Chapter 30 19th Century Art In Europe And The United States 4
•Download as PPTX, PDF•
4 likes•776 views
Post-Impressionism developed in the late 1880s as artists sought to move beyond Impressionism by adding more structure like line and shape rather than just loose brushwork. Key Post-Impressionist artists included Seurat, Gaugin, Cezanne, Toulouse-Lautrec, and Van Gogh, who were based primarily in France. Cezanne in particular is highlighted for his paintings of Mount Sainte Victoire from the late 1890s to early 1900s, which showed his experimentation with color and form beyond Impressionism.
Report
Share
Report
Share
Recommended
Chapter 30 19th Century Art In Europe And The United States 3
The document discusses 19th century artistic developments and styles such as Romanticism, Realism, Impressionism, and Post-Impressionism. It describes how Impressionism deviated from academic styles in both subject matter and technique by capturing momentary slices of life and focusing on the effects of light on color. The document also discusses the Salon des Refuses which exhibited rejected works and established alternatives to accepted forms of art, as well as the influence of Japanese woodblock prints called Ukiyo-e on Impressionists and Post-Impressionists.
Chapter 30 19th Century Art In Europe And The United States 5
This document provides an overview of 19th century art movements in Europe and the United States, including Symbolism, sculpture, Arts and Crafts, and Art Nouveau. It discusses key Symbolist artists like Odilon Redon and Gustave Moreau who explored non-material concepts like emotion. Sculptors of the time began moving away from realism. The Arts and Crafts Movement and Art Nouveau featured organic designs in response to industrialization. Art Nouveau influenced architecture and design through the organic styles of Antoni Gaudi and Louis Comfort Tiffany.
Chapter 30 19th Century Art In Europe And The United States 2
1. In the 19th century, scientific and industrial developments influenced social changes and art. The Industrial Revolution and urbanization shifted economies and migration patterns.
2. Realism emerged as an artistic style in the 1850s that focused on accurate, objective depictions of contemporary life based on observation rather than imagination. Photorealism also developed with the invention of photography.
3. Literature of the time, like Marx's Communist Manifesto, reflected social upheaval from industrialization and the rise of the middle class. Artists debated the purpose of art in light of photographic realism. Some embraced it while others reacted against its influence.
Chapter 30 19th Century Art In Europe And The United States 1
This document provides an overview of 19th century art movements in Europe and the United States, including Neoclassicism and Romanticism. It discusses the influence of the Grand Tour and excavations at Pompeii on Neoclassical ideals. Jacques-Louis David was a prominent Neoclassical artist who used his skills to promote Napoleon's agenda. Romanticism valued emotion over rationalism and featured exotic subjects. The document contrasts the styles of Neoclassical artists like Ingres with Romantic painters such as Delacroix, and explores the development of Romanticism in countries like France, Spain, and movements like Orientalism.
A04bis susan hazan_museum_israel
The document advertises several exhibitions currently being held at The Israel Museum. It provides brief summaries of the following exhibitions:
1. "Twilight over Berlin" features masterworks from 1905-1945 from the Nationalgalerie exploring German Expressionism and the Weimar Republic.
2. "We the People" is an international contemporary art exhibition exploring themes of collective identity, individual empowerment, and community through various mediums.
3. "Dürer and Friends" focuses on prints by Albrecht Dürer from his early to mature career that were influential to the German Renaissance.
4. "Man Ray – Human Equations" displays the artist's innovative photographic models and paintings inspired by mathematics
Art from 1850 to 1900
The document provides a chronological overview of major events, discoveries, and developments that occurred between 1850-1930. It discusses important inventions like the telegraph, telephone, motor car, and airplane. Major events included the American Civil War, emancipation of Russian serfs, founding of the Red Cross, and opening of the Suez Canal. In art, the document outlines the progression from Realism to Impressionism to Post-Impressionism and then to Cubism. Key artists from each movement are mentioned along with characteristics of their works and techniques.
Art movements
The document discusses different art movements through history and provides examples of artists and artworks within each movement. It defines an art movement as a style or tendency in art followed by a group of artists over a defined period of time with common goals or philosophies. The document then provides examples of Impressionism, Post-Impressionism, Fauvism, Cubism, German Expressionism, Surrealism, Abstract Expressionism, Pop Art, Geometric Abstraction, Minimalism, Photo-Realism, and Color Field painting, listing influential artists and their representative works within each movement. It poses questions about the visual elements, themes, and historical contexts to consider in analyzing art movements.
Art Movements2
Post-Impressionism moved away from Impressionism in various directions, shown through works by Cézanne, Van Gogh, and Gaugin employing techniques like pointillism. Expressionism featured darker colors and emotional subjects like the horrors of war as seen in works by Munch and Ensor. Art Nouveau used curving lines and natural motifs in response to industrialization, seen in works by Mucha, Horta, and Tiffany. Fauvism employed bold, unnatural colors and brushstrokes as seen in works by Matisse, Vlaminck, and Derain. Cubism showed objects from multiple angles flattened onto a canvas as in works by Picasso and Braque.
Recommended
Chapter 30 19th Century Art In Europe And The United States 3
The document discusses 19th century artistic developments and styles such as Romanticism, Realism, Impressionism, and Post-Impressionism. It describes how Impressionism deviated from academic styles in both subject matter and technique by capturing momentary slices of life and focusing on the effects of light on color. The document also discusses the Salon des Refuses which exhibited rejected works and established alternatives to accepted forms of art, as well as the influence of Japanese woodblock prints called Ukiyo-e on Impressionists and Post-Impressionists.
Chapter 30 19th Century Art In Europe And The United States 5
This document provides an overview of 19th century art movements in Europe and the United States, including Symbolism, sculpture, Arts and Crafts, and Art Nouveau. It discusses key Symbolist artists like Odilon Redon and Gustave Moreau who explored non-material concepts like emotion. Sculptors of the time began moving away from realism. The Arts and Crafts Movement and Art Nouveau featured organic designs in response to industrialization. Art Nouveau influenced architecture and design through the organic styles of Antoni Gaudi and Louis Comfort Tiffany.
Chapter 30 19th Century Art In Europe And The United States 2
1. In the 19th century, scientific and industrial developments influenced social changes and art. The Industrial Revolution and urbanization shifted economies and migration patterns.
2. Realism emerged as an artistic style in the 1850s that focused on accurate, objective depictions of contemporary life based on observation rather than imagination. Photorealism also developed with the invention of photography.
3. Literature of the time, like Marx's Communist Manifesto, reflected social upheaval from industrialization and the rise of the middle class. Artists debated the purpose of art in light of photographic realism. Some embraced it while others reacted against its influence.
Chapter 30 19th Century Art In Europe And The United States 1
This document provides an overview of 19th century art movements in Europe and the United States, including Neoclassicism and Romanticism. It discusses the influence of the Grand Tour and excavations at Pompeii on Neoclassical ideals. Jacques-Louis David was a prominent Neoclassical artist who used his skills to promote Napoleon's agenda. Romanticism valued emotion over rationalism and featured exotic subjects. The document contrasts the styles of Neoclassical artists like Ingres with Romantic painters such as Delacroix, and explores the development of Romanticism in countries like France, Spain, and movements like Orientalism.
A04bis susan hazan_museum_israel
The document advertises several exhibitions currently being held at The Israel Museum. It provides brief summaries of the following exhibitions:
1. "Twilight over Berlin" features masterworks from 1905-1945 from the Nationalgalerie exploring German Expressionism and the Weimar Republic.
2. "We the People" is an international contemporary art exhibition exploring themes of collective identity, individual empowerment, and community through various mediums.
3. "Dürer and Friends" focuses on prints by Albrecht Dürer from his early to mature career that were influential to the German Renaissance.
4. "Man Ray – Human Equations" displays the artist's innovative photographic models and paintings inspired by mathematics
Art from 1850 to 1900
The document provides a chronological overview of major events, discoveries, and developments that occurred between 1850-1930. It discusses important inventions like the telegraph, telephone, motor car, and airplane. Major events included the American Civil War, emancipation of Russian serfs, founding of the Red Cross, and opening of the Suez Canal. In art, the document outlines the progression from Realism to Impressionism to Post-Impressionism and then to Cubism. Key artists from each movement are mentioned along with characteristics of their works and techniques.
Art movements
The document discusses different art movements through history and provides examples of artists and artworks within each movement. It defines an art movement as a style or tendency in art followed by a group of artists over a defined period of time with common goals or philosophies. The document then provides examples of Impressionism, Post-Impressionism, Fauvism, Cubism, German Expressionism, Surrealism, Abstract Expressionism, Pop Art, Geometric Abstraction, Minimalism, Photo-Realism, and Color Field painting, listing influential artists and their representative works within each movement. It poses questions about the visual elements, themes, and historical contexts to consider in analyzing art movements.
Art Movements2
Post-Impressionism moved away from Impressionism in various directions, shown through works by Cézanne, Van Gogh, and Gaugin employing techniques like pointillism. Expressionism featured darker colors and emotional subjects like the horrors of war as seen in works by Munch and Ensor. Art Nouveau used curving lines and natural motifs in response to industrialization, seen in works by Mucha, Horta, and Tiffany. Fauvism employed bold, unnatural colors and brushstrokes as seen in works by Matisse, Vlaminck, and Derain. Cubism showed objects from multiple angles flattened onto a canvas as in works by Picasso and Braque.
Modern Arts (MAPEH)
Modern art began in the 1860s and encompassed new styles and philosophies that rejected traditions of the past. Artists experimented with new materials, techniques, and theories of how art should represent the world. Major developments included Impressionism in the late 19th century, which focused on capturing light and color, Post-Impressionism, Expressionism, Cubism, Dadaism, Surrealism, Abstract art, Pop art, and Optical art in the early-mid 20th century. These movements further rejected conventions and emphasized subjective experience, fragmented forms, and imagery from dreams.
Introduction to Modernism week 1
This document provides an introduction to Modernism in art. It discusses key events and ideas that influenced the development of Modernism, such as the Salon des Refusés of 1863, which represented changes in society and culture. Modernism is defined as a reaction against realism and romanticism that involved radically altered aesthetic forms and perspectives. The document also discusses how Modernism was related to but not the same as Modernity, which was influenced by industrialization. A reading list of texts about Modernism is provided.
Modern Art
The document provides an overview of major artistic movements in early 20th century modern art, including Fauvism, Expressionism, Cubism, Futurism, Dada, Suprematism, De Stijl, and Surrealism. It summarizes the goals and characteristics of each movement, and provides examples of influential artists and their works such as Matisse, Kandinsky, Picasso, Duchamp, Mondrian, Dali, and others. The document also discusses the impact of events like World War I and the development of abstraction on the rejection of traditional styles of art during this period.
Avant garde
The term "avant-garde" originated in the 19th century in France to describe artists who pioneered new ideas and styles in their work. It referred to those who acted as the vanguard or advance party for art. Henri de Saint-Simon first used the term to describe how artists could spread new ideas through their works and exert positive influence over society. Avant-garde art is generally considered to have begun in the 1850s with Gustave Courbet's realist works and continued through successive modern art movements. While some avant-garde styles focused on innovations in form, others had strong social programs as well. The term continues to describe radical or original contemporary art that challenges existing ideas and conventions. However, avant-
Moderism
This document provides an overview of several modern art movements that developed between the late 19th and mid-20th centuries, including Art Nouveau, Cubism, Surrealism, Dadaism, Fauvism, and Modernism more broadly. It describes key characteristics and influences of each movement in areas like art, sculpture, architecture, design and more. The document also includes references for further information on each movement and the history of modern art in general.
Modernism in Art: An Introduction: 'Standing in the sumit...' Futurisms' bec...
Lecture 5 in 'Modernism in Art: An Inroduction'. This weeks focused on Futurism, beginning with a reading of the 1909 Manifesto and discussing some of the key works associated with the group. Additionally this presentation includes a brief introduction to changes taking place in design.
Modern Art
Graphic Design
Modern Art refers to artworks produced from the late 1800s through the 1970s that rejected traditions of the past in favor of experimentation. This work is often abstract or surreal, emphasizing lines, colors, shapes, or resembling a dream. Key movements included Surrealism, Cubism, Impressionism, and Expressionism. Famous modern artists discussed are Salvador Dali, Pablo Picasso, Claude Monet, Edvard Munch, Andy Warhol, and others. Students are assigned a project to create a PowerPoint about a modern or postmodern artist in the style of that artist.
Neo classicism art
Neo-Classicism art emerged in the late 18th to 19th century as a revival of classical Greco-Roman styles and themes that emphasized harmony, clarity, restraint and idealism. Key works included Ingres' "Apotheosis of Homer", Chalgrin's "Arc de Triomphe", Appiani's "The Olympus", and David's "The Death of Marat", all drawing inspiration from classical antiquity.
AP ART HISTORY: Symbolism, Arts and Crafts movement, Art Nouveau, Austrian Se...
AP ART HISTORY : Other Art Styles of the Late Nineteenth Century.
Art Nouveau, Arts and Crafts Movement, Austrian Secession, Symbolism.
Artists, architects: Redon, Moreau, Rousseau, Carpeaux, Horta, Gaudi, Tiffany, Klimt
Rococo and neo_classical_art_-_schwappach
Rococo art emerged in the early 1700s as a light, delicate style featuring graceful shell-like curves and pastel colors. Jean-Antoine Watteau's painting Pilgrimage to Cythera exemplifies the style with its romantic theme and warm atmosphere. Neoclassical art appeared in the late 1700s as a rigid alternative that drew from ancient Greek and Roman styles using sharp colors and moral themes. Jacques Louis David's Death of Socrates illustrates this style's serious and conservative nature. Both styles offered new creative perspectives, though Rococo remained the author's personal favorite for its free and truthful qualities.
La belle époque
During the La Belle Époque period from 1870-1914, sculpture focused on reflecting light and individual senses or visions of reality, with Rodin being the most famous sculptor. New forms of popular culture also emerged like cinema, phonographs, and the music industry. In architecture, new materials like iron, glass, steel, and concrete enabled skyscrapers and the modernist style, with Gaudi being a prominent architect. Impressionist painters sought to depict light effects while post-impressionists expressed personal feelings and views of society.
Radical geometry, royal academy, review
Alstair Smart, journalist from The Telegraph, publishes a stunning review of: Radical Geometry: Modern Art of South America from the Patricia Phelps de Cisneros Collection, currently on exhibit at the Royal Academy in London. He describes the exhibition as stunning and not to be missed!
July, 2014
Lesson 1 modern arts and life
This document discusses modern art from the 20th century to present day. It provides objectives about identifying various art forms from this era and relating them to religion and life. It explains that modern art includes innovative styles, movements, and techniques. Examples are given, such as Juan Gris's collage technique influencing Cubism. Characteristics of modern art mentioned are its diversity of styles, use of new materials, and attempts to redefine what art can be through concepts and performances.
Contemporary painting and statue
Through the 20th century, artists continually challenged conventions by exploring new forms of expression. In the early 1900s, Fauvist artists like Matisse used vivid colors and brushwork, while Kandinsky created abstract shapes to represent concepts. Picasso and Braque's Cubist works fractured forms and space into planes, reducing color. Surrealists like Magritte and Miro employed illusionism and automatism to access the unconscious through viewers' imaginations. Later, Pollock and other abstract expressionists believed abstraction could achieve expression through dense webs of poured paint, while Pop artists like Warhol and Lichtenstein explored popular culture subjects informed by mechanical reproduction.
2012 intro to modernism ed uni 1
This document provides an overview of the course "Modernism in Art: An Introduction". It discusses key topics that will be covered such as the Salon des Refusés of 1863, Impressionism, Cubism, Futurism, Constructivism, Dada, Surrealism, and Abstract Expressionism. It explains how the concepts of modernity and modernism emerged from the Enlightenment, French Revolution, and Industrial Revolution. It also provides context on how these broader societal changes influenced artists and the hierarchy of artistic genres in the 19th century Academy. A bibliography of recommended resources is included.
Modern painting and statue
Throughout the 20th century, artists repeatedly challenged conventions in their work. Early Fauvist artists like Henri Matisse experimented with vivid colors and brushwork. Later, Wassily Kandinsky created abstract shapes meant to represent concepts. Pablo Picasso and Georges Braque developed Cubism, fracturing forms and reducing space to planes and muted tones. Piet Mondrian eventually eliminated nature altogether, using only lines and primary colors. Surrealists like Rene Magritte and Joan Miro sought to access the unconscious through techniques like automatism and precise illusionism. European surrealists influenced postwar American artists such as David Smith and Jackson Pollock, who believed abstraction could achieve all expressive potential.
The world of painting
The document discusses different styles and movements in painting, including icon paintings from Eastern Christianity, primitive paintings characterized by simplicity, abstract art using form and color independently of visual references, classicism referring to emulating classical antiquity standards, futurism originating in early 20th century Italy, impressionism originating with Paris-based artists of the 19th century, and realism of the 19th century focusing on everyday life rather than idealization.
Early Twentieth Century Art
AP Art History - Early twentieth Century Art - Fauvism, expressionism, cubism, futurism, surrealism, dada, constructivism, DeStijl, Suprematism, International Style, Bauhaus, Prairie Style, Frida b
Art history ch._28
This document provides an overview of Chapter 28 from Gardner's Art Through the Ages, which discusses artistic styles from the late 18th to mid-19th century in Europe. It covers the Rococo style, the interest in science during the Enlightenment, the naturalistic taste, Neoclassicism, and their expressions in France, England, the US, Italy and architecture. Key points include the luxurious Rococo interiors and salon culture in France; scientific works like Wright of Derby's lecture at the orrery; Chardin and Vigée-Lebrun's natural subjects; Hogarth's moralizing works in England; and David's Neoclassical history paintings adapting classical themes for France.
19th century women's clothing
Queen Victoria defined the 19th century, also known as the Victorian era from 1837 to 1901. Women's fashion during this period featured bell sleeves, v-waisted silhouettes, crinolines, and layering of trims. Women dressed extravagantly to display family wealth and status through symbolic elements of their clothing.
AP Euro CH 21 Part 1
This presentation focuses on the background to the revolution up to the uprisings in the various colonies.
AP Euro CH 14 Martin Luther
Martin Luther was a 16th century German monk who sparked the Protestant Reformation. He criticized the Catholic Church's practice of selling indulgences and believed salvation came through faith alone, not good works. In 1517, Luther posted his 95 Theses criticizing indulgences, which led to his excommunication in 1520. Luther found protection from the elector of Saxony and refused to recant his beliefs. His writings established key Protestant doctrines like sola fide (faith alone) and sola scriptura (scripture alone as religious authority). The Reformation split Christianity in Europe between Catholic and Protestant denominations.
More Related Content
What's hot
Modern Arts (MAPEH)
Modern art began in the 1860s and encompassed new styles and philosophies that rejected traditions of the past. Artists experimented with new materials, techniques, and theories of how art should represent the world. Major developments included Impressionism in the late 19th century, which focused on capturing light and color, Post-Impressionism, Expressionism, Cubism, Dadaism, Surrealism, Abstract art, Pop art, and Optical art in the early-mid 20th century. These movements further rejected conventions and emphasized subjective experience, fragmented forms, and imagery from dreams.
Introduction to Modernism week 1
This document provides an introduction to Modernism in art. It discusses key events and ideas that influenced the development of Modernism, such as the Salon des Refusés of 1863, which represented changes in society and culture. Modernism is defined as a reaction against realism and romanticism that involved radically altered aesthetic forms and perspectives. The document also discusses how Modernism was related to but not the same as Modernity, which was influenced by industrialization. A reading list of texts about Modernism is provided.
Modern Art
The document provides an overview of major artistic movements in early 20th century modern art, including Fauvism, Expressionism, Cubism, Futurism, Dada, Suprematism, De Stijl, and Surrealism. It summarizes the goals and characteristics of each movement, and provides examples of influential artists and their works such as Matisse, Kandinsky, Picasso, Duchamp, Mondrian, Dali, and others. The document also discusses the impact of events like World War I and the development of abstraction on the rejection of traditional styles of art during this period.
Avant garde
The term "avant-garde" originated in the 19th century in France to describe artists who pioneered new ideas and styles in their work. It referred to those who acted as the vanguard or advance party for art. Henri de Saint-Simon first used the term to describe how artists could spread new ideas through their works and exert positive influence over society. Avant-garde art is generally considered to have begun in the 1850s with Gustave Courbet's realist works and continued through successive modern art movements. While some avant-garde styles focused on innovations in form, others had strong social programs as well. The term continues to describe radical or original contemporary art that challenges existing ideas and conventions. However, avant-
Moderism
This document provides an overview of several modern art movements that developed between the late 19th and mid-20th centuries, including Art Nouveau, Cubism, Surrealism, Dadaism, Fauvism, and Modernism more broadly. It describes key characteristics and influences of each movement in areas like art, sculpture, architecture, design and more. The document also includes references for further information on each movement and the history of modern art in general.
Modernism in Art: An Introduction: 'Standing in the sumit...' Futurisms' bec...
Lecture 5 in 'Modernism in Art: An Inroduction'. This weeks focused on Futurism, beginning with a reading of the 1909 Manifesto and discussing some of the key works associated with the group. Additionally this presentation includes a brief introduction to changes taking place in design.
Modern Art
Graphic Design
Modern Art refers to artworks produced from the late 1800s through the 1970s that rejected traditions of the past in favor of experimentation. This work is often abstract or surreal, emphasizing lines, colors, shapes, or resembling a dream. Key movements included Surrealism, Cubism, Impressionism, and Expressionism. Famous modern artists discussed are Salvador Dali, Pablo Picasso, Claude Monet, Edvard Munch, Andy Warhol, and others. Students are assigned a project to create a PowerPoint about a modern or postmodern artist in the style of that artist.
Neo classicism art
Neo-Classicism art emerged in the late 18th to 19th century as a revival of classical Greco-Roman styles and themes that emphasized harmony, clarity, restraint and idealism. Key works included Ingres' "Apotheosis of Homer", Chalgrin's "Arc de Triomphe", Appiani's "The Olympus", and David's "The Death of Marat", all drawing inspiration from classical antiquity.
AP ART HISTORY: Symbolism, Arts and Crafts movement, Art Nouveau, Austrian Se...
AP ART HISTORY : Other Art Styles of the Late Nineteenth Century.
Art Nouveau, Arts and Crafts Movement, Austrian Secession, Symbolism.
Artists, architects: Redon, Moreau, Rousseau, Carpeaux, Horta, Gaudi, Tiffany, Klimt
Rococo and neo_classical_art_-_schwappach
Rococo art emerged in the early 1700s as a light, delicate style featuring graceful shell-like curves and pastel colors. Jean-Antoine Watteau's painting Pilgrimage to Cythera exemplifies the style with its romantic theme and warm atmosphere. Neoclassical art appeared in the late 1700s as a rigid alternative that drew from ancient Greek and Roman styles using sharp colors and moral themes. Jacques Louis David's Death of Socrates illustrates this style's serious and conservative nature. Both styles offered new creative perspectives, though Rococo remained the author's personal favorite for its free and truthful qualities.
La belle époque
During the La Belle Époque period from 1870-1914, sculpture focused on reflecting light and individual senses or visions of reality, with Rodin being the most famous sculptor. New forms of popular culture also emerged like cinema, phonographs, and the music industry. In architecture, new materials like iron, glass, steel, and concrete enabled skyscrapers and the modernist style, with Gaudi being a prominent architect. Impressionist painters sought to depict light effects while post-impressionists expressed personal feelings and views of society.
Radical geometry, royal academy, review
Alstair Smart, journalist from The Telegraph, publishes a stunning review of: Radical Geometry: Modern Art of South America from the Patricia Phelps de Cisneros Collection, currently on exhibit at the Royal Academy in London. He describes the exhibition as stunning and not to be missed!
July, 2014
Lesson 1 modern arts and life
This document discusses modern art from the 20th century to present day. It provides objectives about identifying various art forms from this era and relating them to religion and life. It explains that modern art includes innovative styles, movements, and techniques. Examples are given, such as Juan Gris's collage technique influencing Cubism. Characteristics of modern art mentioned are its diversity of styles, use of new materials, and attempts to redefine what art can be through concepts and performances.
Contemporary painting and statue
Through the 20th century, artists continually challenged conventions by exploring new forms of expression. In the early 1900s, Fauvist artists like Matisse used vivid colors and brushwork, while Kandinsky created abstract shapes to represent concepts. Picasso and Braque's Cubist works fractured forms and space into planes, reducing color. Surrealists like Magritte and Miro employed illusionism and automatism to access the unconscious through viewers' imaginations. Later, Pollock and other abstract expressionists believed abstraction could achieve expression through dense webs of poured paint, while Pop artists like Warhol and Lichtenstein explored popular culture subjects informed by mechanical reproduction.
2012 intro to modernism ed uni 1
This document provides an overview of the course "Modernism in Art: An Introduction". It discusses key topics that will be covered such as the Salon des Refusés of 1863, Impressionism, Cubism, Futurism, Constructivism, Dada, Surrealism, and Abstract Expressionism. It explains how the concepts of modernity and modernism emerged from the Enlightenment, French Revolution, and Industrial Revolution. It also provides context on how these broader societal changes influenced artists and the hierarchy of artistic genres in the 19th century Academy. A bibliography of recommended resources is included.
Modern painting and statue
Throughout the 20th century, artists repeatedly challenged conventions in their work. Early Fauvist artists like Henri Matisse experimented with vivid colors and brushwork. Later, Wassily Kandinsky created abstract shapes meant to represent concepts. Pablo Picasso and Georges Braque developed Cubism, fracturing forms and reducing space to planes and muted tones. Piet Mondrian eventually eliminated nature altogether, using only lines and primary colors. Surrealists like Rene Magritte and Joan Miro sought to access the unconscious through techniques like automatism and precise illusionism. European surrealists influenced postwar American artists such as David Smith and Jackson Pollock, who believed abstraction could achieve all expressive potential.
The world of painting
The document discusses different styles and movements in painting, including icon paintings from Eastern Christianity, primitive paintings characterized by simplicity, abstract art using form and color independently of visual references, classicism referring to emulating classical antiquity standards, futurism originating in early 20th century Italy, impressionism originating with Paris-based artists of the 19th century, and realism of the 19th century focusing on everyday life rather than idealization.
Early Twentieth Century Art
AP Art History - Early twentieth Century Art - Fauvism, expressionism, cubism, futurism, surrealism, dada, constructivism, DeStijl, Suprematism, International Style, Bauhaus, Prairie Style, Frida b
What's hot (18)
Modernism in Art: An Introduction: 'Standing in the sumit...' Futurisms' bec...
Modernism in Art: An Introduction: 'Standing in the sumit...' Futurisms' bec...
AP ART HISTORY: Symbolism, Arts and Crafts movement, Art Nouveau, Austrian Se...
AP ART HISTORY: Symbolism, Arts and Crafts movement, Art Nouveau, Austrian Se...
Viewers also liked
Art history ch._28
This document provides an overview of Chapter 28 from Gardner's Art Through the Ages, which discusses artistic styles from the late 18th to mid-19th century in Europe. It covers the Rococo style, the interest in science during the Enlightenment, the naturalistic taste, Neoclassicism, and their expressions in France, England, the US, Italy and architecture. Key points include the luxurious Rococo interiors and salon culture in France; scientific works like Wright of Derby's lecture at the orrery; Chardin and Vigée-Lebrun's natural subjects; Hogarth's moralizing works in England; and David's Neoclassical history paintings adapting classical themes for France.
19th century women's clothing
Queen Victoria defined the 19th century, also known as the Victorian era from 1837 to 1901. Women's fashion during this period featured bell sleeves, v-waisted silhouettes, crinolines, and layering of trims. Women dressed extravagantly to display family wealth and status through symbolic elements of their clothing.
AP Euro CH 21 Part 1
This presentation focuses on the background to the revolution up to the uprisings in the various colonies.
AP Euro CH 14 Martin Luther
Martin Luther was a 16th century German monk who sparked the Protestant Reformation. He criticized the Catholic Church's practice of selling indulgences and believed salvation came through faith alone, not good works. In 1517, Luther posted his 95 Theses criticizing indulgences, which led to his excommunication in 1520. Luther found protection from the elector of Saxony and refused to recant his beliefs. His writings established key Protestant doctrines like sola fide (faith alone) and sola scriptura (scripture alone as religious authority). The Reformation split Christianity in Europe between Catholic and Protestant denominations.
AP Euro CH 20
1) In preindustrial Europe, the nuclear family was most common and people typically married late, usually in their late 20s, after they could financially support themselves.
2) Both girls and boys would leave home to work as servants or laborers, gaining independence but also facing exploitation, especially for girls and servant girls.
3) Rates of illegitimate births were initially low due to tight community control over premarital sex and adultery in rural areas, but rose in the 18th century as industrialization allowed for more independence and freedom from such controls in cities.
4) Literacy rates rose rapidly from 1600-1800 promoted by various groups, allowing common people access to Enlightenment ideas
Ch 16.2
This document discusses the rise of absolutism and constitutionalism in Western Europe between 1589-1715. It describes how absolutist monarchs influenced culture through patronage of the arts like Baroque art and music. Court culture centered around Versailles, while French classicism glorified King Louis XIV. Constitutionalism emerged in England, where monarchs' power was limited by Parliament establishing a system of checks. The Dutch Republic was a federation run by wealthy merchants' assemblies with religious tolerance and commercial prosperity.
AP Euro CH 13
This chapter discusses the economic, political, intellectual, and social developments in Europe during the Renaissance period from 1350-1550 CE. Key points include: the rise of trade and banking in Italian city-states which enriched merchants and allowed them to patronize the arts; the development of republican governments; the influence of humanism which emphasized classical learning and secular ideas; changes in artistic styles and subjects; and the evolution of more powerful centralized states under rulers like Louis XI in France and the joint rule of Isabella and Ferdinand in Spain. Social hierarchies regarding class, gender, and emerging ideas about race were also in flux during this time of cultural and intellectual transformation in Europe.
AP Euro_CH 16.1
This document discusses the rise of absolutism in 17th century France and Spain. It describes the economic and political crises of the period and how monarchs like Henry IV, Richelieu, Louis XIV, and Colbert centralized power in France. They curbed the nobility, grew the size of government bureaucracies and armies, revoked rights of religious dissent, and pursued mercantilist policies to rebuild their nations' strength. By the early 1700s, France had become the dominant power in Europe under Louis XIV, while Spain's empire had entered decline.
AP Euro CH 14
The Early Reformation; The Reformation and German Politics; The Spread of the Protestant Reformation; The Catholic Reformation; Religious Violence
05 16th-Century Art in Northern Europe and Spain
Slideshow is a companion to Gardner's Art Through the Ages (Global) textbooks. Prepared for ART 102 at Montgomery County Community College. Jean Thobaben - Adjunct Instructor
Feb 29 graduate art history presentation
The document summarizes key Renaissance artists of the High Renaissance period, including Leonardo da Vinci, Raphael, Michelangelo, and Titian. It provides details on their distinctive styles and mastery in areas like painting, sculpture, architecture, and use of color and perspective. Michelangelo is highlighted for his incredible sculpture skills and famous works like the Pieta and Sistine Chapel ceiling. The era of Mannerism that followed is also summarized.
French directoire
This document discusses furniture styles during a troubled 15 year period in French history after the revolution. Seating was the main area of furniture production during this period. Chairs began to take on structural forms borrowed from ancient Greece, with Greek curves and slight backwards rolls at the top. Ornamentation was sparse, inspired by Greek and Pompeian models using motifs like palmettes, swans, winged lions, tureens and sphinxes. Furniture was mostly made of solid wood like elm, walnut or beech, with only luxury pieces using mahogany or painted beech.
AP Euro CH 14 John Calvin
Calvinism was a theological system developed by John Calvin that emphasized predestination, the authority of God, and the depravity of man. It was very popular despite appearing cold because it appealed to those who wanted strict religious rules and signs of election to assure their salvation. Calvinism shared some beliefs with Lutheranism, such as the primacy of Scripture and justification by faith, but differed in its views of irresistible grace, certainty of salvation only for the elect, and establishing a theocratic polity in Geneva.
AP Euro CH 19
This document provides an overview of agricultural, industrial, economic, and demographic changes in Europe during the 18th century. It discusses the transition from the open field system to enclosure, the agricultural revolution led by England and the Netherlands, the growth of the putting-out system and cottage industries, the rise of mercantilism and colonial wars that built the world economy, and the increasing population and urbanization across the continent during this period of expansion.
Arth teaching resources 18th and early 19th century
This document provides an overview of 18th and early 19th century art in Europe and North America. It summarizes several major artistic movements during this period including Rococo, Neoclassicism, and Romanticism. Key aspects covered include the rise of royal academies in France, the emphasis on hierarchy of genres, and the influence of the Enlightenment ideals of reason and science on Neoclassical art. Major artists mentioned include Watteau, Fragonard, David, West, Houdon, Gericault, and Barye.
Chapter 20 16th century art in italy
The document summarizes 16th century art in Italy, focusing on major artists and developments. It discusses the High Renaissance in Rome led by artists like Michelangelo, Raphael, and Bramante. It then examines key works by Leonardo da Vinci, Michelangelo, Raphael, and Bramante. Next it discusses developments in the early 16th century including Mannerism and the influential Venetian artist Titian. It concludes by noting the Catholic Counter-Reformation and Michelangelo's Last Judgment fresco in the Sistine Chapel.
Ap euro ch 15
This chapter discusses European exploration and conquest between 1450-1650. It provides context on pre-Columbian trade networks centered around the Indian Ocean, then outlines the political, economic, and technological factors that drove Portuguese, Spanish, Dutch, and English overseas expansion in this period. Key events discussed include the voyages led by Prince Henry the Navigator for Portugal in the 1400s, Vasco de Gama reaching India for Portugal in 1497-1499, Columbus' voyages for Spain starting in 1492, and the establishment of global colonial empires by European powers in the Americas, Africa, and Asia in the 1500s-1600s. The impacts of expanded trade and colonization, such as the Columbian Exchange
fashion 18th century
The document provides information about fashion trends during the Victorian and Regency eras in both men's and women's clothing. Some key details include:
- Women's Victorian fashion involved elaborate, multi-layered outfits and restrictive corsets. Hairstyles were also complex with hair piled high and decorated. Makeup was minimal and focused on a natural look.
- Men's Victorian fashion included tailored suits, top hats, and facial hair styles like moustaches and beards. Shoes had higher heels.
- Regency women's fashion embraced a more natural silhouette without corsets. Men's fashion focused on well-tailored trousers and linen inspired by Beau Brummell.
- Both er
16 17th Century British Art
Henry VIII separated the English church from the Roman Catholic church and made himself the head of the new Church of England in 1534. During the 16th and 17th centuries, England experienced major changes in its monarchy and religion. Portraiture became an important art form as artists like Hans Holbein the Younger, Nicholas Hilliard, and later Anthony van Dyck painted portraits of royalty and nobility to depict and promote the current rulers and establish England's cultural identity.
18th century french fashion and politics
During the 18th century in France, new political and social ideologies emerged that influenced fashion trends. Marie Antoinette originally wore elaborate, extravagant gowns at court but later adopted a simpler muslin chemise dress that was more comfortable and liberating. As the French Revolution progressed, fashion began making political statements through colors like red, white, and blue, and items like fans and pins that featured revolutionary slogans and symbols.
Viewers also liked (20)
Arth teaching resources 18th and early 19th century
Arth teaching resources 18th and early 19th century
Similar to Chapter 30 19th Century Art In Europe And The United States 4
Post impressionism
Post-Impressionism emerged in the late 1880s as younger artists rejected Impressionism's emphasis on light and color over subject matter. The term was coined by art critic Roger Fry in 1910 to describe diverse styles including Pointillism, Cloisonnism, Synthetism and others. Key figures included Paul Cezanne, Vincent van Gogh, Paul Gauguin and Georges Seurat, who concentrated on subjective expression over optical effects. Their works laid the foundation for later avant-garde styles like Cubism and Expressionism. Japanese woodblock prints also strongly influenced these artists through their asymmetrical designs, flat forms and emphasis on nature.
arts-ppt.pptx
The document provides an overview of modern art movements from 1870-1970. It discusses how modernism emerged as artists moved away from realistic styles towards more experimental approaches. Key developments included photography freeing artists from realism, the industrial revolution creating new patrons, and the invention of techniques like pointillism. Impressionism in the 1870s sought to capture light and fleeting moments. Post-Impressionism added structure and expressionism. Cubism depicted objects from multiple views. Dadaism rejected rules as a reaction to World War 1. Famous artists discussed include Monet, Van Gogh, Munch, Picasso, and Duchamp.
arts-ppt.pptx
Modern art began in the early 20th century as artists moved away from realistic styles and sought new ways of expression. This was influenced by photography and industrialization. Major movements included Impressionism, focused on capturing light and fleeting moments; Post-Impressionism, which artists expanded upon Impressionist styles; Expressionism, which emphasized personal feelings over realism; Cubism, which showed objects from multiple views; Dadaism and Surrealism, anti-war movements that rejected rationality; Abstract Expressionism, focused on non-representational paintings; and Optical Art, which used geometric patterns to create optical illusions. Famous modern artists included Claude Monet, Vincent Van Gogh, Pablo Picasso
Modern art Q1.pptx
The document discusses the emergence and development of modern art movements in Europe from the 1870s. It describes Impressionism starting in France with painters like Manet, Monet, and Renoir capturing modern life with vivid colors and brush strokes. It then discusses Post-Impressionism emerging afterwards, with artists like Cézanne and Van Gogh experimenting with color, form, and perspective to influence 20th century art. Key works by the featured artists are also listed.
Reinterpreting well-known paintings. 1D
A painting of the painting. Our pupils from 1st grade ESO reinterpret the iconic paintings of well-known Masters
The Pros And Cons Of Impressionism
Impressionism was an artistic movement that began in France in the late 19th century. It rejected the traditional styles and subjects of academic art, instead focusing on capturing fleeting moments and effects of light in outdoor settings. While initially shunned by the art establishment, impressionist works like Monet's Impressions: Sunrise gave the movement its name. Post-Impressionism developed in the 1880s as artists like Van Gogh and Cézanne further pushed artistic freedom beyond impressionism's focus on light and color. These movements revolutionized painting and marked the beginning of modern art.
Impressionism & Post-Impressionism Art History
AP ART HISTORY Crash Course - Impressionism and Post-Impressionism
Impressionism artists: United by their depiction of modern life, and rejection of established European Styles, embracing new experimental ideas "Avant-Garde".
The use of synthetic pigments and ready made paint in solid tubes. Impressionist artists were interested in "plein air" landscape painting.
Modern art grade10 q1-4
The document provides an overview of modern art movements from Impressionism to contemporary forms. It discusses the origins and key characteristics of Impressionism, Post-Impressionism, Expressionism, Abstractionism, Pop Art, Op Art, Installation Art and Performance Art. Specific artists mentioned include Manet, Monet, Renoir, Cezanne, Van Gogh, Modigliani, Matisse, Klee, Miro, Picasso, Braque, Severini and Leger. Learning activities are also outlined for students to analyze elements of modern art styles and create their own artworks.
13. post impressionism
Post-Impressionism was an artistic movement between 1886 and 1905 that reacted against Impressionism's naturalism. Artists like Van Gogh, Gauguin, and Cézanne explored color, line, form, and the emotional response of the artist. They rejected Impressionism's focus on depicting light and color naturalistically. Cézanne was influential as he moved painting away from naturalism and emphasized the abstract qualities and symbolic content of works.
Speech On Post Impressionism
Impressionism emerged in France in the late 19th century as artists rejected the strict rules and standards of the French Academy. They sought to capture fleeting moments and the effects of light through loose brushstrokes and a focus on color. Post-Impressionism developed in the 1880s as artists built upon Impressionist techniques but with a greater focus on personal expression, emotion, and symbolic meaning over scientific precision. Major Post-Impressionist artists like Van Gogh, Gauguin, and Cézanne expanded artistic styles and influenced many later 20th century movements.
Modern art
This document provides an overview of modern art movements from Neoclassicism in the 18th century through Surrealism in the early 20th century. It discusses the key characteristics and examples of works for each major movement including Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Art Nouveau, Expressionism, Fauvism, Cubism, Futurism, Vorticism, Dada, Suprematism, Constructivism, De Stijl, and Surrealism. The movements had varying styles and subject matters but many revolted against prior conventions and explored new ways of representing visual art.
Post impressionism
The document discusses the Post-Impressionist period and artists. It began when former Impressionists grew dissatisfied with Impressionism's focus on light and color. Post-Impressionists sought more depth through color, form and solidity. Major Post-Impressionist artists mentioned include Paul Cezanne, Vincent van Gogh, Paul Gauguin, Henri de Toulouse-Lautrec, and Auguste Rodin. Post-Impressionism influenced later artistic movements like Cubism and Fauvism through its use of color and line to evoke emotion.
Fauvism1
This document provides an overview of Fauvism and key Fauvist artists such as Henri Matisse. It discusses the influences on Fauvism including Post-Impressionism, Japanese prints, and the works of Gauguin and Van Gogh. It summarizes several of Matisse's paintings that demonstrate his experimentation with color and rejection of naturalism, such as Luxe, Calme et Volupté, The Joy of Life, and Harmony in Red. The document examines how Matisse's works were innovative in their expressive and emotionally driven use of bold, unnatural color.
20th Century Art Part 1
The document summarizes major art movements of the 20th century, including Impressionism, Fauvism, Cubism, Futurism, Dadaism, Surrealism, German Expressionism, Suprematism, Constructivism, De Stijl, and the Bauhaus. Many of these movements emerged after World War 1 and reacted against academic traditions, with styles like Cubism and Futurism embracing abstraction, new technologies, and modern life.
Arts lesson 1
Art Movements describes three major art movements - Realism, Impressionism, and Abstract Expressionism. The Realist movement began in 1850s France and aimed to depict realistic subjects without embellishment. Prominent Realist artists included Eugene von Blaas and Gustave Courtbet. The Impressionist movement used techniques like strokes of unmixed color to give impressions of light and appearance without detail. Claude Monet was an Impressionist artist. Abstract Expressionism began in New York and featured freely created abstract works representing the artist's own reactions, developing independently of Europe.
Early 20th Century Art
Modernism emerged in the early 20th century as an artistic rejection of traditional styles and a search for new forms of expression. Modern art movements like Fauvism, Cubism, Futurism, and Surrealism embraced abstraction, avant-garde styles, and psychological exploration. Artists experimented with color, form, collage, and non-representational styles to communicate emotions and new social realities in an industrializing world.
Impressionism&beyond
late 19th century art & architecture, including impressionism, post impressionism, symbolism, and skeletal architecture
Modern+art+timeline
The document provides an overview of major modern art movements from Impressionism in the 1870s to Surrealism in the 1930s-1940s, including key artists and styles. It describes movements like Impressionism, Post-Impressionism, Cubism, Fauvism, German Expressionism, Futurism, De Stijl, Dada, and Surrealism. Each entry includes details on founding artists, styles, and influences that helped shape the development of modern art.
Art Definitivo
The document discusses Claude Monet's 1900 painting "The Artist's Garden at Giverny". It notes that Monet was a founder of French Impressionism and often painted outdoor scenes capturing the effects of light and movement. The summary briefly introduces key aspects of Impressionism as a 19th century art movement characterized by visible brushstrokes and changing light effects.
W2-ARTS.pdf
This document provides an overview of modern art movements from the late 19th to early 20th centuries. It discusses Impressionism and key Impressionist painters like Monet, Manet, and Renoir. It then covers Post-Impressionism and artists Paul Cézanne and Vincent van Gogh. Expressionism and abstractionist styles like Cubism, Futurism, and non-objectivism are also summarized. The document concludes by mentioning some Filipino artists influenced by these modern art styles.
Similar to Chapter 30 19th Century Art In Europe And The United States 4 (20)
More from John Ricard
AP Euro CH 21 Rise of Napoleon
Examine the rise of Napoleon and how his rule was affected by and affected nationalism. What was the significance of Napoleon's rule?
Ch 23 Ideologies and Upheavals
Post Napoleonic Europe and the plan by Metternich for a conservative European order. Also features characteristics of Romantic movement.
Ch 22 The Revolution in Energy and Industry
The document summarizes the key developments of the Industrial Revolution in Britain from 1780-1860. It describes the agricultural and commercial revolutions that increased food production and profits. Inventions like the spinning jenny and steam engine automated textile production. Britain's dominance grew through coal, iron, and international trade. The factory system created prosperity but also worker misery as families lived in squalid cities. Early socialists like Marx argued for a classless system while reformers sought gradual change through unions and legislation.
Ch 21 The Revolution in Politics
1) Peasants in France constituted 80% of the population but lost half their income to taxes and feudal dues paid to nobles and the church. Government debt from wars and spending by previous kings left France facing bankruptcy in 1789.
2) The Estates General was convened for the first time since 1614 to address the financial crisis. The Third Estate declared itself the National Assembly against aristocratic privilege of the first two estates.
3) Key events of the French Revolution included the storming of the Bastille prison, publication of the Declaration of the Rights of Man, and the women's march on Versailles which forced the royal family to relocate to Paris.
AP Euro CH 21 Part 2
This presentation focuses on the radicals in France, the war with the rest of Europe, and the rise of Napoleon.
Chapter 29 18th Century Art In Europe And The Americas
The document summarizes major developments in 18th century art in Europe and the Americas. The Enlightenment pushed for rational observation and improvement of mankind. Rococo style emerged in Europe with elegant, frivolous designs. Neoclassicism revived classical styles and was a reaction to Rococo. It grew due to the Grand Tour and discoveries of Pompeii and Herculaneum. Romanticism in Britain challenged Enlightenment thought by stressing emotion. Neoclassicism also responded to Rococo excess in France.
Chapter 22 baroque art
The document provides an overview of Baroque art from the late 16th to early 18th centuries. It discusses key artists and styles that emerged in Italy, the Habsburg lands, Flanders/Netherlands, and France during this period. In Italy, Bernini and Borromini pioneered dramatic Baroque sculpture and architecture, while Caravaggio introduced tenebrism in painting. The Dutch Golden Age saw the rise of portrait and genre paintings by artists like Rembrandt and Vermeer. Under the "Sun King" Louis XIV, France emerged as the new center of European art and culture in the 17th century.
Chapter 16 Gothic
The document summarizes Gothic art of the 12th and 13th centuries in France, England, Germany, and Italy. Key innovations included stained glass windows, flying buttresses, rib vaulting, and pointed arches, which allowed for taller buildings with more light. Abbot Suger at Saint-Denis pioneered these Gothic styles focused on light and height to inspire spirituality. Gothic architecture then spread with regional variations to other countries like ribbed vaults developing further in England and sculpture gaining independence in Germany.
Chapter 15 Romanesque
The document provides an overview of Romanesque art between 1050-1200 AD. It discusses the rise of churches during this period due to growing pilgrimages across Europe. Architecturally, Romanesque buildings featured stone vaulting, barrel and groin vaults, arcades, and round arches borrowed from Roman designs. Sculpture of this era focused on religious narratives and relics to educate the largely illiterate populations and attract pilgrims.
Chapter 14 Early Medieval Art In Europe
The document provides an overview of key concepts in early medieval art from the 5th to 10th centuries CE. It discusses the transition to bound books and illuminated manuscripts during this period. It also summarizes Charlemagne's attempts to revive the arts and establish a Christian culture, as well as the influence of interlace decoration. The summary then covers three periods: the pagan years following the fall of the Western Roman Empire, characterized by animal style art; the Carolingian period under Charlemagne and the development of monastic architecture and manuscript illumination; and the Ottonian periods, when three German emperors reunited Europe under Christian rule.
Ch 14 ARH
The Carolingians, led by Charlemagne, united much of Western Europe in the 8th-9th centuries. They revived elements of Roman imperial culture and promoted Christianity, establishing monasteries that produced illuminated manuscripts. The Ottonians inherited the eastern portion of the Carolingian Empire and their ruler Otto I was crowned Holy Roman Emperor in 962, dominating the papacy. During this period, artwork had influences from Roman, Hiberno-Saxon, and Byzantine styles and served to promote Christianity through new forms like the Gero Crucifix that depicted Christ in a more naturalistic way.
Ch 7 Arh
Christian art developed from biblical stories and imagery found in the New Testament gospels and book of Revelation. Early Christian art was created in underground catacombs. Byzantine art extended the Roman empire's eastern portion and was influenced by Orthodox Christianity, featuring flat, floating figures in frontal orientation with gold backgrounds instead of depth or realism. Justinian I's rule in the 6th century typified the early Byzantine era, suppressing all religions but Christianity and reclaiming western Roman lands. Icons were used devotionally but were banned in iconoclasm; abstraction replaced figural art until icons were restored in 843. Manuscripts and objects like the Vienna Genesis and protective icons like the Virgin of Vladimir displayed the
Overview of Roman History
The Greeks and Etruscans were the two main civilizations in pre-Roman Italy. The Greeks inhabited Magna Graecia in the south while the Etruscans lived in modern-day Tuscany. According to legend, Rome was founded by Romulus, who killed his brother Remus during an argument. Rome transitioned from a kingdom to a republic in 509 BC after overthrowing the last Etruscan king, Tarquin the Proud. The republic expanded Rome's power throughout Italy and the Mediterranean region, defeating rivals like Carthage in the Punic Wars. Political instability led to the rise of Julius Caesar as dictator, but his assassination sparked a civil war won by his adopted heir Oct
1 Prehistoric
This document provides an overview of prehistoric art in Europe from the Paleolithic to Neolithic periods. It discusses dating conventions, outlines of periods, cave paintings featuring animals from the Paleolithic, sculptures like the Lion-Man and Venus figurines, and megalithic structures from the Neolithic like Stonehenge and menhir alignments. Key points covered include the earliest art dating back 30,000 years, materials and techniques used, and debates around meanings and purposes of prehistoric artwork.
Introduction to Art History
This document provides an introduction to art history, including definitions of key terms like art, history, and style. It discusses the purposes and functions of art, such as communication, spiritual sustenance, personal expression, and social/political influence. Fundamental techniques of interpretation like formal and contextual analysis are covered. The principles of design and style, including representational vs. abstract styles, are also introduced. Examples of seminal artworks are provided to illustrate concepts.
More from John Ricard (15)
Chapter 29 18th Century Art In Europe And The Americas
Chapter 29 18th Century Art In Europe And The Americas
Recently uploaded
Bed Making ( Introduction, Purpose, Types, Articles, Scientific principles, N...
Topic : Bed making
Subject : Nursing Foundation
Leveraging Generative AI to Drive Nonprofit Innovation
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
Your Skill Boost Masterclass: Strategies for Effective Upskilling
Your Skill Boost Masterclass: Strategies for Effective UpskillingExcellence Foundation for South Sudan
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.Pengantar Penggunaan Flutter - Dart programming language1.pptx
Pengantar Penggunaan Flutter - Dart programming language1.pptx
How to deliver Powerpoint Presentations.pptx
"How to make and deliver dynamic presentations by making it more interactive to captivate your audience attention"
RHEOLOGY Physical pharmaceutics-II notes for B.pharm 4th sem students
Physical pharmaceutics notes for B.pharm students
How to Setup Warehouse & Location in Odoo 17 Inventory
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
How to Create a More Engaging and Human Online Learning Experience
How to Create a More Engaging and Human Online Learning Experience Wahiba Chair Training & Consulting
Wahiba Chair's Talk at the 2024 Learning Ideas Conference. Gender and Mental Health - Counselling and Family Therapy Applications and In...
A proprietary approach developed by bringing together the best of learning theories from Psychology, design principles from the world of visualization, and pedagogical methods from over a decade of training experience, that enables you to: Learn better, faster!
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...Nguyen Thanh Tu Collection
https://app.box.com/s/y977uz6bpd3af4qsebv7r9b7s21935vdHow to Make a Field Mandatory in Odoo 17
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
The History of Stoke Newington Street Names
Presented at the Stoke Newington Literary Festival on 9th June 2024
www.StokeNewingtonHistory.com
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
Recently uploaded (20)
Bed Making ( Introduction, Purpose, Types, Articles, Scientific principles, N...
Bed Making ( Introduction, Purpose, Types, Articles, Scientific principles, N...
Leveraging Generative AI to Drive Nonprofit Innovation
Leveraging Generative AI to Drive Nonprofit Innovation
Your Skill Boost Masterclass: Strategies for Effective Upskilling
Your Skill Boost Masterclass: Strategies for Effective Upskilling
Pengantar Penggunaan Flutter - Dart programming language1.pptx
Pengantar Penggunaan Flutter - Dart programming language1.pptx
RHEOLOGY Physical pharmaceutics-II notes for B.pharm 4th sem students
RHEOLOGY Physical pharmaceutics-II notes for B.pharm 4th sem students
How to Setup Warehouse & Location in Odoo 17 Inventory
How to Setup Warehouse & Location in Odoo 17 Inventory
How to Create a More Engaging and Human Online Learning Experience
How to Create a More Engaging and Human Online Learning Experience
spot a liar (Haiqa 146).pptx Technical writhing and presentation skills
spot a liar (Haiqa 146).pptx Technical writhing and presentation skills
Liberal Approach to the Study of Indian Politics.pdf
Liberal Approach to the Study of Indian Politics.pdf
NEWSPAPERS - QUESTION 1 - REVISION POWERPOINT.pptx
NEWSPAPERS - QUESTION 1 - REVISION POWERPOINT.pptx
Gender and Mental Health - Counselling and Family Therapy Applications and In...
Gender and Mental Health - Counselling and Family Therapy Applications and In...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
B. Ed Syllabus for babasaheb ambedkar education university.pdf
B. Ed Syllabus for babasaheb ambedkar education university.pdf
Chapter 30 19th Century Art In Europe And The United States 4
- 1. Chapter 30: 19th Century Art in Europe and the United States Post-Impressionism Magister Ricard AP Art History
- 2. 19th Century Artistic Developments: The “-isms”
- 3. The Birth of “Modern Art”
- 4. What is Post-Impressionism Artists were dissatisfied with Impressionism Lacked line, shape, color – loose brushwork did not create solidity Wanted to restore color and shape or even subjectivity (don’t just copy nature) Moves away from objectivity (positivism) Did not want to simply capture a passing moment Like Impressionism, was based in France Thrived from 1880-1905
- 5. Who are the Post-Impressionists? Seurat Gaugin Cezanne Toulouse-Lautrec Van Gogh (Dutch, but worked in France)
- 6. The Schism in Post-Impressionism
- 9. Paul Cézanne Mount Sainte Victoire 1897oil on canvas
- 10. Paul Cézanne Mount Sainte-Victoire 1902-1904oil on canvas2 ft. 3 1/2 in. x 2 ft. 11 1/4 in.
- 15. Color Theory: What do you see?
- 22. Conclusion Impressionism – 1870’s and 1880’s Post Impressionism – late 1880’s and 1890’s Impressionists interested in capturing a moment in time and how the moment is reflected by light and color Transitory nature of their art is conveyed through cropped edges, informal arrangements Post Impressionists not satisfied Seurat and Cezanne played with color and shape Gaugin and Van Gogh explored the world as an observed thing
- 23. Impressionism and Post Impressionism
Editor's Notes
- Vincent van GoghSunflowers1888oil on canvasAttempts to express emotion and feelings through color.
- Henri de Toulouse-LautrecAt the Moulin Rougec. 1892-1895123x141 cmFocused on the nightlife of Paris. Colors and mask-like features suggest decadence, social commentary. Gaslight illuminated these nightly places, creating a greenish glow on interior spaces. Influenced by Japanese woodblock prints – much like Degas. Referred to as “mini-Degas”. Both specialized in movements and private moments as well as cropping. (Remind the CF-ID) Worked also with lithographs and posters, popularizing the media in the 1890s. Nightlife seen from “elbow height”. Although born into high aristocracy, childhood accident had him broke both of his legs. This deformed him, gave him a short stature with a child’s legs and the torso of a man.