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ART OF PACIFIC CULTURES By: Ara Cho Ian Ting Chris Woodington
MAIN SOURCES FOR ART ,[object Object],[object Object],[object Object],[object Object],[object Object]
BACKGROUND ,[object Object],[object Object],[object Object]
THE LAPITAS ,[object Object],[object Object],[object Object],[object Object],[object Object]
FRAGMENTS OF A LARGE LAPITA JAR ,[object Object],[object Object],[object Object],[object Object],[object Object]
POLYNESIA ,[object Object],[object Object],[object Object]
AUSTRALIA ,[object Object],[object Object],[object Object],[object Object],[object Object]
ARNHEM LAND ,[object Object],[object Object],[object Object],[object Object]
ROCK PAINTING ,[object Object],[object Object]
MIMIS AND KANGAROO ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
BARK PAINTING ,[object Object],[object Object],[object Object],[object Object],[object Object]
MELANESIA ,[object Object],[object Object],[object Object],[object Object]
NEW GUINEA ,[object Object],[object Object],[object Object]
BOATS IN OCEANIA ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
CANOE PROW ,[object Object],[object Object],[object Object],[object Object]
IRIAN JAYA ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
ASMAT ANCESTRAL SPIRIT POLES ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
NEW IRELAND ,[object Object],[object Object],[object Object],[object Object],[object Object]
TATANUA DANCE MASKS ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
MICRONESIA ,[object Object],[object Object],[object Object],[object Object],[object Object]
GABLE FIGURE (DILUKÁI) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
WEATHER CHARM (HOS) ,[object Object],[object Object],[object Object],[object Object]
SEATED FIGURE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
NAN MADOL ,[object Object],[object Object],[object Object],[object Object],[object Object]
NAN MADOL (CONTINUED) ,[object Object],[object Object],[object Object],[object Object]
POLYNESIA ,[object Object],[object Object],[object Object],[object Object]
MALE FIGURE (MOAI TANGATA) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
BREASTPLATE (CIVANOVONOVO) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
EASTER ISLAND ,[object Object],[object Object],[object Object],[object Object],[object Object]
MONUMENTAL SCULPTURES ,[object Object],[object Object],[object Object],[object Object],[object Object]
MARQUESAS ISLANDS ,[object Object],[object Object],[object Object],[object Object]
WAR CLUB ,[object Object],[object Object],[object Object]
NEW ZEALAND ,[object Object],[object Object],[object Object],[object Object],[object Object]
CHRONOLOGY ,[object Object],[object Object],[object Object],[object Object],[object Object]
MAORI PEOPLE ,[object Object],[object Object]
ART AND RELIGION ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
TATTOO ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
MAORI WOOD CARVING ,[object Object],[object Object],[object Object],[object Object],Carved Lintel 18 th C Totara wood and haliotis shell 40x16x2”
MEETINGHOUSE ,[object Object],[object Object],[object Object],[object Object],[object Object]
TE HAU-KI-TURANGA MEETING HOUSE ,[object Object],[object Object],[object Object],[object Object]
[object Object],Stave Church
HAWAII ,[object Object],[object Object],[object Object]
RELIGIOUS SCULPTURE ,[object Object],[object Object],[object Object],[object Object],Kukailimoku Late 18 th or early 19 th century Wood Height 7’7”
FEATHER CLOAKS ,[object Object],[object Object],[object Object],[object Object],Kearny Cloak c. 1843 Red, yellow, and black feathers, olona cordage, and netting Length 56”
MUSIC ,[object Object],[object Object],[object Object],[object Object],Maori Flute Hawaiian Gourd Drum Rotinese Tube Zither (Sasandu) http://www.youtube.com/watch?v=0zZpYlGuD7I
MODERN PACIFIC ART ,[object Object],[object Object],[object Object],[object Object],[object Object]
TAWHIRI-MATEA (GOD OF THE WINDS) ,[object Object],[object Object],[object Object],[object Object]
UKULELES
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Pacific cultures

  • 1. ART OF PACIFIC CULTURES By: Ara Cho Ian Ting Chris Woodington
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Editor's Notes

  1. Portrait of Maori Bones- likewestern relics
  2. Tiki is fearsome, composition revolves around ctrl figure Flaring nostrils and open mouth with protruding toungue add to terrifying aspec Tongue is defiant and aggressive Red color part of creation myth
  3. Building + symbolism Smal pic + carved lintel
  4. The patterns may represent tatoos Decoration on every surface Building is more than lineage: connection to god Rafters symbolize passage through time of the chief with the sky father
  5. Wrinkled brow and hair seem to vibrate Open, toothy mouth seemed to be yelling
  6. Abstract curvilinear design suggests wind turbulence Ra, the sun, energizes scene complemented by Marama the moon Spiral koru motifs symbolize growth and energy flowing Blue waves and green fronds suggest his brother tangaroa and Tane, gods of the sea and forest