The document provides an overview of major artists and artistic developments during the High Renaissance and Mannerism periods in the 15th-17th centuries. Key figures discussed include Leonardo da Vinci, Michelangelo, Raphael, and Titian. Their most famous works incorporating developments in areas like anatomy, perspective, and new styles are described, as well as architectural achievements of the time. The emergence of Mannerism as a more elegant and sophisticated style is also covered.

1. Ch. 22 High Renaissance and Mannerism Pg 614-660

2. 15 th Century Lead to developments in anatomy and perspective Da Vinci Raphael Michelangelo Titian ALL IN ROME

3. Leonardo da Vinci Note taker, sketches, botany, geology, zoology, military engineering, science. Light and optics Studied the human body 1481 went to Milan to work for the duke.

4. Da Vinci – Virgin of the Rocks Model with light and shadow Pyramidal grouping Atmospheric setting Pray, point, bless St. John the Baptist Looked at Masaccio’s art

5. Cartoons ,Balance, stately grace of their movements, like goddess of Parthenon

6. Last Supper- Fresco 1495 da Vinci

7. Christ- “one of you will betray me” Christ Isolated Judas Complex painting 4 Groups of 3 Judas in shadow clutching money

8. George de Lucas

9. Da Vinci – Mona Lisa Wife of a wealthy Florentine Engaging psychologically Atmospheric perspective Sfumato (misty haziness) Unknown landscape

10. Julius II : A Warrior- Pope quest for Authority 1506 Old St. Peter’s a new structure. Old building fell Roughly square plan 9 Interlocking crosses 5 domes Bramante boasted he would place the dome of the Pantheon over the Basilica Nova

11. Important Imperial images on Roman coins-17 th century it was completed

12. Bramante – Tempietto -1502 Little Temple Round temples Queen Isabella of Spain commissioned Like a Greek Tholos( a small shrine)

13. Michelangelo 1500 Pope Julius II asked Michelangelo to covey his message Michelangelo created architecutre and sculpture Massive forms and art to become close to old Rome was

14. David 1501 David hero of Florentine Republic Psychological insight Like Classical to Hellenistic Before victory Emotionally connected

15. Michelangelo – Moses – Rome 1513- Horns, Id Moses, Turned head in concentration, Swelling veins Pope commissioned Michelangelo to create his tomb Tablets of Law- Turned head , concentrates frame and eyes Like Hellenistic art

16. Sistine Chapel – Vatican City – 1473 Inexperienced with fresco, Long Narrative

17. Hebrew Prophets and pagan sibyls who foretold Christ Focus on figures 300 figures in a ultimate grand drama of the human race Old Testament scenes Painted with a sculptors eye for how light and shadow would fall.

18. Creation of Adam Communication with Gods and humans Adams original sin lead to Christ’s death God reaches to Adam

19. The cleaning

20. School of Athens – Raphael – 1509 for the Papal Apts

21. The great philosophers come together – Ancient World Plato ( holds book) Aristotle – Central Figures Vast perspective, moods, beliefs, close study Summarization of all the beliefs of the Western Civilization Balanced, cultured, “congregation of great philosophers”

22. Raphael – Marriage of the Virgin - 1504 High Renaissance ideals Background building Influenced by Michelangelo and Leonardo Joseph competed with other suitors for Mary’s hand Foreshortening & perspective used

23. Perugino -1481

24. Raphael – Madonna in the Meadow 1505 Pyramidal comp. Chiaroscuro similar to da Vinci Perugino’s light tonalities Sharp tones

25. Raphael – Galatea – 1513 Pope Leo X ( son of Med. ) succeeded Julius II as Raphael’s patron Runs from Cyclops Polyphemus on a shell and dolphins Foreshortening Motion Like who? Pagan myths popular

26. Michelangelo - Tomb of Giuliano de Medici 1519 Works for Medici Popes Funerary Chapel River gods Neo-Platonism – Plato’s ideals- spiritualistic philosophy Lowest levels of the gods the lowest in life Dawn and Day ( male) Contortion Thickness Cared more about form

27. Papacy of Pope Paul III Lived nicely! Lots of personal commissions Orchestrated campaign to restore the Catholic church in the wake of Protestant Reformation

28. Antonio da Sagallo – Palazzo Farnesa (favorite architect of the Pope)

29. Michelangelo – Last Judgment 1534 Christ judges the world Arm held up by Jesus= damnation Choirs of Heaven Dead awake fleshy – demons – gargoyle masks, torment the damned Fate to sinners

33. Capitoline Hill-1537 Achieve balance and symmetry in design New building Oval base

34. Michelangelo 1540 Last project with Pope No pay Preserve Bramante’s plan Reduced central crosses ( Greek cross) Front Portico

35. Venetian Art -1500s Fortune decline in 16 th century Soft colored Light Bellini ( trained in International Style) Nymphs/gods/ Lush Tones/ Pleasure Venetian painting were about color Rome and Florence = Sculpture

36. Bellini and Titan - 1529 The Feast of the Gods

37. Giorgione – The Tempest - 1510 Stormy skies Lighting Young woman nursing baby No Narrative Tints of red, black, highlights

38. Assumption of the Virgin – Titan 1516 Golden clouds Large scale altarpiece Dramatic

39. Pesaro Family – Titan – 1519 Trained by Bellini and Giorgione Madonna and a Saint honoring achievements to men in this world

40. Titian – Meeting of Bacchus and Ariadne -1522 - arrives to save Ariadne whom Theseus had abandoned on a Island Titan – rich and luminous colors

41. Titian – Venus of Urbino – 1538 Female nude – private, based on a Giorgone, compositional elements of a reclining nude, servants, red tones, pale neutral whites,

42. Correggio –Assumption of the Virgin -1526

43. Mannerism -Elegant style, cultured, not natural and idea of a scene, unusual, sophisticated Pontormo – Descent from the Cross -1525 Virgin falls back, hands accentuated, bends

44. Parmigianino – Madonna with the Long Neck – 1535 Influenced by Raphael Elongation of the frame Elegant

45. Tintoretto –The Last Supper 1594

46. Bronzino – Portrait of a young man Graceful hands Proud Muted background

47. Anguissola – portrait of the Artist’s sisters and Brother 1555

48. Giovanni – Abuduction of the Sabine Women

49. Veronese – Christ in the House of Levi 1573

50. Villa Rotonda – Palladio 1566

51. Palladio - San Giorgio Maggiore 1565