4. 1. Define the different principles of art;
2. Distinguish the different principles of art
used in arts crafts of Luzon by analyzing
how the principles were used;
3. Appreciate the importance of arts
incorporated in the design.
5. Arts and crafts are important means of expression,
which communicate views, ideas, and feelings
through the use of skills and imagination.
It helps us recognize the distinctiveness of a certain
culture.
They show the kind of living, the resources available in
a particular region, the beliefs, and traditions and the
artistry and imaginative minds of the people in different
places.
INTRODUCTION
6.
7.
8.
9.
10. Architecture
Vigan, considered as the “Intramuros
of the North” retains the Spanish
colonial architecture along its narrow
and cobble-stoned streets known as
Calle Crisologo. These old Spanish-
type houses have huge, highpitched
roofs, large and rectangular living rooms
that are made of adobe, bricks, lime,
terracotta, hardwood floors, and
windows of capiz shells framed in
wooden window panels
ILOCOS REGION
11. TEXTILE
Inabel is a hand-weaving technique of the
Ilocanos that is produced using traditional
wooden looms. The designs represent
different meanings: the dizzying “binakol”
weave represents the wave of the sea. They
believe that this design protects them from
bad spirits. The inabel designs are inspired
by natural elements: patterns that depict
different landforms, and colors of flowers
and vegetation, plaid, zigzags, animal
patterns, the ocean waves, or the glittering
night sky.
ILOCOS REGION
12. Pottery
Burnay is the unglazed earthen jar with a
small opening. It is used for the storage of
water and rice grains and as a container
for salt, brown sugar, basi (local wine),
and bagoong(fermented fish).
The designs are simple. Sometimes,
curved patterns can be found around the
shoulders of the jar. They also prick the jar
with a stick while it is still soft to make
the surface more interesting.
ILOCOS REGION
13. Weaving
The arts and crafts of
Pangasinan include the smoothly
woven Bolinao mats made from
buri or raffia leaves. The
weavers stretch the leaves,
sundried, softened, and trimmed.
Some leaves are dyed in
different colors and intertwined
to create various designs.
PANGASINAN
14. Textile
The natives of Kalinga are skilled
weavers. One of their finest products
is their textile, which is characterized
by red stripes and
white, yellow, and black geometrical
patterns. The southern Kalinga women
wear the wrap-around skirt or tapis
called KAIN, which reaches below the
knee. It is worn below the abdomen
and when they walk, one of the thighs
is exposed.
KALINGA
15. BASKETRY
The Basketry of Kalinga shows
their fine craftsmanship. The
labba is a bowl-shaped basket
made from rattan with sizes
that vary from 20 to 150 cm in
diameter.
KALINGA
16. Tattooing
Tattooing is another form of art of the
Kalinga because it usually covers the
chest and the arms, it may be considered
as clothing and decoration. It also
signifies a rite of passage from youth to
adulthood, a mark of heroism and
bravery, and one’s status in the
community. The design consists of
geometric patterns and lines. WANG-OD
is the last “mambabatok” or traditional
Kalinga tattoo artist.
KALINGA
17. The Bul-ul is a wooden sculpture
that represents the rice granary
spirits. It is a craved –wooden
human figure with simplified
forms. These are dipped in the
blood of pigs during a ritual called
tunod, which means “planting the
seeding in the soil”
IFUGAO SCULPTURE
18. Amulets
The amulets of the Ifugaos are
called lingling-o or dinumog.
These are made from jade, gold,
copper, bronze, stone, and other
materials. These are fertility
symbols worn around the neck.
IFUGAO SCULPTURE
19. Kadangyan is a burial cloth for
the rich people of Mountain
Province. It is a Cordilleran term
that means “rich”. In earlier days,
only the grandmothers were
allowed to weave burial cloths
(Kadangyan), but now, any able
weaver is allowed to weave
burial clothes for the dead.
EXAMPLES
20. Wanes and Lufid are costumes
of Igorots from the Mountain
Province. Wanes is a long strip of
handwoven loincloth (bahag) for
men and Lufid is a wrap-around
skirt (tapis) for women. These
clothes mirror the personality of
every Igorot and reflect their
culture and traditions (ex:
religious practices and rituals).
EXAMPLES
22. 1.
2.
3. GIVE AT LEAST 5 PRINCIPLES OF DESIGN
4.
5.
PART I. ENUMERATION
23. 6. 7. 8.
9. 10.
PART II: IDENTIFICATION
DIRECTION: ANALYZE AND IDENTIFY THE PHOTOS PRESENTED. WHEATHER
ILOCOS REGION, PANGASINAN, KALINGA OR IFUGAO SCULPTURE
24. 11. 12. 13.
14. 15.
PART II: IDENTIFICATION
DIRECTION: ANALYZE AND IDENTIFY THE PHOTOS PRESENTED. CHOOSE
THE CORRECT ANSWER IN THE BOX BELOW WRITTEN IN THE BOARD
25.
26. A. Introduction
The sculptures and architecture of Luzon
reveal many aspects of the people’s culture,
tradition and history. The elements and
principles of the art of these fascinating arts
and crafts will lead you to understand the rich
culture and tradition of the Philippines that is
handed down from generation to generation.
27. The Bul’ul is a wooden sculpture that
represents the rice granary spirits. It is
used in rituals that are performed to call
the ancestors to protect their rice fields
from pestilence and to ask for an
abundant harvest. It is a craved –wooden
human figure with simplified forms.
These are dipped in the blood of pigs
during a ritual called tunod, which means
“planting the seeding in the soil”
IFUGAO
SCULPTURE
28. The amulets of the Ifugaos are
called Lingling-o or Dinumog.
These are made from jade,
gold, copper, bronze, stone and
other materials. These are
fertility symbols worn around
the
neck.
AMULETS
SCULPTURE
29. Kadangyan is a burial cloth for the
rich people of Mountain Province.
It is a Cordilleran term that
literally means “rich”. In earlier
days, only the grandmothers were
allowed to weave burial cloths
(Kadangyan) but now, any able
weaver is allowed to weave burial
clothes for the dead.
MOUNTAIN PROVINCE
TEXTILE
43. Discussion
Arts in the Philippines refer to all the various forms of
the arts that have developed and accumulated in the
Philippines from the beginning of civilization in the
country up to the present era. They reflect the range
of artistic influences on the country's culture,
including indigenous forms of the arts, and how these
influences have honed the country's arts.
44. The Ivatans are the people living in the Batanes Group
of Islands. Their houses have unique architectural forms
made up of limestones walls, reed, and cogon roofs.
The design and materials are chosen because they are
strong enough to withstand the numerous typhoons and
earthquakes that hit the group of islands because of its
geographic location.
EXTERNAL INFLUENCES
45. is a Roman Catholic Parish Church of San Matias Apostol.
This Baroque Church was built in 1873 and can be found in
the municipality of Tumauini, Isabela.
The church is made of bricks. It is also ornamented with
carvings of flowers, leaves, scallops, saints, religious
symbols and other fanciful motifs. The unique cylindrical
belfry of the church looks like a huge wedding cake
because of its design motifs like laces, hearts and beads.
TUMAUINI CHURCH
46. is one of the historic landmarks located in
Olongapo City, Zambales. It was built in 1885,
faced the Spanish-era settlement of Olongapo,
and used to serve as the west gate of the armory
of the town. It has high walls made from locally-
quarried stone connected to the south gate that
faced the waterfront.
THE SPANISH GATE
47. Vakul
is a headgear used by the Ivatan women to protect
them from the heat of the sun and the rains.
The men, on the other hand, wear Soot, a rain cape made
from fronds that cover the upper part of the body down from
the neck. This special clothing is made up of woven fibers of
the vuyavuy palm- a plant similar to coconut.
INDIGENOUS INFLUENCES
48. is a belt used by mothers after giving
birth. This cloth is usually adorned on
the central portion with white beads
as accent patterns of rivers and
mountains.
BAKWAT
49. Goldsmith
The Philippine jewelry-making trade has been in
existence since the early 16th century. During the
stone age era, bracelets, pendants, and beads
believed to be pieces of evidence that jewelry making
had been a practice. We acquired this skill from their
Asian neighbors like Chinese.
THE EXTERNAL (FOREIGN) INFLUENCES
50. Pampanga is known for its giant lanterns or parol.
Its special feature is its dancing lights in several
shapes, and colors that are intricate geometric
patterns. Parol or lantern is a symbol of the Filipino
spirit. The origin of parol can be traced back during
the Spanish era in the Philippines, when the
Spaniards brought Christianity to the Island.
LANTERNS OR PAROL
51. are products that bring entertainment for special
occasions. The Chinese are the ones who carry
this product to the Philippines, particularly in
Bocaue, Bulacan. During the Spanish period, the
friars used to light "kwitis" to awaken people to
attend Misa de Gallo.
FIRECRACKERS
52. With the French idea of a little roll, the
Pastillas of Bulacan is different from other
pastillas in the country. It has a unique,
colorful, and intricately designed paper
wrapper which is locally known as “pabalat
or borlas de pastillas”.
PASTILLAS WRAPPER
53. Singkaban
is the local term for bamboo arches
designed with kayas or wood shaving. These are
used as decorative arches that adorn the
entrance to a barangay or town where a fiesta or
any grand celebration is being held.
INTERNAL (INDIGENOUS) INFLUENCES
