In this class, we talk about a few famous cases of modern urban planning, including Haussmann's Paris and Robert Moses's New York. Seaside Florida, the Smart Code and the New Urbanism are also discussed.
The first large-scale elaboration of the City Beautiful occurred in Chicago at the 1893 World's Columbian Exposition. The planning of the exposition was directed by architect Daniel Burnham, who hired architects from the eastern United States, as well as the sculptor Augustus Saint-Gaudens, to build large-scale Beaux-Arts monuments that were vaguely classical with uniform cornice height. The exposition displayed a model city of grand scale, known as the "White City", with modern transport systems and no poverty visible. The exposition is credited with resulting in the large-scale adoption of monumentalism for American architecture for the next 15 years. Richmond, Virginia's Monument Avenue is one expression of this initial phase.
LE COBUSIER, BACKGROUNG OF CITY DEVELOPMENT IN EARLY 20th CENTURY, THE GRID CONCEPT, Contemporary City, Radiant City, THE RADIANT CITY CONCEPT, CONCEPT OF RADIANT CITY, HOUSING TOWERS
The first large-scale elaboration of the City Beautiful occurred in Chicago at the 1893 World's Columbian Exposition. The planning of the exposition was directed by architect Daniel Burnham, who hired architects from the eastern United States, as well as the sculptor Augustus Saint-Gaudens, to build large-scale Beaux-Arts monuments that were vaguely classical with uniform cornice height. The exposition displayed a model city of grand scale, known as the "White City", with modern transport systems and no poverty visible. The exposition is credited with resulting in the large-scale adoption of monumentalism for American architecture for the next 15 years. Richmond, Virginia's Monument Avenue is one expression of this initial phase.
LE COBUSIER, BACKGROUNG OF CITY DEVELOPMENT IN EARLY 20th CENTURY, THE GRID CONCEPT, Contemporary City, Radiant City, THE RADIANT CITY CONCEPT, CONCEPT OF RADIANT CITY, HOUSING TOWERS
Modern works of le corbusier and 5 poits of architectureSheifali Aggarwal
CONTAINS TIMELINE OF LE CORBUSIER'S CAREER AS AN ARCHITECT AND A FEW OF HIS WORKS. ALSO CONTAINS HIS THEORY OF 5 POINTS OF ARCHITECTURE WITH 2 EXAMPLES OF THE SAME.
THE PARC DE LA VILLETTE, The Parc de la Villette is the third-largest park in Paris, 55.5 hectares in area, located at the northeastern edge of the city in the 19th arrondissement.
An Overview of the City Beautiful Movement - An architectural manifestation of the social response to failing urban life.
Contains details regarding the origin, key characteristics, architects and major cities involved, along with the following case studies :
- Mcmillan Plan
- Plan of Chicago and
- City of Minneapolis.
This presentation completes the arc between the City Beautiful movement of early 20th century and the current emphasis on place-making using North Michigan Avenue as an example.
Présentation de la candidature à l'inscription sur la Liste du patrimoine mondial
Presentation of the proposal for inscription on the World Heritage List
Presentación sobre los espacios urbanos, elaborada para la asignatura de ciencias sociales de la sección bilingüe del I.E.S. Fray Pedro de Urbina (Miranda de Ebro)
GARDEN CITY(garden city concept), the perfect blend of city and nature.
the preservation of agricultural and rural life, nature and heritage conservation, recreation, pollution minimization, and growth management as well as the city endowed the tradition of urban planning with a social and community dimensions.
Modern works of le corbusier and 5 poits of architectureSheifali Aggarwal
CONTAINS TIMELINE OF LE CORBUSIER'S CAREER AS AN ARCHITECT AND A FEW OF HIS WORKS. ALSO CONTAINS HIS THEORY OF 5 POINTS OF ARCHITECTURE WITH 2 EXAMPLES OF THE SAME.
THE PARC DE LA VILLETTE, The Parc de la Villette is the third-largest park in Paris, 55.5 hectares in area, located at the northeastern edge of the city in the 19th arrondissement.
An Overview of the City Beautiful Movement - An architectural manifestation of the social response to failing urban life.
Contains details regarding the origin, key characteristics, architects and major cities involved, along with the following case studies :
- Mcmillan Plan
- Plan of Chicago and
- City of Minneapolis.
This presentation completes the arc between the City Beautiful movement of early 20th century and the current emphasis on place-making using North Michigan Avenue as an example.
Présentation de la candidature à l'inscription sur la Liste du patrimoine mondial
Presentation of the proposal for inscription on the World Heritage List
Presentación sobre los espacios urbanos, elaborada para la asignatura de ciencias sociales de la sección bilingüe del I.E.S. Fray Pedro de Urbina (Miranda de Ebro)
GARDEN CITY(garden city concept), the perfect blend of city and nature.
the preservation of agricultural and rural life, nature and heritage conservation, recreation, pollution minimization, and growth management as well as the city endowed the tradition of urban planning with a social and community dimensions.
The Grand Manner and Paris under Haussmannization .docxcherry686017
The Grand Manner
and Paris under Haussmannization
Gustave Caillebotte, Paris Street, Rainy Day” (1877)
This lecture will:
• Provide an overview of Baroque urban design, also known as “The Grand Manner”
• Explore the transformation of nineteenth century Paris under the influence of
Emperor Napoleon III and Georges Haussmann.
• Set the stage for understanding subsequent planning approaches that borrowed
from Haussmann’s restructuring of Paris.
Note: Much of the content of this lecture come from the work of Spiro Kostof’s The City Shaped
David Pinkney’s and Napoleon III and the Rebuilding of Paris.
This week we will be narrowing our focus on the city of Paris in the 19th century.
Paris is perhaps the most striking modern example of urban restructuring aimed
at alleviating congestion and disorder. But in order to fully appreciate the vast
physical changes that the city experienced over the course of just a few decades,
we should first familiarize ourselves with some basic urban design elements that
had been employed since antiquity, but which by the 1700s had become,
according to architectural historian Spiro Kostof, “a rational system of urban
design.” This system came to be called “Baroque Urban Design,” or “The Grand
Manner” of planning. Consisting of a handful (10 to be exact) of clearly
identifiable physical elements, the Grand Manner was most often an expression
or a “staging” of political power.
1. The Straight Street
An essential element of Baroque urban design was the that of the straight street. We
have discussed the use of the grid before, but here we are talking about the carving
out of a singular straight street in contrast to the surrounding irregularities of winding
pathways. In Europe, Renaissance Florence was instrumental in the development of
the straight street as an artistically conceived space – an urban space with its own
integrity rather than the space left over between buildings.
The design advantages of straight streets
included:
1. …increased control over public order.
By avoiding or eliminating winding,
labyrinthine streets, the ability or
temptation to obstruct passages
through barricades during times of
riots was significantly weakened.
2. …promotion of circulation of people,
goods, transportation and military
troops and artillery. As the industrial
revolution placed pressure on cities
through significant population
increase, intense congestion in the city
center followed. Carving straight
streets through the center proved to
be a common modern planning tactic.
Right:
Nevsky
Prospekt
in
St.
Petersburg,
1703.
The
massive
propor?ons
of
this
street
were
intended
to
reflect
the
poli?cal
power
of
Russia
under
Peter
the
Great
and
his
efforts
to
modernize
his
empire.
2. The Baroque Diagonal
A more ...
http://www.understandingrace.org/images/482x270/society/post_war_economic_boom.jpg
http://afflictor.com/wp-content/uploads/2011/06/800px-NewYorkCityManhattanRockefellerCenter.jpg
In this week’s lecture and readings we learn about the modern skyscraper as well as the horizontal growth of the suburban areas. In Le Corbusier book A Contemporary City, it gives us a brief overview of his life. We know that he is a founding father to the modernist movement known as the International style, and that he also entered a competition to plan a “contemporary city of 3 million people,” that did not end up winning. Although he did not win, in this book he describes the leading factors that would contribute to his plan of a contemporary city. Of these factors was this topic of skyscrapers. He states, “The skyscrapers are designed purely for business purposes,” he later discusses how skyscrapers are also capable of housing employees, businesses and hotel sections. We also learned that skyscrapers have essential characteristics that define what a modern skyscraper and how there were certain technological requirements that were needed in order to develop a skyscraper. With regards to the development of skyscrapers, zoning properties were quickly established, which ultimately came to the influence of the aesthetic and visual properties of the city as a whole.
In Widogers publication on The "Solar Eye" of Vision Emergence of the Skyscraper-Viewer in the Discourse on Heights in New York City, 1890-1920 we learned how Alvin Coburn, a photographer, takes his camera upon Madison Square in 1921 from the vantage point of the metropolitan life tower, and creates the first abstraction of a city viewed from above. It is also important because he also discusses how modern skyscrapers correspond to the urban transformation in New York City between the period 1890 and 1920. This then brings about the observation on how periods of social upheaval affect individualism and mass identity, which in turn conditions the way artists and writers define their artistic vision in relation to daily life in the city. He also states that, “The tower on Madison Square Garden and the Metropolitan Life Tower had similar features: they were not fully fledged skyscrapers but rather towers constructed either beside or on top of a block-shaped building.” The author also capitalizes on how this metropolitan lifestyle can alter ones behavior due to the environment that surrounds them.
Post World War Two was the beginning of the housing boom. “The transition from a war to peacetime economy was centered on the mass consumerism, ”According to the lecture. The scarce shortage of material forced designers to develop new ways of building. This then lead to large scale housing production where some of these housing parts were sometimes made up of refashioned tank and airplane parts. This allowed for houses to be produced more efficiently and in bulk. During this transition time between wartime to pe.
CSI.SP: Observing Urban Space by Maurice Harteveld (25 Feb 2009)Jasper Moelker
The invited lecturer has profound knowledge about the changing characteristics of public and private urban space. The envisioned lecture covers city related topics following a two-folded target. As urban space represents the interface of communication and all investigations it is crucial to bring participants nearer to the concept of it. The second part of the lecture block will deal with the role of urban planning in shaping urban space. With this insight participants whould understand the role of urban space and the formal ways planning it.
PUP 420 Theory of Urban Design Historical Perspecti.docxwoodruffeloisa
PUP 420: Theory of
Urban Design
Historical Perspectives:
Siena, Italy
Part of understanding the basics of
urban design is to understand the
history of designing our cities.
Two basic city forms – organic and
geometric – emerged very early in
Western civilizations.
Organic cities are likely to have been
the more ancient of the two, having
arisen through chance and
accretion. Accretion means that
these settlements grew where paths
became streets, and villages
merged into towns and then cities.
Organic cities developed around geographic features that were
crucial to trade or defense, such as regional crossroads, safe
harbors, river crossings, access to mountain passes, and so
forth.
Miletus, origin of Miletian plan
Palace Quarter, Babylon
The geometric form, on the other
hand, was planned – purposely
and self-consciously designed.
This is where we get our grid
system, where streets are at right
angles and form blocks.
Most early geometric cities had
specific places for religion and
commerce. And most early
societies were concerned about
controlling access to their city for
the purpose of defense.
Historical Perspectives:
Historical Perspectives:
Piazza del Campo, Siena
Villingen, Germany
The Middle Ages were shaped by
warfare and military considerations,
leading to things like building city
walls.
Public spaces became associated
with religious structures and, later,
commerce, as the church plaza
became the marketplace.
During the Middle Ages, we also
started building secular public
plazas – these are plazas that are
not associated with a church or
religion. Piazza del Campo in
Sienna was one of the first of these
secular plazas.
Historical Perspectives:
Pienza, Italy
Palmanova, Italy
Next, we move ahead to the
Renaissance, which was roughly
the 15th – 17th Centuries. (There’s
no consensus about the exact
years.)
During this time, classical architecture
and planning served as precedents,
as neo-classical architecture began
to be built. This was stemming from
a renewed interest in art,
architecture, literature, and so forth.
This coincides with the emerging
“humanist” view – meaning that
people were looking at Ancient
Rome and Ancient Greece for
inspiration and seeing the value in
classical learning.
Historical Perspectives:
Pope Sixtus V’s Plan of Rome
The Baroque period was roughly the
16th – 17th Centuries, sometimes
grouped into the Renaissance time
period.
During the Baroque period, we built
straight avenues with clear lines of
sight. Our cities also had radial and
diagonal patterns defined by focal
points. This is largely because the
planners were military engineers,
interested in efficiency.
During this time, cities were also
starting to be confronted with the
challenges of swelling populations –
and the consequences of this on
health, light, and air.
Historical Perspectives:
Paris, France
Baro ...
PUP 420 Theory of Urban Design Historical PerspectiTakishaPeck109
PUP 420: Theory of
Urban Design
Historical Perspectives:
Siena, Italy
Part of understanding the basics of
urban design is to understand the
history of designing our cities.
Two basic city forms – organic and
geometric – emerged very early in
Western civilizations.
Organic cities are likely to have been
the more ancient of the two, having
arisen through chance and
accretion. Accretion means that
these settlements grew where paths
became streets, and villages
merged into towns and then cities.
Organic cities developed around geographic features that were
crucial to trade or defense, such as regional crossroads, safe
harbors, river crossings, access to mountain passes, and so
forth.
Miletus, origin of Miletian plan
Palace Quarter, Babylon
The geometric form, on the other
hand, was planned – purposely
and self-consciously designed.
This is where we get our grid
system, where streets are at right
angles and form blocks.
Most early geometric cities had
specific places for religion and
commerce. And most early
societies were concerned about
controlling access to their city for
the purpose of defense.
Historical Perspectives:
Historical Perspectives:
Piazza del Campo, Siena
Villingen, Germany
The Middle Ages were shaped by
warfare and military considerations,
leading to things like building city
walls.
Public spaces became associated
with religious structures and, later,
commerce, as the church plaza
became the marketplace.
During the Middle Ages, we also
started building secular public
plazas – these are plazas that are
not associated with a church or
religion. Piazza del Campo in
Sienna was one of the first of these
secular plazas.
Historical Perspectives:
Pienza, Italy
Palmanova, Italy
Next, we move ahead to the
Renaissance, which was roughly
the 15th – 17th Centuries. (There’s
no consensus about the exact
years.)
During this time, classical architecture
and planning served as precedents,
as neo-classical architecture began
to be built. This was stemming from
a renewed interest in art,
architecture, literature, and so forth.
This coincides with the emerging
“humanist” view – meaning that
people were looking at Ancient
Rome and Ancient Greece for
inspiration and seeing the value in
classical learning.
Historical Perspectives:
Pope Sixtus V’s Plan of Rome
The Baroque period was roughly the
16th – 17th Centuries, sometimes
grouped into the Renaissance time
period.
During the Baroque period, we built
straight avenues with clear lines of
sight. Our cities also had radial and
diagonal patterns defined by focal
points. This is largely because the
planners were military engineers,
interested in efficiency.
During this time, cities were also
starting to be confronted with the
challenges of swelling populations –
and the consequences of this on
health, light, and air.
Historical Perspectives:
Paris, France
Baro ...
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
We all have good and bad thoughts from time to time and situation to situation. We are bombarded daily with spiraling thoughts(both negative and positive) creating all-consuming feel , making us difficult to manage with associated suffering. Good thoughts are like our Mob Signal (Positive thought) amidst noise(negative thought) in the atmosphere. Negative thoughts like noise outweigh positive thoughts. These thoughts often create unwanted confusion, trouble, stress and frustration in our mind as well as chaos in our physical world. Negative thoughts are also known as “distorted thinking”.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
SUMMER15UVC14PtTwo
1. Part II
• the origins of modern planning
• Frederick Law Olmsted in NY and Chicago
• Haussmann in Paris
• a case study of modern planning: NYC
• the New Urbanism
• "the smart code"
• Seaside, Florida
2. Urban planning An essentially modern
discipline.
Considering various
needs and activities
and organizing them
into thoughtful,
pleasing shape.
• services
• circulation
• structures
• open space
The application of design
principles to the city space.
3. The city—a complex, lively and changing space—laid out on a two-dimensional
sheet of paper.
7. Chicago Parks
The west park system of Chicago was established in 1869.
Douglas, Garfield, and Humboldt parks and their connecting
boulevards were laid out by architect William LeBaron
Jenney in 1871.
At Garfield, originally known as Central Park, Jenney’s plan
was built-out slowly over the next three decades:
• east lagoon,
• suspension bridge
• small conservatory
• Victorian bandstand
• horse racing track
13. "medieval" Paris
streets are:
• narrow and winding
• doesn't permit traffic
• doesn't permit troop movement
• easily barricaded
• paved with cobblestones
• open sewer
• unsanitary
• unhealthy
• poor inhabitants not necessarily friendly to Napoleon III
14. from Le Vieux Paris by Louis Blanc in Paris-guide,
par les principaux écrivains et artistes de la France,
Librairie Internationale, 1867.
“The time has come to clean up the insalubrious streets
and create more wide-open spaces! The time has come to
let the sun stream into the shady districts, to give Paris the
lungs to breathe as it should; not for reasons of trend or
fashion, but for the sake of hygiene and progress! Yet
wherever the interests of public health, wherever the
inevitable growth of civilization do not require Parisian
dignitaries to display their relentless determination, mercy
for the old streets of Paris! Mercy for the visible vestiges of
the past that the present is so intent on destroying in every
way...! Mercy! If only for a few warts and stains beloved of
Montaigne!”
15.
16. Under Napoleon III
• Haussmann undertook what many consider the first
modern urban works project, demolishing many existing
neighborhoods to make way for grand boulevards and
parks.
• He installed a sewer system.
• Gas lighting was placed in major public places.
• He hired photographers to document the medieval streets
he was plowing under.
17. Charles Marville
In 1862 Marville became the official photographer for the city
of Paris.
His job: to document the city, both the quarters marked for
destruction and the grand boulevards that replaced them.
Although his charge was to show that the existing urban
fabric was "not worth saving," many drew the opposite
conclusion from the archive he created.
The entire body of his work burned in the destruction of the
Hôtel de Ville during the Commune. Fortunately Marville had
carefully stored his negatives and was able to replace the
prints.
35. asphalt
most roads today are surfaced with asphalt (byproduct of
crude oil processing). leftovers are made into asphalt
cement for pavement.
1824 asphalt block first used on the Champs-Élysées in
Paris.
modern road asphalt used in Battery Park and on Fifth
Avenue in New York City in 1872 and on Pennsylvania
Avenue, Washington D.C., in 1877.
37. Urban planning, NY style
“I’d like to see the planner who can remove
a ghetto without displacing some people,
just like I’d like to see the chef who can
make an omelette without breaking some
eggs.”
—Robert Moses, New York City planner
and nemesis of Jane Jacobs
40. Robert Moses (1888-1981)
• a variety of unelected roles in New York State and
New York City
• built parkways, beaches and bridges in and around
New York in the 1930s, using New Deal funds
• postwar period, attention turned to expressways; he
built a number of them but failed to build the Lower
Manhattan Expressway
41. Moses projects
• parkways: Northern State, Southern State, Wantaugh
Parkway, Meadowbrook Parkway
• beaches: Jones Beach
• pools: throughout the five boroughs
• bridges: Triborough Bridge, Brooklyn-Battery Tunnel, Throgs
Neck, the Bronx-Whitestone, the Henry Hudson, and the
Verrazano–Narrows bridges.
• expressways: I-278 (the Brooklyn-Queens Expressway and
Staten Island Expressway), Cross-Bronx Expressway,
• developed Shea Stadium, Lincoln Center, and contributed
to the United Nations headquarters.
46. “When I first looked at this
project, I thought, "How the
hell are we going to get
across here?" It was
probably one of the most
challenging highway
projects that had been
constructed, or even
conceived, up until that
time. I dare say that only a
man like Mr. Moses would
have the audacity to
believe that one could push
(the expressway) from one
end of the Bronx to the
other.“
—Ernest Clark, design team
The "Cross Bronx" Expressway
56. The Death and Life of
Great American Cities
(1961)
Has become a touchstone for planners and architects
associated with the New Urbanism.
57. Jacobs, p. 8
“Specifically, in the case of planning for cities, it is clear
that a large number of good and earnest people do care
deeply about building and renewing. Despite some
corruption, and considerable greed for the other man's
vineyard, the intentions going into the messes we make
are, on the whole, exemplary.”
58. Jacobs, p. 8
“Planners, architects of city design, and those
they have led along with them in their beliefs are
not consciously disdainful of the importance of
knowing how things work. On the contrary, they
have gone to great pains to learn what the saints
and sages of modern orthodox planning have
said about how cities ought to work and what
ought to be good for people and businesses in
them. They take this with such devotion that when
contradictory reality intrudes, threatening to
shatter their dearly won learning, they must shrug
reality aside.”
59. Her proposal:
Let’s study healthy streets and blocks and
develop a set of principles they share in
common.
We can use those principles to guide new
development.
61. Congress for the New
Urbanism
Founded in 1993 by a group of architects looking
to codify the thought behind their previous work
in creating long-lasting and better-performing
neighborhoods.
Founders were: Peter Calthorpe, Andrés Duany,
Elizabeth Moule, Elizabeth Plater-Zyberk,
Stefanos Polyzoides and Dan Solomon.
Charter for the New Urbanism first published in
1999.
62.
63.
64. The revitalization of urban places depends on safety and
security. The design of streets and buildings should reinforce
safe environments, but not at the expense of accessibility
and openness.
65. In the contemporary metropolis, development must
adequately accommodate automobiles. It should do so in
ways that respect the pedestrian and the form of public
space.
72. Streets and squares should be safe, comfortable, and
interesting to the pedestrian. Properly configured, they
encourage walking and enable neighbors to know each other
and protect their communities.
81. Civic buildings and public gathering places require important
sites to reinforce community identity and the culture of
democracy. They deserve distinctive form, because their role
is different from that of other buildings and places that
constitute the fabric of the city.
86. What does this building "say" to students and teachers about their role
and value in the larger society?
87. All buildings should provide their inhabitants with a clear
sense of location, weather and time. Natural methods of
heating and cooling can be more resource-efficient than
mechanical systems.
88. Preservation and renewal of historic buildings, districts, and
landscapes affirm the continuity and evolution of urban
society.
91. “Smart Code” v. 9.2
Consider the most-loved towns of North America. They were
either carefully planned, or they evolved as compact, mixed
use places because of their geography and the limits of the
transportation and economics of their time.
However, over the past sixty years, places have evolved in a
completely different pattern. They have spread loosely along
highways and haphazardly across the country- side, enabled
by the widespread ownership of automobiles, by cheap
petroleum and cheap land, and by generalized wealth.
92. Such patterns are enabled by zoning codes that separate
dwellings from work- places, shops, and schools. These
codes include design standards that favor the automobile
over the pedestrian, and are unable to resist the
homogenizing effects of globalization.
93. These practices have produced banal housing subdivisions,
business parks, strip shopping, big box stores, enormous
parking lots, and sadly gutted downtowns. They have caused
the proliferation of drive-by eateries and billboards. They
have made walking or cycling dangerous or unpleasant.
They have made children, the elderly, and the poor utterly
dependent on those who can drive, even for ordinary daily
needs. They have caused the simultaneous destruction of
both towns and open space -- the 20th century phenomenon
known as sprawl.
94. The form of our built environment needs a 21st century
correction. But in most places it is actually illegal to build in a
traditional neighborhood pattern. The existing codes prevent
it. In most places people do not have a choice between
sprawl and traditional urbanism. Codes favor sprawl and
isolated residential sub- divisions. It is not a level playing
field.
95. • The SmartCode was created to deal with this problem at the
point of decisive impact -- the intersection of law and design. It
is a form-based code, meaning it envisions and encourages a
certain physical outcome -- the form of the region, community,
block, and/or building. Form-based codes are fundamentally
different from conventional codes that are based primarily on
use and statistics -- none of which envision or require any
particular physical outcome.
• The SmartCode is a tool that guides the form of the built
environment in order to create and protect development patterns
that are compact, walkable, and mixed use. These traditional
neighborhood patterns tend to be stimulating, safe, and
ecologically sustainable. The SmartCode requires a mix of uses
within walking distance of dwellings, so residents aren’t forced
to drive everywhere. It supports a connected network to relieve
traffic congestion. At the same time, it preserves open lands, as
it operates at the scale of the region as well as the community.
97. Seaside, FL 1985
In 1978 after Robert Davis inherited an 80 acre plot of land in
the Florida Panhandle. Robert and his wife Daryl set out to build
a “livable” resort town in the “Redneck Riviera” and create a
haven for those who missed the communities that were
developed when cars were not the dominant form of
transportation.
Andrés Duany and Elizabeth Plater-Zyberk, a husband and wife
team from the prestigious architectural firm Arquitectonica.
(They later formed their own firm, DPZ.) The four of them, along
with European classicist and town planner Léon Krier, set out to
design "the kind of place that had been overlooked in
contemporary American town planning. The kind of community
we all wish we could be from."
115. The Truman Show (1998),
dir. Peter Weir
Was filmed in Seaside, Florida,
which the director felt perfectly
expressed the set of reality
television show.
Editor's Notes
Creator: Jenney, William LeBaron; Jenney, William Le Baron (1832 - 1907), American, architect; landscape architect
Creator: Jensen, Jens (1860 - 1951), Danish; American, landscape architect
Title: Humboldt Park
Title: View Description: general view
Title: Chicago West Parks System
Work Type: Park (Recreation area)
Date: 1870-1906
Location: Chicago, Illinois, United States
Related Item: Source of information: Image Source (Book)
Subject: Chicago West Parks System
Subject: Parks (recreation areas)
Subject: landscape architecture
Subject: paths
Subject: bridges (built works)
Subject: lampposts
Collection: SAHARA
ID Number: Record: 20090448AVRN_0005
Source: Photographer: Wilson, Richard Guy
Source: Wilson, Richard
Source: University of Virginia
Rights: R.G. Wilson
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Jenney, William LeBaron; Jenney, William Le Baron (1832 - 1907), American, architect; landscape architect
Creator: Jensen, Jens (1860 - 1951), Danish; American, landscape architect
Title: Humboldt Park
Title: View Description: general view
Title: Chicago West Parks System
Work Type: Park (Recreation area)
Date: 1870-1906
Location: Chicago, Illinois, United States
Related Item: Source of information: Image Source (Book)
Subject: Chicago West Parks System
Subject: Parks (recreation areas)
Subject: landscape architecture
Subject: avenues
Subject: paths
Collection: SAHARA
ID Number: Record: 20090448AVRN_0004
Source: Photographer: Wilson, Richard Guy
Source: Wilson, Richard
Source: University of Virginia
Rights: R.G. Wilson
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.