Arctic monkeys digipak analysis
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The Arctic Monkeys album cover features a black and white photo of a man with a casual, laid-back style smoking a cigarette to portray the band's indie, reckless attitude. Details like the cigarettes stubbed out on the CD, the man's beard, and the angled logo match conventions of the indie genre and the album's anticipated, rough-around-the-edges sound. While minimal text and an untidy feel present the album's simple style, continued themes of smoking and tiredness across the front and back covers hint at an ongoing struggle with addiction.
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Digipk analysis
The document analyzes the digipak designs of several albums, including Blink-182's "Take Off Your Pants and Jacket", Gorillaz's "Demon Days", Foo Fighters' self-titled debut, Fun.'s "Some Nights", and Rihanna's "Loud". For Blink-182, the digipak used three different CD designs to encourage multiple purchases. Gorillaz depicts each band member equally until opening to reveal the lead singer. Foo Fighters' plain design aims to focus attention on the music. Fun. uses bright colors and band images to stand out as a then-unknown group. Rihanna's close-up portrait is a conventional choice to
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Digipack for Media
Digi packs are cardboard packaging with an inner plastic holder for a CD. The front displays aspects of the artist and teases the album's portrayal. The imagery relates to the album's lyrics and themes. Although CDs are declining, true fans purchase digipacks as a show of loyalty to the artist.
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The Neighbourhood's 'Wiped Out!' album cover has a black and white aesthetic with foggy street scenery. It features the band's logo prominently and uses their signature black and white style throughout. The inner artwork continues this theme with a pixelated photo and boat imagery possibly representing California, where the band is from. The back cover repeats the street photo in a hazier version and lists the songs in white text with black highlight. The album's artwork fits the band's alternative pop rock style and maintains a consistent mysterious atmospheric theme through its design.
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Media Second Advertisement Analysis
The document describes a band's promotional image that advertises their new singles and album. The band's name is displayed prominently at the top in their signature font. The title of their new single is shown to the left in a messy font indicating their rock genre. Small images and details of the new singles are shown at the bottom left, along with formats they will be available in. Less important information like song listings is placed in smaller font at the bottom, along with the record labels' logos. The main album image is smaller at the bottom as the focus is on promoting the new singles.
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The band's name is centered on the cover to make the album recognizable. They also cleverly named the album after themselves to make it easier for audiences to identify.
By not including pictures of themselves, the cover represents the band's message that audiences should judge them based on their music rather than their image. This simplicity also introduces audiences to the style of their hidden and interpretive lyrics.
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1. The Black Keys - El Camino uses an orange-tinted photo of a car to represent the album's Spanish name and origins. It features the car centered in the frame with equal space above and below. The cover subverts genre conventions to brand the artist as unconventional.
2. Gorillaz - Gorillaz features a camouflaged car on a white background to catch attention. It is positioned as driving toward the viewer. The cover follows alternative hip hop conventions while subverting bright electronica styles. This brands the artists as curious and unseen.
The 1975 analysis completed
The album cover uses a greyscale color scheme with black and white contrast to represent the band's dark musical themes. The prominent black suggests their music covers topics like lost love and childhood upset. The lit-up band name draws attention as their debut, suggesting they are breaking through the music scene.
The band's name is centered on the cover to make the album recognizable. They also cleverly named the album after themselves to make it easier for audiences to identify.
By not including pictures of themselves, the cover represents the band's message that audiences should judge them based on their music rather than their image. This simplicity also introduces audiences to the style of their hidden and interpretive lyrics.
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The album cover features a surreal image of a boy on the front that links to the music video for the title track. The band name and album title are displayed minimally at the top in a slick black font. The back cover displays the track listing, a photo of the band members walking away with an American flag, and information about the band. The CD inside continues the album's blue color theme and displays the band logo and production company logos and credits around the edge. Overall, the design ties the album visually to the music video and stylistically promotes the band's logo and style in a consistent, alternative fashion.
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4) Haim's "Days Are Gone" has
The 1975 digipak analysis
This digipak album cover uses a simple black and white color scheme throughout to appeal to indie music fans. The front cover stands out with the band's name lit up, while maintaining a vintage font. Inside, legal information and track listings continue the theme. On the back, a different font is used for readability. Folding out the inside reveals a casual black and white band photo, matching their laidback style. Overall, the consistent minimalist design portrays the band and genre in an eye-catching yet familiar way.
Digipak Research..
This document summarizes and analyzes the album covers of four different bands: Echosmith, The Neighbourhood, Bastille, and Haim. For each band, it describes visual elements of the album covers like colors, images, text, and layout. It also analyzes how these visual choices relate to the bands' images and intended emotions or messages for the albums. Key details like symbols, characters, and backgrounds are discussed in order to understand the overall themes or feelings conveyed by each album cover design.
Indie digipaks
The document analyzes conventions seen in the digipak designs of two indie albums: The Killers' "Sam's Town" and Arctic Monkeys' "Whatever People Say I Am, That's What I'm Not". For both albums, the designs feature masculine, black and white photography with minimal text. Repeated imagery and an unusual animal symbol help build The Killers' brand identity. Arctic Monkeys' design emphasizes a close-up of the singer to generate hype, with simple imagery and minimal focus on visuals or text to give a homemade, rebellious feel. Both albums' designs portray conventions of the indie genre through their masculine, minimalist aesthetic styles.
Album cover
The document provides details about two album covers. For the first album "Brothers" by The Black Keys, it notes the simple front cover design with text describing the band and album. It analyzes the color scheme and font used. For the second album "More Than Just a Dream" by Fitz and the Tantrums, it describes the front cover image of a heart-shaped neon light in the woods and relates this visual to the album title. It also examines the relationship between the image and text on both album covers.
Digipak
Paramore released their second album "Riot" in 2007 featuring hit songs like "Misery Business" and "CrushCrushCrush". The album cover depicts the band in a cartoon-like, black-and-white style from above, reflecting the album's punk theme. Text on the cover including the album title is in a bold, capitalized handwritten font to emphasize the idea of a riot. The CD and back cover continue this theme through repetition of the word "riot" and a similar black-and-white aesthetic.
Digipak analaysis
The document analyzes and summarizes the cover art, packaging, and visual style of several albums. It discusses elements like the front and back covers, CD art, booklet images, and posters. Key points made include how various albums convey a casual, urban style through imagery of smoking and trash or use simplistic, minimalist design to reinforce the band's image. Color schemes, fonts, and photographic styles are also described as reflecting the mood or themes of the albums.
Digipak 2
The document analyzes and summarizes the album artwork for Paramore's "Riot" album and The Script's "Science and Faith" album. For Paramore's album, the typography and imagery emphasize themes of danger, darkness, and rebellion. The artwork ties the album, CD, and back cover together through a consistent style. For The Script's album, the front cover features the band members and simple logo/typography, while the back cover has a differing religious theme. Imagery throughout ties to the album's title alluding to its themes.
The kooks digipak analysis
The digipak for The Kooks album utilizes a black and white color scheme with hints of red throughout, conveying an indie rock genre. While the band members' faces are not shown on the front cover, their inclusion is an unconventional choice for indie bands. Inside, photographs show the band making their music and capture their casual style. The CD features the album title in block letters that overlap across the disc, intentionally linking to its indie aesthetic. Consistent monochrome imagery and a simple, readable font throughout the digipak tie the design together cohesively in a manner fitting for the band's desired indie image.
Case studies
The album cover for Ed Sheeran's "+" album uses a minimalist design with an orange, black and white color scheme. The front cover features a close-up photo of Ed Sheeran's face without a smile or expression. There is no text other than the "+" symbol, which is meant to represent the album's title. The back cover and inside sleeve continue this simple design and color scheme, focusing on the music rather than images or text.
Digipak analysis 1
This document analyzes and summarizes the packaging design and artwork of several albums from different artists. It discusses elements like the use of illustrations versus photos, color schemes, font styles, inclusion of track lists and additional features. Across albums from Linkin Park, Florence and the Machine, Red Hot Chili Peppers and 30 Seconds to Mars, common conventions like relating the design to the music style and promoting the artists are discussed.
Digipak
The album art and poster for the band's 2007 album "Riot!" featured a consistent orange hand-scratched font for the album name that became a trademark visual element. The album cover showed the band from above against a white background, while the poster lacked the busy background to draw more attention to the band image. Both the album and poster emphasized the band members and album name through visual elements and font choices to clearly link the two promotional items and center attention on the band.
Media Studies: Cavalier Youth Digipak Analysis
This document analyzes the design elements of the digipak for the album "Cavalier Youth" by the band You Me At Six. Key elements discussed include the placement of the barcode, the band's name and logo displayed prominently on the front and spine for branding purposes. Inside, photos from recording sessions in LA give fans insight into the album's production. Design choices like the lighter color scheme and simpler track listing reflect the band's maturation compared to past albums.
Research into digipaks
The document discusses and analyzes the digipak album covers of several indie/alternative bands, including Bastille, The 1975, and Arctic Monkeys. It notes common design elements across the covers like the use of dark, moody imagery and color schemes; simplistic yet distinctive graphics that represent the bands' styles; and photos that convey a sense of realism or mystery. The analysis concludes that successful indie digipaks emphasize themes of surrealism and rebellion through their visuals while maintaining a simple, cohesive aesthetic.
Tanya's Digipak
The document discusses the album art, packaging, and promotional strategies for several albums. It describes elements like the album covers, posters, fonts, and color schemes used, noting where they are consistent across materials or reference the band's style. Details like images of band members, tracklists, and phone numbers used in promotions are summarized. The minimal or intricate designs, as well as illustrations relating to song themes, are emphasized as unique identifying traits for the bands.
Analyzing digipaks
Analysis of Digipaks of the metal genre which includes albums of Black Sabbath, Iron Maiden and Judas Priest.
Album analysis 2
This album cover for Arctic Monkeys' album "Whatever People Say I Am, That's What I'm Not" features a close-up image of a man smoking. The smoking image suggests the band is not afraid to be controversial and helps create a grungy, rock theme. The cover's minimalist design with only the band's name complements the indie rock genre. The man's rugged appearance representing a working class persona ties to stereotypes of indie rock band members and appeals to a wide working class audience.
Generic conventions of r&b digipaks
The document discusses conventions of R&B album digipak covers. It provides examples from several albums and analyzes aspects like the use of the artist's image, colors, fonts, and inclusion of track lists or lyrics. Common conventions highlighted include prominent display of the artist's name or image, bold colors like black, gold and red, minimal or revealing clothing on the cover, and consistency in design elements across the front and back covers.
Researching cd covers for digipack ideas
The document discusses and analyzes the cover designs of several music albums. It examines elements like the artist/album title placement, imagery used, color schemes, and consistency between the front and back covers. Key points analyzed include how the covers represent the artist's brand, genre of music, and theme of the album. The purpose is to understand how cover design conveys information about the music to attract audiences.
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Evaluation question1 media studies A2
The document discusses conventions in indie music videos and how the author both followed and challenged conventions in their own music video. Some conventions discussed include bands wearing casual clothing, using minimal props, incorporating various camera angles and editing techniques like thought beats. The author also discusses how they incorporated conventions but added their own flair, like using bright colors. They summarize how they approached elements like the digipak, poster, and website design in a way that both referenced conventions and added their own personality.
Media studdies posters info
This document discusses different styles of posters used by indie bands to advertise albums and tours. It analyzes posters for several bands, including Kings of Leon, Arctic Monkeys, Modest Mouse, and Of Montreal. The posters range from simple black and white designs that match album artwork to more animated and colorful styles. Based on the research, the author decides their poster for an indie band will take a laid back approach like Kings of Leon but include vibrant colors inspired by posters like Modest Mouse, coordinating with the style used in their music video and album packaging.
Catfish and the bottlemen website analysis
The Catfish and The Bottlemen website homepage features their latest music video and options to buy music, follow their social media, and sign up for their mailing list. The website uses a black and white color scheme and prominently displays the band's logo and photos. Key pages allow fans to view the band's tour dates and videos, read lyrics, purchase albums and merchandise, see tour diary videos, and contact the band's management. The website aims to connect fans to the band through behind-the-scenes content and a casual, indie style.
Vampire weekend website analysis
Vampire Weekend is an American indie rock band formed in 2006 in New York City. The band consists of Ezra Koenig, Rostam Batmanglij, Chris Tomson, and Chris Baio. They have released three studio albums between 2008-2013. The document analyzes the band's website, noting its simple black and white design. The homepage advertises their new album and features music videos. Other pages include news, their shop, tour dates, contact information, lyrics, and links to social media.
Editing process
The document describes editing a music video using Premiere Pro. Key steps included chopping clips to match lip syncing, using black and white effects, and creating a split screen with colored sections for each band member. Transparent colored titles were used and became a theme. Shots were matched to the pace, lyrics and instruments of the song. A variety of shots from different angles and perspectives were used to keep the audience engaged. Speed effects like slow motion and fast cutting helped create climaxes and kept the pace changing.
Muscial equipment
The musical equipment needed for a music video includes a drum kit with the band's name on it, two guitars, and amplifiers for the guitars. A microphone and stand are also required for the lead singer.
Representation in my music video
The document discusses representation in an indie/indie rock music video. It notes that indie music videos typically portray the band in a casual, laid back manner playing their instruments. Narrative indie music videos often focus on representing youths and may show struggles or illegal activities to follow conventions of the rebellious band image. The author's music video is performance-based, showing the cheeky and laid back style of the band to appeal to its target audience of young males and females.
Shooting schedual
This document contains a schedule for filming a music video over 5 weeks from January 20th to February 27th. It details the equipment, clothing, lighting, and locations needed for each shoot on various days. Different colored shoots are planned for each week in the studio and on location, including yellow, orange, green, red, and pink. The studio will be decorated with black and white posters and plastic sheets will be used for some shoots involving powder paint.
Focus group
The document discusses two potential music video ideas for an indie genre band. Idea 1 is a performance-based video showing the band in both studio and on-location shots, with influences from The 1975. It would include black and white filming with pops of color, different editing techniques, and powder paint effects. Idea 2 has a narrative storyline depicting a toxic relationship, with scenes of arguments and the couple drinking/smoking to portray indie conventions. It would incorporate natural color and black and white, as well as slowed/sped up footage. Both ideas include close-ups of band members and shots of the full band.
Locations for my music video
The document outlines the locations that will be used for a music video. It includes shooting handheld footage of the band shopping and messing around at a local outlet mall, as it will look nice during that time of year and is close to school. Additional filming will take place in a car on the way to the outlet mall, as well as in the school's green screen studio with different backdrops, including a white sheet and newspapers. The goal is to use simple, realistic locations that fit within conventions of indie music videos.
Equipment, mise en scene, props
The document outlines the equipment, props, and mise-en-scene needed for a music video, including a Canon D1100 camera, tripod, SD card to record footage, 4 plain white t-shirts for a paint scene, a plain white cloth for black and white and plain scenes, powder paint for one scene, colorful vintage clothing for studio scenes, shooting in both a studio and on location, and editing some background shots to bright colors.
Focus group feedback
The document summarizes feedback received from a focus group about two ideas for a music band. Most people preferred idea 1 over idea 2, but also liked the poster background studio from idea 2, so the creator will combine those elements into idea 1. Feedback on the band name differed, so the creator will make their own choice later. The style will include colorful vintage clothing and a casual look to achieve an indie feel. Comments suggested combining elements of both ideas, using a split screen color idea, and merging black and white with color.
Album cover analysis
This document analyzes and summarizes several indie album covers. It notes that Jamie T's "Panic Prevention" album cover features a chaotic image that contrasts with the album title and matches his musical style. The Does It Offend You, Yeah? album depicts a working class setting that matches the style promoted by indie bands. It also notes that Arctic Monkeys features council houses, promoting an indie style. For Bastille, the cover does not include the artist's face, showing a man running away which could represent escaping life, linking to the album's dark themes. Both the title and band name use triangles instead of As, a common indie experimentation.
Nme magazine alaysis
The document analyzes how an indie band is portrayed in the music magazine NME. NME focuses on promoting new and indie bands. Photos on the cover generally feature the lead singer of male-fronted bands. This particular cover photo shows Liam Gallagher of the band Oasis. The font, color scheme, and design of NME are aimed at younger readers and follow conventions of how indie bands present themselves with plain black, white, and red colors and fonts.
Album covers mood board
Indie album covers tend to focus on images or text rather than showing the band, use natural black and white color schemes rather than being over the top, and if a band is depicted it is usually in black and white.
Research into record labels
This document discusses several major record labels and their artists. Syco Music is based in London and Los Angeles, and has exclusive rights to sign winners of The X Factor and Got Talent shows. It has had significant commercial success in the UK. Virgin Records was founded in 1972 and represented major artists like the Spice Girls. Polydor Records operates as part of Universal Music Group and has represented artists like Girls Aloud, Ellie Goulding, and Lana Del Rey. The document also notes that some indie bands, like Arctic Monkeys and Imagine Dragons, gain popularity through self-released music before signing with record labels like Domino and Interscope Records.
Record labels
Record labels use independent distributors to ship records from manufacturers to retail stores on a consignment basis. Major labels have their own branch offices that distribute regionally. Promoting records through radio play, music videos, and social media is important for commercial success. Social media allows labels to monitor buzz around releases, identify influential fan communities and bloggers, and partner with brands for sponsorship opportunities to reach new audiences.
The 1975 sex video analysis
This document analyzes the conventions used in an indie music video for the song "Sex" by summarizing the key points:
The video follows several conventions of indie music videos by showing the band setting up and using a handheld camera. It is a pure performance-based video that focuses on showing the band playing their instruments without a narrative.
The video also adheres to Goodwin's theory of highlighting the star image by using close-up shots of the lead singer. Archer's theory of using camera techniques like close-ups of band members is followed as well.
Finally, the video matches conventions in its genre through the band's dark clothing, background posters, and serious facial expressions that immerse them
Indie rock target audience
The target audience for indie rock music is male students aged 16-23. While some female fans enjoy indie bands, the genre tends to attract more male listeners, possibly because the bands are usually made up of young men whose lyrics relate to male experiences. Indie rock fans are likely to be white British students who dress individually, own band merchandise, have seen live shows, enjoy socializing with friends, immerse themselves in music, and possibly play instruments.
Questionarrie findings
The document summarizes the findings of a questionnaire about preferences for indie music videos. It found that males tend to like indie rock more than females, with the target audience being between ages 16-23. Most respondents wanted to see both a performance and narrative theme in an indie music video. Black and white or bright colors were preferred editing styles. The audience also felt the band should wear all black or vintage clothing. The main target ethnicity was found to be White British.
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Arctic monkeys digipak analysis
- 2. This is the front cover of the album ‘Whatever people say that’s not what I am’ by indie band Arctic Monkeys. This CD cover does not say the name of the album on something unusual for an album cover. Front cover The character of the album cover has a laid back feel to him alongside his casual clothing linking in with conventions of the genre and the title of the album itself. The person on the front is also smoking. Smoking is associated with being cool something indie bands want to appear as. The band name is shown in the album making it stand out. The bands Logo is placed on the album at an angle linking with the bands reckless attitude. The black and white style matches the conventions of an indie band and shows the rough and ready style of an indie band. The character on the album also has a beard making him look slightly rugged again linking with the indie genre and the title of the album.
- 3. Once again this image is black and white linking back to the conventions of the genre. The use of cigarettes in on the CD add the reckless feel of an Indie Band. The fact the cigarettes are all stubbed out and smoked adds to the rugged feel the band are trying to portray. The CD The shape of the CD could symbol an ashtray and the amount of cigarettes burnt could suggest how long the band worked on the album as the album was much anticipated by fans. With the man smoking on the front and the many cigarettes on the CD - this could represent a character and his ongoing addiction.
- 4. Back of Album The 13 tracks are stated in the order they play in but are not numbered this could add to the simple untidy feel of the album. The white text stands out against the black background and the style of text is simple and easy to read. The picture is the same person as on the front again with a cigarette showing a continuations/theme throughout the album as a whole. He is in the same clothing but in this photo he is rubbing his eyes suggesting tiredness, this could also link in with the addiction theme showing the struggles of a young man.Like all albums this one has the record information and bar cove on the back. The spine of the album is where we finally see the album title, something unique for an album – something indie bands aim to be. The font is again in white and the same style to the track list giving the album a overall flow.