Roman architecture spanned from 753 BCE to 337 CE, progressing through several periods. Some notable examples include the Temple of Vesta from the Roman Republic in the 1st century BCE, the Ara Pacis altar from 13-9 BCE during the early empire, and the Pantheon's iconic dome structure built under Hadrian in 117-125 CE. Roman architectural styles evolved over this thousand-year time frame, seen in structures like temples, forums, baths, arches and more that incorporated innovative building techniques like vaults and domes.
THE ANCIENT GREEK ART
THE ANCIENT GREEK ART
Most influential cultures in the world.
Rich collection of myth, music, drama, and art.
Greek art started 3000 years ago.
GOLDEN AGES
ARCHAIC PERIOD
= EGYPTIAN INFLUENCE ART
CLASSICAL PERIOD
= IDEALISTIC ART, FULL PERFECTION BOTH SCULPTURE AND ARCHITECTURE.
THE HELLENIC ART
= TIME WHEN ARCHITECTURE
DECLINE
Five forms where Ancient Greek Arts Excelled
POTTERY
POTTERY
Primary for pottery.
Declaration became more figurative ( animals, human figures, and zoomorphs ).
Pottery was introduced by the corinthians.
ARCHITECTURE
DORIC COLUMN
Sturdy and plain.
Used in mainland Greece.
Temple of Hera
SCULPTURE
Influence by Egyptians and Syrians techniques.
Figures sculpted were mainly “Kouros and Kore”
PAINTING
Temples, buildings and tombs are decorated with fresco.
Fresco is a technique that we use of egg and wet plaster.
Tempera= mixture of egg, paint and water.
THE CLASSICAL PERIOD
POTTERY
Established Athens as the strongest city – state.
Popularity of ceramic and vases declined both in quality and artistic merit.
Used white-ground technique.
ARCHITECTURE
Doric and Ionic Columns remained during classical period.
Doric is described as more formal.
Ionic is more decorative and relaxed.
SCULPTURE
Anatomy became more accurate.
Statues became more realistic (human).
Bronze became the main medium.
Contrapposto was introduced.
FAMOUS SCULPTORS
MYRONDiscus Thrower
Greatest sculptor of his time.
First to achieve life-like representation in figurative sculpture.
Gods, heroes and Athletes.
POLYKLEITOSDoryphorus
Sometimes called Elder.
Greatest sculptors of Classical Antiquity.
Known for his bronze sculptures.
CALLIMACHUSMuses
Poet, Critic and Scholar at the Library of Alexandria=largest library in ancient world.
Muses the nine goddesses of art.
HELLENISTIC PERIOD
HELLENISTIC PERIOD
Secular patrons influence sculpture and mosaic.
Wide range of pottery was produced.
But not given much importance.
SCULPTURE
CHARACTERISTICS
Naturalism was continually used.
Animals and ordinary people were accepted as major subject.
Although production of sculptures was increased, workmanship and creativity greatly suffered.
Greater expression characterized the sculptures of this period.
Colossus of Rhodes
The Three Graces
Borghese Gladiator
Venus De Milo
ARCHITECTURE
Temple of immense size
Theaters of similarly colossal
Storied colonel (stoa)
Public monument
Monumental tomb (mausoleum)
Council building (bouleuterion)
Processional gateway (propylon)
Stadium
Public square
The document discusses the rise of civilization in the Ancient Near East from 3500 BCE to 636 CE. It summarizes the key developments and artistic styles of ancient Mesopotamian cultures like the Sumerians, Akkadians, Babylonians, Assyrians, and Persians. The art evolved from early pictographs to more naturalistic sculptures and reliefs depicting important historical and religious narratives. Architecture advanced from temples and ziggurats to massive palaces and fortified cities.
This document discusses Greek art across three periods - Archaic, Classical, and Hellenistic - from the 7th to 2nd centuries BC. It focuses on architecture, sculpture, and pottery. Greek art emphasized ideal proportions of the human body, copying from nature, and strict rules of proportion, beauty, and harmony. Architecture featured temples constructed in three orders - Doric, Ionic, and Corinthian. Sculpture evolved from rigid Archaic styles to more realistic Classical works to expressive Hellenistic sculptures. Pottery provides insights into Greek culture and evolved through Proto-Geometric, Geometric, Black-Figure, and Red-Figure styles.
Greek art developed over several periods beginning with the Minoan civilization on Crete between 2700-1500 BC and the Mycenaean civilization from 1600-1100 BC. During the Geometric period from 900-700 BC, art featured geometric motifs while the Orientalizing period from 700-600 BC saw influences from Near Eastern cultures. The Archaic period from 600-480 BC saw the rise of stone temples and more naturalistic sculpture. Classical Greek art from 480-323 BC created famous works under the Athenian empire and featured developments like contrapposto. Hellenistic art from 323-31 BC advanced realism and embraced new subjects after Alexander the Great's conquests spread Greek culture.
Ancient Greek art and culture flourished for over a thousand years, beginning in the Mycenaean period and evolving through the Classical and Hellenistic eras. Notable developments include advancing from geometric to naturalistic styles of sculpture and the emergence of democracy and other systematic fields of thought in Classical Athens. Greek art and architecture emphasized ideals of beauty, balance, and proportion that strongly influenced Western civilization.
Greek architecture was dominated by temples built to honor gods. The Greeks developed three architectural orders - Doric, Ionic, and Corinthian - each with distinct proportions and detailing. The Parthenon, built in the 5th century BC on the Acropolis in Athens as a temple to Athena, exemplifies the ideals of Greek architecture through its Doric style. Greek theaters evolved from open areas to more elaborate structures but retained the basic layout, with audiences standing or sitting to watch plays about myths and legends.
Alexander the Great was the king of Macedonia who conquered much of the known world in the 4th century BCE. He was educated by Aristotle and sought to spread Greek culture throughout his vast empire. Beginning with an invasion of the Persian Empire in 334 BCE, Alexander conquered territories as far as India within just 12 years. His empire was the largest the world had seen up to that point and resulted in the blending of Greek and Near Eastern cultures. Alexander portrayed himself as both a Greek hero and a divine king, as seen in his official portraits depicting him as both idealized and with god-like qualities befitting his unprecedented military successes.
Roman architecture spanned from 753 BCE to 337 CE, progressing through several periods. Some notable examples include the Temple of Vesta from the Roman Republic in the 1st century BCE, the Ara Pacis altar from 13-9 BCE during the early empire, and the Pantheon's iconic dome structure built under Hadrian in 117-125 CE. Roman architectural styles evolved over this thousand-year time frame, seen in structures like temples, forums, baths, arches and more that incorporated innovative building techniques like vaults and domes.
THE ANCIENT GREEK ART
THE ANCIENT GREEK ART
Most influential cultures in the world.
Rich collection of myth, music, drama, and art.
Greek art started 3000 years ago.
GOLDEN AGES
ARCHAIC PERIOD
= EGYPTIAN INFLUENCE ART
CLASSICAL PERIOD
= IDEALISTIC ART, FULL PERFECTION BOTH SCULPTURE AND ARCHITECTURE.
THE HELLENIC ART
= TIME WHEN ARCHITECTURE
DECLINE
Five forms where Ancient Greek Arts Excelled
POTTERY
POTTERY
Primary for pottery.
Declaration became more figurative ( animals, human figures, and zoomorphs ).
Pottery was introduced by the corinthians.
ARCHITECTURE
DORIC COLUMN
Sturdy and plain.
Used in mainland Greece.
Temple of Hera
SCULPTURE
Influence by Egyptians and Syrians techniques.
Figures sculpted were mainly “Kouros and Kore”
PAINTING
Temples, buildings and tombs are decorated with fresco.
Fresco is a technique that we use of egg and wet plaster.
Tempera= mixture of egg, paint and water.
THE CLASSICAL PERIOD
POTTERY
Established Athens as the strongest city – state.
Popularity of ceramic and vases declined both in quality and artistic merit.
Used white-ground technique.
ARCHITECTURE
Doric and Ionic Columns remained during classical period.
Doric is described as more formal.
Ionic is more decorative and relaxed.
SCULPTURE
Anatomy became more accurate.
Statues became more realistic (human).
Bronze became the main medium.
Contrapposto was introduced.
FAMOUS SCULPTORS
MYRONDiscus Thrower
Greatest sculptor of his time.
First to achieve life-like representation in figurative sculpture.
Gods, heroes and Athletes.
POLYKLEITOSDoryphorus
Sometimes called Elder.
Greatest sculptors of Classical Antiquity.
Known for his bronze sculptures.
CALLIMACHUSMuses
Poet, Critic and Scholar at the Library of Alexandria=largest library in ancient world.
Muses the nine goddesses of art.
HELLENISTIC PERIOD
HELLENISTIC PERIOD
Secular patrons influence sculpture and mosaic.
Wide range of pottery was produced.
But not given much importance.
SCULPTURE
CHARACTERISTICS
Naturalism was continually used.
Animals and ordinary people were accepted as major subject.
Although production of sculptures was increased, workmanship and creativity greatly suffered.
Greater expression characterized the sculptures of this period.
Colossus of Rhodes
The Three Graces
Borghese Gladiator
Venus De Milo
ARCHITECTURE
Temple of immense size
Theaters of similarly colossal
Storied colonel (stoa)
Public monument
Monumental tomb (mausoleum)
Council building (bouleuterion)
Processional gateway (propylon)
Stadium
Public square
The document discusses the rise of civilization in the Ancient Near East from 3500 BCE to 636 CE. It summarizes the key developments and artistic styles of ancient Mesopotamian cultures like the Sumerians, Akkadians, Babylonians, Assyrians, and Persians. The art evolved from early pictographs to more naturalistic sculptures and reliefs depicting important historical and religious narratives. Architecture advanced from temples and ziggurats to massive palaces and fortified cities.
This document discusses Greek art across three periods - Archaic, Classical, and Hellenistic - from the 7th to 2nd centuries BC. It focuses on architecture, sculpture, and pottery. Greek art emphasized ideal proportions of the human body, copying from nature, and strict rules of proportion, beauty, and harmony. Architecture featured temples constructed in three orders - Doric, Ionic, and Corinthian. Sculpture evolved from rigid Archaic styles to more realistic Classical works to expressive Hellenistic sculptures. Pottery provides insights into Greek culture and evolved through Proto-Geometric, Geometric, Black-Figure, and Red-Figure styles.
Greek art developed over several periods beginning with the Minoan civilization on Crete between 2700-1500 BC and the Mycenaean civilization from 1600-1100 BC. During the Geometric period from 900-700 BC, art featured geometric motifs while the Orientalizing period from 700-600 BC saw influences from Near Eastern cultures. The Archaic period from 600-480 BC saw the rise of stone temples and more naturalistic sculpture. Classical Greek art from 480-323 BC created famous works under the Athenian empire and featured developments like contrapposto. Hellenistic art from 323-31 BC advanced realism and embraced new subjects after Alexander the Great's conquests spread Greek culture.
Ancient Greek art and culture flourished for over a thousand years, beginning in the Mycenaean period and evolving through the Classical and Hellenistic eras. Notable developments include advancing from geometric to naturalistic styles of sculpture and the emergence of democracy and other systematic fields of thought in Classical Athens. Greek art and architecture emphasized ideals of beauty, balance, and proportion that strongly influenced Western civilization.
Greek architecture was dominated by temples built to honor gods. The Greeks developed three architectural orders - Doric, Ionic, and Corinthian - each with distinct proportions and detailing. The Parthenon, built in the 5th century BC on the Acropolis in Athens as a temple to Athena, exemplifies the ideals of Greek architecture through its Doric style. Greek theaters evolved from open areas to more elaborate structures but retained the basic layout, with audiences standing or sitting to watch plays about myths and legends.
Alexander the Great was the king of Macedonia who conquered much of the known world in the 4th century BCE. He was educated by Aristotle and sought to spread Greek culture throughout his vast empire. Beginning with an invasion of the Persian Empire in 334 BCE, Alexander conquered territories as far as India within just 12 years. His empire was the largest the world had seen up to that point and resulted in the blending of Greek and Near Eastern cultures. Alexander portrayed himself as both a Greek hero and a divine king, as seen in his official portraits depicting him as both idealized and with god-like qualities befitting his unprecedented military successes.
The document provides information about Roman art from 200 BCE to 400 CE. It discusses that Roman art was heavily influenced by Greek art and was used to celebrate and showcase the power of the Roman Empire and its emperors. Specific art forms discussed include sculpture of Roman leaders that were realistic and placed in public spaces, coins with images of emperors, relief sculptures on architecture, and massive public buildings like the Colosseum and Pantheon that demonstrated the empire's might.
The document provides an overview of ancient Roman art from 509 BCE to 330 CE. It discusses the various forms of Roman art including architecture, painting, sculpture, pottery, coins, glasswork and mosaics. Some key points are that sculpture was highly regarded, Roman architecture produced great innovations using concrete, and paintings have survived from sites like Pompeii that depict scenes of daily life. Roman art drew upon Greek influences but had its own distinct styles and was used for propaganda and to display the power of the Roman Empire.
The Romans were inspired by Greek art and architecture as they expanded their Republic and later Empire throughout the Mediterranean. They adopted styles like realistic portraiture and propaganda sculptures of emperors to convey imperial ideals. Major construction projects such as the Colosseum and Pantheon combined Greek orders with innovative Roman techniques and featured painted interior decor.
The document provides an overview of Egyptian art from 2500 BCE to 300 BCE, describing how art was created primarily for pharaohs to prepare them for the afterlife. Key aspects of Egyptian art discussed include sculpture adhering to the law of frontality, architecture like pyramids used as tombs, and painting following rules of hierarchical proportions and descriptive perspective. Beliefs around preserving elements of the soul through mummification and burial goods are also summarized.
The document discusses Augustus, the first emperor of Rome. It describes how Augustus skillfully transitioned Rome from a republic to an empire while maintaining the illusion of the republican system. Under his rule, Rome experienced Pax Romana, a period of unprecedented peace and prosperity. Augustus commissioned many works that portrayed him as youthful and divine to represent his legitimacy and idealized rule. One such work was the Prima Porta statue that drew on Greek ideals while communicating Augustus' military accomplishments.
Ancient Egyptian art originated around 3000 BC and was highly symbolic. It was expressed through paintings and sculptures that were intended to keep history alive. Common art forms included architecture, papyrus, pottery, sculpture, hieroglyphs, and literature. Paintings depicted figures in profile views of the head and frontal views of the body using limited colors like red, blue, black, gold, and green. Symbolism was prominently featured through religious symbols, animals, and colors representing youth, women, gods, and royalty. Techniques included drawing heads in profile with full eyes and legs turned to match while the head was at a right angle to the body. Wall paintings adorned tombs and temples and depicted religious scenes
The document summarizes key aspects of ancient Greek art from the 9th to 5th centuries BCE. It discusses the Geometric and Orientalizing periods where Greek art was influenced by other cultures. During the Archaic period, Greek sculpture developed the kouros and kore styles. Architecture began using the Doric and Ionic orders. Black and red figure vase painting flourished. The Classical period saw a refinement of the human form in sculpture following Polykleitos' canon, as seen in the Temple of Zeus at Olympia.
The document provides an overview of ancient Greek art from the 9th century BCE to the Hellenistic period. It discusses the major periods and styles of Greek art including Geometric, Orientalizing, Archaic, Classical, and Hellenistic. The forms of art discussed include architecture, sculpture, painting, pottery, and jewelry. Key works and developments are described for each period.
The document summarizes the development of Greek sculpture from the Archaic period through the Hellenistic period. It traces the evolution from stiff, stylized figures in the Archaic period to more natural, proportional, and emotionally expressive sculptures in the Classical and Hellenistic periods. Key developments included a move away from symmetrical poses, more realistic musculature and bone structure, and a focus on depicting realistic emotion and motion in figures.
The document provides an overview of ancient Egyptian art and culture. It describes how ancient Egyptians created paintings and sculptures to decorate tombs and pyramids in order to provide help for the soul in the afterlife. Key art forms discussed include sculptures of pharaohs and gods, gold masks placed on mummies, and wall paintings in tombs that depicted daily life. Architecture such as pyramids and temples are also summarized.
Gothic art originated in France in the mid-12th century and spread across Europe until the 15th century. It was an urban artform that flourished as cities grew more prosperous. Gothic cathedrals with pointed arches, ribbed vaults, and large windows symbolized cities' prestige and status. These architectural innovations allowed for taller, brighter buildings supported by exterior buttresses and counterforts. Gothic sculpture and paintings also became more naturalistic and expressive than the Romanesque style.
Romanesque art from the 11th to 12th centuries was strongly influenced by Roman architectural styles. Buildings like churches and monasteries featured thick stone walls, small windows, and rounded arches. Sculptures and paintings served to educate the illiterate population about Christianity, using symbolic figures and stories from the Bible. Art was found throughout church interiors and exteriors, especially on portals, altars, and column capitals.
Ancient Greek sculpture began around 4000 years ago with simple white marble figures on the Greek islands. Over time, sculpture evolved from stiff, stylized works to highly naturalistic pieces that captured accurate proportions and movement in media like marble and bronze. Early Minoan and Mycenaean works were few, while Archaic sculptures from 700-500 BCE depicted gods and people in stiff poses. The Classical period from 480-336 BCE saw further realism and lifelike details. Finally, Hellenistic sculpture from 336-146 BCE was highly expressive and exaggerated emotions, showing the pinnacle of ancient Greek artistic achievement.
The document discusses Roman portraiture and how it originated and developed something unique from Greek art. It notes that while Roman sculptures copied Greek styles, Roman portraits focused on realistic, individual likenesses rather than idealized figures. Republican portraits depicted older statesmen with wrinkles, baldness and flaws to convey wisdom and experience. This "veristic" style developed from the tradition of death masks. Portraits were used for tombs and memorials, showing the value placed on honoring ancestors. The realistic portrait style spread through Roman society and was combined with Egyptian burial practices in painted "Fayum portraits" placed on mummies.
This document provides an introduction to Greek art, including its main periods, genres, and styles. It covers the major periods of Greek art - Archaic, Classical, and Hellenistic - and highlights some of the most important works within painting, pottery, sculpture, and architecture from each period. Key examples mentioned include the Parthenon, sculptures by Phidias and Praxiteles, and painted pottery by the Niobid Painter.
Ancient greek civilization art and architecture Darvin Abraham
The document discusses ancient Greek architecture, art, and civilization. It describes the three Greek architectural orders of Doric, Ionic, and Corinthian and some of the most important structures built in this classical style on the Athenian Acropolis, including the Parthenon, Erechtheion, and Athena Parthenos statue. It also mentions Greek pottery, sculpture, and the development of art from the Archaic to Classical periods depicting humans in a increasingly realistic and natural style.
The Greek civilization originated in the Balkan Peninsula in the 8th century BC. They lived in independent city-states called polis, with Athens and Sparta being two important ones. Polis were initially governed by aristocracies but some later transitioned to democracies. Due to overpopulation, many Greeks migrated and founded colonies around the Mediterranean, spreading Greek culture. Greek society was divided between citizens, who had rights, and non-citizens like foreigners, slaves, and women who had few to no rights. The Greeks made important contributions to philosophy, science, theatre, and architecture.
This document discusses ancient Greek and Roman art from 800 BC to 400 AD. It covers the development of styles from geometric to ideal forms in vase painting and the invention of the nude. Architecture is also summarized, including the three classical orders and famous structures like the Parthenon. Roman art is described as adapting Greek works and focusing more on functionality, while late Roman art conveyed political messages. Pompeii is mentioned as an archaeological site preserving artworks.
The document provides an overview of ancient Greek culture from 650 BC to 145 BC. It describes the three main periods - Archaic, Classical, and Hellenistic - and highlights developments in art, sculpture, architecture, philosophy, drama, and more that occurred during these times. Key aspects mentioned include the evolution of black and red figure pottery, the rise of philosophers like Plato and Aristotle, and changes in sculpture from the rigid Kouros style to works with more movement and emotion.
This document provides an overview of the art of ancient Mesopotamia and Egypt. It discusses the origins and developments of these early civilizations, including their systems of writing, forms of government, and role of religion. Key artistic periods and works are highlighted for both Mesopotamian cultures like the Sumerians, Akkadians, Babylonians and Assyrians as well as the dynasties of ancient Egypt. Major artistic mediums, styles and architectural achievements are summarized for each era and place.
Ancient Egypt, Ch. 3, Stokstad, Art History, Fall 2013Paige Prater
This document provides a timeline for ancient Egyptian history from 5000-332 BCE. It summarizes the major historical periods including the Predynastic, Early Dynastic, Old Kingdom, Middle Kingdom, New Kingdom, and Late Egyptian periods. Key developments are outlined such as the first dynasties, important rulers like Khufu, Khafre, and Hatshepsut, the rise and fall of Akhenaten's monotheism, and artistic achievements spanning sculpture, architecture, and mummification.
Art Appreciation Principles& Elements: Unity, Variety, Balance, & ProportionPaige Prater
A introductory focus on the principles of art and design, specifically unity, variety, balance, and proportion. Based on the Thames & Hudson "Gateways to Art" (2012) textbook by DeWitte, Larmann, and Shields.
The document provides information about Roman art from 200 BCE to 400 CE. It discusses that Roman art was heavily influenced by Greek art and was used to celebrate and showcase the power of the Roman Empire and its emperors. Specific art forms discussed include sculpture of Roman leaders that were realistic and placed in public spaces, coins with images of emperors, relief sculptures on architecture, and massive public buildings like the Colosseum and Pantheon that demonstrated the empire's might.
The document provides an overview of ancient Roman art from 509 BCE to 330 CE. It discusses the various forms of Roman art including architecture, painting, sculpture, pottery, coins, glasswork and mosaics. Some key points are that sculpture was highly regarded, Roman architecture produced great innovations using concrete, and paintings have survived from sites like Pompeii that depict scenes of daily life. Roman art drew upon Greek influences but had its own distinct styles and was used for propaganda and to display the power of the Roman Empire.
The Romans were inspired by Greek art and architecture as they expanded their Republic and later Empire throughout the Mediterranean. They adopted styles like realistic portraiture and propaganda sculptures of emperors to convey imperial ideals. Major construction projects such as the Colosseum and Pantheon combined Greek orders with innovative Roman techniques and featured painted interior decor.
The document provides an overview of Egyptian art from 2500 BCE to 300 BCE, describing how art was created primarily for pharaohs to prepare them for the afterlife. Key aspects of Egyptian art discussed include sculpture adhering to the law of frontality, architecture like pyramids used as tombs, and painting following rules of hierarchical proportions and descriptive perspective. Beliefs around preserving elements of the soul through mummification and burial goods are also summarized.
The document discusses Augustus, the first emperor of Rome. It describes how Augustus skillfully transitioned Rome from a republic to an empire while maintaining the illusion of the republican system. Under his rule, Rome experienced Pax Romana, a period of unprecedented peace and prosperity. Augustus commissioned many works that portrayed him as youthful and divine to represent his legitimacy and idealized rule. One such work was the Prima Porta statue that drew on Greek ideals while communicating Augustus' military accomplishments.
Ancient Egyptian art originated around 3000 BC and was highly symbolic. It was expressed through paintings and sculptures that were intended to keep history alive. Common art forms included architecture, papyrus, pottery, sculpture, hieroglyphs, and literature. Paintings depicted figures in profile views of the head and frontal views of the body using limited colors like red, blue, black, gold, and green. Symbolism was prominently featured through religious symbols, animals, and colors representing youth, women, gods, and royalty. Techniques included drawing heads in profile with full eyes and legs turned to match while the head was at a right angle to the body. Wall paintings adorned tombs and temples and depicted religious scenes
The document summarizes key aspects of ancient Greek art from the 9th to 5th centuries BCE. It discusses the Geometric and Orientalizing periods where Greek art was influenced by other cultures. During the Archaic period, Greek sculpture developed the kouros and kore styles. Architecture began using the Doric and Ionic orders. Black and red figure vase painting flourished. The Classical period saw a refinement of the human form in sculpture following Polykleitos' canon, as seen in the Temple of Zeus at Olympia.
The document provides an overview of ancient Greek art from the 9th century BCE to the Hellenistic period. It discusses the major periods and styles of Greek art including Geometric, Orientalizing, Archaic, Classical, and Hellenistic. The forms of art discussed include architecture, sculpture, painting, pottery, and jewelry. Key works and developments are described for each period.
The document summarizes the development of Greek sculpture from the Archaic period through the Hellenistic period. It traces the evolution from stiff, stylized figures in the Archaic period to more natural, proportional, and emotionally expressive sculptures in the Classical and Hellenistic periods. Key developments included a move away from symmetrical poses, more realistic musculature and bone structure, and a focus on depicting realistic emotion and motion in figures.
The document provides an overview of ancient Egyptian art and culture. It describes how ancient Egyptians created paintings and sculptures to decorate tombs and pyramids in order to provide help for the soul in the afterlife. Key art forms discussed include sculptures of pharaohs and gods, gold masks placed on mummies, and wall paintings in tombs that depicted daily life. Architecture such as pyramids and temples are also summarized.
Gothic art originated in France in the mid-12th century and spread across Europe until the 15th century. It was an urban artform that flourished as cities grew more prosperous. Gothic cathedrals with pointed arches, ribbed vaults, and large windows symbolized cities' prestige and status. These architectural innovations allowed for taller, brighter buildings supported by exterior buttresses and counterforts. Gothic sculpture and paintings also became more naturalistic and expressive than the Romanesque style.
Romanesque art from the 11th to 12th centuries was strongly influenced by Roman architectural styles. Buildings like churches and monasteries featured thick stone walls, small windows, and rounded arches. Sculptures and paintings served to educate the illiterate population about Christianity, using symbolic figures and stories from the Bible. Art was found throughout church interiors and exteriors, especially on portals, altars, and column capitals.
Ancient Greek sculpture began around 4000 years ago with simple white marble figures on the Greek islands. Over time, sculpture evolved from stiff, stylized works to highly naturalistic pieces that captured accurate proportions and movement in media like marble and bronze. Early Minoan and Mycenaean works were few, while Archaic sculptures from 700-500 BCE depicted gods and people in stiff poses. The Classical period from 480-336 BCE saw further realism and lifelike details. Finally, Hellenistic sculpture from 336-146 BCE was highly expressive and exaggerated emotions, showing the pinnacle of ancient Greek artistic achievement.
The document discusses Roman portraiture and how it originated and developed something unique from Greek art. It notes that while Roman sculptures copied Greek styles, Roman portraits focused on realistic, individual likenesses rather than idealized figures. Republican portraits depicted older statesmen with wrinkles, baldness and flaws to convey wisdom and experience. This "veristic" style developed from the tradition of death masks. Portraits were used for tombs and memorials, showing the value placed on honoring ancestors. The realistic portrait style spread through Roman society and was combined with Egyptian burial practices in painted "Fayum portraits" placed on mummies.
This document provides an introduction to Greek art, including its main periods, genres, and styles. It covers the major periods of Greek art - Archaic, Classical, and Hellenistic - and highlights some of the most important works within painting, pottery, sculpture, and architecture from each period. Key examples mentioned include the Parthenon, sculptures by Phidias and Praxiteles, and painted pottery by the Niobid Painter.
Ancient greek civilization art and architecture Darvin Abraham
The document discusses ancient Greek architecture, art, and civilization. It describes the three Greek architectural orders of Doric, Ionic, and Corinthian and some of the most important structures built in this classical style on the Athenian Acropolis, including the Parthenon, Erechtheion, and Athena Parthenos statue. It also mentions Greek pottery, sculpture, and the development of art from the Archaic to Classical periods depicting humans in a increasingly realistic and natural style.
The Greek civilization originated in the Balkan Peninsula in the 8th century BC. They lived in independent city-states called polis, with Athens and Sparta being two important ones. Polis were initially governed by aristocracies but some later transitioned to democracies. Due to overpopulation, many Greeks migrated and founded colonies around the Mediterranean, spreading Greek culture. Greek society was divided between citizens, who had rights, and non-citizens like foreigners, slaves, and women who had few to no rights. The Greeks made important contributions to philosophy, science, theatre, and architecture.
This document discusses ancient Greek and Roman art from 800 BC to 400 AD. It covers the development of styles from geometric to ideal forms in vase painting and the invention of the nude. Architecture is also summarized, including the three classical orders and famous structures like the Parthenon. Roman art is described as adapting Greek works and focusing more on functionality, while late Roman art conveyed political messages. Pompeii is mentioned as an archaeological site preserving artworks.
The document provides an overview of ancient Greek culture from 650 BC to 145 BC. It describes the three main periods - Archaic, Classical, and Hellenistic - and highlights developments in art, sculpture, architecture, philosophy, drama, and more that occurred during these times. Key aspects mentioned include the evolution of black and red figure pottery, the rise of philosophers like Plato and Aristotle, and changes in sculpture from the rigid Kouros style to works with more movement and emotion.
This document provides an overview of the art of ancient Mesopotamia and Egypt. It discusses the origins and developments of these early civilizations, including their systems of writing, forms of government, and role of religion. Key artistic periods and works are highlighted for both Mesopotamian cultures like the Sumerians, Akkadians, Babylonians and Assyrians as well as the dynasties of ancient Egypt. Major artistic mediums, styles and architectural achievements are summarized for each era and place.
Ancient Egypt, Ch. 3, Stokstad, Art History, Fall 2013Paige Prater
This document provides a timeline for ancient Egyptian history from 5000-332 BCE. It summarizes the major historical periods including the Predynastic, Early Dynastic, Old Kingdom, Middle Kingdom, New Kingdom, and Late Egyptian periods. Key developments are outlined such as the first dynasties, important rulers like Khufu, Khafre, and Hatshepsut, the rise and fall of Akhenaten's monotheism, and artistic achievements spanning sculpture, architecture, and mummification.
Art Appreciation Principles& Elements: Unity, Variety, Balance, & ProportionPaige Prater
A introductory focus on the principles of art and design, specifically unity, variety, balance, and proportion. Based on the Thames & Hudson "Gateways to Art" (2012) textbook by DeWitte, Larmann, and Shields.
Ancient Egypt - Art History Survey, Stokstad, ed 3Paige Prater
This document provides a timeline for ancient Egyptian history from the Predynastic period through the Late Egyptian period, along with brief descriptions of some key events, rulers, sites, and artifacts from each period. It highlights the unification of Egypt in the Early Dynastic period, the construction of pyramids and other monumental architecture in the Old Kingdom, the flourishing of arts in the Middle Kingdom, expansion of the empire and building of great temples in the New Kingdom, and mummification practices in the Late Egyptian period.
Aegaean art arthistorysurveyi_stokstadPaige Prater
This document provides an overview of the Art History Survey I course, which will cover prehistoric Aegean art from the Cycladic, Minoan, and Mycenaean cultures. It includes timelines noting key dates and periods, as well as descriptions of characteristic art forms such as Cycladic marble figurines and Minoan frescoes and metalwork. Sites that will be examined include settlements on Crete like Knossos, Akrotiri on Thera, and Mycenaean centers on the Greek mainland.
This document provides an overview of an Art Appreciation course taught by Professor Paige Prater from 9:30-10:50 AM on Tuesdays and Thursdays. It introduces the course's discussion topic of what art is through quotes defining art and assigned readings on the subject, including a BBC news clip and TED Talk discussing whether cars can be considered art. The document also lists additional topics to be covered such as where art is found and who creates art.
Art History Survey: 17th Century Art in EuropePaige Prater
This document provides an overview of European art and history from the Baroque period. It discusses key artistic styles, artists, and works from the 17th century in countries like France, Italy, the Netherlands, and Spain. Major topics covered include the Counter Reformation, the development of Baroque art as Catholic propaganda, and influential artists like Caravaggio, Bernini, Rubens, Rembrandt, and Poussin. The document also briefly outlines scientific developments and provides biographical details of French kings like Louis XIV during this time period.
This document provides information on medieval Europe between 1056-1125 CE, including the rise of feudalism, the Norman invasion of England in 1066, the Investiture Controversy between the Holy Roman Empire and the Papacy over who had the right to appoint bishops, the founding of the Cistercian order in 1098, and the First Crusade from 1095-1099. It also discusses important figures like Hildegard of Bingen, Eleanor of Aquitaine, Hugh de Semur the Abbot of Cluny, and Pope Urban II, as well as the development of architecture including Durham Cathedral, Pisa Cathedral, and the Church of San Climent.
Greek Art, Part 1, Art History Survey, Stokstad, 3rd edPaige Prater
The document outlines the major time periods of ancient Greek civilization from approximately 900 BCE to 30 BCE. It discusses the Geometric period, Orientalizing period, Archaic period, Classical period divided into Early, High, and Late, and the Hellenistic period. For each period, it provides some key developments and examples of artworks that characterize the period, such as the development of pottery styles in the Geometric and Orientalizing periods and the emergence of temple architecture and standing figure sculptures in the Archaic period.
A brief introduction to a few of the famous sites in the Americas where ancient peoples established civilization, including Teotihuacan, Tikal, Nazca planes, and the Serpent Mound in Adams County, Ohio.
Ancient neareast arthistsurveyi_day3_stokstad_ch2Paige Prater
This document provides an overview of ancient Near Eastern cultures from 5000 BCE to 300 BCE, including the Sumerians, Babylonians, Assyrians, Neo-Babylonians, and Persians. It summarizes the important cities and time periods of each culture. It also briefly describes some notable historical details, such as the development of writing in Sumer and Hammurabi's legal code in Babylon. Finally, it highlights several important works of art from each time period, including the Warka Head from Sumer and the Apadana of Darius and Xerxes from Persia.
Art Appreciation: Art of Africa and the Pacific IslandsPaige Prater
This document outlines the syllabus for an Art Appreciation course taught by Professor Paige Prater on Tuesdays and Thursdays from 9:30-10:50AM. The course will cover art from various regions and cultures across Africa, Oceania, and the Americas, examining works from different time periods and mediums. Some highlights that will be discussed include Terracotta sculpture from Nigeria, brass plaques and heads from Benin, masks from Mali, and textiles from Ghana. Students will analyze selected artworks based on principles of design, compare examples, and contextualize works within their cultures.
Art History Survey - 15th Century in ItalyPaige Prater
This document provides an overview of 15th century Italian art and artists. It discusses key developments in Florence, including the patronage of wealthy families like the Medici, advances in architecture by Brunelleschi, and influential sculptors and painters such as Donatello, Masaccio, Fra Angelico, Uccello, and Botticelli. It also covers artistic centers that developed in other northern Italian cities like Urbino under Federico da Montefeltro, where Piero della Francesca worked, and Mantua under the Gonzaga family, where Mantegna frescoed the Camera Picta. The document concludes with mentions of Ghirlandaio's frescoes for the Sassetti Chapel and
This document provides an overview of the history and major artistic developments in India and Southeast Asia after 1200 CE. It outlines the major political periods and dynasties, including the rise of Mughal rule in northern India from the 16th-18th centuries. The document also summarizes the key religious traditions of Buddhism, Hinduism, and Jainism and how they were depicted artistically. Examples of major architectural sites are given, such as temples in Madurai and the Taj Mahal, as well as artistic styles that blended Islamic influence with local forms under the Mughals.
Greek Art History, Part 2, Stokstad, 3rd edPaige Prater
This document provides an overview of ancient Greek and Roman art and architecture from approximately 900 BCE to 1 CE. It outlines the major time periods of ancient Greece, including the Geometric, Orientalizing, Archaic, Classical, and Hellenistic periods. Key details are provided on classical Greek architecture, sculpture, and artists like Praxiteles and Lysippos. The document also discusses the transition to the Hellenistic period after the death of Alexander the Great and highlights important sites and artworks from that era. Finally, it briefly outlines Etruscan art and architecture from the 6th to 3rd centuries BCE.
Covers highlights in Ancient African art history based on the Stokstad textbook (3rd ed) including Benin, Great Zimbabwe, Igbo Ukwu, and more, along with a brief video on Edward Said's "Orientalism" theory.
The document summarizes Roman architecture from the Republican period through the Late Empire. During the Early and High Empire periods (27 BCE - 192 CE), Roman architecture advanced with developments like concrete construction, which allowed grand vaulted spaces and domes. Iconic buildings from this era included the Pantheon with its record-breaking concrete dome, as well as amphitheaters like the Colosseum in Rome. Aqueduct engineering also flourished as the Romans built bridges and channels to carry water over long distances. Monumental arches like the Arch of Titus commemorated imperial accomplishments.
The document provides a timeline and overview of Roman history from its founding in 753 BC through the fall of the Western Roman Empire in 476 AD. It outlines the major periods of Roman rule like the Monarchy, Republic and Empire. Key events include the Punic Wars, Julius Caesar's conquest of Gaul, and Constantine establishing Christianity as the official religion. Roman society, economy, architecture, art, and engineering achievements are also summarized. The document uses images to illustrate Roman sculptures, buildings, mosaics and other cultural aspects.
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Roman Empire at Greatest Extent
The Roman EraApril 21, 753 BCE – the legendary founding of Rome by Romulus & Remus753- 509 BCE – Roman monarchy 509 – 27 BCE – Roman Republican Period264 – 241 BCE First Punic War – Rome vs Carthage – Rome gains Sicily, Sardinia and Corsica218 – 201 BCE – Second Punic War – Hannibal invades Italy with elephants traveling through the Alps – Rome vs Carthage – Rome wins – gains southern Spain, coastal France and part of North Africa149 -146 BCE – Third Punic War – Rome vs Carthage – Rome wins – gains modern day Tunisia and names it Africa as Roman province- Carthage is destroyed
The Roman Era
88 – 79 BCE – First Roman Civil War – Marius vs Sulla – Sulla wins – implements first dictatorship without time limit73-71 BCE – Spartacus leads slave revolt – eventually crushed by Crassus60 BCE – formation of the First Triumvirate – Julius Caesar, Pompey & Crassus rule Rome illegally58 – 50 BCE – Gaul conquered by G. Julius Caesar49-46 BCE Second Roman Civil War – Caesar vs Pompey – Caesar wins – becomes dictator for life – beginning of end for Rome as a RepublicMarch 15, 44 BCE – Julius Caesar is assassinated by Senators led by Brutus and Cassius
The Roman Era43 BCE – Second Triumvirate formed by Octavian Caesar, Mark Antony and Lepidus in order to catch Caesar’s murderers31 BCE – Third Roman Civil War – Octavian vs Mark Antony & Cleopatra – Octavian wins becomes sole ruler of Roman world – Egypt becomes Roman province27 BCE – Octavian changes his name to Augustus (revered one) – Official End of Roman Republic: Rome becomes an Empire – Augustus its first Emperor27 BCE – 476 CE – Roman Imperial Period (Roman Empire)27 BCE – 68 CE – Julio-Claudian Dynasty rules in Rome (Augustus, Tiberias, Caligula, Claudius & Nero)64 CE – Great Fire in Rome – Nero blames and then persecutes Christians – Saints Peter and Paul are martyred69 – 96 CE – Flavian Dynasty rules Rome (Vespasian, Titus and Domitian)
The Roman Era
August 24, 79 CE – Mount Vesuvius erupts destroying Pompeii, Stabiae and Herculaneum96 – 180 CE – Reign of the 5 Good Emperors (Nerva, Trajan, Hadrian, Antoninus Pius & Marcus Aurelius)98 – 117 – Reign of Trajan – Roman Empire reaches its largest extent180 CE – reign of Commodus ends the Pax Romana (200 years of peace in Rome)192 – 395 Late Imperial Period – decay in art and leadership with few exceptions193 – 235 – Severan Dynasty rules Rome (Septimus Severus, Caracalla, Macrinus, Elagabalus and Alexander Severus)235-284 – Rule of the Barracks Emperors (Emperors came from army) – chaotic period of rulers284 – 305 – Reign of Diocletian – forms tetrarchy (rule of 4) to stop chaos of succession- starts Great Persecution of Christians – destroys churches and kills many people
.
The document summarizes the transition of Rome from a republic to an empire between 48 BC to AD 180. It discusses the Second Triumvirate period and the rise of Augustus as Rome's first emperor. Augustus established the Principate autocratic form of imperial rule and ushered in two centuries of Pax Romana. The Roman Empire expanded during this period and developed infrastructure like roads, aqueducts, and baths. Christianity also emerged and spread through the Empire during this era.
The Roman Empire spanned from 509 BCE to 337 CE across the Italian peninsula and parts of Western Europe and the Near East. The Roman Republic used elected consuls to rule until 27 BCE when Augustus became the first emperor, beginning the Roman Empire. Roman art was influenced by Greek styles and focused on portraiture, architecture like the Colosseum and Pantheon, and narratives of military victories. The empire reached its height under emperors like Trajan and Hadrian before declining in the 3rd-4th centuries CE.
This document provides an overview of the transition from the Roman Republic to the Roman Empire from 48 BC to AD 180. It summarizes key events such as Julius Caesar's dictatorship and assassination, the rise of Augustus and the establishment of the Principate system of imperial rule, and the expansion of the empire under emperors like Trajan. It also discusses the development of Christianity and its spread throughout the Roman world during this period.
The Roman Republic spanned from approximately 800 BC to 100 AD. It began as a monarchy located along the Tiber River in central Italy. Rome was influenced by its Etruscan neighbors and established a republican form of government in 509 BC. The republic expanded greatly through military conquests across the Italian peninsula and Mediterranean world. This led to conflicts between the patrician and plebeian classes that were mostly resolved by 287 BC. The Punic Wars in the 3rd-2nd centuries BC established Rome as the dominant power in the Mediterranean. Internal political strife and corruption led to a period of civil war in the 1st century BC and the rise of Julius Caesar as dictator. After Caesar's assassination,
The founding of Rome began as a legend with the twin brothers Romulus and Remus establishing the city in 753 BC. More likely, Rome was settled between 1000-500 BC by three groups - Etruscans, Latins, and Greeks. Rome adopted many aspects of Greek religion and matched their gods to Greek counterparts. The Roman Republic was established in 509 BC and was ruled by two consuls and a patriarchal class system. Rome's power grew through the Punic Wars against Carthage and internal unrest. The First Triumvirate of Caesar, Pompey, and Crassus controlled Rome but their rivalry led to civil war and the rise of Octavian who became Augustus and established the Roman Empire
The document provides an overview of ancient Roman art and architecture from the Roman Republic period beginning in 509 BCE through the early 4th century CE. It describes the transition from the Roman Republic to the Roman Empire and autocratic rule. Key examples of art and architecture discussed include portraits, frescoes from Pompeii, and monumental structures like the Colosseum, Pantheon, and Arch of Constantine that demonstrated Rome's engineering abilities and served as symbols of imperial power.
The document outlines the official chronology of ancient Rome from its founding in 753 BCE through the fall of Rome in 476 CE. It then provides details on Roman architecture, innovations like concrete and barrel vaults, as well as domestic and public buildings. Roman painting styles are described, including the four Pompeian styles. Sculpture is also summarized, from realistic portraits of the Republic to imperial propaganda. Overall, the Romans were great builders who developed new architectural forms and had a large impact on Western art through their innovative use of materials and artistic traditions.
The document provides an overview of basic art history from prehistoric to Roman art. It describes prehistoric cave paintings and Venus figurines from the Upper Paleolithic period. During the Neolithic period, art became more symbolic with pottery, jewelry and megaliths. Mesopotamian art reflected military rule with structures like ziggurats and protective deities. Egyptian art had religious purposes and followed strict conventions for thousands of years as seen in structures like the Great Pyramids of Giza. Ancient Greek art progressed from the Archaic to Classical periods, establishing ideals of naturalism seen in works like the Parthenon and Doryphorus. Hellenistic art became more dramatic. Roman art
This document provides an overview of Roman art and architecture from the founding of Rome to the Early Empire period. It discusses Roman foundation myths, the origins of Rome along the Tiber River in the 8th century BCE, and the establishment of the Roman Republic in 509 BCE. Key developments included the republican period, the expansion of Roman territory through military conquests, and the transition to a Roman Empire under Augustus in 27 BCE. The document also outlines Roman artistic patronage, innovations in architecture like concrete, vaults and domes, and examples of portrait sculpture and wall paintings found in Pompeii.
The document provides background information on ancient Rome, beginning with the Etruscan kingdom from 750-510 BCE that influenced early Rome. It then discusses the Roman Republic from 509-27 BCE and key rulers like Julius Caesar. Images and descriptions of art and architecture from the republic period are presented, including the Apollo of Veii statue, sarcophagi, temples, and coins. The document then covers the Early Roman Empire beginning with Augustus, the first emperor, and art like the Primaporta statue that established imperial propaganda. Engineering achievements like the Pont du Gard aqueduct and structures like the Ara Pacis altar and Flavian Amphitheater are also summarized.
The document provides background information on the rise of ancient Rome. It describes geographic factors that contributed to Rome's growth as a trade center located in the central Mediterranean. It then discusses Rome's origins as a city founded by Romulus in 753 BCE and ruled by Etruscan kings. The Etruscans conquered Rome around 600 BCE and had significant influence on early Roman culture, contributing artistic styles, religious practices, and technologies like the alphabet, arch, and drainage systems. Their rule ended with a rebellion in 509 BCE, paving the way for Rome to become a republic.
The document discusses the rise and fall of Ancient Rome over several centuries. It begins with Rome celebrating conquering the last Greek city-state in 146 BC. Over time, Greek culture came to heavily influence and form the base of Roman culture and society. The document then outlines the growth of Rome from a small city into a vast empire through military conquests and the lasting legacies Rome left across Europe, Africa, and the Middle East. It concludes by discussing the decline of Rome through political instability and economic problems following the rule of various emperors in the late Roman period.
Beginning in the 8th century BC, Ancient Rome grew from a small town on the Tiber River to a vast empire spanning most of Europe and the Mediterranean world. At its height, the Roman Empire encompassed most of continental Europe, Britain, western Asia, northern Africa and the Mediterranean islands. Some legacies of Roman dominance include the use of Romance languages derived from Latin, the modern Western alphabet and calendar, and the emergence of Christianity as a major religion. After 450 years as a republic, Rome became an empire under Julius Caesar in the 1st century BC. The long reign of Augustus began a golden age, though Rome's decline and fall by the 5th century AD was one of history's most dramatic events.
The document provides an overview of the Roman Empire from 48 BC to AD 180. It summarizes key events such as Julius Caesar's dictatorship and assassination, the rise of the Second Triumvirate led by Octavian, Antony, and Lepidus, and Octavian becoming the first Roman emperor Augustus. It also discusses aspects of Roman culture and infrastructure during this period, such as the establishment of the Principate system of imperial rule, the Pax Romana, expansion of Roman roads and cities, and development of public baths and amphitheaters.
The document provides an overview of the Roman Republic from approximately 800 BC to 100 AD. It summarizes the key events and developments during this period, including the founding of Rome, the establishment of the Roman Republic in 509 BC, the expansion of Roman territory through military conquests and citizenship grants, the Punic Wars against Carthage, the rise of prominent political figures like the Gracchi brothers and Marius, the civil wars between Marius, Sulla, and Pompey, and the dictatorship of Julius Caesar. The document uses maps, timelines, and images to illustrate the people and places involved in the rise and functioning of the Roman Republic.
1311 Rome, Byzantine Empire, Early ChristianityDrew Burks
The document outlines the plan to discuss the contributions of the Romans, the development of Eastern and Western empires, the spread of Christianity, and briefly look at Charlemagne and the Franks. It then provides details on the Pax Romana period of stability in Rome, developments like trade, architecture, spectacle, and the early spread of Christianity throughout the Roman empire before its eventual split into Eastern and Western halves.
Similar to Roman Art History, Part 1 - Stokstad, 3rd ed (20)
A brief introduction to the various types of artistic mediums that are usually put into the "Crafts" category, including ceramics, metalwork, glass, and wood. Based on the "Gateways to Art" textbook (Thames & Hudson: 2012).
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Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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3. Time Periods
• 509-27BCE The Republic
• 27BCE-96CE The Early Empire
• 96-192CE High Imperial Art of Trajan & Hadrian
• 192-395CE The Late Empire, Third & Fourth Centuries
4. Roman Origins
• Romulus & Remus, twin sons of Mars, god of War
• Aeneas, mortal son of Venus and survivor of the Trojan
War
• A people migrated to Neolithic Latium, south of
Tiber, settling on the Palatine, one of the 7 hills that
eventually became city of Rome
• 6th century BCE –round huts>major transportation/trade
center.
• Latin-speaking
5. Roman Religion
• Greek gods/myths: Roman names
• Added deified emperors, later
• Official state religion mixed with political duty (oath of
allegiance to living rulers)
• Other religious influences: Isis/Osiris from Egypt, Cybele from
Anatolia, Mithras from Persia, God of Judaism/Christianity
from Palestine
6. Roman Writings on Art
• Vitruvius Ten Books on Architecture (1st
Century CE)
• Pliny the Elder (c. 23-79CE) Naturalis
Historia
• Pliny the Younger, nephew of Pliny the
Elder (c. 61-113CE) LOTS of LETTERS
(describing villas and gardens)
• Flavius Josephus (c. 37-100CE) Jewish
Wars (loot taken from the Temple of
Solomon)
• Ovid (c. 43BCE-17CE) Metamorphoses
(themes for art)
• Plutarch (c. 46-after 119CE) commentary on
art/artists
7. The Republic 509-27 BCE
• Early Roman Government: kings + Senate (citizen leaders)
• 2 Classes, Poor and Rich: Plebians + Patricians
• 509BCE- Etruscan king overthrown, OLIGARCHY
established – GOVERNMENT by the artistocrats…lasted 450
years!
• 275 BCE – entire Italian peninsula=Roman
• 146BCE– Carthage and western Mediterranean = Roman
• 150BCE - Macedonia and Greece = Roman
• 44BCE – Gaul (France) and eastern Mediterranean =Roman
• 31BCE – Egypt = Roman (Battle of Actium, Octavian defeats
Marc Anthony and Cleopatra)
9. Pompey the Great, 50 BCE
• Verism
• Marble, 9 ¼”
• General
• One of a 3-man team
(including Caesar and
Crassus) who ruled from
60-53BCE
10. Denarius with Portrait of
Julius Caesar, 44BCE
• Relief portrait on
denarius coin
• Julius Caesar, living
ruler
• Venus on the reverse
11. Pont du
Gard, Nîmes, France, late 1st
century BCE
• Round
arch, vault, and
CONCRETE
• Aqueduct (water
for city)
• http://www.youtube.com/watch?v=
zQqtiwIq9gw
12. Sanctuary of Fortuna
Primigenia (model) 2nd century BCE
• Discovered after
WWII in bomb
rubble, 16 mi
southeast of Rome
• Concrete with stucco
and cut limestone
veneer
• 7 vaulted
platforms/terraces
• exedrae: semicircular
niches
• Colonnades
• tholos
15. Augustus of
Primaporta early 1st
century CE
• Julius Caesar = great-uncle
• 19 years old; peace in 17 years
• 27BCE – “Augustus” (exalted,
sacred by Senate
• “Pontifex Maximus” 12CE
• Nearly 60 year rule!
• Etruscan, Greek; Roman
idealism; propaganda
16. Ara Pacis Augustae, 13-9BCE
• Altar of Augustan
Peace
• Commemorative
• Triumphal return
after est. Roman
rule in Gaul &
Hispania
17. Ara Pacis Augustae
Imperial Procession 5’2”, south side
• New museum opened in 2006
• American architect, Richard
Meier designed it in 1996
19. Pompeii – Mt Vesuvius 79CE
• Nature
• Landscapes painted on interiors
• Grid plan, but divided in quarters; forum
and other public buildings were located
at this intersection (Pompeii grew over
time, not as grid-like.)
• Insulae
• 10-20,000 inhabitants in Pompeii
• http://www.youtube.com/watch?v=dn14wkg0mhM
• Houses behind/above shops
Young Woman Writing,
Detail of a wall-
painting, Pompei, 37c
m.