AP ART HISTORY Crash Course - Impressionism and Post-Impressionism
Impressionism artists: United by their depiction of modern life, and rejection of established European Styles, embracing new experimental ideas "Avant-Garde".
The use of synthetic pigments and ready made paint in solid tubes. Impressionist artists were interested in "plein air" landscape painting.
this ppt describes the art movement during the period of the Impressionism and the post-Impressionism. it specifically describe arts, music, literature and even the architecture during these periods. all of the artists are mentioned in this ppt with some details about them and with some of their notable work that they have done during these periods.
AP ART HISTORY: Symbolism, Arts and Crafts movement, Art Nouveau, Austrian Se...S Sandoval
AP ART HISTORY : Other Art Styles of the Late Nineteenth Century.
Art Nouveau, Arts and Crafts Movement, Austrian Secession, Symbolism.
Artists, architects: Redon, Moreau, Rousseau, Carpeaux, Horta, Gaudi, Tiffany, Klimt
this ppt describes the art movement during the period of the Impressionism and the post-Impressionism. it specifically describe arts, music, literature and even the architecture during these periods. all of the artists are mentioned in this ppt with some details about them and with some of their notable work that they have done during these periods.
AP ART HISTORY: Symbolism, Arts and Crafts movement, Art Nouveau, Austrian Se...S Sandoval
AP ART HISTORY : Other Art Styles of the Late Nineteenth Century.
Art Nouveau, Arts and Crafts Movement, Austrian Secession, Symbolism.
Artists, architects: Redon, Moreau, Rousseau, Carpeaux, Horta, Gaudi, Tiffany, Klimt
AP WORLD HISTORY - Chapter 18 colonial encounters in asia and africa 1750 1950S Sandoval
AP WORLD HISTORY: Book: Ways of the World by R. Strayer.
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AP WORLD HISTORY: Chapter 17 Revolutions of Industrialization 1750-1914S Sandoval
AP world history - Ways of the World book by Strayer. Summary of Chapter 17: European moment in world history - Revolutions of industrialization 1750 to 1914.
AP Art History - Early twentieth Century Art - Fauvism, expressionism, cubism, futurism, surrealism, dada, constructivism, DeStijl, Suprematism, International Style, Bauhaus, Prairie Style, Frida b
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Chapter 12 Ways of the World, Worlds of 15th century S Sandoval
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Chapter 8 Ways of the World AP World History Book By R. Strayer - China and t...S Sandoval
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Chapter 13 political transformations : Empires and encounters 1450-1750S Sandoval
AP WORLD HISTORY - CHAPTER 16 WAYS OF THE WORLD.
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Chapter 9 world of islam: Afro-Eurasian connections, Ways of the World bookS Sandoval
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Modern Art Movements (by Ar Kush Jee Kamal)Kush Jee Kamal
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s and denotes the styles and philosophy of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation.
It's a chronological compilation of 100 years of Art movements by Ar. Kush Jee Kamal (India) for the benefits of all the art lovers.
Impressionism was an art movement that emerged in the second half of the 19th
century among a group of Paris-based artists. The duration of the impressionist
movement itself was quite short, less than 20 years from 1872 to the mid-1880s. But
it had a tremendous impact and influence on the painting styles that followed, such as
neo-impressionism, post-impressionism, fauvism, and cubism—and even the artistic
styles and movements of today.
The name impressionism was coined from the title of a work by French painter
Claude Monet, Impression, soleil levant (in English, Impression, Sunrise).
Impression, Sunrise
Claude Monet, 1872
Oil on canvas
The term precisely captured what this group of artists sought to represent in their
works: the viewer’s momentary “impression” of an image. It was not intended to be
clear or precise, but more like a fleeting fragment of reality caught on canvas,
sometimes in mid-motion, at other times awkwardly positioned—just as it would be
in real life.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
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thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
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2. THE IMPRESSIONISTS ORGANIZED THEIR
FIRST EXHIBIT IN 1874 IN PARIS, USING THE
NAME: ANONYMOUS SOCIETY OF PAINTERS,
SCULPTORS, PRINTMAKERS. EACH MEMBER
HAD A UNIQUE STYLE
IMPRESSIONISM
OVERVIEW
Claude Monet
3. Their depiction of modern life
Their rejection of established European styles
The embracing of new experimental ideas
known as “avant garde”
The incorporation of new techniques such as
short, choppy brushstrokes, using pure bright
colors.
New synthetic pigments and ready made paint
solid in tubes
Interested in painting “plain air”, landscaping
ARTISTS WERE UNITED
4. In 1853, after more than 200 years,
Japanese ports reopened to trade with
west
Woodcut prints by Japanese masters
of the ukiyo-e tradition, as well as
other exotic objects such as fans and
kimonos, became easily available in
Europe.
The Japanese prints and items had a
large effect on the artwork of many
impressionists as well as post-
impressionists.
Japonisme : the Japanese influence
on European art during
impressionism
9. Claude Monet, Rouen
Cathedral: The Portal 1892
• This one of 30 paintings that
Monet completed using the
same composition.
• Each one captures a unique tme
of the day, year and weather.
• Monet was recording his
experiences with light and its
effect on local color.
• He was well known for his
other series of paintings using
subjects as haystacks and water
lilies
10. Auguste-Renoir :
Luncheon of the Boating
Party oil on canvas 1880
• In this artwork, the changing
character of 19th century French
society is evident. Businessmen,
aristocrats, artists, were all
welcome in the same
establishments.
• Although the scene appears to be
spontaneous, Renoir carefully
crafted the composition to achieve
this effect.
12. In this piece, Caillebotte captures the changes that
Paris underwent in 1851 under the rule of Napoleon
III.
Bron Haussman, prefect of Paris, transformed the
medieval city into a modern one. Old buildings were
torn down and boulevards were widened.
The cropping of the composition is evidence of the
influence of the new medium of photography.
Caillebotte included the Gare Saint Lazare Train
Station in the background which was new at that
time.
Paris: A Rainy Day by
Caillebotte in 1877
14. The influence of Japanese woodcut prints can
be seen in the use of an elevated viewpoint, the
semiabstract areas of the composition, and the
simple everyday subject matter.
Although Degas was not interested in the
effects of light or in landscape painting, his
style is similar to that of impressionists.
Degas was the first artist to elevate pastel to a
medium used for finished work rather than just
for sketches.
Degas – The Tub 1885-
1886
16. Cassatt was the only American to exhibit with the
impressionists
She did many artworks that depict children being cared for
by their mothers. These reflect new ideas about raising
children. After 1870, French scientists and physicians
encouraged mothers to care for their children themselves
and to include regular bathing to their routine.
She liked depiction of common elements in women´s lives
found among the floating world of Japanese prints.
The elevated viewpoint and simplified color and patterns
are evidence of her respect for the Japanese style.
Cassatt – The Bath (oil on
canvas 1893)
18. Post-Impressionism in Western painting, movement in France that
represented both an extension of Impressionism and a rejection of
that style’s inherent limitations. The term Post-Impressionism was
coined by the English art critic Roger Fry for the work of such late
19th-century painters as Paul Cézanne, Georges Seurat, Paul
Gauguin, Vincent van Gogh, Henri de Toulouse-Lautrec, and others.
. Impressionism was based, in its strictest sense, on the objective
recording of nature in terms of the fugitive effects of colour and
light. The Post-Impressionists rejected this limited aim in favour of
more ambitious expression, admitting their debt, however, to the
pure, brilliant colours of Impressionism, its freedom from traditional
subject matter, and its technique of defining form with short
brushstrokes of broken colour. The work of these painters formed a
basis for several contemporary trends and for early 20th-century
modernism.
POST IMPRESSIONISM
20. This is a depiction of the one of Toulouse Lautrec´s favorite
nightspots in Paris
Toulouse depicted himself and his cousin in the
background and painted his friends as well.
His work is very personal and emotional and often
contains sarcastic edge.
He often incorporated the harsh indoor lighting of the
clubs and cafes that he frequented.
The style of the work is influenced by Japanese woodcuts
in the use of exaggerated color, the caricature like subjects,
the use of outlines, and the mask life faces.
Toulouse – At the Moulin
Rouge, 1892-1895
21. Georges Seurat, A Sunday
on La Grande Jatte (oil on
canvas, 1884-1886)
22. Seurat depicts people from all social classes enjoying a
popular place of leisure.
He created the technique called “pointilism” which uses
tiny dots of color to paint.
His work must be viewed from far away in order for
other colors to blend in together optically. This technique
was based on new ideas about science of color.
Georges Seurat, A dunday
on La Grande Jatte
23. Paul Gauguin: Where do
we Come From? What are
we? Where are we going?
(oil on canvas 1897-1898)
24. This piece depicts Gauguins fascination with Tahitian
life and culture.
It also represents the cycle of life from birth through old
age. This is very personal done prior to a suicide
attempt.
Gauguin is known for his mastery of colors and the
motive power of his palette.
Paul Gauguin: Where do
we Come From? What are
we? Where are we going?
25. Van Gogh – The Night
Café (oil on canvas 1888)
26. Van Gogh is well known for his prolific output as well as for
his ability to display his tortured inner world.
His use of bold color, impasto, and swirling brushstrokes
made even the most mundane subject matter seen emotional.
This piece depicts the interior of a Café in Arles, the large
gaslit room is typical of the time period.
The few people in the room help create an atmosphere of
loneliness and desolation in the painting.
Van Gogh – The Night
Café
27. Paul Cezanne . The Basket
of Apples (oil on canvas
1895)
28. Cezanne focused on traditional themes such as
portraits, still life and landscapes.
He explored the underlying shapes of objects as
well as the use of color, rather than value to
create form.
He deliberately made some areas flat and used
disjointed perspective.
Cezannes work was inspirational to Pablo
Picasso and the abstract art of the 20th century.
Cezanne
29. Van Gogh- Starry Night
(oil on canvas)
Van Gogh shows the whirling
and exploding stars, the earth
and humanity huddling beneath
it.
32. Worked mostly indoors on subjects that suggest
movement, such as ballet dancers
Asymmetrical compositions
Firmly drawn bodies contrast with feathery
brushstrokes of costuming, setting
Influence of Japanese prints in compositional elements
Figures often seen from the back, cut off at the edges of
the composition, or marginalized
Edgar Degas, The
Rehearsal on Stage, 1874
34. Faraway look of barmaid who seems bored by her customer
Mirror reflects into our world
Uncertainty as to what the mirror reflects
Trapeze act in far upper left corner
Composition pushes goods up close to customer
Edouard Manet, Bar at
the Folies Bergere,
36. Debt to Japanese art in curtain design
Large areas of flat colors
Severity of composition, reflects the Protestant New
England severity of his mother
Avoids the sentimentality of motherhood, and instead
creates this portrait as an “arrangement”
Whistler etching of “Black Lion Wharf” hanging in the
background
James Whistler, Arrangement in
Grey and Black: The Artist’s Mother