A r t 1 0 0
U n d e r s t a n d i n g V i s u a l C u l t u r e
Class 14.1
Art in the 1960s
on the right:
Jackson Pollock, The Moon Woman, 1942
oil on canvas, 69 x 43 1/16 inches
Sometimes the same
artist will move back and forth
between representational
and abstract modes of painting.
Frantisek KUPKA, The Yellow Scale (Self-Portrait)
oil on canvas, c. 1907, 31 × 29 1/4 inches
A REPRESENTATIONAL
work has a recognizable
subject matter, even if that
subject matter is highly
stylized.
Frantisek KUPKA
Red and Blue Discs
1911
39 3/8 x 28 ¾" inches
An ABSTRACT work consists of
arrangements of color that do not
necessarily evoke specific,
recognizable forms.
Robert Rauschenberg
Pilgrim, 1960
has art gotten too far
removed from "reality"?
• Pop—keep on painting, but bring in popular culture
• Minimalism—move into sculpture that engages the viewer
directly in real space
• Conceptualism—make the audience think and question!
• Performance—use the body of the artist to create charge
situations and events
• Earthworks/Site-Based—draw the viewer out into the
natural world
Roy
LICHTENSTEIN
M-Maybe, 1965
oil on canvas
60 x 60 inches
Andy Warhol, Red Liz, 1963; synthetic polymer paint and silkscreen ink on canvas, 40 x 40
Elizabeth Peyton, Live to Ride (E.P.), 2003. Oil on board, 15 × 12 in.
Jim Shaw, Thrift Store Paintings, installed at Metro Pictures, Sept 12-Oct 12, 1991
Jasper Johns, “Target with Four Faces” (1955), mixed media
Carl Andre, War and Rumors of Wars, 2002
Robert Smithson, Map of Broken Glass, Atlantis, 1969)
Barry Le Va, Continuous and Related Activities, Discontinued by the Act of Dropping
1967; felt
Lynda Benglis
working on one
of her latex “pour
pieces”
Eva Hesse, Untitled, 1966, acrylic and cord
Eva HESSE
Ringaround Arosie
1965
Pencil, acetone, varnish,
enamel paint, ink and cloth-
covered electrical wire on
papier-mâché and masonite
26 3/8 x 16 1/2 x 4 ½ inches
Ana Mendieta
Untitled (Facial
Hair Transplant),
1972
Janine Antoni, Loving Care, 1993
Janine Antoni, Gnaw, 1992
Janine Antoni, Lick and Lather, 1993
Janine Antoni, Mom and Dad, 1994
Janine Antoni
Mortar and Pestle
1999
CHRISTO
Wrapped Museum (Project for the Museum of Contemporary Art, Chicago)
Scale model 1969
Photo: Michel Boulet
© 1969 Christo
Christo and Jeanne-Claude
Wrapped Museum of
Contemporary Art, Chicago
1968-69
Photo: Harry Shunk
© 1969 Christo
Christo and Jeanne-Claude
Wrapped Museum of
Contemporary Art, Chicago
1968-69
Photo: Harry Shunk
© 1969 Christo
Christo and Jeanne-Claude
Wrapped Museum of
Contemporary Art, Chicago
1968-69
Photo: Harry Shunk
© 1969 Christo
Christo and Jeanne-Claude, Wrapped Islands, 1980-3, Biscayne Bay, Miami
Christo and
Jeanne-Claude
Running Fence,
Sonoma and Marin
Counties,
California, 1972-76
Photo: Wolfgang
Volz
© 1976 Christo
Christo and Jeanne-Claude
Running Fence, Sonoma and Marin Counties, California, 1972-76
Photo: Jeanne-Claude
© 1976 Christo

ART100_Fall2016_Class14.1

Editor's Notes

  • #7 Pilgrim, 1960 “combines”