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French Connection “ That looks like an impression of a painting…”  sneered the critic Impressionism Post-Impressionism
Impressionism Forerunner… Manet ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Luncheon on the Grass , Edouard Manet… 7’ x 8’8”, oil on canvas ,[object Object],[object Object],[object Object]
Compare Manet & Giorgione…
Olympia , Manet, 1863, oil on canvas, 4’3” x 6’2” (Louvre)… courtesan stares out at us, not modeled figure. Play by Alexandre Dumas (les Miserables, 3 Musketeers) about social climbing prostitute with same name…Olympia confronts the viewer, she is powerful.. NOT an accommodating female nude .. Manet began to gather with other rejects (refuses) in Montmartre …
Compare Manet & Titian… Olympia,  Manet, 1868 Venus of Urbino, Titian, 1538
Bar at the Folies-Bergere, Manet, oil on canvas, 1882 Barmaid stares out at us What is the mirror reflecting? Trapeze in upper far left corner Composition pushes goods for sale up to the counter Modern sales technique of products next to a pretty sales girl More impressionistic than Manet’s early works
Mystery of the Mirror in Manet’s painting…
French Connection Impressionism
Impressionism The movement's name was derived from Monet's early work, Impression: Sunrise, which was singled out for criticism by Louis Leroy upon its exhibition. The hallmark of the style is the attempt to capture the subjective impression of light in a scene. The Impressionist style was probably the single most successful and identifiable "movement" ever, and is still widely practiced today.
Impressionism ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Impressionism
Claude Monet Impressionism: Sunrise   1872 Leader of the Impressionists ,[object Object],[object Object],[object Object],Distinguished from Renaissance ideal that used flat, smooth paint surface
MONET, Claude  Impression, Sunrise  ( 1873)  Oil on canvas,  19 x 24 3/8" Musee Marmottan, Paris.
Monet’s  Rouen Cathedral in sun , 1894, oil on canvas, 40” x 26” (and in sunset…)
Monet’s  Water Lilies  (c. 1900) Monet did a series of large canvases on water lilies. He frequently painted his house at Giverny with the gardens and Japanese bridge. His friend Renoir painted him, painting in his garden.
The Luncheon of the Boating Party   1881 Renoir ,[object Object],[object Object],[object Object],[object Object]
RENOIR.  The Luncheon of the Boating Party   (1881)  Oil on canvas, 51 x 68 in. Phillips Collection, Washington, D.C.
Renoir’s  Moulin de la Galette, oil on canvas, 4 ft x 6’ approximately Dappling effect of fleeting light People not posed, enjoying meals and dancing Photographic randomness of clipped figures
The Dance Class   1881 Degas ,[object Object],[object Object]
Rehearsal on Stage, Edgar Degas, Pastel drawing Worked mostly indoors (not plein aire0 Asymetrical compositions Feathery brushstrokes showing the dancers’ costumes Japanese print influence in composition Rehearsal on Stage , Degas, 1874, pastel drawing
Degas’  The Absinthe Drinkers  (c. 1875)
Young Mother 1891 Mary Cassatt ,[object Object],[object Object],[object Object],[object Object]
Breakfast in Bed,  Mary Cassatt Cassatt did a series of paintings and pastel drawings on the theme of mother and child. Tenderness foreign to other Impressionists American expatriate Influential in bringing Impressionist paintings to US where they were a huge hit Natural charm Japanese influence Everyday life of women, independent, living their lives
Maternal Caress, woodblock print,  Mary Cassatt was influenced by Japanese prints tilted style, outlining, pattern, and treatment of space. She did a series of woodblock prints inspired by ukiyo-e.
Oil on canvas, 32” x 23” Shows her sister at the opera Again, women going about their daily activities Dazzling colors and brushwork Lydia in a Loge , Mary Cassatt, 1879
Summer’s Day , Berthe Morisot, oil on canvas, 1879 Sister in law of Manet and grandaughter of Fragonard Sketchy, painterly brushwork Middle class women Asymmetrical composition Another female Impressionist
James Whistler’s  Nocturne in Black and Gold: The Falling Rocket , 1875 ,[object Object],[object Object],[object Object],[object Object]
Impressionism Questions: ,[object Object],[object Object],[object Object],[object Object]
French Connection Post-Impressionism
Post-Impressionism ,[object Object],[object Object],[object Object],[object Object]
Post-Impressionism  1885-1905 ,[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Sunday Afternoon at the Park   1885 Seurat Style : Pointillism
SEURAT, Georges.  A Sunday Afternoon on the Island of la Grande Jatte   (1884-86) Oil on canvas,  6’10” x 10’1 1/4” Art Institute of Chicago. Statuesque figures not interacting… anonymity of modern society?  Scientific analysis of color relationshiops (pointilism)
The Bather 1885 Cezanne Figure : non-formulaic Composition : tight, construction of upright & horizontal forms ,[object Object],[object Object],[object Object],Landscape : conceptual, not ‘plein air.’
CEZANNE  The Bather  (c. 1885) Oil on canvas, 50 x 38 1/8 in The Museum of Modern Art (MoMA), New York.
Mont Sainte-Victoire , Cezanne, 1887 Part of a series from mature period Wanted to make objects geometric constructions with splashes of pure color Solid and firmly constructed, not dappled momentary glimpse like the Impressionists did (Post Impressionism) Look at apace, but not enter Used perspective by juxtaposing warm colors and receding cool colors
Still Life with Basket of Apples,  Cezanne, 1894 Tilted perspective Contrast of solid forms with flat surfaces Painterly brushstrokes
Van Gogh ,[object Object],Color : vibrant ,[object Object],Self-Portrait with Bandaged Ear 1889 Brushwork : impasto
Starry Night , Vincent Van Gogh, 28” x 36”, 1889 Thick short brushstrokes, impasto paint View from hospital room in St-Remy At one with forces of nature Left to right wave impulse in his work, tree looks like green flames reaching to the sky exploding with stars
Plum Orchard , Hiroshige, Ukiyo-e print, 1857 Japonisme Flowering Plum Tree , Van Gogh, oil, 1887 Japanese Influence on Post Impressionists:  Van Gogh
Manaha No Atua , (Day of the God), Paul Gauguin, oil on canvas.  Symbolism (post impressionism), 1894.  Gauguin traveled to Tahiti in search of paradise Painted native peoples in geomatric bright colors Exotic primitivism Symbolic, mysterios Color to express emotion
1893, Art Nouveau style Noted graphic designer (not called that then.. Poster designer) Physically handicapped, short man Influence of Degas Influence of Japanese prints ukiyo-e Emphasis on curving lines, text integrated with the forms in the picture… Toulouse-Lautrec frequented the Moulin Rouge (check out the movie with Nicole Kidman!) Jane Avril , Henri de Toulouse-Lautrec, lithograph
Other Connections Art Nouveau Architecture, Sculpture
Eiffel Tower , 1887-1889 Gustave Eiffel 19th Century  more skeletal architecture.. Many buildings (remember Crystal Palace?) had skeleton holding up a exterior curtain of glass or steel. Land values soared, so buildings went UP (skyscrapers, etc.) Eiffel specialized in railway bridges Centerpiece of 1889 Paris Universal Exposition Interlocking members of a democratic society.. Innovative elevator swings up diagonally Also helped with Statue of Liberty and Panama Canal!
Marshall Field Wholesale Store , 1885, Chicago, Henry Hobson Richardson ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Wainwright Building, 1890 Louis Sullivan, Chicago School
The Arts and Crafts movement was popular in the late 19th century, LED BY WILLIAM MORRIS. The idea was for everyday items to be made by trained craftspeople, not high priced artists, but to have beauty in everyday objects.
The Kiss , Gustav Klimt, 1907 Art Nouveau (art deco) style Golden painting Part of the Viennese secession movement Decorative patterns, gold more important than realistic modeling of forms Lovers are close to the edge of a cliff Art Deco style
The Waltz , Camille Claudel Originally cast with both figures nude, she had to modify it. 1892-1905 … Art deco or Art Nouveau style
Burghers of Calais , Auguste Rodin, bronze, 1889 Six burghers offer their lives to English king in return for saving their besieged city during Hundred Years war Parallels between Paris in 1870 war and war in 1347 Each figure has different emotion Sculpted individually, shown worn and hungry Central figure is ready for his execution

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Impressionism&beyond

  • 1. French Connection “ That looks like an impression of a painting…” sneered the critic Impressionism Post-Impressionism
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  • 4. Compare Manet & Giorgione…
  • 5. Olympia , Manet, 1863, oil on canvas, 4’3” x 6’2” (Louvre)… courtesan stares out at us, not modeled figure. Play by Alexandre Dumas (les Miserables, 3 Musketeers) about social climbing prostitute with same name…Olympia confronts the viewer, she is powerful.. NOT an accommodating female nude .. Manet began to gather with other rejects (refuses) in Montmartre …
  • 6. Compare Manet & Titian… Olympia, Manet, 1868 Venus of Urbino, Titian, 1538
  • 7. Bar at the Folies-Bergere, Manet, oil on canvas, 1882 Barmaid stares out at us What is the mirror reflecting? Trapeze in upper far left corner Composition pushes goods for sale up to the counter Modern sales technique of products next to a pretty sales girl More impressionistic than Manet’s early works
  • 8. Mystery of the Mirror in Manet’s painting…
  • 10. Impressionism The movement's name was derived from Monet's early work, Impression: Sunrise, which was singled out for criticism by Louis Leroy upon its exhibition. The hallmark of the style is the attempt to capture the subjective impression of light in a scene. The Impressionist style was probably the single most successful and identifiable "movement" ever, and is still widely practiced today.
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  • 14. MONET, Claude Impression, Sunrise ( 1873) Oil on canvas, 19 x 24 3/8" Musee Marmottan, Paris.
  • 15. Monet’s Rouen Cathedral in sun , 1894, oil on canvas, 40” x 26” (and in sunset…)
  • 16. Monet’s Water Lilies (c. 1900) Monet did a series of large canvases on water lilies. He frequently painted his house at Giverny with the gardens and Japanese bridge. His friend Renoir painted him, painting in his garden.
  • 17.
  • 18. RENOIR. The Luncheon of the Boating Party (1881) Oil on canvas, 51 x 68 in. Phillips Collection, Washington, D.C.
  • 19. Renoir’s Moulin de la Galette, oil on canvas, 4 ft x 6’ approximately Dappling effect of fleeting light People not posed, enjoying meals and dancing Photographic randomness of clipped figures
  • 20.
  • 21. Rehearsal on Stage, Edgar Degas, Pastel drawing Worked mostly indoors (not plein aire0 Asymetrical compositions Feathery brushstrokes showing the dancers’ costumes Japanese print influence in composition Rehearsal on Stage , Degas, 1874, pastel drawing
  • 22. Degas’ The Absinthe Drinkers (c. 1875)
  • 23.
  • 24. Breakfast in Bed, Mary Cassatt Cassatt did a series of paintings and pastel drawings on the theme of mother and child. Tenderness foreign to other Impressionists American expatriate Influential in bringing Impressionist paintings to US where they were a huge hit Natural charm Japanese influence Everyday life of women, independent, living their lives
  • 25. Maternal Caress, woodblock print, Mary Cassatt was influenced by Japanese prints tilted style, outlining, pattern, and treatment of space. She did a series of woodblock prints inspired by ukiyo-e.
  • 26. Oil on canvas, 32” x 23” Shows her sister at the opera Again, women going about their daily activities Dazzling colors and brushwork Lydia in a Loge , Mary Cassatt, 1879
  • 27. Summer’s Day , Berthe Morisot, oil on canvas, 1879 Sister in law of Manet and grandaughter of Fragonard Sketchy, painterly brushwork Middle class women Asymmetrical composition Another female Impressionist
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  • 34. SEURAT, Georges. A Sunday Afternoon on the Island of la Grande Jatte (1884-86) Oil on canvas, 6’10” x 10’1 1/4” Art Institute of Chicago. Statuesque figures not interacting… anonymity of modern society? Scientific analysis of color relationshiops (pointilism)
  • 35.
  • 36. CEZANNE The Bather (c. 1885) Oil on canvas, 50 x 38 1/8 in The Museum of Modern Art (MoMA), New York.
  • 37. Mont Sainte-Victoire , Cezanne, 1887 Part of a series from mature period Wanted to make objects geometric constructions with splashes of pure color Solid and firmly constructed, not dappled momentary glimpse like the Impressionists did (Post Impressionism) Look at apace, but not enter Used perspective by juxtaposing warm colors and receding cool colors
  • 38. Still Life with Basket of Apples, Cezanne, 1894 Tilted perspective Contrast of solid forms with flat surfaces Painterly brushstrokes
  • 39.
  • 40. Starry Night , Vincent Van Gogh, 28” x 36”, 1889 Thick short brushstrokes, impasto paint View from hospital room in St-Remy At one with forces of nature Left to right wave impulse in his work, tree looks like green flames reaching to the sky exploding with stars
  • 41. Plum Orchard , Hiroshige, Ukiyo-e print, 1857 Japonisme Flowering Plum Tree , Van Gogh, oil, 1887 Japanese Influence on Post Impressionists: Van Gogh
  • 42. Manaha No Atua , (Day of the God), Paul Gauguin, oil on canvas. Symbolism (post impressionism), 1894. Gauguin traveled to Tahiti in search of paradise Painted native peoples in geomatric bright colors Exotic primitivism Symbolic, mysterios Color to express emotion
  • 43. 1893, Art Nouveau style Noted graphic designer (not called that then.. Poster designer) Physically handicapped, short man Influence of Degas Influence of Japanese prints ukiyo-e Emphasis on curving lines, text integrated with the forms in the picture… Toulouse-Lautrec frequented the Moulin Rouge (check out the movie with Nicole Kidman!) Jane Avril , Henri de Toulouse-Lautrec, lithograph
  • 44. Other Connections Art Nouveau Architecture, Sculpture
  • 45. Eiffel Tower , 1887-1889 Gustave Eiffel 19th Century more skeletal architecture.. Many buildings (remember Crystal Palace?) had skeleton holding up a exterior curtain of glass or steel. Land values soared, so buildings went UP (skyscrapers, etc.) Eiffel specialized in railway bridges Centerpiece of 1889 Paris Universal Exposition Interlocking members of a democratic society.. Innovative elevator swings up diagonally Also helped with Statue of Liberty and Panama Canal!
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  • 48. The Arts and Crafts movement was popular in the late 19th century, LED BY WILLIAM MORRIS. The idea was for everyday items to be made by trained craftspeople, not high priced artists, but to have beauty in everyday objects.
  • 49. The Kiss , Gustav Klimt, 1907 Art Nouveau (art deco) style Golden painting Part of the Viennese secession movement Decorative patterns, gold more important than realistic modeling of forms Lovers are close to the edge of a cliff Art Deco style
  • 50. The Waltz , Camille Claudel Originally cast with both figures nude, she had to modify it. 1892-1905 … Art deco or Art Nouveau style
  • 51. Burghers of Calais , Auguste Rodin, bronze, 1889 Six burghers offer their lives to English king in return for saving their besieged city during Hundred Years war Parallels between Paris in 1870 war and war in 1347 Each figure has different emotion Sculpted individually, shown worn and hungry Central figure is ready for his execution

Editor's Notes

  1. Artist: Édouard Manet Title: Le Déjeuner sur l’herbe (The Luncheon on the Grass) Medium: Oil on canvas Size: 7' X 8'8" (2.13 X 2.64 m) Date: 1863 Source/ Museum: Musée d’Orsay, Paris
  2. Artist: Édouard Manet Title: Olympia Medium: Oil on canvas Size: 4'3" X 6'2 ¼" (1.31 X1.91 m) Date: 1863 Source/ Museum: Musée du Louvre, Paris
  3. Artist: Édouard Manet Title: A Bar at the Folies-Bergère Medium: Oil on canvas Size: 37 ¾ X 51 ¼" (95.9 X 130 cm) Date: 1881–82 Source/ Museum: Courtauld Institute of Art Gallery, London. (P.1934.SC.234)
  4. Artist: Claude Monet Title: Rouen Cathedral: The Portal (in Sun) Medium: Oil on canvas Size: 39 ¼ X 26" (99.7 X 66 cm) Date: 1894 Source/ Museum: The Metropolitan Museum of Art, New York. Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 (30.95.250)
  5. Artist: Pierre-Auguste Renoir Title: Moulin de la Galette Medium: Oil on canvas Size: 4'3½" X 5'9" (1.31 X 1.75 m) Date: 1876 Source/ Museum: Musée d’Orsay, Paris
  6. Artist: Edgar Degas Title: The Rehearsal on Stage Medium: Pastel over brush-and-ink drawing on thin, cream-colored wove paper, laid on bristol board, mounted on canvas Size: 21 ⅜ X 28¾" (54.3 X 73 cm) Date: c. 1874 Source/ Museum: The Metropolitan Museum of Art, New York. Bequest of Mrs. H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1929 (29.160.26)
  7. Artist: Mary Cassatt Title: Woman in a Loge Medium: Oil on canvas Size: 31 ⅝ X 23" (80.3 X 58.4 cm) Date: 1879 Source/ Museum: Philadelphia Museum of Art. Bequest of Charlotte Dorrance Wright
  8. Artist: Berthe Morisot Title: Summer’s Day Medium: Oil on canvas Size: 17 13⁄16 X 29 5⁄16" (45.7 X 75.2 cm) Date: 1879 Source/ Museum: The National Gallery, London. Lane Bequest, 1917
  9. Artist: Paul Cézanne Title: Mont Sainte-Victoire Medium: Oil on canvas Size: 25 ½ X 32" (64.8 X 92.3 cm) Date: c. 1885–87 Source/ Museum: Courtauld Institute of Art Gallery, London. (P.1934.SC.55)
  10. Artist: Vincent van Gogh Title: The Starry Night Medium: Oil on canvas Size: 28 ¾ X 36 ¼" (73 X 93 cm) Date: 1889 Source/ Museum: The Museum of Modern Art, New York. Acquired through the Lillie P. Bliss Bequest (472.1941)
  11. Artist: Hiroshige Title: Plum Orchard, Kameido Medium: Woodblock print Size: 13¼ X 8 ⅝ X (33.6 X 47 cm) Date: 1857 Source/ Museum: From One Hundred Famous Views of Edo / The Brooklyn Museum, New York
  12. Artist: Paul Gauguin Title: Mahana No Atua (Day of the God) Medium: Oil on canvas Size: 27 ⅜ X 35 ⅝ " (69.5 X 90.5 cm) Date: 1894 Source/ Museum: The Art Institute of Chicago. Helen Birch Bartlett Memorial Collection (1926.198)
  13. Artist: Henri de Toulouse-Lautrec Title: Jane Avril Medium: Lithograph Size: 50 ½ X 37" (129 X 94 cm) Date: 1893 Source/ Museum: San Diego Museum of Art. Gift of the Baldwin M. Baldwin Foundation (1987.32)
  14. Artist: Gustave Eiffel Title: Eiffel tower Medium: n/a Size: n/a Date: 1887–89 Source/ Museum: Paris
  15. Artist: Henry Hobson Richardson Title: Marshall Field Wholesale Store Medium: n/a Size: n/a Date: 1885–87 Demolished c. 1935 Source/ Museum: Chicago
  16. Artist: Louis Sullivan Title: Wainwright Building Medium: n/a Size: n/a Date: 1890–91 Source/ Museum: n/a
  17. Artist: BACKGROUND: William Morris Title: Peacock and Dragon Curtain Medium: Handloomed jacquard-woven woolen twill Size: 12' 10 ½" X 11' 5 ⅝ " (3.96 X 3.53 m) Date: 1878 Source/ Museum: Manufactured at Queen Square and later at Merton Abbey / Victoria & Albert Museum, London
  18. Artist: Gustav Klimt Title: The Kiss Medium: Oil on canvas Size: 5' 10¾" X 6' (1.8 X 1.83 m) Date: 1907–8 Source/ Museum: Österreichische Nationalbibliothek, Vienna
  19. Artist: Camille Claudel Title: The Waltz Medium: Bronze Size: 9 ⅞ " (25 cm) Date: 1892–1905 Source/ Museum: Neue Pinakothek, Munich
  20. Artist: Auguste Rodin Title: Burghers of Calais Medium: Bronze Size: 6'10½" X 7'11" X 6'6" (2.1 X 2.4 X 2 m) Date: 1884–89 Source/ Museum: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Gift of Joseph H. Hirshhorn, 1966