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A collaborative textual annotation tool


        Andrew Kehoe & Matt Gee



Research & Development
 Unit for English Studies


              emargin.bcu.ac.uk
Background
• Corpus Linguistics: developing software to build and
  analyse large text collections: crawling, indexing,
  annotation, search.


• Our own large-scale search engine for linguistic study.
• 10bn words of web text (part-of-speech tagged).
• Includes collections of news and blogs.
• Lets users extract examples of words/phrases in
  context, monitor change across time, etc.
www.webcorp.org.uk
New Audiences
• Bringing Corpus Linguistic techniques to new
  audiences:
 i. School (A-Level) English students
 ii. Literary colleagues (teachers/researchers/critics)

• A move toward literary texts and Corpus
  Stylistic approaches
New Corpora
• Literary collections, including:
  – Novels of Charles Dickens
  – Works of Thomas Carlyle
  – Works of James Joyce
  – Works of Samuel Beckett
  – Poems of Percy Bysshe Shelley
  – Restoration Drama
  – Science Fiction

• Downloaded and processed whole of Project
  Gutenberg (23,484 texts; 1.6 billion words)
Colleagues’ Own Examples
The doctor seemed especially troubled by the fact of the robbery having
been unexpected, and attempted in the night-time; as if it were the
established custom of gentlemen in the housebreaking way to transact
business at noon, and to make an appointment, by post, a day or two
previous.
                                                           (Oliver Twist)




But there was no hitch in the conversation nevertheless; for one gentleman,
who travelled in the perfumery line, exhibited an interesting nick-nack, in
the way of a remarkable cake of shaving soap which he had lately met with
in Germany;
                                                      (Martin Chuzzlewit)
130 instances of ‘in the * [way|line]’
Testing Intuitions
“Dickens is known for a rich range of writing styles-
indignant, ironical, melodramatic, and sentimental,
all of which appear in David Copperfield. To set the
nostalgic tone for this novel, he also uses certain
words like "little" and "old" more than usual, so
his language seems especially sentimental.”
     (Barron’s Book Notes: David Copperfield, 1985, p.32)
Limitations
• Literary scholars saw benefits of corpus linguistic
  techniques but concerned about straying too far
  from the text.
• Literary language is highly creative/variable.
• Corpus Linguistic techniques work best with exact
  repetitions, not so good at finding paraphrases in
  fully automated way.
• Difficult to pick up themes/motifs without human
  input.
“corpus stylistics can make an important
contribution to the investigation of the interplay
between conventional, idiosyncratic and
creative patterns of language use. Corpus
stylistics also highlights that intuition and
automatic processes should work together”

                          (Mahlberg, 2007:224)
A collaborative textual annotation tool
Literary Study
How do you study a literary text?




‘Close Reading’: detailed study of short text extracts
down to individual word level.
An Established Tradition
• Can be traced back to 11th Century.

                                        Martin Luther:
                                        Lectures on Romans
                                        (1515)

                                        Glossae: student’s
                                        notes in the margins


                                        Image from:
                                        Cummings, B. (2002)
                                        The Literary Culture of
                                        the Reformation
                                        (Oxford: OUP).
• Text quickly becomes
                                cluttered with underlining/
• (re-)read the text            notes on each re-reading
• underline important words   • Annotations tied to printed
• make notes in margin          copy of text

• colour-code                 • Difficult to share /
                                combine in class
• draw out themes/motifs
                              • Annotations not
                                archivable / searchable
is on e-texts
Increasing emphas            are to
but surprising lack of softw
                  ding.
 support close rea
                    te
Difficult to annota
                     nnotations
 Difficult to share a
                      nough for
 N ot fine-grained e
 academic study
Limitations of Traditional Model
• ‘Book Lovers Fear Dim
  Future for Notes in the
  Margins’, New York
  Times, Feb 20 2011:
  –writing comments
  alongside passages…is a
  rich literary pastime,
  sometimes regarded as a
  tool of literary
  archaeology, …but it has
  an uncertain fate in a
  digitalized world
Our Solution
• Web-based collaborative annotation system operating
  down to word level.
• Initial prototype late-2007
  allowing basic highlighting/
  commenting.
• Classroom trials at BCU
  and Leicester.
Pilot Study
• Structured feedback collected from 25 Leicester students
  across 3 modules (2 BA, 1 MA).
   – 96% found word-level commenting useful.
   – 88% found highlighting useful.
   – 92% agreed that “reading others’ comments helped me
     formulate my own ideas”.
   – 96% found prototype ‘easy’ to use.
• Pilot study suggested which features of most use.
• JISC Learning & Teaching Innovation grant
  (June 2011–May 2012) to build fully-functioning,
  open-source system.
Demonstration of Features

Try it yourself for free at:
http://emargin.bcu.ac.uk/
HIGHLIGHT
 CLICKED
MULTIPLE
ANNOTATIONS
MOUSE DRAGGED
COMMENT
ENTERED




ANNOTATION
  SAVED
ANNOTATION
ADDED TO TEXT,
 AVAILABLE TO
 OTHER USERS
ANNOTATION
  OPENED
REPLY ENTERED
REPLY SAVED,
AVAILABLE TO
OTHER USERS
NEW HIGHLIGHT




COLOUR CHOSEN
TAG ENTERED




ANNOTATION
  SAVED
TAG SAVED IN
ANNOTATION
TAG CLOUD
LOOK UP
HIGHLIGHTED TEXT
    IN THE OED
  (FOR EXAMPLE)
Case Study: Student Projects
• Individual research projects on 3rd year BA Narrative
  Analysis module at BCU.
• Making connections between literary and linguistic
  study by examining narrative theories.
• Example: April’s study of newspaper narratives
  – 10 articles each from The Sun and The Guardian
  – Analysed using 3 narrative models:
    Labov (1972), White (1997), Hoey (2001).
  – In eMargin: used a different colour for each model and
    tags to indicate the different stages of the model.
  – Shows that eMargin can be used individually as a well as
    collaboratively.
Future Plans
• Separate layers of annotation


• Retain text layout and formatting




• Import and Export
Future Plans
• Integrate linguistic analysis features
   – Corpora
   – Tools
      • Concordancing

      • Wordlists

      • Keywords

      • Collocation
Phase 2: 2012-13
• JISC Embedding Benefits funds for integration
  with Virtual Learning Environments (VLEs) using
  IMS Learning Tools Interoperability specification:
  – Single sign-in for seamless transition from VLE to eMargin
  – Easier group management - import class lists from VLE
  – Compatible with all major VLEs (Moodle, Blackboard
    Learn, WebCT, etc.)
  – Explore potential of eMargin as an e-assessment tool
Beyond English
• English Literature in first instance but transferable to
  any text-based discipline: Law, Social Sciences,
  Theology, Languages (and potential beyond text…)
• Trialled at Birmingham School of Acting
• Collaborative research/editing tool
• Beyond HE: United World College of SE Asia
• Working to increase uptake across disciplines



emargin.bcu.ac.uk

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eMargin at #tagginganna workshop, Leicester

  • 1. A collaborative textual annotation tool Andrew Kehoe & Matt Gee Research & Development Unit for English Studies emargin.bcu.ac.uk
  • 2. Background • Corpus Linguistics: developing software to build and analyse large text collections: crawling, indexing, annotation, search. • Our own large-scale search engine for linguistic study. • 10bn words of web text (part-of-speech tagged). • Includes collections of news and blogs. • Lets users extract examples of words/phrases in context, monitor change across time, etc. www.webcorp.org.uk
  • 3. New Audiences • Bringing Corpus Linguistic techniques to new audiences: i. School (A-Level) English students ii. Literary colleagues (teachers/researchers/critics) • A move toward literary texts and Corpus Stylistic approaches
  • 4. New Corpora • Literary collections, including: – Novels of Charles Dickens – Works of Thomas Carlyle – Works of James Joyce – Works of Samuel Beckett – Poems of Percy Bysshe Shelley – Restoration Drama – Science Fiction • Downloaded and processed whole of Project Gutenberg (23,484 texts; 1.6 billion words)
  • 5. Colleagues’ Own Examples The doctor seemed especially troubled by the fact of the robbery having been unexpected, and attempted in the night-time; as if it were the established custom of gentlemen in the housebreaking way to transact business at noon, and to make an appointment, by post, a day or two previous. (Oliver Twist) But there was no hitch in the conversation nevertheless; for one gentleman, who travelled in the perfumery line, exhibited an interesting nick-nack, in the way of a remarkable cake of shaving soap which he had lately met with in Germany; (Martin Chuzzlewit)
  • 6. 130 instances of ‘in the * [way|line]’
  • 7. Testing Intuitions “Dickens is known for a rich range of writing styles- indignant, ironical, melodramatic, and sentimental, all of which appear in David Copperfield. To set the nostalgic tone for this novel, he also uses certain words like "little" and "old" more than usual, so his language seems especially sentimental.” (Barron’s Book Notes: David Copperfield, 1985, p.32)
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  • 10. Limitations • Literary scholars saw benefits of corpus linguistic techniques but concerned about straying too far from the text. • Literary language is highly creative/variable. • Corpus Linguistic techniques work best with exact repetitions, not so good at finding paraphrases in fully automated way. • Difficult to pick up themes/motifs without human input.
  • 11. “corpus stylistics can make an important contribution to the investigation of the interplay between conventional, idiosyncratic and creative patterns of language use. Corpus stylistics also highlights that intuition and automatic processes should work together” (Mahlberg, 2007:224)
  • 12. A collaborative textual annotation tool
  • 13. Literary Study How do you study a literary text? ‘Close Reading’: detailed study of short text extracts down to individual word level.
  • 14. An Established Tradition • Can be traced back to 11th Century. Martin Luther: Lectures on Romans (1515) Glossae: student’s notes in the margins Image from: Cummings, B. (2002) The Literary Culture of the Reformation (Oxford: OUP).
  • 15. • Text quickly becomes cluttered with underlining/ • (re-)read the text notes on each re-reading • underline important words • Annotations tied to printed • make notes in margin copy of text • colour-code • Difficult to share / combine in class • draw out themes/motifs • Annotations not archivable / searchable
  • 16. is on e-texts Increasing emphas are to but surprising lack of softw ding. support close rea te Difficult to annota nnotations Difficult to share a nough for N ot fine-grained e academic study
  • 17. Limitations of Traditional Model • ‘Book Lovers Fear Dim Future for Notes in the Margins’, New York Times, Feb 20 2011: –writing comments alongside passages…is a rich literary pastime, sometimes regarded as a tool of literary archaeology, …but it has an uncertain fate in a digitalized world
  • 18. Our Solution • Web-based collaborative annotation system operating down to word level. • Initial prototype late-2007 allowing basic highlighting/ commenting. • Classroom trials at BCU and Leicester.
  • 19. Pilot Study • Structured feedback collected from 25 Leicester students across 3 modules (2 BA, 1 MA). – 96% found word-level commenting useful. – 88% found highlighting useful. – 92% agreed that “reading others’ comments helped me formulate my own ideas”. – 96% found prototype ‘easy’ to use. • Pilot study suggested which features of most use. • JISC Learning & Teaching Innovation grant (June 2011–May 2012) to build fully-functioning, open-source system.
  • 20. Demonstration of Features Try it yourself for free at: http://emargin.bcu.ac.uk/
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  • 26. ANNOTATION ADDED TO TEXT, AVAILABLE TO OTHER USERS
  • 34. LOOK UP HIGHLIGHTED TEXT IN THE OED (FOR EXAMPLE)
  • 35. Case Study: Student Projects • Individual research projects on 3rd year BA Narrative Analysis module at BCU. • Making connections between literary and linguistic study by examining narrative theories. • Example: April’s study of newspaper narratives – 10 articles each from The Sun and The Guardian – Analysed using 3 narrative models: Labov (1972), White (1997), Hoey (2001). – In eMargin: used a different colour for each model and tags to indicate the different stages of the model. – Shows that eMargin can be used individually as a well as collaboratively.
  • 36. Future Plans • Separate layers of annotation • Retain text layout and formatting • Import and Export
  • 37. Future Plans • Integrate linguistic analysis features – Corpora – Tools • Concordancing • Wordlists • Keywords • Collocation
  • 38. Phase 2: 2012-13 • JISC Embedding Benefits funds for integration with Virtual Learning Environments (VLEs) using IMS Learning Tools Interoperability specification: – Single sign-in for seamless transition from VLE to eMargin – Easier group management - import class lists from VLE – Compatible with all major VLEs (Moodle, Blackboard Learn, WebCT, etc.) – Explore potential of eMargin as an e-assessment tool
  • 39. Beyond English • English Literature in first instance but transferable to any text-based discipline: Law, Social Sciences, Theology, Languages (and potential beyond text…) • Trialled at Birmingham School of Acting • Collaborative research/editing tool • Beyond HE: United World College of SE Asia • Working to increase uptake across disciplines emargin.bcu.ac.uk