Poster analysis
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This film poster for About Time uses typical conventions for a romantic comedy genre. It features a medium shot of the two main characters, a man and woman, looking extremely happy. The natural colors of the poster convey a happy tone that fits the plot of the romantic film. The title is placed in the left corner so as not to cover the image while remaining a focus, and the credits and information are listed at the bottom. Billing at the top highlights the author and screenwriters, and the woman's red dress follows conventions by symbolizing love and lust for the target demographic of young women.
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The notebook
The document summarizes the design elements and purpose of a movie poster. It discusses how the title is placed according to the rule of thirds and spans two lines for readability. The selling line conveys the romantic relationship between the two main characters to appeal to the target audience. Instead of a specific release date, the poster simply states "this summer" in blue to stand out from the black text and indicate how soon the film will be released. The actors' names are included within the main image to draw more attention and recognition from the public. The main image features a medium close-up of the two characters almost kissing to depict their emotion and relationship, with the woman slightly higher than the man to portray her as more powerful
Evaluation Question 1 (Ancillary Tasks)
The document discusses the design elements of promotional materials created for a film project. It summarizes how the magazine cover and poster were designed to echo similar elements and clearly represent the roles of characters. While some conventions were followed, unconventional design choices were made as well. For the magazine cover, the antagonist was featured more prominently than protagonists. The poster layout positioned characters in a triangle formation but featured a dominant antagonist staring at the camera. Small images of drugs were also included to further indicate the theme of illegality. Overall, the materials were meant to be attention-grabbing while challenging some crime genre conventions.
Media poster analysis coursework
This poster is advertising an upcoming film targeted at teenagers ages 14+. The main character is depicted in the center of the poster looking up with a troubled expression, reflecting the tagline about finding peace in her "mental life." Bright colors and sketches create a youthful, dramatic feel. Key details like the title in pink and the words "but her life is" in red provide clues about the romantic, narrative focus on the main character's troubled mind. Conventions like the billing block at the bottom and sizing of the title are designed to attract a young audience while following typical poster formatting.
Bullet boy film poster analysis
1) The poster features a lone central character with mysterious lighting and a dark, blurred background to imply their troubled past.
2) An image inside the character's mind represents either their past, thoughts, or what they are seeing, while introducing other characters.
3) The title "Bullet Boy" and slogan "you only get one shot at life" allude to gun violence and how the film deals with the social issue of guns and youth crime.
Bullet boy
The film Bullet Boy was released in April 2005 in independent cinemas. It focuses on realistic characters of young males aged 16-25 living in cities, dealing with themes of friendship and youth crime. The film uses techniques like handheld camera work and natural lighting to give it a gritty, realistic feel and immerse the audience in the characters' world.
Deconstruction of film posters
The poster for Alice in Wonderland uses exaggerated colors and white text to create an enchanting magical theme while keeping Alice central to avoid undermining her importance. The Toy Story 3 poster appeals to children with its colorful characters and iconic "3" without clutter while distinguishing itself from conventions. The Sherlock Holmes poster places the central protagonists engaging the audience's gaze above the title with symmetry and a blue/white color scheme, including the Christmas release date in red to match the film's setting.
Scott pilgrim
The three products - film trailer, poster, and magazine cover - for Scott Pilgrim vs. The World have a clear and strong brand identity centered around the main character Michael Cera and the color red. They all suggest the same hybrid genre of comedy, fantasy, and action. While the trailer provides an overview of the narrative and the poster emphasizes the romance and supernatural elements, the magazine cover solely focuses on the action to appeal more to action fans. The target audience is intended to be younger viewers between 15-24 years old, with the action appealing more to males and the romance to females. The magazine cover may differ by focusing only on action to attract its older demographic readership.
Horror poster analysis
The document analyzes conventions commonly found in horror movie posters. It provides examples from the posters of the movies "You're Next" and "Sinister" to illustrate these conventions. Key conventions discussed include using a black, red, and white color scheme; featuring a large image of the main character(s); including the release date, credits, and a tagline. Both posters analyzed employ lighting, fonts, imagery, and other design elements to create a sense of fear, danger, and intrigue for the viewer.
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The document summarizes the design elements and purpose of a movie poster. It discusses how the title is placed according to the rule of thirds and spans two lines for readability. The selling line conveys the romantic relationship between the two main characters to appeal to the target audience. Instead of a specific release date, the poster simply states "this summer" in blue to stand out from the black text and indicate how soon the film will be released. The actors' names are included within the main image to draw more attention and recognition from the public. The main image features a medium close-up of the two characters almost kissing to depict their emotion and relationship, with the woman slightly higher than the man to portray her as more powerful
Evaluation Question 1 (Ancillary Tasks)
The document discusses the design elements of promotional materials created for a film project. It summarizes how the magazine cover and poster were designed to echo similar elements and clearly represent the roles of characters. While some conventions were followed, unconventional design choices were made as well. For the magazine cover, the antagonist was featured more prominently than protagonists. The poster layout positioned characters in a triangle formation but featured a dominant antagonist staring at the camera. Small images of drugs were also included to further indicate the theme of illegality. Overall, the materials were meant to be attention-grabbing while challenging some crime genre conventions.
Media poster analysis coursework
This poster is advertising an upcoming film targeted at teenagers ages 14+. The main character is depicted in the center of the poster looking up with a troubled expression, reflecting the tagline about finding peace in her "mental life." Bright colors and sketches create a youthful, dramatic feel. Key details like the title in pink and the words "but her life is" in red provide clues about the romantic, narrative focus on the main character's troubled mind. Conventions like the billing block at the bottom and sizing of the title are designed to attract a young audience while following typical poster formatting.
Bullet boy film poster analysis
1) The poster features a lone central character with mysterious lighting and a dark, blurred background to imply their troubled past.
2) An image inside the character's mind represents either their past, thoughts, or what they are seeing, while introducing other characters.
3) The title "Bullet Boy" and slogan "you only get one shot at life" allude to gun violence and how the film deals with the social issue of guns and youth crime.
Bullet boy
The film Bullet Boy was released in April 2005 in independent cinemas. It focuses on realistic characters of young males aged 16-25 living in cities, dealing with themes of friendship and youth crime. The film uses techniques like handheld camera work and natural lighting to give it a gritty, realistic feel and immerse the audience in the characters' world.
Deconstruction of film posters
The poster for Alice in Wonderland uses exaggerated colors and white text to create an enchanting magical theme while keeping Alice central to avoid undermining her importance. The Toy Story 3 poster appeals to children with its colorful characters and iconic "3" without clutter while distinguishing itself from conventions. The Sherlock Holmes poster places the central protagonists engaging the audience's gaze above the title with symmetry and a blue/white color scheme, including the Christmas release date in red to match the film's setting.
Scott pilgrim
The three products - film trailer, poster, and magazine cover - for Scott Pilgrim vs. The World have a clear and strong brand identity centered around the main character Michael Cera and the color red. They all suggest the same hybrid genre of comedy, fantasy, and action. While the trailer provides an overview of the narrative and the poster emphasizes the romance and supernatural elements, the magazine cover solely focuses on the action to appeal more to action fans. The target audience is intended to be younger viewers between 15-24 years old, with the action appealing more to males and the romance to females. The magazine cover may differ by focusing only on action to attract its older demographic readership.
Horror poster analysis
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Magazine research sophie dixon
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Evaluation question one charlotte marked 1
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Evaluation question one charlotte marked 1
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The poster analyzes features two thriller movie posters. Both posters convey mystery and conflict through their visual elements. The first poster features two male characters on either side of a female protagonist, suggesting tension. Dark colors and the characters' body language further imply mystery and potential conflict. The second poster stands out through its use of black background, drawing attention to the lead actor. Mysterious eye contact and a "glitch" in the title enhance the thriller genre. The analyzed posters inform the design of the student's own thriller poster, focusing on visual symbols of opposing characters and an atmosphere of secrecy through lighting and colors.
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The fault in our stars Analysis
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Film poster Analysis - Wanted
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The Help vs. Prometheus
The document compares movie posters for The Help and Prometheus and analyzes various elements of each poster, including genre, characters, tone, taglines, titles, and composition. For The Help, the poster establishes the comedy-drama genre and segregation storyline through the costumes and positioning of the white and black female characters. For Prometheus, the dark colors and mysterious statue imply a sci-fi action film with unknown dangers. Both posters intrigue viewers through cryptic taglines and compositional techniques that highlight key elements while creating intrigue.
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Media film poster deconstruction
The document summarizes and analyzes the genre, target audience, and key elements of three film posters for movies with a romance genre:
1) A Walk to Remember has a soft color scheme and images that reflect the intense emotions of the main characters' love story. The title and actors' names are prominently featured.
2) Forgetting Sarah Marshall has a minimalist design with a rough, handwritten style that conveys the film's comedic tone. Clues in the imagery hint that it is set in Hawaii.
3) Brief Encounter uses sketches instead of screenshots in an old-fashioned design. The prominent director and actors are the clear selling points over simple imagery that doesn't strongly connect
Film poster analysis
This film poster features a close-up image of a young woman's face, suggesting she is a key character. Her plain facial expression conveys a sense of mystery to the audience. The poster also includes a butterfly symbol, which represents transformation and growth, leaving its meaning open to interpretation. Overall, the simple black and white design, use of color and imagery are intended to intrigue audiences and make them want to learn more about the film's plot.
Poster Analysis
The document discusses the design and symbolism of several horror movie posters. It analyzes how the posters challenge conventions by portraying children as evil rather than innocent, using dark colors rather than bright ones, and obscuring the faces of characters to add mystery. The goal of the unconventional poster designs is to intrigue audiences and build anticipation for the films' releases.
Film posters research
The document discusses different genres of film posters and common design elements used for each genre. For romance film posters, the main elements typically include a close shot of the two main characters, with the female character as the main focus. The color schemes, images, and text used aim to convey the romantic relationship at the center of the film's narrative. Analysis of five romance film posters shows common traits like positioning the characters close together and using taglines or backgrounds to provide context about the story.
Evaluation task 1
The document discusses how the media product adheres to and challenges conventions of real media. It summarizes how the magazine, poster, and trailer follow conventions for their genres and formats. Specifically, it notes that the magazine matches the house style of "Studio Magazine" by including the title at the top, central image, and discussing celebrities. The poster includes a tagline, billing block, and focuses the image to draw in the target audience like other films. Both the magazine and poster portray the film's themes while focusing on different aspects. The trailer includes conventions from films like "Mean Girls" typically seen in Hollywood blockbusters.
Trailer analysis of P.S I Love You
The trailer for P.S I Love You features a subtle and basic typography for the titles and credits. The main title uses a more personal, handwritten font to convey the film's plot about a husband writing letters to his wife. By using a personal font style, the trailer hints that the film will be a romantic drama. Typically, the film title is shown at the end of the trailer so viewers will remember it, along with the credits and release date which are the most important details conveyed.
Genre research
Romantic film posters typically feature two characters in close proximity appearing to be about to kiss, representing the love and intimacy central to the genre. The posters generally use medium close-up shots of the characters' faces to clearly show their emotions while still including both people. The title is usually placed at the bottom to focus attention on the primary image of the characters but still draw the eye to the title. The typeface used for the title may relate to the film's storyline, with more dramatic tales using blocked capital letters and historical stories of forbidden love employing cursive script.
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This document discusses several film magazines, including their target audiences, content, and design elements. Empire magazine targets males aged 18-50 and focuses on reviews and cast interviews. Total Film also targets 17-35 year-olds and provides in-depth film information. Sight and Sound magazine has a mostly male audience who are interested in art house films. Comparing Empire and Total Film, both use a central character image on the cover surrounded by additional headlines.
Evaluation question one charlotte marked 1
The document discusses how the media product (a film promotional package including a poster, magazine cover, and trailer) uses and develops conventions of real media products in the psychological horror genre. It summarizes the key conventions followed, such as using familiar everyday settings, one-word titles, script fonts for titles, images of vulnerable female protagonists, and establishing normal lives before disrupting them. The document also describes changes made to better follow conventions, such as switching from an antagonist image to a protagonist image for consistency. Overall, the media product strives to utilize established codes and conventions to intrigue audiences familiar with the psychological horror genre.
Evaluation question one charlotte marked 1
The document discusses how the media product (a film promotional package including a poster, magazine cover, and trailer) uses and develops conventions of real media products in the psychological horror genre. It summarizes the key conventions followed, such as using familiar everyday settings, one-word titles, script fonts for titles, images of vulnerable female protagonists, and establishing normal lives before disruption. The document also describes changes made for improvement, such as switching from an antagonist image to a protagonist image on the poster and magazine cover to better follow conventions. Overall, the media product strives to utilize established genre conventions while also challenging conventions in minor ways.
Poster analysis
The poster analyzes features two thriller movie posters. Both posters convey mystery and conflict through their visual elements. The first poster features two male characters on either side of a female protagonist, suggesting tension. Dark colors and the characters' body language further imply mystery and potential conflict. The second poster stands out through its use of black background, drawing attention to the lead actor. Mysterious eye contact and a "glitch" in the title enhance the thriller genre. The analyzed posters inform the design of the student's own thriller poster, focusing on visual symbols of opposing characters and an atmosphere of secrecy through lighting and colors.
Maisy wilgoss script
This document provides a voiceover script to accompany an evaluation video for a media project. It summarizes the ways the media product challenges conventions of real media forms. It discusses how the magazine cover was modeled after Empire magazine for its colors and detailed backgrounds. It also discusses the influences for the movie poster, including The Departed for its character separation and Shutter Island for its use of red and black/white filters. Research was done on real movie trailers to determine conventions around opening shots, timing, and company logos. Costumes and props were chosen to portray characters and set crime scenes. The film title "Morvor" was chosen for its atypical meaning and larger font size to stand out from other titles shown.
pitch presentation
Two girls share a secret about an abduction from their past when they start at a new school. Jess, an obsessive and manipulative student, makes it her goal to uncover the secret. The film will follow teen drama conventions while incorporating elements of mystery. Key characters include Jess, the potential villain, and friends Sophie and Ellie. Promotional materials will emphasize the teen drama and mystery genres through use of the color red and darker tones. The target audience is teenage girls aged 16-24. Marketing strategies will include trailers, posters at public locations, and magazine covers to build awareness.
Textual Analysis Media - Zak
This document provides an analysis of the teaser trailer and movie poster for the film "We Need to Talk About Kevin". The trailer establishes mystery and intrigue by leaving many plot details unanswered. It uses music, color, and camera techniques to convey different tones and build psychological thriller elements. The poster features the main characters in dark lighting with emotionless expressions. It emphasizes the character "Kevin" to build intrigue around him. Both the trailer and poster leave questions unanswered to attract audiences while establishing the film's mysterious tone through visual and audio elements.
Pitch Presentation
This document proposes a teaser trailer pitch for a mystery drama film about two reporters who are told they have 24 hours to live by an online group. The trailer will show the reporters receiving the threat, arguing with each other in a panic, and one appearing injured at the end. Posters and magazine covers will emphasize the characters and mystery without revealing the plot. The target audience is males aged 15-34 from a lower middle social class.
Ideas Update & Inspirations P1
The document provides inspiration for Georgina Gilbey's media studies trailer project from various film trailers, posters, and magazine covers. It summarizes shots and design elements that Georgina found interesting, such as the use of iconography, cinematography techniques, color grading, mise-en-scene, and symbolic imagery. Georgina indicates how she may incorporate similar techniques into her own trailer to make it appear more professional and engage the audience.
The fault in our stars Analysis
The poster features a close-up image of the two main characters embracing, with the girl wearing a cannula to suggest her medical condition. The color scheme is mostly blue and white, potentially reflecting the book's cover. Minimal credits are included, with only the 20th Century Fox logo. Text at the top notes it is based on a bestselling book. The prominent title "The Fault in Our Stars" is ambiguous and intriguing. A slogan describes it as "one sick love story" to convey the romance genre with a twist of one or both characters being ill. The release date is also included.
Film posters terminology and features
The document discusses the key elements and conventions of film posters, including billing, title, release date, images, credits, quotes, and taglines. It analyzes posters for the films The Theory of Everything and Rush, noting their use of stars, romantic poses, and colors to portray genre. Alternative posters for Vantage Point and The Girl with the Dragon Tattoo are also examined, highlighting differences in main images and taglines.
Analysing Film Posters
The document discusses several movie posters and analyzes what information they provide about the films and whether they would be considered successful posters. It examines what the images convey about the plot, location, tones and characters. It also looks at what promotional elements are included to appeal to audiences, such as the title, actors, taglines and reviews. Some posters are deemed more successful than others based on how clear, attention-grabbing and relatable to the film's content and style they are.
Film poster Analysis - Wanted
The film poster for Wanted uses a color scheme of sand/gold and black to imply mystery. The main figure is a female holding a gun, showing her as a fierce character. Multiple guns in the backdrop of a city skyline suggest action. The poster appeals to a wide audience through its lack of details, but perhaps more to males given its action genre cues. The atypical presence of a female protagonist holding a gun could be the unique selling point that draws audiences.
The Help vs. Prometheus
The document compares movie posters for The Help and Prometheus and analyzes various elements of each poster, including genre, characters, tone, taglines, titles, and composition. For The Help, the poster establishes the comedy-drama genre and segregation storyline through the costumes and positioning of the white and black female characters. For Prometheus, the dark colors and mysterious statue imply a sci-fi action film with unknown dangers. Both posters intrigue viewers through cryptic taglines and compositional techniques that highlight key elements while creating intrigue.
Media key assessment
This document analyzes a trailer for a teen drama film. It summarizes each shot in the trailer, discussing things like characters, settings, lighting, color, and how they adhere to conventions of the genre. Overall, it infers that the trailer is about a lonely boy who is an outcast in high school, but finds friendship. The target audience is teens who will relate to the coming-of-age story and narrative of finding one's place. Analyzing the trailer will help the document's creator understand the genre and get inspiration for their own film.
Media film poster deconstruction
The document summarizes and analyzes the genre, target audience, and key elements of three film posters for movies with a romance genre:
1) A Walk to Remember has a soft color scheme and images that reflect the intense emotions of the main characters' love story. The title and actors' names are prominently featured.
2) Forgetting Sarah Marshall has a minimalist design with a rough, handwritten style that conveys the film's comedic tone. Clues in the imagery hint that it is set in Hawaii.
3) Brief Encounter uses sketches instead of screenshots in an old-fashioned design. The prominent director and actors are the clear selling points over simple imagery that doesn't strongly connect
Film poster analysis
This film poster features a close-up image of a young woman's face, suggesting she is a key character. Her plain facial expression conveys a sense of mystery to the audience. The poster also includes a butterfly symbol, which represents transformation and growth, leaving its meaning open to interpretation. Overall, the simple black and white design, use of color and imagery are intended to intrigue audiences and make them want to learn more about the film's plot.
Poster Analysis
The document discusses the design and symbolism of several horror movie posters. It analyzes how the posters challenge conventions by portraying children as evil rather than innocent, using dark colors rather than bright ones, and obscuring the faces of characters to add mystery. The goal of the unconventional poster designs is to intrigue audiences and build anticipation for the films' releases.
Film posters research
The document discusses different genres of film posters and common design elements used for each genre. For romance film posters, the main elements typically include a close shot of the two main characters, with the female character as the main focus. The color schemes, images, and text used aim to convey the romantic relationship at the center of the film's narrative. Analysis of five romance film posters shows common traits like positioning the characters close together and using taglines or backgrounds to provide context about the story.
Evaluation task 1
The document discusses how the media product adheres to and challenges conventions of real media. It summarizes how the magazine, poster, and trailer follow conventions for their genres and formats. Specifically, it notes that the magazine matches the house style of "Studio Magazine" by including the title at the top, central image, and discussing celebrities. The poster includes a tagline, billing block, and focuses the image to draw in the target audience like other films. Both the magazine and poster portray the film's themes while focusing on different aspects. The trailer includes conventions from films like "Mean Girls" typically seen in Hollywood blockbusters.
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Trailer analysis of P.S I Love You
The trailer for P.S I Love You features a subtle and basic typography for the titles and credits. The main title uses a more personal, handwritten font to convey the film's plot about a husband writing letters to his wife. By using a personal font style, the trailer hints that the film will be a romantic drama. Typically, the film title is shown at the end of the trailer so viewers will remember it, along with the credits and release date which are the most important details conveyed.
Genre research
Romantic film posters typically feature two characters in close proximity appearing to be about to kiss, representing the love and intimacy central to the genre. The posters generally use medium close-up shots of the characters' faces to clearly show their emotions while still including both people. The title is usually placed at the bottom to focus attention on the primary image of the characters but still draw the eye to the title. The typeface used for the title may relate to the film's storyline, with more dramatic tales using blocked capital letters and historical stories of forbidden love employing cursive script.
Evaluation 1
The document discusses how the media product (a film trailer) uses and develops conventions of real romantic comedy film trailers. Specifically:
- The trailer follows the typical childhood friends storyline seen in many romantic comedies, with a plot twist not shown to surprise audiences.
- Shots and use of childhood photos mimic how Love, Rosie introduced characters, developing conventions.
- Credits include both character and actor names, developing conventions, to avoid confusion. Font and style keep brand image and help stand out, following conventions.
- Music choices of indie, happy songs develop conventions from Love, Rosie and fit the film's tone.
- Voiceovers used throughout develop conventions but with a
Initial ideas for storyline & thought process
This document discusses and evaluates two potential storyline ideas for a production: a religion-based story or a tragedy drama. For the religion-based idea, the document notes it would be good that it could find actors to fit stereotypes but bad that it may be harder to find willing adult actors and could be seen as controversial. For the tragedy drama about young carers, it notes it would be good to showcase their challenges but may be difficult to depict tragic events authentically with the available resources. Overall, the document evaluates the pros and cons of each idea to determine the most practical option.
Evaluation 3
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Evaluation 2
The document evaluates how effective the combination of a main film trailer product and ancillary tasks of a film poster and magazine cover are. It describes how film posters are widely viewed on different platforms to promote films and catch viewers' eyes. Magazine covers are also ubiquitous and allow viewers to learn more about a film. The creator's film poster and magazine cover keep continuity by being in black and white. The poster matches conventions by positioning characters back-to-back to imply a relationship while suggesting obstacles. Fonts are similar across products to create a brand image while reviews are consistently featured to also maintain branding.
eval2
The document analyzes how a character from the film "Enough" is represented similarly to the media product's abusive male character. Specifically, it notes that both characters wear a wife beater vest and tracksuit bottoms, displaying a dominant physique. This clothing choice accentuates their muscles and makes them look physically powerful and intimidating. Additionally, the document compares photos of the two characters, finding their physiques and body language convey similar traits of dominance, aggression, and physical strength.
Initial ideas for storyline & thought process
For my media as coursework i have to come up with a few ideas and storylines so in this powerpoint i'm showing my thought process before showing my final idea.
Questionnaire results
The document discusses the results of a questionnaire about movie preferences. It notes that the questionnaire had equal numbers of each gender and age to avoid bias. It was surprising that romance films were favored overall, even by some boys. The most commonly chosen film was Shakespeare in Love. The document discusses analyzing trailers and posters of popular romance films to inform the creation of a school project about marketing a film. Key aspects like title placement and credit details that stuck with viewers are noted.
Evaluation 1
This document discusses how the media product challenges and adheres to conventions of real media. It summarizes:
- The storyline challenges conventions by making most of the world gay while the main character is straight, flipping a social norm.
- Camerawork and editing uses typical shots for a drama opening but also includes a mirror shot and point-of-view waking up shot to make it more interesting.
- Settings, costumes, and props adhere to conventions to avoid confusion and maintain continuity for viewers. This includes having the morning routine take place at home and dressing the school-aged main character in uniform.
- Some shots are inspired by similar scenes in the film American Psycho, but some conventions from that
Evaluation Question 4
This document contains profiles for two target audiences - Kathleen Parkinson-Hill, a 19-year-old studying philosophy, ethics, textiles and English literature who enjoys swimming, gymnastics and mostly shops online, and Henry Barclay, a 20-year-old zoology student who enjoys the gym, photography, and works in business development and mostly shops at River Island and Crew. Both said they would watch a film about domestic abuse because it is an important topic that is not often discussed or covered in mainstream films.
Shooting schedule
The document is a revised shooting schedule for a film directed by Millio O'Connor. The original schedule could not be followed because the director did not have a female actress cast, making it impossible to shoot any scenes. Now that an actress has been found, the new schedule lays out shooting dates for various scenes on December 2nd, 3rd, and 10th to allow filming to begin as soon as possible.
American Psycho- inspiring
The document discusses shots from the movie American Psycho that inspired the author's coursework project. It analyzes two mirror shots that use reflections effectively to make the actor look menacing. The author wants to attempt a similar mirror shot to capture both the subject and their reflection. Shots of the character's freezer and of them exercising are also discussed as ways to subtly reveal aspects of their personality. The document favors a close-up mirror shot where the actor appears to be looking at the viewer, to add an element of mystery to the character.
Shot list and shooting schedule
The document outlines a shooting schedule and shot list for a film. The shot list describes 9 scenes with different shots including close-ups, mid shots, and wide shots showing conversations and interactions between characters. The shooting schedule plans to film scenes 3 through 7 on the 18th, scene 4 on the 19th, scenes 5 and 6 on the 20th, scene 8 on the 28th, and scene 9 on the 29th. Scenes 1 and 2 involving photographs will be filmed separately without the actors.
Genre research social realism genre
Social realism is a film genre that aims to portray realistic depictions of everyday life. It focuses on settings, characters, and social issues that are grounded in contemporary society from a certain perspective. Typical social realism films feature working-class characters dealing with social issues like gang culture, violence, or economic hardship. These issues often cause disequilibrium that is resolved by the end of the film, though sometimes in a way that ensures the situation cannot be repeated.
Evaluation 7
The student reflects on how their film project turned out differently than originally planned, with a different storyline and format than expected. They discuss how camera work was more difficult than anticipated, with the film shot in a constant handheld style rather than specific shot types. While the film lacked match-on-action or shot-reverse shots due to its style, the student feels they have learned how to effectively employ these techniques for future projects while avoiding breaking the 180 degree rule.
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Similar to Poster analysis
Movie Poster Codes and Conventions
The document discusses several key elements that are commonly found in film posters across different genres. Most film posters include a billing block that provides information about the producers, directors, and other crew. The colors used are typically genre-specific to help viewers quickly identify the type of film. The title of the film is always prominently displayed in the top, middle, or bottom third of the poster. A tagline is also usually present to summarize the film in a memorable phrase. The main image typically takes up most of the poster and features the main character(s). These elements are designed to attract audience attention and intrigue them about the film.
Poster genre research
The document analyzes movie posters for action films like Spectre, The Bourne Supremacy, and Taken. It summarizes the conventions used across the posters to appeal to target audiences and portray the genre. The target audience is predominantly males aged 15-45. Key conventions included featuring a male protagonist from the target demographic holding a gun, using dark colors to set a serious tone, and keeping the poster simple and direct with limited text. Analyzing these posters helped identify elements to include in creating other effective action movie posters.
Ancillary research 2.1
The document provides an analysis of four horror movie posters. It examines the target audiences, content, and use of genre conventions in each poster. Key conventions included frightening central images, dark coloring, titles in bold colors, taglines hinting at the plot, and references to violence or the supernatural. The analysis found that all four posters effectively used conventions like these to attract audiences and clearly communicate the films' horror genres. The document concludes the poster analysis will help inform the design of the author's own horror movie poster project.
Evaluation Question Two
Frank Hammond evaluates the brand identity of the marketing campaign for a film called "The Girl in Red" which included a teaser trailer, film poster, and film magazine cover. The marketing campaign successfully established a consistent brand identity across materials by using the color red, a romantic yet sleek font, and portrayals of the main characters that matched their personalities. This allowed the different elements to clearly represent the same film and appeal to the target audience of 15-25 year olds of both genders.
Ancillary research 2.1
The document provides an analysis of film poster conventions based on research of four horror movie posters. Key conventions discussed include:
- Using close-up images of characters that relate to the film's story or theme.
- Placing the film title prominently in a contrasting color to stand out.
- Including taglines or subtitles that provide additional context or intrigue audiences.
- Featuring the release date in red to draw attention.
The analyses of individual posters examines how they convey their horror genre and would appeal to the target teenage/young adult demographic through creative use of images and text following common conventions. The research informs the creation of the student's own teaser poster.
Ancillary Task 1 : Poster Analysis
The poster depicts a gothic-looking man with scissor hands being embraced by a beautiful woman, showing his inability to return her affection due to his deformity. The background sky and clouds give a sense of purity and innocence. Text at the top and bottom provides context about the film and its gentle, deformed main character through two taglines.
Ancillary task 1 posters
The poster depicts a gothic-looking man with scissor hands being embraced by a beautiful woman, showing his inability to return her affection due to his deformity. The background sky and clouds give a sense of purity and innocence. Text at the top and bottom provides context about the film and its gentle, sympathetic story of the scissor-handed main character.
James and jack radial analysis
This document analyzes the poster for the film "Lock, Stock and Two Smoking Barrels" through its use of colour, layout, language, images and genre to understand the intended audience. The poster uses red, white and black colours to represent danger and establish the crime genre. Silhouettes on a shotgun imply gang violence. Short, memorable text and comedic font choice also aim to attract a young adult audience interested in the black comedy and violence themes.
James and jack radial analysis
This document analyzes the poster for the film "Lock, Stock and Two Smoking Barrels" through its use of colour, layout, language, images and genre to understand the intended audience. The poster uses red, white and black colours to represent danger and establish the crime genre. Silhouettes on a shotgun imply gang violence. Short, memorable text and comedic font choice also aim to attract a young adult audience interested in the black comedy and violence themes.
How effective is the combination of your ancillary texts and main product?
For a media studies course, the document's author was asked to create promotional materials for a film including a trailer, poster, and magazine cover. They researched real examples to understand conventions. Their poster features the film title and actors, but lacks other details like age rating. Their magazine cover follows conventions like the title and pictures but could be improved with better images and effects. Overall, their package promotes the film adequately but could be strengthened with more engaging visuals and information.
task 2
The document analyzes and summarizes movie posters for the films Titanic, Les Miserables, and Sherlock Holmes. For each poster, it discusses the target audience, key content elements, conveyed genre, and overall effectiveness. The target audiences are generally broad but also appeal slightly more to women for Titanic and those over 16 for Les Miserables. All three posters effectively communicate the dramatic genre through imagery, fonts, and other design choices while appealing to their intended viewers.
Film Posters Analysis
The document analyzes three different film posters:
1) Forgetting Sarah Marshall film poster - Targets older teenagers and young adults. Depicts a romantic comedy with elements of a love triangle.
2) Hard Candy film poster - Indicates it is a thriller aimed at older teenagers and young adults. Features a young girl in danger to depict the thriller elements.
3) Red Riding Hood film poster - Suggests it is a dark fantasy/horror film targeting Twilight fans ages 15-25. Draws upon the Little Red Riding Hood fairy tale with danger symbolized by the color red.
Film Poster Analysis
The poster analyzes the movie poster for Sin City, describing its purpose to advertise the film, key images like the woman holding a gun, colors like red and black, and realistic versus stylized elements. It also notes the target audience is those who like violence and passion. The poster provides a thorough breakdown and analysis of the visual elements and intended messaging.
Film poster analysis new
This document analyzes and summarizes the key elements of three different movie posters representing the horror, romance, and sci-fi genres. It discusses the mise-en-scene, lighting, colors, backgrounds, main images, titles, taglines, credits, logos, and release dates used in each poster and how they appeal to the target audiences for each genre. Elements like mysterious figures, emotional close-ups, and unusual settings are used to set the right tone for horror, romance, and sci-fi. Stereotypical conventions around font choices, placement of elements, and legal requirements are also addressed.
Teaser Trailer Pitch
Two reporters are given 24 hours to live by an online group. They must track down the group to find out the motive and save their lives. The film will focus on the reporters investigating the mysterious group as the deadline looms. Promotional materials like the teaser trailer, poster, and magazine covers will emphasize the mystery-drama genre and focus on the two main characters and their relationship without revealing the plot. The target audience is mature adults aged 15-40, especially males, from lower middle socioeconomic classes who enjoy mystery films like Zodiac and Gone Baby Gone.
Poster Analysis
The poster analyzes the movie poster for the film "Sin City". It describes the purpose as advertising the film while also showing the director, stars, and special effects team. It notes the use of red, black, and white colors and how the red lips draw the eye. The key image is of a woman holding a gun, showing it is an action film but the lips indicate possible romance or passion. The background shows a brightly lit city, indicating the film's setting. The layout is described as clever, drawing the eye around the different elements. The target audience is noted as those 18+ who like violence and passion.
Ancillary 1
Short film posters often have conventions such as using white font for the title to make it stand out. Bold typography is also common to catch viewer interest. Some posters do not show a person's face, instead showing hands or feet to hint at their importance in the film or avoid revealing identity. Characters are often facing away, perhaps to show a journey of discovery. Short films do not usually have anchoring taglines. Posters aim to set a romantic tone for young adult audiences. Previous credits and positive quotes are used to promote expectations of the film. Posters sometimes leave aspects mysterious using "hermeneutic codes" to intrigue viewers.
Evaluation
The document discusses a film trailer and poster created for a teen drama film project. It analyzes how the trailer and poster follow conventions of real media products to advertise the film. The trailer uses techniques like montages of clips and music to set the tone. It challenges conventions by including a twist to the typical romance plot involving violence. The poster features a silhouette image from the trailer to create mystery and intrigue about the forbidden relationship at the center of the film.
Evaluation
The document discusses an evaluation of a film trailer and its ancillary tasks (poster and magazine cover). Feedback was gathered from a student audience who viewed the trailer. The feedback was positive about the cinematography, acting, and a silhouette shot. However, the storyline was seen as too cliche. Based on this, changes were made to improve storyline clarity and add a second song to vary tempo. Various media technologies were used in production, including Photoshop, Pinnacle Studio, and Fronter.
Evaluation
The document discusses a film trailer and poster created for a teen drama film project. It analyzes how the trailer and poster follow conventions of real media products to advertise the film. The trailer uses techniques like montages of clips and music to set the tone. It challenges conventions by including a twist to the typical romance plot involving violence. The poster features a silhouette image from the trailer to create mystery and intrigue about the forbidden relationship at the center of the film.
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How effective is the combination of your ancillary texts and main product?
How effective is the combination of your ancillary texts and main product?
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Questionnaire results analysis
The document summarizes the results of a survey given to viewers of a film opening created by the author. The majority of respondents were between 16-18 years old and female, which was the targeted demographic. Most viewers had a positive initial reaction and wanted to see more of the film. Over half said they would watch the full film. The majority correctly identified the genre as drama. Most felt sympathy for the main character and understood the basic plot. However, some viewers were unsure if the opening fit the genre's codes and conventions as they were unfamiliar with media studies terminology. Overall the feedback was positive with room for improvement in technical quality.
Questionnaire
A questionnaire asks respondents about their age, gender and initial reactions to a film opening. It then asks if they liked the opening, would watch the rest of the film, what genre they think it is, if they think it was well shot, if they feel sorry for the main character, and if they feel they understand what the film is about. The questionnaire closes by asking if the opening fits the genre's codes and conventions well.
Evaluation 5
By adhering to genre conventions of drama, the filmmaker aimed to make the film feel familiar and appealing to the audience. The film features real-life bullying situations, focuses on the journey of the main character Abe, and aims to move the audience emotionally. It includes conflict around Abe's sexuality influencing his behaviors. A range of camera techniques were used, including close-ups to show Abe's facial expressions during bullying, over-the-shoulder shots, and point-of-view shots to connect the audience to Abe's perspective. Editing techniques like cutting the walking scene and showing texts on screen rather than the phone were employed to increase audience interest and sympathy. The film's unique storyline of reversing social
editing
This document discusses editing a film project in iMovie. It explains that the preview of footage goes in the screen, while the soundtrack runs along the timeline from start to finish. When applying a 1 minute 20 second song to the film, the track was chopped up and bits were placed where they fit best with the scenes, while still making the song flow smoothly. Transitions like fade to black were used between title and footage to make the jumps and lags smoother. The iMovie toolbar has options for finding media, audio, titles, backgrounds, and transitions, which are technical features needed to create a smooth running film.
Location shots
This document provides location shots for a film project that was filmed mainly inside the filmmaker's house, which they had easy access to and felt fit well with their opening.
Evaluation 2
The document discusses how the media product represents a young character who is bullied for his sexuality but is strong and proud. He searches for similar film characters and chooses Marty McFly from Back to the Future. Both characters are similar in that they do not let bullying affect them and continue with their lives unaffected. They are also the main characters whose movements drive the story, though the films are in different genres. Their similar hair color and style make them appear approachable.
Evaluation 3
A production company oversees the entire filmmaking process, including budgeting, scheduling, scripting, and casting. The document discusses distributing a film through Verve Pictures, an independent distribution company that specializes in independent films and has a track record of success with first-time directors. The document estimates the film may earn back its budget and a small profit through limited festival showings and online/DVD sales since it has a small independent distribution.
Evaluation 3
The document summarizes feedback from an audience questionnaire about a film trailer. Key findings include:
- The audience's ages and genders matched the intended demographics of a romantic comedy.
- Most viewers correctly identified the genre as a romantic comedy or felt the genres selected still fit.
- Over half felt the trailer expressed the codes and conventions of the genre well, while others cited room for improvement.
- When asked for improvements, most cited the pace as too slow, while others mentioned shots, characters, or nothing.
- The storyline was communicated well or mostly well through the trailer according to most viewers.
Audience feedback questionnaire a2
This audience feedback questionnaire asks respondents for their age, gender, thoughts on the genre of a film trailer, whether the trailer effectively conveyed the genre's codes and conventions, potential areas for improvement, how well the trailer communicated the storyline, the most important conventions for a successful trailer, whether ancillary tasks matched the trailer's theme, and if the trailer would make them want to watch the full film.
Audience feedback
This document is a survey asking for audience feedback on a documentary film trailer about sport doping. It asks questions about whether the trailer effectively represented the documentary genre, which elements of the trailer were most interesting, if the shots worked well, if a voiceover could have improved it, how clear the theme of doping was, the effectiveness of the soundtrack, one suggested improvement, and if additional online content was well linked to the trailer.
Titles
This document discusses choosing a typeface for a rule book on friendship. It considers typefaces commonly found on real rule books and official documents before settling on Rockwell Condensed, as that typeface most resembles the styles typically used on the fronts of rule books.
Character Costume ideas
This document provides costume ideas for two characters, Sophie and Ben. For Sophie, the author envisions her wearing casual, dark colored clothes that are trendy but not revealing, to blend in as a shy person. However, when dressing up Sophie goes all out to stop a crowd. Ben is also fashionable but wears darker colors as an underdog, though he incorporates bright patterns to show he does not care what others think. The document aims to give the characters distinct wardrobes that reflect their personalities.
Dumb and Dumber / Step brothers opening anaysis
This document summarizes the opening scenes of two comedy films, Dumb and Dumber and Stepbrothers, and analyzes how they establish typical comedy conventions. For Dumb and Dumber, it notes the focus on an attractive woman, the portrayal of the main character as dopey to signal his lack of intelligence, and uses of physical humor and bright lighting. For Stepbrothers, it observes the playful font used for credits, use of midshots to show the childlike interests of characters too old for their behavior, and the establishment of the main characters as immature compared to their business-oriented parents. Both films set up typical "idiot" lead characters and use techniques like music, camerawork
dumb and dumber / Step brothers
This document analyzes typical codes and conventions in two comedy film clips: Dumb and Dumber and Stepbrothers. In Dumb and Dumber, conventions like focusing on an attractive woman, a main character acting dumb by having a bowl cut and chipped tooth, jokes that make the character look stupid, and bright lighting and colors are shown. Stepbrothers opens with childlike credits and music playing over a character eating chips, showing immature characters. Both films feature middle-aged main characters still living with their parents, treated in patronizing ways by their parents like children, demonstrating their "idiotic" comedy roles through facial expressions. Both comedies use mid shots and bright lighting typical of the genre.
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Poster analysis
- 2. How do you analyse a film poster? •P: Product – What genre is it? What is the plot? •I: Images – Including colours •L: Lettering – Font style, colour, size •O: Organisation – Where is the title placed? Billing? •C: Codes & conventions – of that particular genre
- 4. Product: what is the genre and what is the plot? About time is a romantic comedy with a hint of fantasy. It is set in England, based in London and Cornwall following a young man called Tim who finds out that he has a magical power, which allows him to travel back in time to certain events when he goes into a dark room and clenches his fists. He uses his powers to help him in his pursuit of gaining a girlfriend which for him is a lot easier said than done. Images: including colours This poster uses basic natural looking colours which gives off a happy vibe which fits with the genre and the plot of this film. The poster is a shot from the film after the two characters have just gotten married (sorry if that’s a spoiler) their facial expressions in this shot are extremely happy which also connotes happiness implying that the film is a happy one. The closeness of the two characters physically in this photo also represents how close they could be emotionally as they are within touch proximity. It is a medium shot they could have chosen this shot as a medium shot shows the emotions on the characters faces clearer than a wide shot but still gives you and idea of location whereas the use of a close up would be too focused on their emotions. Using a medium shot keeps it personal but on a level where you can still establish what is going on within the film.
- 5. Organisation: Where is the title placed? Billing? The title is situated in the left hand corner of the poster, this way it is not covering the image too much but can still be a main focus of the poster. The credits are placed bellow the title which is the generic positioning credits, low down the page as the credits are important but there are so many so it is easiest to fit them all together at the bottom out of the way, alongside the intertextual information. As neither of them are key bits of information like the title or the billing. The billing is at the top of the poster, it was most likely placed there as it has a high level of importance to the film but also is interesting to the reader so is put in plain sight so that the information can be taken in and whether the author or the screenwriters previous work. Codes & conventions: Of that particular genre This film poster fits many of the typical codes and conventions for a romantic comedy. The typical demographic for this genre of film is teenager girls and this film is rated a 12a, you could also argue that this film is aimed at young women who may find themselves in this sort of situation. As you can see there are two main characters, one male and one female- This is a typical convention of the genre. The colour of her dress is also fitting of the genres typical codes and conventions, red has the connotations of love and lust and as it is a romantic comedy it fits rather well. The female character is pretty, this is another typical code, making the woman desirable attracts the target audience and makes the film more pleasurable to watch but also making the storyline seem more realistic to the viewer.