Impressionism & Post-Impressionism Art HistoryS Sandoval
AP ART HISTORY Crash Course - Impressionism and Post-Impressionism
Impressionism artists: United by their depiction of modern life, and rejection of established European Styles, embracing new experimental ideas "Avant-Garde".
The use of synthetic pigments and ready made paint in solid tubes. Impressionist artists were interested in "plein air" landscape painting.
Modern Art Movements (by Ar Kush Jee Kamal)Kush Jee Kamal
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s and denotes the styles and philosophy of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation.
It's a chronological compilation of 100 years of Art movements by Ar. Kush Jee Kamal (India) for the benefits of all the art lovers.
Impressionism & Post-Impressionism Art HistoryS Sandoval
AP ART HISTORY Crash Course - Impressionism and Post-Impressionism
Impressionism artists: United by their depiction of modern life, and rejection of established European Styles, embracing new experimental ideas "Avant-Garde".
The use of synthetic pigments and ready made paint in solid tubes. Impressionist artists were interested in "plein air" landscape painting.
Modern Art Movements (by Ar Kush Jee Kamal)Kush Jee Kamal
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s and denotes the styles and philosophy of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation.
It's a chronological compilation of 100 years of Art movements by Ar. Kush Jee Kamal (India) for the benefits of all the art lovers.
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ART MOVEMENTS_PAINTINGS and designs for artRaiyyanKhalak
The Art Moment is a contemporary art movement characterized by its emphasis on experimentation, innovation, and boundary-pushing creativity. It encompasses a wide range of media, styles, and ideas, challenging conventional norms and igniting new forms of expression. It emerged in response to shifting societal values and technological advancements.
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2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
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thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
3. IMPRESSIONISM
A 19th-century art movement that originated
with a group of Paris-based artists. Their
independent exhibitions made them popular
during the 1870s and 1880s, in spite of harsh
opposition from the conventional, realistic art
community in France. Instead, colors are applied
side-by-side with as little mixing as possible,
creating a vibrant surface while focusing on the
play of light.
4. Impressionism Characteristics
1. Short, thick strokes of paint/pastel that quickly capture the essence of the
subject, rather than its details.
2. By using pure, unblended colors, the optical mixing of colors occurs in the eye
of the viewer by placing colors side by side.
3. Grays and dark tones are produced by mixing complementary colors.
4. Rather than neutral white, grays, and blacks, Impressionists often rendered
shadows and highlights in color. Pure impressionism avoids the use of black
paint.
5. The play of natural light is emphasized. Close attention is paid to the
reflection of colors from object to object.
6. In paintings made en plein air (outdoors), shadows are boldly painted with
the blue of the sky as it is reflected onto surfaces, giving a sense of freshness
previously not represented in painting. (Blue shadows on snow inspired the
technique.)
7. Impressionist often worked in the evening to produce effets de soir—the
shadowy effects of evening or twilight.
5. The artists' loose brushwork gives an effect of spontaneity and
effortlessness that masks their often carefully constructed
compositions, such as: Alfred Sisley (1878)-
Allée of Chestnut Trees
6. History of Impressionism
• In 1874, a group of artists called the Anonymous
Society of Painters, Sculptors, Printmakers, etc.
organized an exhibition in Paris that launched the
movement called Impressionism. They broke free from
the Salon and the Royal Academy.
• Its founding members included Claude Monet and
Edgar Degas, among others.
• While conservative critics panned their work for its
unfinished, sketch-like appearance, more progressive
writers praised it for its depiction of modern life.
• Claude Monet's Impression, Sunrise, exhibited in 1874,
gave the Impressionist movement its name when the
critic Louis Leroy accused it of being a sketch or
"impression," not a finished painting.
9. Claude Monet (1840–1926): the most prolific of the
Impressionists and the one who embodies their
aesthetic most obviously
Red Boats at Argenteuil
10. Edgar Degas (1834–1917)
He despised the term Impressionist . He also differed from the
Impressionists in that he "never adopted the Impressionist color
fleck",[and he disliked painting en plein air.
Blue Dancers; c. 1899
11. Paul Cézanne (1839–1906): Cézanne can be said to form
the bridge between late 19th-century Impressionism and
the early 20th century's new line of artistic enquiry, Cubism.
The Basket of Apples
12. Mary Cassatt (1844–1926): American-born, she lived in Paris and
participated in four Impressionist exhibitions. She also introduced
pastels as a main for of medium to the United States.
Breakfast in Bed
13. Pierre-Auguste Renoir (1841–1919): was a French artist who was
a leading painter in the development of the Impressionist style.
As a celebrator of beauty, and especially feminine sensuality,
Dance at Le moulin de la Galette
14. Édouard Manet (1832–1883): Though he did not participate
in any of the Impressionist exhibitions, he was a pivotal figure
in the transition from Realism to Impressionism.
The Grand Canal of Venice
Dance at Le moulin de la Galette
15. Berthe Morisot (1841–1895): Protégé of Édouard Manet. The
leading female Impressionist painter; breaking barriers for
female artists.
The Cradle
Dance at Le moulin de la Galette