Chapter 3 egyptian art
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The document provides an overview of ancient Egyptian art and architecture from approximately 2500 BCE to 1290 BCE. It describes early artifacts like the Narmer Palette that showed the unification of Upper and Lower Egypt. Mastabas and pyramids were built to house belongings and ensure happiness in the afterlife. The Old Kingdom saw the rise of massive pyramids at Giza for pharaohs like Khufu. The Middle Kingdom era featured rock-cut tombs and statues of rulers like Senusret III. Notable structures from the New Kingdom include Hatshepsut's mortuary temple, Ramses II's temples, and Akhenaten's artistic changes during his religious revolution.
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This document provides an introduction to various visual art forms including drawing, painting, printmaking, photography, sculpture, music, theatre, cinema, dance, architecture, and literature. It discusses key elements of composition such as line, form, color, mass, and principles such as repetition, balance, unity, and perspective. Specific artworks by artists like Picasso, Géricault, and da Vinci are referenced as examples. Key terms related to techniques and concepts in the visual arts are defined.
ancient Egyptian roman greek art
The document provides an overview of Egyptian art from the Old Kingdom period starting around 2700 BCE up through the New Kingdom period ending around 1069 BCE. It mentions several important pharaohs like Khufu and Tutankhamun as well as important archaeological sites in Egypt like the Egyptian Museum in Cairo. The document also briefly covers Roman art in Italy highlighting works like the bronze She-Wolf and Etruscan sarcophagi. Finally, it lists several notable works of Greek art including sculptures like the Nike of Samothrace and the Parthenon friezes.
Formal analysis tutorial 2 d
This document provides a guide to formal analysis of artworks. It discusses the key elements of form (physical aspects) and content (meaning). Formal analysis involves describing visual elements and analyzing their meaning. It then examines various formal qualities like the principles of design, elements of shape and space, qualities of line, effects of light, visual weight, color theory, and texture. The document provides questions to consider for each formal element when analyzing an artwork's form.
Lesson 2, unit 2 formal analysis
The document provides an overview of key formal elements and principles of design used in visual art, including line, shape, space, color, texture, value, composition, balance, proportion, rhythm, emphasis, and unity. It discusses implied versus actual textures and various styles such as Impressionism. Specific artists and works mentioned include Thomas Gainsborough, Paul Klee, Picasso, William De Kooning, Michelangelo, Mark Rothko, Piet Mondrian, and Meret Oppenheim.
The Last Supper: Teachings
Jesus had a last supper with his disciples before his crucifixion, where he washed their feet to teach them humility, gave them a new commandment to love one another, and promised to send the Holy Spirit to be with them. He explained that he was preparing a place for them in his Father's house and that he was the way to the Father. Jesus then broke bread and shared wine with them, saying it was his body and blood, which would be poured out for the forgiveness of sins.
Leonardo's the last supper
Leonardo da Vinci painted The Last Supper between 1495-1498 while working for the ruling Sforza family in Milan, Italy. It was commissioned for the refectory of the monastery of Santa Maria delle Grazie. The painting depicts the moment when Jesus announces that one of his apostles will betray him, capturing the apostles' varied reactions. Over the centuries, the painting deteriorated substantially due to experimental techniques and damage from a bomb in WWII. It underwent a major restoration from 1979-1999 to repair and preserve what remains of da Vinci's masterpiece.
Religion In Egypt
The document discusses the history and current state of religions in Egypt. It covers ancient Egyptian polytheism, the rise of Islam in Egypt and the current Muslim majority. It also describes the Coptic Christian minority and smaller religious groups like Jews, Bahá'ís and atheists. Religious freedom is limited in practice by the government which recognizes Islam and Christianity as the main faiths and restricts other groups.
The Last Supper
The document provides details about Leonardo da Vinci's famous painting "The Last Supper" located in a church in Milan, Italy. It describes the painting's dimensions, technique, historical damage and repairs over centuries. It analyzes symbolism within the painting like groupings of apostles and references to the number three. It discusses theories about figures depicted and hidden messages or images believed to exist within the work.
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The document summarizes the transition between the Old Kingdom, Middle Kingdom, and New Kingdom in Egypt along with examples of architecture from each period. It includes images of artifacts like the Palette of King Narmer from the Predynastic period and paintings of Ti watching a hippopotamus hunt from the Old Kingdom mastaba of Ti. Rock-cut tombs from Beni Hasan are shown dating to the Middle Kingdom along with examples of engaged columns from the Old Kingdom necropolis of Djoser at Saqqara. Monumental temple complexes built by Ramses II at Abu Simbel and the huge Karnak temple of Amen-Re are highlighted from the New Kingdom period.
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The document discusses several aspects of ancient Egyptian art and architecture from different periods. It provides examples of:
1) Sunken relief sculptures on columns at Karnak from the New Kingdom period that served structural purposes but were decorated.
2) The Temple of Horus at Edfu from the Ptolemaic period that followed the basic architectural scheme from over 1,000 years earlier, demonstrating Egyptian traditions.
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Ancient Egyptian sculptures served important religious purposes. Statues of the deceased were meant to house their soul or "ka" in case the mummy was destroyed. Sculptures were commonly made of stone and depicted kings and other elites in idealized, stiff poses that conveyed their high status. The level of detail and realism varied depending on the subject's rank in society.
Ancientegypt
The document provides an overview of ancient Egyptian civilization and art from the Predynastic period through the New Kingdom. It summarizes key developments such as the unification of Egypt under King Narmer, the Old Kingdom pyramids like those of Giza, the Middle Kingdom's more realistic portraiture, the New Kingdom's expansion of Egypt's empire and grand temples, and the Amarna Period's revolutionary art during Akhenaten's rule. Funerary practices and beliefs like mummification and the weighing of the heart are also briefly outlined.
Egypt Online
Egyptian art spanned from 2600 BCE to 300 CE, with major periods including the Old Kingdom with pyramids like those of Khufu and Khafre at Giza from around 2580-2504 BCE. The Middle Kingdom saw rock-cut tombs at Beni Hasan from 1991-1785 BCE. The New Kingdom featured Queen Hatshepsut's temple at Deir el Bahri from 1490-1460 BCE and the reign of Akhenaten and monotheism centered around Aten from 1360 BCE. Major points of Egyptian art included promoting stability and order through highly stylized representations in monumental architecture and sculpture meant for permanence.
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Ancient Egypt was dominated by the worship of gods like Amon, the sun god and creator. Pharaohs like Tutankhamun were believed to have a divine right to rule that was granted by the gods. Egyptians also had a strong cult of the dead and belief in the afterlife, as evidenced by practices like mummification and the construction of pyramids and the Book of the Dead to guide souls in the afterlife. Akhenaten later challenged traditional Egyptian polytheism by establishing a monotheistic cult that worshipped the sun god Aten as the sole deity.
Ancient Egypt
The document provides an overview of ancient Egyptian art from the Early Dynastic Period through the Ptolemaic Period. Some key points include: Egyptians built elaborate tombs for kings and queens containing mummified remains and objects for the afterlife; the stepped pyramid of Djoser was an early form that evolved into the iconic Great Pyramids of Giza; other important artistic works include the funerary mask of Tutankhamun, Nefertiti bust, and the Rosetta Stone which helped decode hieroglyphics.
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The document provides descriptions of various works of ancient Egyptian art from around 2500 BCE to 1290 BCE. It describes several structures including the Great Pyramids of Giza and the Mortuary Temple of Hatshepsut. It also summarizes sculptures like the Great Sphinx and the Seated Scribe, as well as paintings including Ti Watching a Hippo Hunt and the Judgment before Osiris. The artworks portrayed pharaohs, queens, and other important figures and were often located in tombs and temples to serve religious and commemorative purposes.
APAH Ch 3 egypt
This document appears to provide background information on ancient Egyptian art and architecture from various dynasties. It includes questions about hierarchy and conventions in temple and tomb design. It also lists and provides images of artifacts from different periods such as death masks, palettes, pyramids and temples, to illustrate the styles and purposes of ancient Egyptian artistic works and structures over time.
Ch 3 Lecture
This document provides a summary of 3-4 sentences on key aspects of Egyptian art and culture from various historical periods:
1) It describes the evolution of Egyptian tomb architecture from mastabas and stepped pyramids to the pyramid complexes built during the Old Kingdom at Giza, as well as the transition to rock-cut tombs during the Middle Kingdom.
2) It highlights important figures like Djoser, Khufu, Khafre, Hatshepsut, Akhenaton and Tutankhamun and the artistic styles that emerged during their reigns, including the Amarna style during Akhenaton's rule.
3) It summarizes the key features and purposes of Egyptian artistic
Ch 3-lecture
The document provides an overview of ancient Egyptian art and culture from the Predynastic period through the New Kingdom. It describes the evolution of tomb and pyramid structures like mastabas, stepped pyramids, and the Great Pyramids at Giza. Funerary practices and the importance of preserving the body are discussed. Sculptural forms and conventions of representation are examined through examples of statues. The document also covers the Middle Kingdom, Amarna period under Akhenaton, and grand mortuary temples built by rulers like Hatshepsut and Ramses II.
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The document provides information on various artworks from ancient civilizations spanning from Egypt, Mesopotamia, Minoan Crete, Mycenaean Greece, Archaic and Classical Greece, and Persia. The artworks discussed include sculptures, reliefs, and frescoes created between 2551 BCE to the 5th century BCE using materials such as limestone, marble, bronze, and ceramics. Many of the pieces depict important figures, deities, and narratives from the respective cultures and were featured in temples, tombs, and other monumental architectural settings.
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The document provides an overview of key concepts in Egyptian art, including their fascination with the afterlife and the artistic revolution during the Amarna period. It discusses the importance of patronage and symbolism in Egyptian art and compares it to Near Eastern examples. Several works of art are described in brief, including the Palette of King Narmer, the Stepped Pyramid of Djoser, the Great Pyramids at Giza, and sculptures from the Old Kingdom including the Great Sphinx and statues of Khafre, Menkaure and Khamerernebty, and a Seated Scribe. A chronology of major periods of Egyptian history is also included.
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The document provides an overview of ancient Egypt under the pharaohs through a series of images. It begins with artifacts from the early dynastic period like the Palette of King Narmer. It then discusses the Third Dynasty architect Imhotep and his design of one of the earliest pyramid complexes. Several iconic structures from the Old Kingdom are highlighted, including the Great Pyramids of Giza. Later sections feature artwork, monuments, and objects from the Middle Kingdom through the Ptolemaic Period. A variety of mediums are represented including sculpture, architecture, painting, and artifacts.
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The Aegean (Bronze Age) (Presentation) Author De Anza College
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The Treasure of Tutankhamun is the greatest treasure ever found in anywhere in the world and possible of all times. In the year 1922 Howard Carter astonished the world by the discovery of the tomb of Tutankhamun and the rich treasure which it contained. Tutankhamun, in spite of the almost incredible wealth of material objects discovered in his tomb, was still relatively unknown to the world. He was on the throne for 9 years. Tutankhamun reversed many of his father’s Akhenaten unpopular policies. People were allowed to worship the oid gods again and damaged temples were re[aired He moved the Egyptian capital back to Thebes.
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Ch.28 Rococo
The document summarizes artistic and architectural trends during the Rococo period in the 18th century and the transition to Neoclassicism. Specifically, it discusses how Rococo art featured lavish decoration, curved lines, and themes of aristocratic leisure. It then outlines how the Enlightenment led to a rejection of Rococo themes in favor of Neoclassicism, which took inspiration from classical antiquity and emphasized rational thought and science over tradition. The transition included English painters moving towards more naturalistic styles and the emergence of Neoclassical history painting on both sides of the Atlantic.
Ch22 highrenaissanceandmannerism
The document provides an overview of major artists and artistic developments during the High Renaissance and Mannerism periods in the 15th-17th centuries. Key figures discussed include Leonardo da Vinci, Michelangelo, Raphael, and Titian. Their most famous works incorporating developments in areas like anatomy, perspective, and new styles are described, as well as architectural achievements of the time. The emergence of Mannerism as a more elegant and sophisticated style is also covered.
Ch. 33 Modern art
Modern Art saw many developments in the 20th century including two World Wars, the Great Depression, and scientific/technological advances like Einstein's theory of relativity and the atom bomb. New art movements emerged like Fauvism, Expressionism, Cubism, Futurism, Dada, Surrealism, Bauhaus, De Stijl, Pop Art, Minimalism, and more that experimented with color, form, materials, and concepts like incorporating everyday objects and mass culture into art. Major artists included Picasso, Matisse, Duchamp, Pollock, Warhol, and more who pushed artistic boundaries and influenced the evolution of modern art.
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The document lists past AP art history exam themes and sample questions. It provides examples of 14 different themes that have appeared on exams from 1993 to 2007, including themes about art and technology, nature, symbolism, narration, traditions, the human figure, patronage, power/authority, text/images, sacred space, light, portraiture, self-portraits, and religious buildings. For each theme, it outlines questions students may be asked to compare and analyze two works of art that illustrate that theme.
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The document provides an overview of Roman history from the Roman Republic to the Early Empire period. It discusses Roman architecture such as barrel vaults, groin vaults, and domes. It describes temples, funerary reliefs, and portraits from this time. It also summarizes Pompeii and the cities of Vesuvius before the 79 CE eruption. Important emperors like Augustus, Trajan, Hadrian, and the Antonines are briefly mentioned along with some of their architectural accomplishments.
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The document discusses three prehistoric artworks: the Venus of Willendorf, an exaggeratedly rounded female fertility figurine from 28,000-25,000 BCE; paintings in the Lascaux Caves in France including primitive handprints; and Stonehenge, a megalithic monument in England built from 2550-1600 BCE using large vertical stones topped with a lintel.
Ch. 13 Islam
- Islam originated in the 7th century Arabia and was founded by the prophet Muhammad. His message resonated strongly with Arabs and the religion spread widely across North Africa, the Middle East, parts of Spain, India, and Central Asia.
- The chief building for Muslim worship is the mosque. Early mosques were influenced by Roman and Byzantine architecture and incorporated elements like hypostyle prayer halls with arched colonnades.
- Over time, Islamic architecture developed distinctive features like domes, minarets, mihrabs, and intricate decorative elements including calligraphy, mosaic tiles, and muqarnas vaulting. Major historic mosques were built in places like Jerusalem, Syria, Tunisia, Andalusia
Ch. 19 Gothic to Renaissance
The document summarizes developments in art from the Gothic to Renaissance periods in Italy. Key events included the Black Death that killed millions, weakening the Catholic Church and leading to the Great Schism. Humanism rose, with interest in Roman and Greek art and literature. Artists like Giotto and Duccio abandoned some medieval conventions, adding illusionism, emotion, and naturalism to works. Their innovations marked the shift from Gothic to early Renaissance styles in Italy.
ch. 18 Gothic art
Gothic art originated in France in the 12th century and spread to other parts of Europe. It featured rib vaulting that allowed churches to be built taller with higher ceilings. Gothic cathedrals like Notre Dame and Chartes featured rose windows, flying buttresses, and intricate jamb sculptures depicting biblical scenes. Money to build these massive churches was raised through the selling of indulgences which pardoned sins.
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Etruscan art flourished in the 6th century BCE, as seen in ornate wooden temples with Doric columns and terracotta statuary that housed the gods. Notable artworks include the statue of Apollo from a temple roof and a sarcophagus with a reclining couple. Etruscan tombs from the period accommodated generations of families and featured stucco reliefs and murals depicting domestic scenes and entertainers that connected the living with the dead. After 509 BCE, when the Romans expelled the last Etruscan kings, Etruscan dominance declined as tomb construction and luxury goods decreased, though bronze sculptures like the Capitoline Wolf remained.
Chapter 23 – Baroque art –
1) The document discusses the key events and figures of the Protestant Reformation and Catholic Counter-Reformation in the 16th century, including Martin Luther's dissatisfaction with the Catholic Church and resulting reforms.
2) It profiles influential artists from this period like Durer, Cranach, Bruegel and El Greco, noting how their works reflected and influenced the religious changes taking place across Europe.
3) The document also examines the growth of political powers like Spain and France during this time as well as the development of artistic styles such as realism that flourished in the 15th-16th centuries.
Chapter 11 Christitan art
Early Christian art incorporated symbols and imagery from both Roman imperial styles and Jewish traditions to represent their new faith. Scenes from the Old Testament like the story of Jonah were popular subjects in places like the catacombs of Rome. As Christianity became the official religion of the Roman Empire under Constantine, new church buildings like Old St. Peter's in Rome combined the forms of imperial architecture with Christian themes and symbols of faith.
Chapter 5 Greek
- The document provides an overview of Greek art from the Early Greek period through the Hellenistic period, covering major developments, styles, and works.
- Early Greek art was geometric in style and oriented, with the emergence of temples and sculpture influenced by Egypt. The Classical period saw the Parthenon and other temples on the Acropolis, with sculptures like the Riace Bronzes and the Doryphoros.
- The Hellenistic period followed the conquests of Alexander and was marked by large monumental sculptures depicting battle, such as the Pergamon Altar friezes.
Chapter 4 – Prehistoric Aegean
1) The document summarizes prehistoric Aegean cultures including the Minoans of Crete and the Mycenaeans.
2) The Minoans were known for their large palaces at sites like Knossos and had an advanced civilization with complex architecture, art, and religion centered around figures like the Minotaur.
3) The Mycenaeans built massive fortified citadels and palaces, as seen at sites like Tiryns and Mycenae, defended by monumental stone lions gate carvings, and buried their rulers in treasuries with gold funerary masks.
Chapter 2 – Near East
The document summarizes the origins and developments of early civilizations in Mesopotamia and the Near East. Key points include:
1) The Neolithic Revolution led humans to become farmers and herders in Mesopotamia, laying the foundations for civilization.
2) Major early civilizations like Sumer emerged, with city-states ruled over by different deities. Ziggurats and temples dominated sacred architecture.
3) Art evolved from early votive statues and cylinder seals to monumental sculptures and reliefs glorifying kings as civilizations like Akkadia and Assyria rose and fell in Mesopotamia.
Chap9 etruscans
The document provides information about the Etruscans, including that they were a fusion of immigrant and native populations in Italy who had an influence on Greek colonies and art in Italy. It describes early Etruscan art as being skilled at sea trade and reflective of trade, with Greco-Roman gods similar to Greek gods. Specific Etruscan temples and tombs from the 6th century BCE are discussed, noting architectural differences from Greek structures and the use of terracotta statues and reliefs.
Chap 21 15th century italian art humanism and antiquity
1) During the 15th century in Italy, humanism and a renewed interest in antiquity influenced art and culture. Artists drew inspiration from Greek and Roman works as well as from early Italian works like Dante's Divine Comedy.
2) Wealthy families like the Medicis in Florence became important patrons of the arts, commissioning works from major artists of the time like Donatello, Brunelleschi, and Botticelli.
3) Artists developed new techniques like linear perspective and illusionistic effects that drew upon principles of classical art and architecture. Major works from this period include Donatello's David, Brunelleschi's dome for Florence Cathedral, and Botticelli
Ch20 15th century art in northern europe and spain
1) The document discusses art in Northern Europe and Spain during the 15th century, a time of economic and political changes.
2) A key development was the rise of oil painting in Flanders, which allowed for new techniques like glazing layers of color to create illusionistic effects.
3) Major artists from this period included Jan van Eyck, Rogier van der Weyden, and Hieronymus Bosch. Their works often had religious subjects and used oil painting techniques to realistic depict human emotion and drama.
Ch16 Europe after the fall of rome
Early medieval art in Europe between 400-1400 AD saw the decline of the Roman Empire and rise of new powers like the Huns, Vandals, Franks and Goths. Art during this period was used mainly to display status and wealth, as seen in artifacts like belt buckles, weapons and jewelry found in burials. Significant works included the elaborate ship burial at Sutton Hoo in England, decorated with gold and gems, and the carved animal head posts on Viking ships. Hiberno-Saxon art from the British Isles combined Celtic and Anglo-Saxon styles in illuminated gospel books featuring intricate patterns and carpet pages. Carolingian art revived classical Roman styles under Charlemagne in the 9th century, seen
Byzantine art
Byzantine art developed out of eastern Roman imperial art and reflected Christian religious themes. It utilized styles like mosaics, icons, and illuminated manuscripts. Major artistic periods included the Early Byzantine era featuring works like the Hagia Sophia and mosaics of Justinian and Theodora, the Iconoclastic controversy which banned religious images, and the Middle Byzantine period when icons were restored. Art was used to convey religious messages and assert political power in monumental church buildings and luxurious objects.
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Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
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Chapter 3 egyptian art
- 1. Egyptian Art Chapter 3
- 5. Hierakonpolis – Egypt – Predynastic – 3500 BCE – Paint and Plaster
- 6. 1 st Dynasty – Narmer Palette
- 9. `
- 13. Mortuary Precinct of Djoser – 2630 BCE –courtyards, temples, courts
- 15. Valley of the Kings
- 18. Khafre, - 2520BCE, Diorite, wears a kilt, sitting upright, God Horus, False beard, royal linen headdress, and cobra of kingship. Intertwined lotus and papyrus plants
- 21. Ka –Aper – from his Mastaba 2450 BCE –Wood Almost looks alive, on a ground, realism, Saggy stomach
- 25. Rock cut tombs- Beni Hasan – Egypt -1950BCE Rock cut tombs replaced Mastabas - columned hallways, like Greek columns
- 27. Hatshesput with offering Jars – 1473BCE – Red Granite around 200 sculpture were made of Hatshesput, seen often as a sphinx Portrayed as a male
- 29. Temple of Ramses II - 1290 – 1124 BCE
- 42. Queen Nefertiti- 1353, Limestone Found in Thutmose’s workshop, unfinished