The 1975 sex video analysis
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This document analyzes the conventions used in an indie music video for the song "Sex" by summarizing the key points: The video follows several conventions of indie music videos by showing the band setting up and using a handheld camera. It is a pure performance-based video that focuses on showing the band playing their instruments without a narrative. The video also adheres to Goodwin's theory of highlighting the star image by using close-up shots of the lead singer. Archer's theory of using camera techniques like close-ups of band members is followed as well. Finally, the video matches conventions in its genre through the band's dark clothing, background posters, and serious facial expressions that immerse them
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Music video conventions
The music video portrays the artist as a gang leader followed by members wearing drooping jeans and jewelry signifying they are rappers. This depicts how rappers in the streets look tough with friends. The swearing in the lyrics matches the swearing in the video. Most shots are medium close-ups to see hand gestures during signing. The video takes place in a backstreet with motorbikes and weapons where no one can pass, similar to Russian artist also featured. There is no performance, just hand swinging in the USA, which loves rap, behind a back garden.
My music video analysis
This document analyzes and summarizes three shots from the music video for the song "Ratchet-Bloc Party". Each section describes the shot/camera angles, music/lyrics, analysis of the genre and themes, and editing/transitions for one shot. The shots include close-ups, wide shots, and long shots. The analysis discusses the indie rock genre elements like dark backgrounds and gloomy expressions of band members. Editing includes transitions like replacing a head with a boot and slow motion.
Editing
The document discusses the genres, editing techniques, and camera shots used in music videos by Emeli Sande, Leona Lewis, Eminem, Lifehouse. It analyzes how the editing matches the pace and lyrics of songs. Close-ups are used to identify artists and show facial expressions. Tracking shots follow artists and crowds. Fades are used to transition between memories in Eminem's narrative video. Edits help set the mood based on whether the track is fast or slow.
Friths music video concepts
There are three types of music videos:
1) Narrative videos tell a story related to the song's lyrics, following five story structures: equilibrium, disequilibrium, recognition, reparation, and new equilibrium.
2) Conceptual videos create a mood or atmosphere similar to the song without a narrative story, like Two Door Cinema Club's "Are We Ready" video about old advertisements.
3) Performance videos simply show the artist or band performing the song, like Two Door Cinema Club's "Sun" video where they perform on a beach as people appear and disappear around them.
Media concept
The document discusses three types of music videos:
1) Performance videos feature the artist performing the song live on stage or dancing in another location relevant to the song. They can include only performance clips or a hybrid of performance and narrative.
2) Concept videos are based on a unique, unrealistic, or futuristic idea to visualize the song. Kanye West's video featured unusual abstract images in the background.
3) Narrative videos tell a story through a sequence of clips that may or may not literally depict the song's lyrics. J.Cole's "Power Trip" video narrates a journey inspired by love.
Music video analysis
This music video tells a narrative story that relates to the song's lyrics about heartbreak. The visuals show a boy in various situations with a girl, until another boy interrupts and the girl chooses him instead. Throughout the video, the music and visuals are closely linked, with cuts matching the song's flow. While there are no performances by the band shown, there are close-ups of the people in the narrative story. The video also uses the notion of looking at times, with shots of the boy and girl looking directly at the camera.
Conventions of music videos
Music videos use a variety of camera shots and movements to frame the artist and follow their movements. Editing is fast-paced and syncopated to the beat of the song, using jump cuts between shots of different scenes and locations within seconds. Mise-en-scene elements like lighting, props, costumes, and background settings are deliberately crafted to represent the genre of the song and promote the ideology or narrative through visually emphasizing the artist.
Filming techniques and inspiration
This document discusses filming techniques and inspiration for a music video. It describes various shot types, like long shots of the full band, close-ups of band members and their instruments, and medium shots from different angles. These shots will be used and cut together to match the timing and lyrics of the song. Inspiration is drawn from the video techniques in an All Time Low video, such as close-ups that focus on individual band members and draw in audiences. These shot types and techniques will be applied to the author's own music video filming.
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Music video conventions
The music video portrays the artist as a gang leader followed by members wearing drooping jeans and jewelry signifying they are rappers. This depicts how rappers in the streets look tough with friends. The swearing in the lyrics matches the swearing in the video. Most shots are medium close-ups to see hand gestures during signing. The video takes place in a backstreet with motorbikes and weapons where no one can pass, similar to Russian artist also featured. There is no performance, just hand swinging in the USA, which loves rap, behind a back garden.
My music video analysis
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Editing
The document discusses the genres, editing techniques, and camera shots used in music videos by Emeli Sande, Leona Lewis, Eminem, Lifehouse. It analyzes how the editing matches the pace and lyrics of songs. Close-ups are used to identify artists and show facial expressions. Tracking shots follow artists and crowds. Fades are used to transition between memories in Eminem's narrative video. Edits help set the mood based on whether the track is fast or slow.
Friths music video concepts
There are three types of music videos:
1) Narrative videos tell a story related to the song's lyrics, following five story structures: equilibrium, disequilibrium, recognition, reparation, and new equilibrium.
2) Conceptual videos create a mood or atmosphere similar to the song without a narrative story, like Two Door Cinema Club's "Are We Ready" video about old advertisements.
3) Performance videos simply show the artist or band performing the song, like Two Door Cinema Club's "Sun" video where they perform on a beach as people appear and disappear around them.
Media concept
The document discusses three types of music videos:
1) Performance videos feature the artist performing the song live on stage or dancing in another location relevant to the song. They can include only performance clips or a hybrid of performance and narrative.
2) Concept videos are based on a unique, unrealistic, or futuristic idea to visualize the song. Kanye West's video featured unusual abstract images in the background.
3) Narrative videos tell a story through a sequence of clips that may or may not literally depict the song's lyrics. J.Cole's "Power Trip" video narrates a journey inspired by love.
Music video analysis
This music video tells a narrative story that relates to the song's lyrics about heartbreak. The visuals show a boy in various situations with a girl, until another boy interrupts and the girl chooses him instead. Throughout the video, the music and visuals are closely linked, with cuts matching the song's flow. While there are no performances by the band shown, there are close-ups of the people in the narrative story. The video also uses the notion of looking at times, with shots of the boy and girl looking directly at the camera.
Conventions of music videos
Music videos use a variety of camera shots and movements to frame the artist and follow their movements. Editing is fast-paced and syncopated to the beat of the song, using jump cuts between shots of different scenes and locations within seconds. Mise-en-scene elements like lighting, props, costumes, and background settings are deliberately crafted to represent the genre of the song and promote the ideology or narrative through visually emphasizing the artist.
Filming techniques and inspiration
This document discusses filming techniques and inspiration for a music video. It describes various shot types, like long shots of the full band, close-ups of band members and their instruments, and medium shots from different angles. These shots will be used and cut together to match the timing and lyrics of the song. Inspiration is drawn from the video techniques in an All Time Low video, such as close-ups that focus on individual band members and draw in audiences. These shot types and techniques will be applied to the author's own music video filming.
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Kanye west ni
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Analysis of camera shots
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2) Stereophonics' "Handbags and Gladrags" uses moving camera shots and the rule of thirds composition. It includes close-ups of band members and shots framed between colored lights.
3) Foster the People's "Pumped Up Kicks" uses a variety of shots like silhouettes, sped-up walking shots, and close-ups. It also uses out-of-focus and low-angle light
Music Video Case Study 1
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Media don broco
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Clay honest
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Milktreatmentsheet
The proposed music video "Milk" will tell the story of a young woman going through a heartbreak who turns to cocaine. It will be primarily narrative-based, with some lip syncing to the song. The editing and camera shots will reflect the tempo of the song. There will be a variety of shots including close-ups, wide shots, and point-of-view shots. The lighting will change throughout the day from sunrise to sunset. Mise-en-scene will be important, with the main character having a grungy aesthetic and props like a fake bag of cocaine being used. The settings will include outdoor public areas, houses, beaches, and walkways to incorporate scenic shots.
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Wallow's ok
The video establishes the narrative of the band members deciding to go to a party. It shows them playing their instruments, ordering food at a drive-thru, and interacting in a van. There are various camera angles and shots that help viewers get to know the band members. The aesthetic has a retro 90s feel to match the song. At the end, their van falls off a cliff but they parachute to the party.
Evaluation q1
The document summarizes how the creator of a music video conformed to and challenged conventions of the indie folk genre. They based their video on examples by Passenger and Vance Joy, employing typical shots like mid-shots of the singer and a sepia color tone. While mostly conforming to simplicity, they challenged conventions by changing from black and white to color at the start and end of the video to represent "walking in the wrong direction."
Kanye west ni
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Music video research
The document analyzes and summarizes several music videos that could provide inspiration for camera shots, movements, and techniques to use in the author's own music video. Key videos discussed include Taylor Swift's "Sparks Fly" for its variety of shots, Mumford & Sons' "The Cave" for its camera movements and continuity, and The Fray's "Absolute" for its narrative and effects. The author identifies various shot types like zooms, slow motion, and close-ups that conform to an indie/folk genre.
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Pitch
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Music video analysis (2)
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Codes and conventions of media product
Music videos have several purposes: to promote a song, display an artist's talents, aid understanding of the song, and market the artist. There are two main types of music videos: performance videos that feature the artist singing on stage, and narrative videos that follow a storyline related to the song's lyrics. Mise-en-scene, editing, cinematography, and sound are all carefully crafted to reflect the song's genre and tell its story. Elements like costumes, settings, camera movements, editing rhythms to the beat, and diegetic/non-diegetic sound work together to engage audiences and help songs go viral.
Music video analysis django django
The document provides an analysis of the music video for the song "Pause Repeat" by Django Django. It notes that the video uses objects and their colors to transition between scenes in a surreal yet realistic way. It discusses experimenting with stop motion animation and whip pan/zoom transitions between clips. While the video does not focus on or include performance clips of the band, it comments on how incorporating performance clips could help highlight the artist for a music video.
Circa waves fossils
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Shot analyse
This document summarizes and analyzes three shots from a music video. The first shot is a medium shot that tracks left to right, showing the whole band playing in a dull, abandoned building to set the mood. The second shot is from the actor's point of view, panning to show the surroundings and contrasting with the first indoor location. The third shot again shows the band from different angles, circulating the vocalist to make the audience feel like they are there.
Music video analysis thee oh sees
The video analyzes the music video for Thee Oh Sees song "Toe Cutter-Thumb Buster". It depicts a realistic narrative of a murderer killing people in a parking lot, with gore occurring off-screen. While the representation for the band is unclear, there are no performance clips. Though the song has a fast-paced chorus, the narrative-based long shots build tension without cutting too much. Notable intense scenes match the music during the chorus, like strikes with a can. The analysis discusses technical aspects like the black bars maintaining a cinematic feel while subverting conventions of genre and focusing on a narrative over band performance.
Analysis of camera shots
The document analyzes camera shots from three music videos:
1) Coldplay's "The Scientist" uses unusual shots like spinning camera shots and shots of the singer laying down to create unique visual effects. It also uses fades between shots.
2) Stereophonics' "Handbags and Gladrags" uses moving camera shots and the rule of thirds composition. It includes close-ups of band members and shots framed between colored lights.
3) Foster the People's "Pumped Up Kicks" uses a variety of shots like silhouettes, sped-up walking shots, and close-ups. It also uses out-of-focus and low-angle light
Music Video Case Study 1
This document provides a detailed analysis of Beyoncé's music video for "Halo". It examines the camera shots, editing, mise-en-scene, and other technical elements. Close-ups are used frequently to show Beyoncé's facial expressions with her boyfriend. The editing has a slow cutting rate to match the genre. Beyoncé wears three outfits that alternate between scenes. Bright, professional lighting is used throughout. Only a few locations are featured to keep it simple, including the bedroom, dance studio, and pool. The analysis concludes by noting techniques that could be applied to the author's own music video.
Media don broco
Andrew Goodwin identified several characteristics common in music videos. These include a relationship between the lyrics and visuals where the images represent the lyrics, a relationship between the music and visuals that can illustrate, amplify, or contrast the song's meaning, and demonstration of genre characteristics. Music videos also frequently reference looking through screens and mirrors, and include intertextual references to other media like films and television shows.
Narrative Structures
1) There are different types of narrative structures for music videos including single strand narratives, multi-strand narratives, linear vs non-linear structures, and closed vs open endings.
2) The document analyzes the narrative structures used in the music videos for Clean Bandit's "Symphony" and David Guetta's "Titanium".
3) "Symphony" uses a single strand, realist, linear narrative with a closed ending. "Titanium" uses a single strand narrative with both realist and anti-realist elements, has a non-linear structure, and an open ending.
4) The document discusses how different narrative theories like Todorov, Levi-
Music video analysis oasis
The video for Oasis' song "Wonderwall" focuses on the band's musical performance through static camera shots and slow transitions that amplify the slow music. While the abstract imagery is unrelated to the lyrics, the video emphasizes Noel Gallagher's singing and guitar playing through close-ups and shots that direct attention to his instruments. The simple costumes and black-and-white cinematography do not distract from the music, instead reinforcing the video's central focus on the band's performance.
Glass animals life itself
This music video tells a story over multiple songs. It begins with pink smoke and introduces the song and artist. The shots are set up to show the surroundings and use zoom shots to increase depth of field. The camera tracks the characters to involve the audience. Editing connects events happening simultaneously. Long takes make the video seem longer as characters appear to be tracked. A close-up of a heart-shaped necklace gives insight into a character's relationship with a young boy. Unclear backgrounds and pull focus create an uncertain tone about who to trust in the car and a woman's connection to the boy.
Clay honest
The video uses lyrics on screen with blank backgrounds to emphasize words and give them deeper meaning. It uses both color and black and white footage like many indie music videos. Short takes and jump cuts keep the energetic pace and theme of an old film camera. Repeated shot types create continuity and immerse viewers, making them feel like they see behind-the-scenes footage and develop a relationship with the band. Handheld and first-person shots are stiller to match the slower, relaxed song, but cuts and faster shots match up with increases in song pace. The video also provides home video footage and dates to give insight into the band's younger lives.
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How my ancillary product follows the conventions of real media products
How my ancillary product follows the conventions of real media products
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Risk assessment
This document outlines potential risks and preventative measures for a film shoot. Key risks addressed include actors being absent, equipment breaking, low battery or memory, bad weather impacting outdoor shots, injuries on set, lighting issues, not following the storyboard, software crashes during editing, public interference during outdoor scenic shots, and general health and safety issues. Prevention strategies include scheduling flexibility, testing equipment, bringing backups, checking weather forecasts, indoor filming, familiarizing actors with the set, frequent saving, choosing a quiet filming location, and prioritizing safety.
Milktreatmentsheet
The proposed music video "Milk" will tell the story of a young woman going through a heartbreak who turns to cocaine. It will be primarily narrative-based, with some lip syncing to the song. The editing and camera shots will reflect the tempo of the song. There will be a variety of shots including close-ups, wide shots, and point-of-view shots. The lighting will change throughout the day from sunrise to sunset. Mise-en-scene will be important, with the main character having a grungy aesthetic and props like a fake bag of cocaine being used. The settings will include outdoor public areas, houses, beaches, and walkways to incorporate scenic shots.
The Purpose of A Music Video
The main elements of an album marketing campaign include physical release through music stores for exclusive content, radio play to promote songs and break into the mainstream, and digital release on streaming platforms like Spotify. Social media is also important for advertising through platforms that can generate hype and reach fans directly. The artist Taylor Swift removed her music from Spotify in protest over payment for artists, though streaming can still help smaller artists gain recognition. Advertisements through television, billboards, buses and online promote albums to the general public.
Evidence of filming
The document shows various still images from the filming of a music video, including setting up equipment, filming an actress lip syncing against a white wall, and filming the actress walking from different angles and points of view.
Call sheet – the 1975 – milk – music video
The call sheet summarizes the details of filming the music video for the song "Milk" by the band The 1975. It will be directed by Katy Marwood and Rebecca Hay over multiple days in October 2015 - January 2016 in Hartlepool, England. The video concept explores heartbreak and addiction. It lists the director, producers, locations, cast including the actresses' roles and wardrobe needs, crew, equipment and props required.
Presentation1
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The 1975 - milk idea
The document provides a detailed breakdown and suggestions for shots to depict the storyline and lyrics of the song "Milk" by The 1975. It describes the female protagonist's descent into drug addiction after being introduced to substances at a party. As her addiction consumes her life, she tries reaching out to a love interest but returns to drugs when he does not respond. The video would show her addiction escalating over time through fast-paced edits until the misleading image of her "death" at the end, implying a never-ending cycle of substance abuse.
Initial ideas for mv
The document provides an initial idea for a music video for the song "Milk" by the British indie rock band The 1975. It discusses the band's background and characteristics of indie rock music videos. The proposed narrative would follow a female addicted to cocaine trying to mend her broken heart. Minimal lip syncing would be used, in line with The 1975's other videos. Potential actors, costumes, camera techniques, settings and props are outlined to portray the story and maintain the band's identity.
Characters and mise en scene
The document discusses the characterization and wardrobe of a young female character in a music video. The character wears black ripped jeans, a simple black top, boots, and heavy black eyeliner, conforming to genre stereotypes. A silver heart locket and £20 note were provided as props. The outfit, including the jeans, top, and necklace, were purchased inexpensively from Primark and a local jewelry shop to keep the budget low while maintaining the desired standard.
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La nave espacial que se describe es famosa por viajar a la Luna, y el autor parece conocerla bien.
Presentación
Esta presentación trata sobre un tema agradable. Brevemente describe algo que parece bonito. En resumen, el documento hace una declaración positiva pero no proporciona muchos detalles.
Andrew Goodwin’s Theory
Andrew Goodwin identifies 5 key aspects of music videos that should be analyzed:
1) Thought beats - how the visuals represent the sound and structure of the song.
2) Narrative and performance - how the story and artist's performance engage the audience and increase authenticity.
3) Star image - how the video develops the artist's persona over multiple videos.
4) Relation of visuals to song - how the visuals illustrate, repeat, or ignore the lyrics and genre.
5) Technical aspects - how camera work, editing, lighting, and effects enhance the mood and emphasize moments in the song.
La Masturbación Femenina en Curso de Sexualidad
En el Aula Virtual online de Educagratis ( http://www.educagratis.cl ) es posible encontrar un curso gratis sobre Sexualidad y Adolescencia (http://autoayuda.educagratis.org ) en el cual se tratan los siguientes contenidos:
- LA ADOLESCENCIA
- QUE ES LA ADOLESCENCIA
- LA ADOLESCENCIA Y EL ADOLESCENTE
- CAMBIOS EN LA ADOLESCENCIA
- SEXUALIDAD HUMANA -- QUE ES LA SEXUALIDAD
- QUE ES EL SEXO -- TPOS DE SEXO
- LA EXITACION SEXUAL
- INICIOS Y EXPRESIONES DE LA SEXUALIDAD
- EL INICIO DE LA VIDA SEXUAL -- RELACIONES SEXUALES EN LA ADOLESCENCIA
- MITOS DE LA SEXUALIDAD
- LA SEXUALIDAD ADOLESCENTE
- EMBARAZO EN LA ADOLESCENCIA -- CAUSAS Y CONSECUENCIAS
- METODOS ANTI CONCEPTIVOS
- ENFERMEDADES DE TRANSMISION SEXUAL
- INQUIETUDES VARIAS
- ACTIVIDADES INTERACTIVAS
Para ingresar directo ir a: http://educagratis.cl/moodle/course/view.php?id=74
Y muchos otros cursos de diversas áreas:
- Animales, Aves y Peces ( http://animales.educagratis.org )
- Artes, Diseño, Pintura y Dibujo ( http://artes.educagratis.org )
- Autoayuda ( http://autoayuda.educagratis.org )
- Belleza y Moda ( http://belleza.educagratis.org )
- Ciencias Alternativas ( http://alternativas.educagratis.org )
- Ciencias Naturales ( http://ciencias.educagratis.org )
- Ciencias Sociales y Juridicas ( http://sociales.educagratis.org )
- Cocina, Bebidas, Pastelería y Repostería ( http://cocina.educagratis.org )
- Computación e Informática ( http://computacion.educagratis.org )
- Construcción, Arquitectura y Paisajismo ( http://construccion.educagratis.org )
- Deportes y Educación Física ( http://deportes.educagratis.org )
- Educación, Religión y Filosofía ( http://educacion.educagratis.org )
- Historia, geografía, tradiciones y cultura ( http://historia.educagratis.org )
- Hogar, Tejido, Borado y Jardín ( http://hogar.educagratis.org )
- Idiomas, Lenguaje y Letras ( http://idiomas.educagratis.org )
- Juegos, Recreación y Pasatiempos ( http://juegos.educagratis.org )
- Matemáticas ( http://matematicas.educagratis.org )
- Mecánica, Autos y Motos ( http://mecanica.educagratis.org )
- Medicina, Psicología y Salud ( http://medicina.educagratis.org )
- Musica, Baile y Danza ( http://musica.educagratis.org )
- Negocios, Empresa y Economía ( http://negocios.educagratis.org )
- Técnicos, Oficios y Manualidades ( http://tecnicos.educagratis.org )
Esculturas Ron Mueck
Ron Mueck es un escultor australiano nacido en 1958 que crea hiperrealistas esculturas de silicona, acrílico y fibra de vidrio que representan figuras humanas de manera extremadamente detallada y con expresiones de sentimientos; sus impresionantes esculturas hiperrealistas poseen una fuerte presencia debido a los finos detalles que incluyen.
A real video intervention with real results
Joe Rich, (New Zealand AIDS Foundation) argues that novel methods to promote a condom culture among all gay and bisexual men are needed more than ever. As evidence suggests that condom use at forst sex increases the likelihood of condom use as the norm, NZAF developed a video resource on anal sex that promotes condom use as normal behaviour. The explict nature of the resource has made marketing the resource more challening. This presentation was given at the AFAO/NAPWA Gay Men's HIV Health Promotion Conference in May 2012.
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Music video analysis powerpoint file
This document provides an analysis of Aiden Grimshaw's 2015 music video for his song "Virtually Married" according to Andrew Goodwin's 7 key areas for analyzing music videos. It finds that the video demonstrates several characteristics of its indie dance genre, including its color scheme, editing style, and visual aesthetic. It also establishes relationships between the lyrics and visuals, as well as between the music and visuals, with the tone and pacing of the video reflecting the song. As a relatively new artist, the video aims to develop motifs for Grimshaw through many close-ups and medium shots of him to establish his style. Finally, the analysis finds no clear intertextual references to other works in the video,
Conventions
The document discusses conventions in music video genres, particularly indie music videos. It analyzes several indie music videos in terms of their props, costumes, editing style, shots, narrative structure and how they relate to the lyrics. Many conventions discussed are common across indie music videos, such as fast editing to match the beat, clear titles, and close-ups of band members. However, some elements analyzed are considered unconventional for the genre, such as black and white footage or costumes and themes more relevant to other genres. The document examines how different elements in the videos do or do not follow typical conventions for indie music videos.
Andrew Goodwin theory
The document discusses key components of music videos according to Andrew Goodwin. It lists 7 key ideas: 1) Music videos demonstrate genre characteristics through elements like performances. 2) There is a relationship between the lyrics and visuals. 3) A relationship also exists between the music and visuals. 4) Record labels influence close-ups of artists and developing motifs. 5) Videos often reference voyeurism and treating the female body. 6) Intertextual references to other works are common. 7) Videos are either primarily performance, narrative, or concept-based. It then analyzes the music videos for "Side to Side" by Ariana Grande and "Work From Home" by Fifth Harmony based on these components.
Music anaylsis 1
This music video is for Justin Bieber's song "Sorry". It features a group of female dancers performing an upbeat dance routine. The video was directed by Parris Goebel and choreographed to match the tropical house style of the song. It uses bright lighting and colorful costumes to create an energetic atmosphere for the dancing. Through continuity editing, the video syncs the dance moves to the rhythm and lyrics of the song. However, unlike many artist videos, it does not feature close-ups of Bieber himself.
Music video timeline 2
1) The music video for Black Veil Brides' "Knives & Pens" combines a performance element showing the band playing with a narrative about a bullied character meant to represent the lead singer.
2) The narrative follows the character being bullied at school but finding creativity through writing lyrics instead of harming himself, reflecting the song's message.
3) The video effectively merges the narrative and performance elements, serving as inspiration for creating a meaningful music video that illustrates the deeper meaning behind the lyrics of a song.
Andrew goodwin on Ariana Grande - The Way
Andrew Goodwin proposed a theory that defines the typical structure and components of music videos. He identified 7 key principles that are usually present in order for music videos to effectively convey their message and promote the artist. These include links between the lyrics and visuals, links between the music and visuals, genre characteristics, notions of looking and voyeurism, multiple close-ups of the artist, and intertextual references. Goodwin believed incorporating these principles allows record labels to successfully market and construct stars out of their artists.
Music Video Analysis
The document provides an analysis of the Bombay Bicycle Club music video for the song "Carry Me". It finds that the video fits into the illustration genre by including both a performance of the song and a simple narrative of a dancing couple. While being largely performance-based, the video creates a relationship between the lyrics and visuals through the depiction of the couple's struggling relationship. Throughout the video, the music and visuals are carefully matched to create a strong bond. Motifs like drum playing are repeated, and eye contact with the camera is used sparingly to reference the notion of looking while maintaining the band's original style. The video contains no intertextual references, staying true to the indie genre.
Evaluation question 1 music video
This document discusses elements commonly found in indie music videos and how they are used in the author's own music video. It covers the following key points:
- Live performance shots are used to keep the focus on the artist/band and show the relationship between performers and audience. The author's video includes live performance footage shot from different angles.
- Narrative shots break up the performance to keep viewers engaged and tell a story (the author's is of a woman seeing a band's poster and getting ready to see them).
- Settings give context (e.g. a studio for recording). The author's video uses outdoor, home, and studio settings.
- Costume and props create an indie
Kings of leon video analysis
This document provides an analysis of the Kings of Leon music video for "Sex on Fire" using various music video and film theories:
1) The video demonstrates characteristics of the indie/alternative genre through its low-budget production, the band's ragged appearance, and lyrics about sex, drugs and alcohol.
2) While the lyrics are understandable, the visuals are disjunctured and don't relate to the lyrics, showing one band member eating chicken for no reason.
3) The sad music matches the sad lyrics and visuals that fade in and out with the beat.
4) There are many close-ups of the band, especially the singer, to build recognition for future releases.
Music Video Analysis
The document analyzes the music video for the song "Carry Me" by the indie band Bombay Bicycle Club. It discusses several aspects of the video, including how it demonstrates genre characteristics of the indie genre through its unique animation style and lack of close-ups of the artist. It also examines relationships between the lyrics and visuals, music and visuals, use of motifs, notions of looking, and lack of intertextual references. Overall, the summary demonstrates how the video conveys the band's original style while also incorporating some common music video conventions.
Post 4 - External Group Music Video Analysis
The document provides an analysis of the music video "We The Wild - You Lost My Mind" in 3 paragraphs. It summarizes that the video begins with a record being played, featuring small animated lines that represent the music. Throughout the video, these illustrations link to the lyrics being sung. The video primarily features the two male band members and creates a female gaze on them, with few other elements to make it interesting. It lacks live footage of the band that could make it more engaging.
Evaluation - Question 1
This document summarizes how the media product uses, develops and challenges conventions of real media forms.
It discusses how shots from the music video illustrate concepts through mise-en-scene, lighting, camera angles and intertextual references to other artists' work. Conventionally, music videos aim to sell the artist through close-ups and positioning them as the focus. However, some shots separate or contrast the male and female artists to reflect the narrative.
Conventions of album packaging, like bold font and band imagery, are employed but developed through additional effects. Inspiration is drawn from The 1975's simplistic yet effective style. Magazine adverts employ typical promotional techniques and inclusion of social media to engage target audiences
Music video analysis
The music video for "Girls" by The 1975 both illustrates genre conventions of indie music videos but also subverts some expectations. It begins in black and white like their typical videos but incorporates bright colors. There are many close-ups of the lead singer per record label demands. The video portrays a narrative of being trapped by clingy girls through lyrics and visuals, though it is primarily a performance-based video of the band. Motifs like their logo and monochrome styles recur across their work. The editing and shots match the music's rhythm, creating an effective overall video.
Codes and conventions
The document discusses how the creator of a rock music video took inspiration from the original music video they were remaking. They used many close-ups to build a connection between the audience and performer, as close-ups are common in rock music videos. The creator dressed band members and their instruments in a way that represented the rock genre and matched the original video to clearly identify the genre for the audience. Shots and elements were directly recreated or influenced from the original to closely relate the remade video and follow conventions of the genre.
Codes and conventions
The document discusses how the creator of a rock music video took inspiration from the original source material and incorporated various techniques and elements to adhere to the codes and conventions of the rock music genre. Close-ups, wardrobe choices, instrumentation, editing, lighting, location, and humor were employed to represent the band as a cohesive unit and capture the spirit of rock music performance videos.
Codes and conventions
The document discusses how the creator of a rock music video took inspiration from the original music video they were remaking. They used many close-ups to build a connection between the audience and performer, as close-ups are common in rock music videos. The creator dressed band members and instruments appropriately for the rock genre to clearly associate it with rock. Shots and elements were directly recreated or influenced from the original to closely relate the remade video and follow conventions of the genre.
Cconventions of a music video
This document discusses several conventions commonly found in music videos. It analyzes multiple shots from Beyoncé and Amerie music videos to identify these conventions. Some conventions discussed include starting with a wide shot of the artist to introduce them, using editing techniques like split screens and slow motion, frequent closeups of the artist so audiences can see their expressions, and full length shots of the artist's outfits when the song begins or at the chorus to match the music. The shots are also analyzed in the context of theories about appealing to audiences and establishing the artist's image.
Music video analyse feedback
The music video is primarily performance based with some narrative elements. It begins by introducing each band member through medium shots that establish their instruments. Throughout, there are shots of the full band performing that demonstrate the genre's performance characteristics. Some narrative is provided by cuts between shots of transportation that relate to the lyrics about wanting to "get away from here." Overall, the video focuses on the band's performance to showcase their music.
Music Genre Conventions Presentation
The document analyzes several indie/rock music videos to inform the production of a music video for the song "I Wanna Know" by the band Secret American. It discusses the symbolic conventions of videos by Cheers Elephant, Sleepwalkers, Ritual Talk, and Ceramic Animal. Key conventions included introducing each band member, portraying the band's image, using retro aesthetics like old video quality or costumes, natural lighting, and multiple narrative-driven concepts with changes in scenery or costumes. Differences between the example videos and the planned one were also noted, such as indoor versus outdoor settings and revealing faces immediately versus hiding them.
Post 4 - External Group Music Video Analysis
1. The video analyzes three different music videos: We The Wild - You Lost My Mind, The Kooks - Forgive & Forget, and Sam Smith - I'm Not The Only One.
2. For the first video, it notes the indie theme and use of animation synced to the music. Shots of the singer are used to depict him "losing his mind".
3. For the second video, it discusses the tongue-in-cheek nature of the lyrics and use of identical female dancers and voyeurism. Live shots of the band performing are a main focus.
4. For the third video, it provides details on the story of a married couple dealing with infidelity
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Evaluation question1 media studies A2
The document discusses conventions in indie music videos and how the author both followed and challenged conventions in their own music video. Some conventions discussed include bands wearing casual clothing, using minimal props, incorporating various camera angles and editing techniques like thought beats. The author also discusses how they incorporated conventions but added their own flair, like using bright colors. They summarize how they approached elements like the digipak, poster, and website design in a way that both referenced conventions and added their own personality.
Media studdies posters info
This document discusses different styles of posters used by indie bands to advertise albums and tours. It analyzes posters for several bands, including Kings of Leon, Arctic Monkeys, Modest Mouse, and Of Montreal. The posters range from simple black and white designs that match album artwork to more animated and colorful styles. Based on the research, the author decides their poster for an indie band will take a laid back approach like Kings of Leon but include vibrant colors inspired by posters like Modest Mouse, coordinating with the style used in their music video and album packaging.
Catfish and the bottlemen website analysis
The Catfish and The Bottlemen website homepage features their latest music video and options to buy music, follow their social media, and sign up for their mailing list. The website uses a black and white color scheme and prominently displays the band's logo and photos. Key pages allow fans to view the band's tour dates and videos, read lyrics, purchase albums and merchandise, see tour diary videos, and contact the band's management. The website aims to connect fans to the band through behind-the-scenes content and a casual, indie style.
Vampire weekend website analysis
Vampire Weekend is an American indie rock band formed in 2006 in New York City. The band consists of Ezra Koenig, Rostam Batmanglij, Chris Tomson, and Chris Baio. They have released three studio albums between 2008-2013. The document analyzes the band's website, noting its simple black and white design. The homepage advertises their new album and features music videos. Other pages include news, their shop, tour dates, contact information, lyrics, and links to social media.
Editing process
The document describes editing a music video using Premiere Pro. Key steps included chopping clips to match lip syncing, using black and white effects, and creating a split screen with colored sections for each band member. Transparent colored titles were used and became a theme. Shots were matched to the pace, lyrics and instruments of the song. A variety of shots from different angles and perspectives were used to keep the audience engaged. Speed effects like slow motion and fast cutting helped create climaxes and kept the pace changing.
Muscial equipment
The musical equipment needed for a music video includes a drum kit with the band's name on it, two guitars, and amplifiers for the guitars. A microphone and stand are also required for the lead singer.
Representation in my music video
The document discusses representation in an indie/indie rock music video. It notes that indie music videos typically portray the band in a casual, laid back manner playing their instruments. Narrative indie music videos often focus on representing youths and may show struggles or illegal activities to follow conventions of the rebellious band image. The author's music video is performance-based, showing the cheeky and laid back style of the band to appeal to its target audience of young males and females.
Shooting schedual
This document contains a schedule for filming a music video over 5 weeks from January 20th to February 27th. It details the equipment, clothing, lighting, and locations needed for each shoot on various days. Different colored shoots are planned for each week in the studio and on location, including yellow, orange, green, red, and pink. The studio will be decorated with black and white posters and plastic sheets will be used for some shoots involving powder paint.
Focus group
The document discusses two potential music video ideas for an indie genre band. Idea 1 is a performance-based video showing the band in both studio and on-location shots, with influences from The 1975. It would include black and white filming with pops of color, different editing techniques, and powder paint effects. Idea 2 has a narrative storyline depicting a toxic relationship, with scenes of arguments and the couple drinking/smoking to portray indie conventions. It would incorporate natural color and black and white, as well as slowed/sped up footage. Both ideas include close-ups of band members and shots of the full band.
Locations for my music video
The document outlines the locations that will be used for a music video. It includes shooting handheld footage of the band shopping and messing around at a local outlet mall, as it will look nice during that time of year and is close to school. Additional filming will take place in a car on the way to the outlet mall, as well as in the school's green screen studio with different backdrops, including a white sheet and newspapers. The goal is to use simple, realistic locations that fit within conventions of indie music videos.
Equipment, mise en scene, props
The document outlines the equipment, props, and mise-en-scene needed for a music video, including a Canon D1100 camera, tripod, SD card to record footage, 4 plain white t-shirts for a paint scene, a plain white cloth for black and white and plain scenes, powder paint for one scene, colorful vintage clothing for studio scenes, shooting in both a studio and on location, and editing some background shots to bright colors.
Focus group feedback
The document summarizes feedback received from a focus group about two ideas for a music band. Most people preferred idea 1 over idea 2, but also liked the poster background studio from idea 2, so the creator will combine those elements into idea 1. Feedback on the band name differed, so the creator will make their own choice later. The style will include colorful vintage clothing and a casual look to achieve an indie feel. Comments suggested combining elements of both ideas, using a split screen color idea, and merging black and white with color.
The kooks digipak analysis
The digipak for The Kooks album utilizes a black and white color scheme with hints of red throughout, conveying an indie rock genre. While the band members' faces are not shown on the front cover, their inclusion is an unconventional choice for indie bands. Inside, photographs show the band making their music and capture their casual style. The CD features the album title in block letters that overlap across the disc, intentionally linking to its indie aesthetic. Consistent monochrome imagery and a simple, readable font throughout the digipak tie the design together cohesively in a manner fitting for the band's desired indie image.
Album cover analysis
This document analyzes and summarizes several indie album covers. It notes that Jamie T's "Panic Prevention" album cover features a chaotic image that contrasts with the album title and matches his musical style. The Does It Offend You, Yeah? album depicts a working class setting that matches the style promoted by indie bands. It also notes that Arctic Monkeys features council houses, promoting an indie style. For Bastille, the cover does not include the artist's face, showing a man running away which could represent escaping life, linking to the album's dark themes. Both the title and band name use triangles instead of As, a common indie experimentation.
Conventions of indie digipaks and ideas for my own
The document discusses indie band album covers and ideas for creating a digipak. It notes that indie album covers often reflect the music's style and tend not to feature the band. If the band is shown, it is usually in an alternative or black and white style. Text on indie covers can be simple, alternative, or feature a band logo. For a digipak, the document recommends including pictures other than the band on the front cover, including the band inside, using 4-6 sleeves, and having a black and white or dull color scheme with simple fonts.
Nme magazine alaysis
The document analyzes how an indie band is portrayed in the music magazine NME. NME focuses on promoting new and indie bands. Photos on the cover generally feature the lead singer of male-fronted bands. This particular cover photo shows Liam Gallagher of the band Oasis. The font, color scheme, and design of NME are aimed at younger readers and follow conventions of how indie bands present themselves with plain black, white, and red colors and fonts.
The 1975 digipak analysis
This digipak album cover uses a simple black and white color scheme throughout to appeal to indie music fans. The front cover stands out with the band's name lit up, while maintaining a vintage font. Inside, legal information and track listings continue the theme. On the back, a different font is used for readability. Folding out the inside reveals a casual black and white band photo, matching their laidback style. Overall, the consistent minimalist design portrays the band and genre in an eye-catching yet familiar way.
Arctic monkeys digipak analysis
The Arctic Monkeys album cover features a black and white photo of a man with a casual, laid-back style smoking a cigarette to portray the band's indie, reckless attitude. Details like the cigarettes stubbed out on the CD, the man's beard, and the angled logo match conventions of the indie genre and the album's anticipated, rough-around-the-edges sound. While minimal text and an untidy feel present the album's simple style, continued themes of smoking and tiredness across the front and back covers hint at an ongoing struggle with addiction.
Album covers mood board
Indie album covers tend to focus on images or text rather than showing the band, use natural black and white color schemes rather than being over the top, and if a band is depicted it is usually in black and white.
Research into record labels
This document discusses several major record labels and their artists. Syco Music is based in London and Los Angeles, and has exclusive rights to sign winners of The X Factor and Got Talent shows. It has had significant commercial success in the UK. Virgin Records was founded in 1972 and represented major artists like the Spice Girls. Polydor Records operates as part of Universal Music Group and has represented artists like Girls Aloud, Ellie Goulding, and Lana Del Rey. The document also notes that some indie bands, like Arctic Monkeys and Imagine Dragons, gain popularity through self-released music before signing with record labels like Domino and Interscope Records.
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This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
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Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
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The 1975 sex video analysis
- 1. The 1975 - Sex
- 2. Opening Like a lot of Indie music videos the song doesn’t start straight away, instead the band is shown setting up, this is a convention if the genre. The video is also shown to be handheld (another convention) as seen from the first shot of the camera on the floor at an angle.
- 3. Goodwin’s Theory Thought beats are not used in this music video this could be because it is pure performance based and doesn’t change location. This video shows the band playing their instruments and singing to their track, it has no narrative at all and is completely performance based, this shows of the band but the hand helps camera feel still makes them appear cool and unbothered. This video also follows Goodwin’s theory of the star image showing lead singer Matt in close up shots, this video also shows off the other members of the band.
- 4. Archer’s Theory This video uses many of the conventions of camera work within its genre, close ups of the lead singer and band are used and the band is shown together playing their instruments. This video also follows the convention of its genre with editing, using straight cuts all the way through. This video is also black and white all the way through following another convention of its genre.
- 5. Conventions The music video follows the conventions of its genre when it comes to clothing, each member wears dark clothing and T-shirts with logos on (something their target audience would also wear). The Mes-en-scene to the video also links in with its genre, the background uses posters of other indie bands and photographs of woman (linking in with the title of the song ‘Sex’) – this also links in with Archer’s theory of Voyeurism. The facial expressions of the band also fit in with the conventions of its genre. The band appear with serious faces totally engrossed within their own music much like many indie bands are.