SlideShare a Scribd company logo
 The data on the right shows us the cinema admissions for
2014 to 2015 has increased by 9.2%. This is a staggering
increase over a 1 year period and could be linked to new
strong performing titles such as “Everest”. Many
consumers may prefer to watch the film in a different
environment as this intensifies what they are watching.
 The second table shows the increase in box office gross
profit from 2006 to 2015. The information shows us that
from 2006 to 2015 there has been an increase of 62.1&
which is extremely high and suggests that the film
industry has no intention's of slowing down. The data also
shows us that many consumers like to go to the cinema
as they want a higher end experience as the information
on the BFI states that:
 The 3D takings from these releases (£137 million)
accounted for 11% of the total box office in 2015.
 compared with 12% (£133 million) in 2014.
 Sixteen films were released in 3D IMAX in 2015,
generating a gross of £31 million (just over 2% of overall
box office).
Age
The information on the right shows us that the age
group 15-24 are rapidly increasing in the
consumption of films. However the data also
shows a dip in the consumption of films from this
age group between 2011 and 2015.
Gender
This information shows us that the male gender
prefer to watch films that contain more action;
whilst the female audience prefer to watch happier
films that generally contain relatable scenes or
situations they can see themselves in.
Location – South East
This audience group is underrepresented in the figures as many different people live in
that area and therefore you cannot really classify them into a certain category. South
East England is a large area and contains many different towns, villages and city’s and
therefore in my opinion there is to much diversity in the people for them to be classified
dimply by the broad location they live in.
The table below identifies the market segment of certain films which has been viewed by
members of the public in the UK.
The information may also not be completely correct as passers by may visit the cinema
but in fact they do not live there making the results to a certain extent un-valid.
Members of the public have various different viewing options for film media. Newer titles that are only available In the
cinema however can only be watched at home illegally.
The information below shows us where the public tend to watch films.
The data shows us that a staggering 85% of viewers are engaged whilst watching a film on a TV.
The second most engaging form of viewing a film is a DVD or Blu-ray coming in at 70% viewer engagement.
As we know many consumers also like to watch films at eh cinema as it allows them to socialise with friends and
family. The experience by going to a cinema is much different to watching it elsewhere as you are in a room with
potentially like minded people who are interested in the same genres of films.
Other forms of viewing films such as a laptop, desktop & tablet are not as engaging for consumers watching films.
The types of films that are the most popular are
generally from large institutions such as Walt
Disney or Universal.
From the data below I can see that films that have
a high star appeal and are continued on from
previous versions tend to have a higher rate of
success in terms of how many people watch the
film.
The data on the right identifies that the most
successful film was Star Wars, distributed by Walt
Disney. This was a very high budget production
and therefore that reflects on the success it has
had. It’s also a well known title, so consumers
visiting the cinema are going to be more inclined
to watch it especially if they are a fan of the
franchises previous work.
The types of films that are the most popular are generally from large institutions such as Walt Disney or Universal.
From the data below I can see that films that have a high star appeal and are continued on from previous versions
tend to have a higher rate of success in terms of how many people watch the film.
 Technology, such as computers and phones, plays a big role in the
consumption of films today because it gives the people different
options to consume the films.
 We are able to view films in different ways such as on the computer or
in the cinema, computers let us watch films at home but on other
devices such as a phone or laptop, you are able to view the film from
anywhere, which is why there is an increase in the consumption of film
today.
 This can be supported from the following table below.
From the table I can see a rise in the amount of
viewer engagement for watching films on the TV.
Therefore the development in recent technology has
allowed consumers to watch films elsewhere rather
than just at the cinema. Many consumers/individuals
may prefer the comfort of their own home and
therefore that’s the reason for the increase in
consuming films on at TV rather than in the cinema.

More Related Content

What's hot

Evaluation 3
Evaluation 3Evaluation 3
Evaluation 3
Laura Fussey
 
Evaluation 3 (updated)
Evaluation 3 (updated)Evaluation 3 (updated)
Evaluation 3 (updated)
Laura Fussey
 
Distribution
DistributionDistribution
Distribution
rosapeck1
 
Secondary research
Secondary researchSecondary research
Secondary researcht012920
 
Film cover and review
Film cover and reviewFilm cover and review
Film cover and reviewVicky Casson
 
Question 3
Question 3Question 3
Question 3
Charley Easter
 
12 years a slave marketing (1)
12 years a slave   marketing (1)12 years a slave   marketing (1)
12 years a slave marketing (1)
Naamah Hill
 
Response to Evaluation Question 3
Response to Evaluation Question 3Response to Evaluation Question 3
Response to Evaluation Question 3
Alleyn's School Film Studies Department
 
Audience how are films consumed
Audience how are films consumedAudience how are films consumed
Audience how are films consumed
banni6
 
Media audiences1
Media audiences1Media audiences1
Media audiences1Ld0274
 
Question three
Question threeQuestion three
Question three
elliebeth1234
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
LukeSams
 
TV Choice Research
TV Choice ResearchTV Choice Research
TV Choice Research
a2media15b
 
Mobile Mix: The Future of Mobile — Sophia Stuart
Mobile Mix: The Future of Mobile — Sophia StuartMobile Mix: The Future of Mobile — Sophia Stuart
Mobile Mix: The Future of Mobile — Sophia Stuartadtech_fan
 

What's hot (20)

Evaluation 3
Evaluation 3Evaluation 3
Evaluation 3
 
Evaluation 3 (updated)
Evaluation 3 (updated)Evaluation 3 (updated)
Evaluation 3 (updated)
 
Distribution
DistributionDistribution
Distribution
 
Secondary research
Secondary researchSecondary research
Secondary research
 
Lo3
Lo3Lo3
Lo3
 
G322 section b case study - shifty
G322 section b   case study - shiftyG322 section b   case study - shifty
G322 section b case study - shifty
 
Film cover and review
Film cover and reviewFilm cover and review
Film cover and review
 
Premiere[1]
Premiere[1]Premiere[1]
Premiere[1]
 
Question 3
Question 3Question 3
Question 3
 
12 years a slave marketing (1)
12 years a slave   marketing (1)12 years a slave   marketing (1)
12 years a slave marketing (1)
 
Response to Evaluation Question 3
Response to Evaluation Question 3Response to Evaluation Question 3
Response to Evaluation Question 3
 
Audience how are films consumed
Audience how are films consumedAudience how are films consumed
Audience how are films consumed
 
Frozen powerpoint
Frozen powerpointFrozen powerpoint
Frozen powerpoint
 
Media audiences1
Media audiences1Media audiences1
Media audiences1
 
Question three
Question threeQuestion three
Question three
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
 
TV Choice Research
TV Choice ResearchTV Choice Research
TV Choice Research
 
Advertising Goal
Advertising GoalAdvertising Goal
Advertising Goal
 
Mobile Mix: The Future of Mobile — Sophia Stuart
Mobile Mix: The Future of Mobile — Sophia StuartMobile Mix: The Future of Mobile — Sophia Stuart
Mobile Mix: The Future of Mobile — Sophia Stuart
 
Lo3
Lo3Lo3
Lo3
 

Viewers also liked

All about me
All about meAll about me
All about me
Chris Wotton
 
Distribution
DistributionDistribution
Distribution
Chris Wotton
 
Exhibition
ExhibitionExhibition
Exhibition
Chris Wotton
 
BBFC powerpoint
BBFC  powerpointBBFC  powerpoint
BBFC powerpoint
Chris Wotton
 
Institution research (BFC)
Institution research (BFC)Institution research (BFC)
Institution research (BFC)
Chris Wotton
 
Questionaire research results
Questionaire research resultsQuestionaire research results
Questionaire research results
Chris Wotton
 
Techniques i like
Techniques i likeTechniques i like
Techniques i like
Chris Wotton
 
Target audience research results questionaire
Target audience research results questionaireTarget audience research results questionaire
Target audience research results questionaire
Chris Wotton
 
Roles for the task
Roles for the taskRoles for the task
Roles for the task
Chris Wotton
 
Timeline title sequence
Timeline title sequenceTimeline title sequence
Timeline title sequence
Chris Wotton
 
Film funding
Film funding Film funding
Film funding
Chris Wotton
 
How does your media group present certain social groups
How does your media group present certain social groups How does your media group present certain social groups
How does your media group present certain social groups
Chris Wotton
 
Distribution
DistributionDistribution
Distribution
Chris Wotton
 
About me and films
About me and filmsAbout me and films
About me and films
Miles Capp
 
All about me
All about meAll about me
All about me
TheTargetMaster
 
Myself
MyselfMyself
Myself
13brooksb
 
G322 question 1
G322 question 1G322 question 1
G322 question 1
13brooksb
 
Technology and film ads and dis
Technology and film ads and disTechnology and film ads and dis
Technology and film ads and dis
13brooksb
 
Timeline title sequence
Timeline title sequenceTimeline title sequence
Timeline title sequence
Chris Wotton
 

Viewers also liked (20)

All about me
All about meAll about me
All about me
 
Distribution
DistributionDistribution
Distribution
 
Exhibition
ExhibitionExhibition
Exhibition
 
BBFC powerpoint
BBFC  powerpointBBFC  powerpoint
BBFC powerpoint
 
Institution research (BFC)
Institution research (BFC)Institution research (BFC)
Institution research (BFC)
 
Questionaire research results
Questionaire research resultsQuestionaire research results
Questionaire research results
 
Techniques i like
Techniques i likeTechniques i like
Techniques i like
 
Target audience research results questionaire
Target audience research results questionaireTarget audience research results questionaire
Target audience research results questionaire
 
Roles for the task
Roles for the taskRoles for the task
Roles for the task
 
Timeline title sequence
Timeline title sequenceTimeline title sequence
Timeline title sequence
 
Film funding
Film funding Film funding
Film funding
 
How does your media group present certain social groups
How does your media group present certain social groups How does your media group present certain social groups
How does your media group present certain social groups
 
Distribution
DistributionDistribution
Distribution
 
BBFC
BBFCBBFC
BBFC
 
About me and films
About me and filmsAbout me and films
About me and films
 
All about me
All about meAll about me
All about me
 
Myself
MyselfMyself
Myself
 
G322 question 1
G322 question 1G322 question 1
G322 question 1
 
Technology and film ads and dis
Technology and film ads and disTechnology and film ads and dis
Technology and film ads and dis
 
Timeline title sequence
Timeline title sequenceTimeline title sequence
Timeline title sequence
 

Similar to Bfi – film consumption

Uk film consumption
Uk film consumptionUk film consumption
Uk film consumption
Grace Crawford
 
Uk film consumption
Uk film consumptionUk film consumption
Uk film consumption
harryjackedwards
 
Uk film consumption
Uk film consumptionUk film consumption
Uk film consumption
rebeccaosborne1
 
UK Film Consumption
UK Film ConsumptionUK Film Consumption
UK Film Consumption
kanda11821
 
Uk film consumption analysis
Uk film consumption analysisUk film consumption analysis
Uk film consumption analysis
Grace Crawford
 
Research – uk film consumption (combined)
Research – uk film consumption (combined)Research – uk film consumption (combined)
Research – uk film consumption (combined)
jackcooper2310
 
Comscore: The U.S. Total Video Report
Comscore: The U.S. Total Video Report Comscore: The U.S. Total Video Report
Comscore: The U.S. Total Video Report
Ari Fadyl
 
Uk Film Consumption (Exam Prep QB)
Uk Film Consumption (Exam Prep QB)Uk Film Consumption (Exam Prep QB)
Uk Film Consumption (Exam Prep QB)
alexsimpson95
 
Creative critical reflection 3
Creative critical reflection 3Creative critical reflection 3
Creative critical reflection 3
PalliserTom
 
Target Audince Research
Target Audince Research Target Audince Research
Target Audince Research
oliverharradine123
 
Media TASK 3...
Media TASK 3...Media TASK 3...
Media TASK 3...
kendalor1132
 
7 Lessons from Established Online Video Viewers
7 Lessons from Established Online Video Viewers 7 Lessons from Established Online Video Viewers
7 Lessons from Established Online Video Viewers
Ogilvy
 
Toy Story 3 PP for Ford
Toy Story 3 PP for FordToy Story 3 PP for Ford
Toy Story 3 PP for Ford
hannahmillslcm
 
The Secret Life of Streamers: Devices, Content, Location , and Quality
The Secret Life of Streamers: Devices, Content, Location , and Quality The Secret Life of Streamers: Devices, Content, Location , and Quality
The Secret Life of Streamers: Devices, Content, Location , and Quality
Digital Strategist
 
Unit 2 Powerpoint notes
Unit 2 Powerpoint notesUnit 2 Powerpoint notes
Unit 2 Powerpoint notes
Chelsie Brandrick
 
Toy story 3 pp for ford
Toy story 3 pp for fordToy story 3 pp for ford
Toy story 3 pp for ford
hannahmillslcm
 
Film Piracy
Film PiracyFilm Piracy
Film Piracy
mishalacko
 
Digital Video and the Connected Consumer 2015
Digital Video and the Connected Consumer 2015Digital Video and the Connected Consumer 2015
Digital Video and the Connected Consumer 2015
GM BBI research & liaison
 

Similar to Bfi – film consumption (20)

Uk film consumption
Uk film consumptionUk film consumption
Uk film consumption
 
Uk film consumption
Uk film consumptionUk film consumption
Uk film consumption
 
Uk film consumption
Uk film consumptionUk film consumption
Uk film consumption
 
UK Film Consumption
UK Film ConsumptionUK Film Consumption
UK Film Consumption
 
Uk film consumption
Uk film consumptionUk film consumption
Uk film consumption
 
Uk film consumption analysis
Uk film consumption analysisUk film consumption analysis
Uk film consumption analysis
 
Film consumption
Film consumption Film consumption
Film consumption
 
Research – uk film consumption (combined)
Research – uk film consumption (combined)Research – uk film consumption (combined)
Research – uk film consumption (combined)
 
Comscore: The U.S. Total Video Report
Comscore: The U.S. Total Video Report Comscore: The U.S. Total Video Report
Comscore: The U.S. Total Video Report
 
Uk Film Consumption (Exam Prep QB)
Uk Film Consumption (Exam Prep QB)Uk Film Consumption (Exam Prep QB)
Uk Film Consumption (Exam Prep QB)
 
Creative critical reflection 3
Creative critical reflection 3Creative critical reflection 3
Creative critical reflection 3
 
Target Audince Research
Target Audince Research Target Audince Research
Target Audince Research
 
Media TASK 3...
Media TASK 3...Media TASK 3...
Media TASK 3...
 
7 Lessons from Established Online Video Viewers
7 Lessons from Established Online Video Viewers 7 Lessons from Established Online Video Viewers
7 Lessons from Established Online Video Viewers
 
Toy Story 3 PP for Ford
Toy Story 3 PP for FordToy Story 3 PP for Ford
Toy Story 3 PP for Ford
 
The Secret Life of Streamers: Devices, Content, Location , and Quality
The Secret Life of Streamers: Devices, Content, Location , and Quality The Secret Life of Streamers: Devices, Content, Location , and Quality
The Secret Life of Streamers: Devices, Content, Location , and Quality
 
Unit 2 Powerpoint notes
Unit 2 Powerpoint notesUnit 2 Powerpoint notes
Unit 2 Powerpoint notes
 
Toy story 3 pp for ford
Toy story 3 pp for fordToy story 3 pp for ford
Toy story 3 pp for ford
 
Film Piracy
Film PiracyFilm Piracy
Film Piracy
 
Digital Video and the Connected Consumer 2015
Digital Video and the Connected Consumer 2015Digital Video and the Connected Consumer 2015
Digital Video and the Connected Consumer 2015
 

More from Chris Wotton

Audience profile 3
Audience profile 3Audience profile 3
Audience profile 3
Chris Wotton
 
Magazine cover 1
Magazine cover 1Magazine cover 1
Magazine cover 1
Chris Wotton
 
Fur digipak in design 7
Fur digipak in design 7Fur digipak in design 7
Fur digipak in design 7
Chris Wotton
 
Mood Board
Mood BoardMood Board
Mood Board
Chris Wotton
 
Evaluation 2
Evaluation 2Evaluation 2
Evaluation 2
Chris Wotton
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
Chris Wotton
 
Contact sheet for magazine cover
Contact sheet for magazine coverContact sheet for magazine cover
Contact sheet for magazine cover
Chris Wotton
 
Contact sheet for magazine cover
Contact sheet for magazine coverContact sheet for magazine cover
Contact sheet for magazine cover
Chris Wotton
 
Draft written content magazine
Draft written content magazineDraft written content magazine
Draft written content magazine
Chris Wotton
 
Mood board magazine advert
Mood board magazine advertMood board magazine advert
Mood board magazine advert
Chris Wotton
 
Audience feedback
Audience feedback Audience feedback
Audience feedback
Chris Wotton
 
Composition research
Composition researchComposition research
Composition research
Chris Wotton
 
Genre research - posters
Genre research - postersGenre research - posters
Genre research - posters
Chris Wotton
 
Elements task magazine advert
Elements task   magazine advertElements task   magazine advert
Elements task magazine advert
Chris Wotton
 
Production of digipak
Production of digipakProduction of digipak
Production of digipak
Chris Wotton
 
Contact sheet
Contact sheetContact sheet
Contact sheet
Chris Wotton
 
Draft written content
Draft written contentDraft written content
Draft written content
Chris Wotton
 
Mood board
Mood boardMood board
Mood board
Chris Wotton
 
Style file powerpoint
Style file powerpointStyle file powerpoint
Style file powerpoint
Chris Wotton
 
Example digipak
Example digipakExample digipak
Example digipak
Chris Wotton
 

More from Chris Wotton (20)

Audience profile 3
Audience profile 3Audience profile 3
Audience profile 3
 
Magazine cover 1
Magazine cover 1Magazine cover 1
Magazine cover 1
 
Fur digipak in design 7
Fur digipak in design 7Fur digipak in design 7
Fur digipak in design 7
 
Mood Board
Mood BoardMood Board
Mood Board
 
Evaluation 2
Evaluation 2Evaluation 2
Evaluation 2
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
 
Contact sheet for magazine cover
Contact sheet for magazine coverContact sheet for magazine cover
Contact sheet for magazine cover
 
Contact sheet for magazine cover
Contact sheet for magazine coverContact sheet for magazine cover
Contact sheet for magazine cover
 
Draft written content magazine
Draft written content magazineDraft written content magazine
Draft written content magazine
 
Mood board magazine advert
Mood board magazine advertMood board magazine advert
Mood board magazine advert
 
Audience feedback
Audience feedback Audience feedback
Audience feedback
 
Composition research
Composition researchComposition research
Composition research
 
Genre research - posters
Genre research - postersGenre research - posters
Genre research - posters
 
Elements task magazine advert
Elements task   magazine advertElements task   magazine advert
Elements task magazine advert
 
Production of digipak
Production of digipakProduction of digipak
Production of digipak
 
Contact sheet
Contact sheetContact sheet
Contact sheet
 
Draft written content
Draft written contentDraft written content
Draft written content
 
Mood board
Mood boardMood board
Mood board
 
Style file powerpoint
Style file powerpointStyle file powerpoint
Style file powerpoint
 
Example digipak
Example digipakExample digipak
Example digipak
 

Recently uploaded

FIDO Alliance Osaka Seminar: Passkeys and the Road Ahead.pdf
FIDO Alliance Osaka Seminar: Passkeys and the Road Ahead.pdfFIDO Alliance Osaka Seminar: Passkeys and the Road Ahead.pdf
FIDO Alliance Osaka Seminar: Passkeys and the Road Ahead.pdf
FIDO Alliance
 
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...
DanBrown980551
 
Securing your Kubernetes cluster_ a step-by-step guide to success !
Securing your Kubernetes cluster_ a step-by-step guide to success !Securing your Kubernetes cluster_ a step-by-step guide to success !
Securing your Kubernetes cluster_ a step-by-step guide to success !
KatiaHIMEUR1
 
FIDO Alliance Osaka Seminar: FIDO Security Aspects.pdf
FIDO Alliance Osaka Seminar: FIDO Security Aspects.pdfFIDO Alliance Osaka Seminar: FIDO Security Aspects.pdf
FIDO Alliance Osaka Seminar: FIDO Security Aspects.pdf
FIDO Alliance
 
Software Delivery At the Speed of AI: Inflectra Invests In AI-Powered Quality
Software Delivery At the Speed of AI: Inflectra Invests In AI-Powered QualitySoftware Delivery At the Speed of AI: Inflectra Invests In AI-Powered Quality
Software Delivery At the Speed of AI: Inflectra Invests In AI-Powered Quality
Inflectra
 
UiPath Test Automation using UiPath Test Suite series, part 4
UiPath Test Automation using UiPath Test Suite series, part 4UiPath Test Automation using UiPath Test Suite series, part 4
UiPath Test Automation using UiPath Test Suite series, part 4
DianaGray10
 
Generating a custom Ruby SDK for your web service or Rails API using Smithy
Generating a custom Ruby SDK for your web service or Rails API using SmithyGenerating a custom Ruby SDK for your web service or Rails API using Smithy
Generating a custom Ruby SDK for your web service or Rails API using Smithy
g2nightmarescribd
 
Connector Corner: Automate dynamic content and events by pushing a button
Connector Corner: Automate dynamic content and events by pushing a buttonConnector Corner: Automate dynamic content and events by pushing a button
Connector Corner: Automate dynamic content and events by pushing a button
DianaGray10
 
Bits & Pixels using AI for Good.........
Bits & Pixels using AI for Good.........Bits & Pixels using AI for Good.........
Bits & Pixels using AI for Good.........
Alison B. Lowndes
 
FIDO Alliance Osaka Seminar: Passkeys at Amazon.pdf
FIDO Alliance Osaka Seminar: Passkeys at Amazon.pdfFIDO Alliance Osaka Seminar: Passkeys at Amazon.pdf
FIDO Alliance Osaka Seminar: Passkeys at Amazon.pdf
FIDO Alliance
 
The Future of Platform Engineering
The Future of Platform EngineeringThe Future of Platform Engineering
The Future of Platform Engineering
Jemma Hussein Allen
 
State of ICS and IoT Cyber Threat Landscape Report 2024 preview
State of ICS and IoT Cyber Threat Landscape Report 2024 previewState of ICS and IoT Cyber Threat Landscape Report 2024 preview
State of ICS and IoT Cyber Threat Landscape Report 2024 preview
Prayukth K V
 
Essentials of Automations: Optimizing FME Workflows with Parameters
Essentials of Automations: Optimizing FME Workflows with ParametersEssentials of Automations: Optimizing FME Workflows with Parameters
Essentials of Automations: Optimizing FME Workflows with Parameters
Safe Software
 
GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...
GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...
GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...
Sri Ambati
 
Neuro-symbolic is not enough, we need neuro-*semantic*
Neuro-symbolic is not enough, we need neuro-*semantic*Neuro-symbolic is not enough, we need neuro-*semantic*
Neuro-symbolic is not enough, we need neuro-*semantic*
Frank van Harmelen
 
Knowledge engineering: from people to machines and back
Knowledge engineering: from people to machines and backKnowledge engineering: from people to machines and back
Knowledge engineering: from people to machines and back
Elena Simperl
 
When stars align: studies in data quality, knowledge graphs, and machine lear...
When stars align: studies in data quality, knowledge graphs, and machine lear...When stars align: studies in data quality, knowledge graphs, and machine lear...
When stars align: studies in data quality, knowledge graphs, and machine lear...
Elena Simperl
 
PCI PIN Basics Webinar from the Controlcase Team
PCI PIN Basics Webinar from the Controlcase TeamPCI PIN Basics Webinar from the Controlcase Team
PCI PIN Basics Webinar from the Controlcase Team
ControlCase
 
Monitoring Java Application Security with JDK Tools and JFR Events
Monitoring Java Application Security with JDK Tools and JFR EventsMonitoring Java Application Security with JDK Tools and JFR Events
Monitoring Java Application Security with JDK Tools and JFR Events
Ana-Maria Mihalceanu
 
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...
Ramesh Iyer
 

Recently uploaded (20)

FIDO Alliance Osaka Seminar: Passkeys and the Road Ahead.pdf
FIDO Alliance Osaka Seminar: Passkeys and the Road Ahead.pdfFIDO Alliance Osaka Seminar: Passkeys and the Road Ahead.pdf
FIDO Alliance Osaka Seminar: Passkeys and the Road Ahead.pdf
 
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...
 
Securing your Kubernetes cluster_ a step-by-step guide to success !
Securing your Kubernetes cluster_ a step-by-step guide to success !Securing your Kubernetes cluster_ a step-by-step guide to success !
Securing your Kubernetes cluster_ a step-by-step guide to success !
 
FIDO Alliance Osaka Seminar: FIDO Security Aspects.pdf
FIDO Alliance Osaka Seminar: FIDO Security Aspects.pdfFIDO Alliance Osaka Seminar: FIDO Security Aspects.pdf
FIDO Alliance Osaka Seminar: FIDO Security Aspects.pdf
 
Software Delivery At the Speed of AI: Inflectra Invests In AI-Powered Quality
Software Delivery At the Speed of AI: Inflectra Invests In AI-Powered QualitySoftware Delivery At the Speed of AI: Inflectra Invests In AI-Powered Quality
Software Delivery At the Speed of AI: Inflectra Invests In AI-Powered Quality
 
UiPath Test Automation using UiPath Test Suite series, part 4
UiPath Test Automation using UiPath Test Suite series, part 4UiPath Test Automation using UiPath Test Suite series, part 4
UiPath Test Automation using UiPath Test Suite series, part 4
 
Generating a custom Ruby SDK for your web service or Rails API using Smithy
Generating a custom Ruby SDK for your web service or Rails API using SmithyGenerating a custom Ruby SDK for your web service or Rails API using Smithy
Generating a custom Ruby SDK for your web service or Rails API using Smithy
 
Connector Corner: Automate dynamic content and events by pushing a button
Connector Corner: Automate dynamic content and events by pushing a buttonConnector Corner: Automate dynamic content and events by pushing a button
Connector Corner: Automate dynamic content and events by pushing a button
 
Bits & Pixels using AI for Good.........
Bits & Pixels using AI for Good.........Bits & Pixels using AI for Good.........
Bits & Pixels using AI for Good.........
 
FIDO Alliance Osaka Seminar: Passkeys at Amazon.pdf
FIDO Alliance Osaka Seminar: Passkeys at Amazon.pdfFIDO Alliance Osaka Seminar: Passkeys at Amazon.pdf
FIDO Alliance Osaka Seminar: Passkeys at Amazon.pdf
 
The Future of Platform Engineering
The Future of Platform EngineeringThe Future of Platform Engineering
The Future of Platform Engineering
 
State of ICS and IoT Cyber Threat Landscape Report 2024 preview
State of ICS and IoT Cyber Threat Landscape Report 2024 previewState of ICS and IoT Cyber Threat Landscape Report 2024 preview
State of ICS and IoT Cyber Threat Landscape Report 2024 preview
 
Essentials of Automations: Optimizing FME Workflows with Parameters
Essentials of Automations: Optimizing FME Workflows with ParametersEssentials of Automations: Optimizing FME Workflows with Parameters
Essentials of Automations: Optimizing FME Workflows with Parameters
 
GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...
GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...
GenAISummit 2024 May 28 Sri Ambati Keynote: AGI Belongs to The Community in O...
 
Neuro-symbolic is not enough, we need neuro-*semantic*
Neuro-symbolic is not enough, we need neuro-*semantic*Neuro-symbolic is not enough, we need neuro-*semantic*
Neuro-symbolic is not enough, we need neuro-*semantic*
 
Knowledge engineering: from people to machines and back
Knowledge engineering: from people to machines and backKnowledge engineering: from people to machines and back
Knowledge engineering: from people to machines and back
 
When stars align: studies in data quality, knowledge graphs, and machine lear...
When stars align: studies in data quality, knowledge graphs, and machine lear...When stars align: studies in data quality, knowledge graphs, and machine lear...
When stars align: studies in data quality, knowledge graphs, and machine lear...
 
PCI PIN Basics Webinar from the Controlcase Team
PCI PIN Basics Webinar from the Controlcase TeamPCI PIN Basics Webinar from the Controlcase Team
PCI PIN Basics Webinar from the Controlcase Team
 
Monitoring Java Application Security with JDK Tools and JFR Events
Monitoring Java Application Security with JDK Tools and JFR EventsMonitoring Java Application Security with JDK Tools and JFR Events
Monitoring Java Application Security with JDK Tools and JFR Events
 
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...
 

Bfi – film consumption

  • 1.
  • 2.  The data on the right shows us the cinema admissions for 2014 to 2015 has increased by 9.2%. This is a staggering increase over a 1 year period and could be linked to new strong performing titles such as “Everest”. Many consumers may prefer to watch the film in a different environment as this intensifies what they are watching.  The second table shows the increase in box office gross profit from 2006 to 2015. The information shows us that from 2006 to 2015 there has been an increase of 62.1& which is extremely high and suggests that the film industry has no intention's of slowing down. The data also shows us that many consumers like to go to the cinema as they want a higher end experience as the information on the BFI states that:  The 3D takings from these releases (£137 million) accounted for 11% of the total box office in 2015.  compared with 12% (£133 million) in 2014.  Sixteen films were released in 3D IMAX in 2015, generating a gross of £31 million (just over 2% of overall box office).
  • 3. Age The information on the right shows us that the age group 15-24 are rapidly increasing in the consumption of films. However the data also shows a dip in the consumption of films from this age group between 2011 and 2015. Gender This information shows us that the male gender prefer to watch films that contain more action; whilst the female audience prefer to watch happier films that generally contain relatable scenes or situations they can see themselves in.
  • 4. Location – South East This audience group is underrepresented in the figures as many different people live in that area and therefore you cannot really classify them into a certain category. South East England is a large area and contains many different towns, villages and city’s and therefore in my opinion there is to much diversity in the people for them to be classified dimply by the broad location they live in. The table below identifies the market segment of certain films which has been viewed by members of the public in the UK. The information may also not be completely correct as passers by may visit the cinema but in fact they do not live there making the results to a certain extent un-valid.
  • 5. Members of the public have various different viewing options for film media. Newer titles that are only available In the cinema however can only be watched at home illegally. The information below shows us where the public tend to watch films. The data shows us that a staggering 85% of viewers are engaged whilst watching a film on a TV. The second most engaging form of viewing a film is a DVD or Blu-ray coming in at 70% viewer engagement. As we know many consumers also like to watch films at eh cinema as it allows them to socialise with friends and family. The experience by going to a cinema is much different to watching it elsewhere as you are in a room with potentially like minded people who are interested in the same genres of films. Other forms of viewing films such as a laptop, desktop & tablet are not as engaging for consumers watching films.
  • 6. The types of films that are the most popular are generally from large institutions such as Walt Disney or Universal. From the data below I can see that films that have a high star appeal and are continued on from previous versions tend to have a higher rate of success in terms of how many people watch the film. The data on the right identifies that the most successful film was Star Wars, distributed by Walt Disney. This was a very high budget production and therefore that reflects on the success it has had. It’s also a well known title, so consumers visiting the cinema are going to be more inclined to watch it especially if they are a fan of the franchises previous work. The types of films that are the most popular are generally from large institutions such as Walt Disney or Universal. From the data below I can see that films that have a high star appeal and are continued on from previous versions tend to have a higher rate of success in terms of how many people watch the film.
  • 7.  Technology, such as computers and phones, plays a big role in the consumption of films today because it gives the people different options to consume the films.  We are able to view films in different ways such as on the computer or in the cinema, computers let us watch films at home but on other devices such as a phone or laptop, you are able to view the film from anywhere, which is why there is an increase in the consumption of film today.  This can be supported from the following table below. From the table I can see a rise in the amount of viewer engagement for watching films on the TV. Therefore the development in recent technology has allowed consumers to watch films elsewhere rather than just at the cinema. Many consumers/individuals may prefer the comfort of their own home and therefore that’s the reason for the increase in consuming films on at TV rather than in the cinema.