This document provides an overview of modern art movements from the late 19th to early 20th centuries. It discusses Impressionism and key Impressionist painters like Monet, Manet, and Renoir. It then covers Post-Impressionism and artists Paul Cézanne and Vincent van Gogh. Expressionism and abstractionist styles like Cubism, Futurism, and non-objectivism are also summarized. The document concludes by mentioning some Filipino artists influenced by these modern art styles.

1. Grade 10
Week 2
Arts
Prepared by:
THELMA N. POLICARPIO

2. Topics:
Modern Arts:
01
Expressionism:
02
Abstraction:
03
Cubism and
Futurism
Impressionism
A Bold New Movement

3. Review
Elements and Principles of Arts

4. Elements of Arts

5. Principles of Arts

6. Introduction
Art has life. It continuously grows, change and adopts to
the believes, culture, and event it revolves around. This change
brought upon an evolution to the 20th Century form of art, were
artist undergone a revolution to express their personal take of
what art is. Artist from this era freed themselves from the shackles
defined by rules of classical styles and burst they’re way out of
the confines of studios to capture the ever-changing beauty of
life in the real world paving the way for the “Modern Art Era”

7. ● Technological breakthroughs
● Social, political, and environmental
changes
● Effects on world of art (Impressionism &
Expressionism)
Modern Art

9. Impressionism, Sunrise
“A break from past painting traditions” The name
impressionism was coined from the title of a work
by French painter Claude Monet, Impression, soleil
levant (in English, Impression Sunrise). The term
precisely captured what this group of artists
sought to present in their works: the viewer’s
momentary “impression” of an image. It was not
intended to be clear or precise, but more like a
fleeting fragment of reality caught in a canvas,
sometimes mid motion, at other times awkwardly
positioned-just as it would be in real life.

10. ● A style of painting that began in France
around 1870.
● Uses spots of colors to show effect of
different kinds of light
● Attempt to capture feelings of a scene
rather than specific details.
Impressionism

11. By the 1870s, the stage was set for the
emergence of the next major art movement in
Europe, impressionism. It started with a group of
French painters—that included Edouard Manet,
Claude Monet, Auguste Renoir—and eventually
spread to other countries, such as Italy, Germany,
and The Netherlands.
WORKS OF MANET, MONET, AND RENOIR

12. ▅ was one of the first 19th
century artists to depict
modern-life subjects.
▅ He was a key figure in
the transition from
realism to
impressionism, with
several his works
considered as marking
the birth of modern art
EDOUARD MANET (1832-1883)

13. Rue Mosnier
Decked with Flag
1878, Oil on canvas
EDOUAR
D
Argenteuil
The Bar at the Folies-
Bergere
1874, Oil in canvas 1882, Oil in canvas

14. ▅ was one of the founders of the
impressionist movement along
with his friends Auguste Renoir,
Alfred Sisley, and Frédéric
Bazille.
▅ He was the most prominent of
the group;
▅ Considered the most influential
figure in the movement.
▅ best known for his landscape
paintings, particularly those
depicting his beloved flower
gardens and water lily ponds at
his home in Giverny.
CLAUDE MONET (1840-1926)

15. Bridge Over a Pond
of Water Lilies
1899, Oil on canvas
CLAUDE
MONET )
The Red Boats,
Argenteuil
Irises in Monet’s Garden
1875, Oil on canvas 1900, Oil on canvas

16. ▅ His early works were
snapshots of real life, full of
sparkling color and light.
▅ By the mid-1880s, however,
Renoir broke away from the
impressionist movement to
apply a more disciplined,
formal technique to portraits
of actual people and figure
painting.
AUGUSTE RENOIR (1841-1919)

17. Mlle Irene Cahen
d’Anvers
1880, Oil on canvas
AUGUSTE
RENOIR
(1841-
1919) Dancer
A Girl with a Watering
Can
1874 Oil in canvas 1876, Oil on canvas

18. After the brief yet highly influential period of impressionism,
an outgrowth movement known as post-impressionism emerged.
The European artists who were at the forefront of this movement
continued using the basic qualities of the impressionists before
them—the vivid colors, heavy brush strokes, and true-to-life subjects.
However, they expanded and experimented with these in bold new
ways, like using a geometric approach, fragmenting objects and
distorting people’s faces and body parts, and applying colors that
were not necessarily realistic or natural. Two of the foremost post-
impressionists were Paul Cézanne and Vincent Van Gogh.
POST-IMPRESSIONISM

19. ▅ French artist and post-
impressionist painter.
▅ His work exemplified the
transition from late 19th-
century impressionism to a
new and radically different
world of art in the 20th
century— paving the way for
the next revolutionary art
movement known as
expressionism.
PAUL CÉZANNE (1839–1906)

20. Still Life with
Compotier
1879-1882, Oil on
canvas
PAUL
CÉZANNE
(1839–190
6) Hortense Fiquet
in a Striped Skirt
Boy in a Red Vest
1878, Oil on canvas 1890, Oil on canvas

21. ▅ was a post-impressionist
painter from The Netherlands.
▅ His works were remarkable for
their strong, heavy brush
strokes, intense emotions, and
colors that appeared to almost
pulsate with energy.
▅ His striking style was to have a
far reaching influence on 20th
century art, with his works
becoming among the most
recognized in the world.
VINCENT VAN GOGH(1853-1890)

23. STARRY NIGHT
Vincent van Gogh painted Starry Night in 1889
during his stay at the asylum of Saint
Paul_x0002_de-Mausole near Saint-Rémy-
de_x0002_Provence.
The contrast in styles plays on the natural
versus the unnatural, dreams versus reality.

24. Still Life: Vase with
Fifteen Sunflowers
1888, Oil on canvas
VINCENT
VAN
GOGH(185
3-1890) Bedroom at Arles
Wheat Field with
Cypresses
1888, Oil in canvas 1889, Oil on canvas

25. Grade 10
Week 2
Arts

26. ● Expressionism was a modernist movement, initially in poetry and
painting, originating in Germany at the beginning of the 20th
century.
● It is a theory or practice in art of seeking to depict the subjective
emotions and responses that objects and events arouse in the
artist.
● Expressionist artist created work with more emotional force rather
than with realistic or natural images.
● To achieve this, they distorted outlines, applied strong colors, and
exaggerated forms. They work more with their imagination and
feelings, rather than with their eyes saw in the physical world.
Expressionism

27. ● Neoprimitivism
● Fauvism
● Dadaism
● Surrealism
● Social realism
Among the various styles that arose within the
expressionism art movements were:

28. ▅ Incorporated elements from
the native arts of the South Sea
Islanders and the wood
carvings of the African tribes
that surged in popularity at that
time. (Amedeo Modigliani:
“Head” and “ Yellow Sweater” -
used the oval faces and
elongated shapes of African art
in both his sculptures and
paintings.)
Neoprimitivism

29. ▅ Uses bold, vibrant
colors and visual
distortions.
▅ “les fauves” means wild
beasts, refers to the
group of French
expressionist painters
who painted in this
style.
▅ Henri Matisse
Fauvism

30. ▅ Characterized by dream
fantasies, memory images
and visual tricks and
surprises.
▅ “dada” mean hobbyhorse to
refer their new “non-style”
▅ (Giorgio de Chirico:
“ Melancholy and Mystery of
a Street” )
Dadaism

31. ▅ Dream world beyond the
logical, conscious,
physical one.
▅ “super realism”
▅ Express departure from
reality
▅ Dreaming, seeing
illusions, or experiencing
a mental state.
▅ (Salvador Dali:
“Persistence of Memory”)
Surrealism

32. ▅ Express the artist’s role
in social reform.
▅ Artist used their work to
protest against the
injustices, inequalities,
immortality and
ugliness of the human
condition.
▅ (Ben Shahn: “Miner’s
Wives” and Pablo
Picasso: “Guernica”)
Social Realism

33. • Same time with Expressionism
• Concepts: Space-time and Relativity
• Logical and rational while Expressionism was emotional
• It involved: Analyzing, detaching, selecting and simplifying.
• Artists reduced a scene into geometrical shapes, patterns,
lines, angles, textures and swirls of color.
• Depicting still recognizable subjects to pure abstractionism
where no recognizable subjects could be discerned.
ABSTRACTIONISM

34. • Cubism
• Futurism
• Mechanical style
• Non-objectivism
Grouped under abstractionism are the following
art styles:

35. • 3D geometric figure
composed of strictly
measured lines, planes,
and angles.
• Formed by light and
shadow
▅ Pablo Picasso (Girl
before a mirror) 1932 Oil
on Canvas
Cubism

36. • Began in Italy in early
1900s.
• Created art for a fast-
paced, machine-propelled
age.
• Admired the motion, force,
speed, and strength of
mechanical forms.
• Gino Sevirini Armored
Train, 1915 Oil on Canvas
Futurism

37. • Basic form as planes,
cones, spheres, and
cylinders all fit together
precisely and neatly in
the appointed places.
• The City Fernand Leger,
1919 Oil on Canvas
Mechanical Style

38. • Logical geometrical
conclusion of abstractionism
• “non-object” did not use
recognizable object forms in
the outside world.
• Lines, shapes, and colors
were used in a cool
impersonal approach that
aimed for balance, unity and
stability.
• New York City Pier Mondrian,
1942 Oil on Canvas
Non-Objectivism

39. Among the Filipino
counterparts from
the various art
movements were:

40. ▅ A Filipino pioneer of the
arts and a significant
influence among his
peers.
▅ Noted as “arguably the
best-selling painter of
his generation of
Filipino artists.
Ben Cabrera –B. August 27, 1942

41. “From Hillman to Sergeant1978”,
“Sabel - 1965”

42. ▅ A printmaker, mixed media artist and
a former dean of the University of the
Philippines College of Fine Arts.
▅ His canvases were characterized by
“dynamic spontaneity” and “quick
gestures” of action painting.
Pioneered abstract expressionism in
the Philippines.
▅ His compositions described as
“vigorous compositions” of heavy
impastos, bold brushstrokes,
controlled dips and diagonal swipes.”
(“Hills of Niko – 1964” and
“MARIVELES”)
Jose Joya (June 3, 1931- D. 1996)

43. ▅ Internationally recognized
for his complex and
challenging visual language.
▅ He has been the subject of
numerous exhibitions and
publications.
Alfonso Ossorio – (August 2, 1916- Dec. 5, 1990)

44. The Angry Christ-1950

45. ▅ He is known as much for his
expressionist figurative
style as for the content of
many of his works, which
often express a keen social
and political consciousness
▅ Social Realism
Emmanuel Garibay1

46. Reunion, 2007

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