game isalsolikelyashootergame,because gunshotsare heardmultiple times duringthe scenes. It isvery story-driven,since mostof the informationgiventothe playeristhrough dialogue. The gunshotsoundswasmost likelyafield recording,althoughitcouldhave beenastudio recordingtoofor cleareraudio.
- 2. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games Narrative The narrative/storyof the firstsettingappearstobe a search forsome sort of object.“Didyoufindit?”“Findit? Doc, I don’tevenknowwhatwe’re lookingfor.” It seemedtobe an objectof greatimportance at the time,andis the focusof this scene. In the secondsetting,amessage isplayedfor‘Isaac’,whichisassumedtobe the playercharacter.It isa womantellinghimshe needsto‘move on’,whichlikely meanstheywere ina relationshippriortothe scene.Later,there are some men speakingtoIsaac.They speakin a verystrict manner,whichcouldmeanstheyare soldiers.Itisheardthat “The Unitologistshave breachedthe innerconcourse”, whichsuggeststhe ‘Unitologists’are the enemyof the game. All of the dialogue inbothsettingswouldhave beendone ina studiorecording,tomake sure the voicesare clearand easyto hear.