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And Why it matters!
2nd year creative art
Denise Mac Giolla Ri
 To understand the processes of group creativity and work towards
positive outcomes in group work
 Creativity is defined as the tendency to generate or recognize ideas,
alternatives, or possibilities that may be useful in solving problems,
communicating with others, and entertaining ourselves and others.
 Three reasons why people are motivated to be creative:
 need for novel, varied, and complex stimulation
 need to communicate ideas and values
 need to solve problems
 You need to be able to view things in new ways or from a different
perspective
 You need to be able to generate new possibilities or new
alternatives.
1. The creative domain, which is nested in culture -
the symbolic knowledge shared by a particular
society or by humanity as a whole (e.g., visual
arts)
2. The field, which includes all the gatekeepers of the domain (e.g.,
art critics, art teachers, curators of museums, etc.)
3. The individual person, who using the symbols of the given
domain (such as music, engineering, business, mathematics) has
a new idea or sees a new pattern, and when this novelty is
selected by the appropriate field for inclusion into the relevant
domain
 Creativity is enhanced when people work together on a project.
 As a social process, creativity involves communicating with others to
develop alternative ideas and solutions to problems. Creativity
requires "thinking outside the box" and taking viewpoints we don't
ordinarily consider.
 Different forms of creativity can be observed.
 For example, expressive creativity refers to individual group members'
creative endeavours that may satisfy their own needs but don't
necessarily help the group achieve its goals.
 In inventive creativity, group members offer unique solutions to a
problem. Innovative creativity happens when group members examine an
issue from an alternative viewpoint. The latter two clearly involve
teamwork and collaboration.
Pressure to conform to group norms
Without some conformity to group norms, groups
would not be able to function. However, a
preoccupation with group member conformity
stifles creativity and encourages groupthink.
When group members are overly concerned with
following rules, innovation becomes difficult to
achieve.
 Also, when group members prize unanimity instead of encouraging
members to present differing perspectives, new ideas are unlikely to
emerge.
 Inability or unwillingness to collaborate
1. Competition among group members
seldom leads to creative ideas because
group members are more likely to keep
information to themselves rather than
share it. Competition also encourages
group members to focus on themselves and
their own agendas rather than the goals of
the group.
2. Often, group members lack the skills
necessary to foster collaboration. By
focusing on cooperation, group
members are more likely to bring
their ideas together and create
something innovative
 Defensive communication climate.
1. When the characteristics of group communication include
evaluation, control, strategizing (hidden agendas), certainty, and
superiority, group members are interacting defensively. Such
defensive communication leaves little room for new ideas.
2. For example, if group member A says,
"Let's try combining ideas B and C,"
and group member D says, "That will
never work," a potentially useful idea
will be lost. In addition, such critical
evaluation will reduce the likelihood
that group members will offer their
ideas.
 Differences in group members' communication styles
 Some group members are more outspoken,
extroverted, and vocal in their opinions, while other
group members are more reserved, introverted, and
hesitant to state their views. The more vocal group
members often dominate group meetings, so only
those members' ideas are heard. More reticent group
members' may have important information to add to
the discussion, but can be intimidated by aggressive
group members.
 Cultural norms
Creativity and innovation arise when people see
the world in unique ways.
Cultural norms, values, and beliefs are so
engrained that we find it difficult to do that.
People who can see things from unique angles are
typically viewed as non-conformists. Thus,
innovators' ideas are often discredited.
To facilitate creativity, we have to balance respect
for cultural norms with appreciation for
innovation and freedom of expression.
 Embrace diversity.
 Group members should seek diverse perspectives and welcome the
opportunity to listen to different views and approaches to problems.
Facilitate a supportive
communication climate.
Description, problem orientation,
spontaneity, empathy, equality, and
provisionalism (knowledge will change)
are the hallmarks of a supportive
communication climate.
Reward inventive and innovative creativity.
 Encourage group members who offer unique ideas and
alternative viewpoints. Be cautious, however, of "stars"
and "stage hogs" who promote themselves rather than
address the group's goals.
Foster collaboration.
 In times of conflict, group members find it easier to
avoid, accommodate, or compromise when their goals
seem to be at odds. Groups that are committed to
collaboration must be dedicated to discovering conflict
solutions that everyone can agree on.
 Collaboration can be time consuming and frustrating,
but generally results in innovative solutions to
complex problems.
 Practice active listening.
 We can process what others say much faster when they can speak.
Typically, we use that "in-between" time to think about what we want to
say.
 In active listening, we use that time to ponder, interpret, and contemplate
what others have said, before formulating our response.
 Successful groups incorporate both innovation and routine in their
interactions. Too much creativity can lead to chaos.
 Constant change leads to lack of direction, confusion, frustration,
and reduced productivity.
 Too much stability leads to inflexibility, an inability to adapt, and a
tendency to follow rules without questioning them.
Brain Storming works (Parnes & Meadow,1959;
Paulus & Brown, 2003, but see also Dunnette, Campbell, & Jaastad,
1963)
 Ask lots of questions
 Come up with as many ideas as you can
 Do not criticize one another’s ideas
 Free-wheel and share wild ideas
 Expand and elaborate on existing ideas. (Osborn 1957)
Group creativity

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Group creativity

  • 1. And Why it matters! 2nd year creative art Denise Mac Giolla Ri
  • 2.  To understand the processes of group creativity and work towards positive outcomes in group work
  • 3.  Creativity is defined as the tendency to generate or recognize ideas, alternatives, or possibilities that may be useful in solving problems, communicating with others, and entertaining ourselves and others.
  • 4.  Three reasons why people are motivated to be creative:  need for novel, varied, and complex stimulation  need to communicate ideas and values  need to solve problems
  • 5.  You need to be able to view things in new ways or from a different perspective  You need to be able to generate new possibilities or new alternatives.
  • 6. 1. The creative domain, which is nested in culture - the symbolic knowledge shared by a particular society or by humanity as a whole (e.g., visual arts)
  • 7. 2. The field, which includes all the gatekeepers of the domain (e.g., art critics, art teachers, curators of museums, etc.)
  • 8. 3. The individual person, who using the symbols of the given domain (such as music, engineering, business, mathematics) has a new idea or sees a new pattern, and when this novelty is selected by the appropriate field for inclusion into the relevant domain
  • 9.  Creativity is enhanced when people work together on a project.  As a social process, creativity involves communicating with others to develop alternative ideas and solutions to problems. Creativity requires "thinking outside the box" and taking viewpoints we don't ordinarily consider.
  • 10.  Different forms of creativity can be observed.  For example, expressive creativity refers to individual group members' creative endeavours that may satisfy their own needs but don't necessarily help the group achieve its goals.  In inventive creativity, group members offer unique solutions to a problem. Innovative creativity happens when group members examine an issue from an alternative viewpoint. The latter two clearly involve teamwork and collaboration.
  • 11. Pressure to conform to group norms Without some conformity to group norms, groups would not be able to function. However, a preoccupation with group member conformity stifles creativity and encourages groupthink. When group members are overly concerned with following rules, innovation becomes difficult to achieve.
  • 12.  Also, when group members prize unanimity instead of encouraging members to present differing perspectives, new ideas are unlikely to emerge.
  • 13.  Inability or unwillingness to collaborate 1. Competition among group members seldom leads to creative ideas because group members are more likely to keep information to themselves rather than share it. Competition also encourages group members to focus on themselves and their own agendas rather than the goals of the group.
  • 14. 2. Often, group members lack the skills necessary to foster collaboration. By focusing on cooperation, group members are more likely to bring their ideas together and create something innovative
  • 15.  Defensive communication climate. 1. When the characteristics of group communication include evaluation, control, strategizing (hidden agendas), certainty, and superiority, group members are interacting defensively. Such defensive communication leaves little room for new ideas.
  • 16. 2. For example, if group member A says, "Let's try combining ideas B and C," and group member D says, "That will never work," a potentially useful idea will be lost. In addition, such critical evaluation will reduce the likelihood that group members will offer their ideas.
  • 17.  Differences in group members' communication styles  Some group members are more outspoken, extroverted, and vocal in their opinions, while other group members are more reserved, introverted, and hesitant to state their views. The more vocal group members often dominate group meetings, so only those members' ideas are heard. More reticent group members' may have important information to add to the discussion, but can be intimidated by aggressive group members.
  • 18.  Cultural norms Creativity and innovation arise when people see the world in unique ways. Cultural norms, values, and beliefs are so engrained that we find it difficult to do that. People who can see things from unique angles are typically viewed as non-conformists. Thus, innovators' ideas are often discredited. To facilitate creativity, we have to balance respect for cultural norms with appreciation for innovation and freedom of expression.
  • 19.  Embrace diversity.  Group members should seek diverse perspectives and welcome the opportunity to listen to different views and approaches to problems.
  • 20. Facilitate a supportive communication climate. Description, problem orientation, spontaneity, empathy, equality, and provisionalism (knowledge will change) are the hallmarks of a supportive communication climate.
  • 21. Reward inventive and innovative creativity.  Encourage group members who offer unique ideas and alternative viewpoints. Be cautious, however, of "stars" and "stage hogs" who promote themselves rather than address the group's goals.
  • 22. Foster collaboration.  In times of conflict, group members find it easier to avoid, accommodate, or compromise when their goals seem to be at odds. Groups that are committed to collaboration must be dedicated to discovering conflict solutions that everyone can agree on.  Collaboration can be time consuming and frustrating, but generally results in innovative solutions to complex problems.
  • 23.  Practice active listening.  We can process what others say much faster when they can speak. Typically, we use that "in-between" time to think about what we want to say.  In active listening, we use that time to ponder, interpret, and contemplate what others have said, before formulating our response.
  • 24.  Successful groups incorporate both innovation and routine in their interactions. Too much creativity can lead to chaos.  Constant change leads to lack of direction, confusion, frustration, and reduced productivity.  Too much stability leads to inflexibility, an inability to adapt, and a tendency to follow rules without questioning them.
  • 25. Brain Storming works (Parnes & Meadow,1959; Paulus & Brown, 2003, but see also Dunnette, Campbell, & Jaastad, 1963)  Ask lots of questions  Come up with as many ideas as you can  Do not criticize one another’s ideas  Free-wheel and share wild ideas  Expand and elaborate on existing ideas. (Osborn 1957)