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The Renaissance




    (c. 1450-1600)
Renaissance= “rebirth”

centered in Italy
increased interest in
science, arts, and literature
questioning of blind faith
focus on humanity and life
interest in cultures of learned civilizations
Humanism

People have the capacity                   to
shape their own world
Independence from tradition and religion
Drew inspiration from Ancient Rome &
Greece
Spread through the arts
Significant Events & People



  Artists that portray “realism” and significant advancements in art:
  Leonardo da Vinci, Michelangelo, Raffaelo, Donatello, Botticelli
  Galileo, the remarkable yet controversial scientist who discovered that
  planets revolved around the sun.
  Invention of printing press (c. 1433) by Johannes Gutenberg
  Great literary figures: Cervantes (Spain), Shakespeare (England)
  Great explorers Christopher Columbus and Amerigo Vespucci
Important Composers
Guillaume Dufay, John Farmer, William Byrd, Claudio Monteverdi
Josquin des Prez (c. 1450-1521) most influential composer of early Renaissance
             Career centered in Papal chapel (Italy) and in native France
             Master of the motet (80+) and over 20 polyphonic masses plus secular genres such
             as chansons
             uses imitative counterpoint (usually up to 4 voices imitating melodies)
             use of homorhythm and high concentration of harmonic structure
             often combines polyphony and homophony in same piece for musical variety.

Giovanni Piergluigi da Palestrina (c. 1525-1594)
      Served at St. Peter’s (Rome), and several churches in Vatican City
      Master of late Renaissance music (100+ masses, madrigals, motets)
      Master of counterpoint
Important Musical events:

1. Composers start writing in score form
2. Increase in published music and literacy.

3. Increase in number of musicians among upper and middle class.

4. Use of meter and notation system advance

5. Two dominant textures; imitative counterpoint (polyphony) and

   homophony
6. Music gained importance in the aristoctratic courts, city/state, as

   well as in church.
Dominant Sacred Genres

  A Cappella is still the performance method
  Mass -
       polyphonic settings
       Attention towards text declamation (rhythm of text in melody matches natural speech
       patterns)
       New attention to word painting (music matches meaning of words)
       MOTETS (once considered sacred/secular) are focused in the Mass and other
       religious services.
              usually 3-4 voices, sung in Latin
              usually based on Gregorian chant (cantus firmus=fixed melody)
       composers focus on the Ordinary Mass
       Ordinary (fixed text)-Kyrie, Gloria, Credo, Sanctus, Agnus Dei
       Proper (varied text)- Introit, Gradual, Alleluia(or Tract), Offertory, Communion
Protestant Reformation
       Oct. 31, 1517 - Martin Luther, an obscure,
       Augustian Catholic monk nailed 95 thesis
       (complaints about Roman Catholic Church)
       to the door of his castle church and was soon
       excommunicated
           increased wealth and worldliness,
           selling of indulgences (exchanging grace
           for money)
           abuse of power
c. 1526 - Martin Luther wrote a new church liturgy (in German and Latin) based
on Catholicism

launched the Protestant movement - felt mostly in Germany, Switzerland,
England, France, Austria, Poland, Hungary, and the low countries.

opened doors for new compositions and shook the foundation of the Roman
Catholic Church

     Martin Luther was also a musician who wrote new music for this new religion
Counter Reformation

 1545 - Pope Marcellus led the Catholic
 response to Protestant reform movement

 Council of Trent- a group of cardinals and
 bishops had several sessions to organize
 the “new” rules of the Catholic church
    1 session was dedicated to church music
Council of Trent’s
                            musical focus
Problems
1. too much polyphony obscured the texts.
  2. church composers weren’t paying enough attention to text declamation
 3. secular influences were “invading” church music
 4. concern with behavior of choir and in proper text pronunciation



Solutions
1. Composers should focus more on text declamation & choir’s clear pronunciation
    2. Ban on secular music/styles in church
          3. Return to use of chant
Pope Marcellus Mass
  Giovanni Piergluigi da Palestrina


               Palestrina’s masterpiece was a commissioned
              response to the Council of Trent that used the
              new rules without sacrificing the use of counter
              point.
              for full choir: SATTBB
                   6 part polyphony mixed with moments of
                   monophonic chant and homophony
                   upper parts sung by boy sopranos or adult
                   males with high voices
              frequent changes in texture and register
              strict attention to text declamation
Dominant Secular Genres

                                    vocal
Chansons - Started in late Middle Ages (ex: Guillaume de Machaut)
         favored in French courts
         increased to 3 and 4 part love songs
         with instrumental accompaniment
         freer poetic structures often resulted in abandoning music form- no set
         repetition
         through-composed: no repeated sections, all new music and text
         throughout piece
Madrigals- new type of song becomes most popular genre in vocal music
    originated in Italy
    for 4-6 “a cappella” voices
    through-composed
    meter may change
    heavy use of word-painting
    short poems (often times=one stanza)
    cadences (ends of melodic phrases) match end of sentences
    Topics: love, unsatisfied desire, use of humor and satire
    ENGLAND adapted the madrigal into their native tongue and reflected the
    culture of the Elizabethan age (time during the reign of Elizabeth I from 1558-
    1603)
Instrumental secular music
  Dances remain most popular form
      pavane, rondo, galliard, saltarello (Italian), jig (Irish)
  Duple meter gains popularity
  Instrumentalists start using embellishments on repeated
  sections of music to provide variety and satisfy personal
  expression
  New forms emerge
  binary and ternary forms
  regular 4 and 8 bar measures become the standard
  Instruments still categorized as soft (bas) or loud (haut)
Instruments
  New instruments were developed
      cornetto - hybrid brass/woodwind
      instrument
      sackbut - Renaissance trombone
      harpsichord - dominant keyboard
      instrument, plucks strings
      lute - dominant string instrument
      tabor- drum
Many historians
agree that the
death of Queen
Elizabeth I in 1603
marked the end of
both the
Elizabethan era
and the
Renaissance.

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Renaissance power point

  • 1. The Renaissance (c. 1450-1600)
  • 2. Renaissance= “rebirth” centered in Italy increased interest in science, arts, and literature questioning of blind faith focus on humanity and life interest in cultures of learned civilizations
  • 3. Humanism People have the capacity to shape their own world Independence from tradition and religion Drew inspiration from Ancient Rome & Greece Spread through the arts
  • 4. Significant Events & People Artists that portray “realism” and significant advancements in art: Leonardo da Vinci, Michelangelo, Raffaelo, Donatello, Botticelli Galileo, the remarkable yet controversial scientist who discovered that planets revolved around the sun. Invention of printing press (c. 1433) by Johannes Gutenberg Great literary figures: Cervantes (Spain), Shakespeare (England) Great explorers Christopher Columbus and Amerigo Vespucci
  • 5. Important Composers Guillaume Dufay, John Farmer, William Byrd, Claudio Monteverdi Josquin des Prez (c. 1450-1521) most influential composer of early Renaissance Career centered in Papal chapel (Italy) and in native France Master of the motet (80+) and over 20 polyphonic masses plus secular genres such as chansons uses imitative counterpoint (usually up to 4 voices imitating melodies) use of homorhythm and high concentration of harmonic structure often combines polyphony and homophony in same piece for musical variety. Giovanni Piergluigi da Palestrina (c. 1525-1594) Served at St. Peter’s (Rome), and several churches in Vatican City Master of late Renaissance music (100+ masses, madrigals, motets) Master of counterpoint
  • 6. Important Musical events: 1. Composers start writing in score form 2. Increase in published music and literacy. 3. Increase in number of musicians among upper and middle class. 4. Use of meter and notation system advance 5. Two dominant textures; imitative counterpoint (polyphony) and homophony 6. Music gained importance in the aristoctratic courts, city/state, as well as in church.
  • 7. Dominant Sacred Genres A Cappella is still the performance method Mass - polyphonic settings Attention towards text declamation (rhythm of text in melody matches natural speech patterns) New attention to word painting (music matches meaning of words) MOTETS (once considered sacred/secular) are focused in the Mass and other religious services. usually 3-4 voices, sung in Latin usually based on Gregorian chant (cantus firmus=fixed melody) composers focus on the Ordinary Mass Ordinary (fixed text)-Kyrie, Gloria, Credo, Sanctus, Agnus Dei Proper (varied text)- Introit, Gradual, Alleluia(or Tract), Offertory, Communion
  • 8. Protestant Reformation Oct. 31, 1517 - Martin Luther, an obscure, Augustian Catholic monk nailed 95 thesis (complaints about Roman Catholic Church) to the door of his castle church and was soon excommunicated increased wealth and worldliness, selling of indulgences (exchanging grace for money) abuse of power
  • 9. c. 1526 - Martin Luther wrote a new church liturgy (in German and Latin) based on Catholicism launched the Protestant movement - felt mostly in Germany, Switzerland, England, France, Austria, Poland, Hungary, and the low countries. opened doors for new compositions and shook the foundation of the Roman Catholic Church Martin Luther was also a musician who wrote new music for this new religion
  • 10. Counter Reformation 1545 - Pope Marcellus led the Catholic response to Protestant reform movement Council of Trent- a group of cardinals and bishops had several sessions to organize the “new” rules of the Catholic church 1 session was dedicated to church music
  • 11. Council of Trent’s musical focus Problems 1. too much polyphony obscured the texts. 2. church composers weren’t paying enough attention to text declamation 3. secular influences were “invading” church music 4. concern with behavior of choir and in proper text pronunciation Solutions 1. Composers should focus more on text declamation & choir’s clear pronunciation 2. Ban on secular music/styles in church 3. Return to use of chant
  • 12. Pope Marcellus Mass Giovanni Piergluigi da Palestrina Palestrina’s masterpiece was a commissioned response to the Council of Trent that used the new rules without sacrificing the use of counter point. for full choir: SATTBB 6 part polyphony mixed with moments of monophonic chant and homophony upper parts sung by boy sopranos or adult males with high voices frequent changes in texture and register strict attention to text declamation
  • 13. Dominant Secular Genres vocal Chansons - Started in late Middle Ages (ex: Guillaume de Machaut) favored in French courts increased to 3 and 4 part love songs with instrumental accompaniment freer poetic structures often resulted in abandoning music form- no set repetition through-composed: no repeated sections, all new music and text throughout piece
  • 14. Madrigals- new type of song becomes most popular genre in vocal music originated in Italy for 4-6 “a cappella” voices through-composed meter may change heavy use of word-painting short poems (often times=one stanza) cadences (ends of melodic phrases) match end of sentences Topics: love, unsatisfied desire, use of humor and satire ENGLAND adapted the madrigal into their native tongue and reflected the culture of the Elizabethan age (time during the reign of Elizabeth I from 1558- 1603)
  • 15. Instrumental secular music Dances remain most popular form pavane, rondo, galliard, saltarello (Italian), jig (Irish) Duple meter gains popularity Instrumentalists start using embellishments on repeated sections of music to provide variety and satisfy personal expression New forms emerge binary and ternary forms regular 4 and 8 bar measures become the standard Instruments still categorized as soft (bas) or loud (haut)
  • 16. Instruments New instruments were developed cornetto - hybrid brass/woodwind instrument sackbut - Renaissance trombone harpsichord - dominant keyboard instrument, plucks strings lute - dominant string instrument tabor- drum
  • 17. Many historians agree that the death of Queen Elizabeth I in 1603 marked the end of both the Elizabethan era and the Renaissance.