Front cover production log 1
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Kianna Briggs created a layout plan for the front cover of her funky house music magazine. She selected an image of a singer holding a microphone that would grab attention due to its bright colors. Kianna used Photoshop's lasso tool to precisely cut out the image and remove the white background. She then placed the edited image onto the InDesign layout according to her plan. Kianna also added the magazine's masthead, which she had to print screen and crop due to download issues. Finally, she included a skyline with varying font sizes to highlight important words and completed the cover with two contrasting fonts, Rockwell and Sans Serif, to achieve a funky look.
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Production Process Front Cover
The document describes the production process for creating a magazine front cover in Photoshop. Key steps included:
1) Creating text boxes and importing/designing graphic elements like a barcode and shapes.
2) Designing the masthead font and experimenting with sizes and colors.
3) Adding to the graphic feature and choosing a cross shape based on other magazines.
4) Importing an image and editing it by removing the background, shadows, marks and red eye.
3. production experiments
Andrew Downes experimented with different design elements for a front cover and double page spread. For the front cover, he used a color gradient background, masks to adjust lighting, and specific fonts. For the double page spread, he used a downloaded image, masks, gradients, shapes to contain text and images, and brush textures. However, he found the fonts did not look right. In his reflections, he noted elements he would carry over like masks, gradients, and box placements, but would need to change the fonts and possibly add drawings.
6. FMP production reflection
The document describes the processes used to create a magazine spread in Photoshop. It discusses cropping photos using selection tools, editing photos using dodge and burn tools, adding logos from online sources, choosing fonts from DaFont.com, and arranging elements on the page with shapes and positioning tools while maintaining a color scheme of red and white. It also mentions setting the page size horizontally at A3 and measuring guidelines at half the page width, using cloning and opacity tools to edit background images, and keeping the back cover simple with a blue color scheme and black logos.
6. interactive production reflection 2
Oliver Frost created a character and level for a mobile game app. He outlined and colored the character, an otter, and added backgrounds and elements to the level. For the level, he used lines and shapes to create a cave environment and added rocks, water, and lamps. Oliver also designed enemies, keys, and powerups for the level, tracing images and adding his own style. He placed the elements in the level and animated the enemies.
Adventure progress log
The document summarizes various creative works produced in Photoshop including a film logo, production company logo, magazine cover, pixel art characters, and a level design for a game. For the film logo, different fonts and warp text effects were used to make it look like old writing. The production company logo included custom shapes like a boat and layered rectangles to create an ocean background. The magazine cover featured the film logo and layered character designs. Pixel art characters and a mountain background were also designed. Finally, the level design depicted a shaman's hut in a swamp using pixel art trees, vines, and details to create a dark atmosphere.
Construction of media
The document describes the editing process for constructing a magazine cover and contents. Key steps include:
- Brightening the cover image to focus on the model and add contrast between the background and model.
- Blurring the background on the cover and contents page using Gaussian Blur to emphasize the model.
- Adding noise and shadow around text on the cover and contents pages to draw attention and make it appear edgy.
- Experimenting with different background colors and effects on the contents page to create the right mood.
- Blurring and adding film grain to images on double page spreads to maintain focus on text while giving an authentic vintage feel.
Poster step by step
The document describes the process of designing a magazine advertisement in Corel Paint Shop Pro X2. First, an image was imported and resized, then effects were added to convert it to black and white and add a glamour filter. Next, the clone brush and ripped paper image were used to create a consistent background. Text was added identifying the artist and album, and positioning all elements. Social media icons were also included to complete the advertisement design.
Contents page
The document discusses the layout and design of a magazine contents page. It will include the issue number, date, a list of features with headings and descriptions, and a main image. The creator plans to use Adobe Photoshop to edit images and InDesign to layout the magazine. A black background is chosen to make the typography stand out. Fonts, colors, and design elements are selected to maintain a consistent style and attract readers. The main image is edited in Photoshop by removing the background and feathering the edges before placing it in InDesign.
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Production Process Front Cover
The document describes the production process for creating a magazine front cover in Photoshop. Key steps included:
1) Creating text boxes and importing/designing graphic elements like a barcode and shapes.
2) Designing the masthead font and experimenting with sizes and colors.
3) Adding to the graphic feature and choosing a cross shape based on other magazines.
4) Importing an image and editing it by removing the background, shadows, marks and red eye.
3. production experiments
Andrew Downes experimented with different design elements for a front cover and double page spread. For the front cover, he used a color gradient background, masks to adjust lighting, and specific fonts. For the double page spread, he used a downloaded image, masks, gradients, shapes to contain text and images, and brush textures. However, he found the fonts did not look right. In his reflections, he noted elements he would carry over like masks, gradients, and box placements, but would need to change the fonts and possibly add drawings.
6. FMP production reflection
The document describes the processes used to create a magazine spread in Photoshop. It discusses cropping photos using selection tools, editing photos using dodge and burn tools, adding logos from online sources, choosing fonts from DaFont.com, and arranging elements on the page with shapes and positioning tools while maintaining a color scheme of red and white. It also mentions setting the page size horizontally at A3 and measuring guidelines at half the page width, using cloning and opacity tools to edit background images, and keeping the back cover simple with a blue color scheme and black logos.
6. interactive production reflection 2
Oliver Frost created a character and level for a mobile game app. He outlined and colored the character, an otter, and added backgrounds and elements to the level. For the level, he used lines and shapes to create a cave environment and added rocks, water, and lamps. Oliver also designed enemies, keys, and powerups for the level, tracing images and adding his own style. He placed the elements in the level and animated the enemies.
Adventure progress log
The document summarizes various creative works produced in Photoshop including a film logo, production company logo, magazine cover, pixel art characters, and a level design for a game. For the film logo, different fonts and warp text effects were used to make it look like old writing. The production company logo included custom shapes like a boat and layered rectangles to create an ocean background. The magazine cover featured the film logo and layered character designs. Pixel art characters and a mountain background were also designed. Finally, the level design depicted a shaman's hut in a swamp using pixel art trees, vines, and details to create a dark atmosphere.
Construction of media
The document describes the editing process for constructing a magazine cover and contents. Key steps include:
- Brightening the cover image to focus on the model and add contrast between the background and model.
- Blurring the background on the cover and contents page using Gaussian Blur to emphasize the model.
- Adding noise and shadow around text on the cover and contents pages to draw attention and make it appear edgy.
- Experimenting with different background colors and effects on the contents page to create the right mood.
- Blurring and adding film grain to images on double page spreads to maintain focus on text while giving an authentic vintage feel.
Poster step by step
The document describes the process of designing a magazine advertisement in Corel Paint Shop Pro X2. First, an image was imported and resized, then effects were added to convert it to black and white and add a glamour filter. Next, the clone brush and ripped paper image were used to create a consistent background. Text was added identifying the artist and album, and positioning all elements. Social media icons were also included to complete the advertisement design.
Contents page
The document discusses the layout and design of a magazine contents page. It will include the issue number, date, a list of features with headings and descriptions, and a main image. The creator plans to use Adobe Photoshop to edit images and InDesign to layout the magazine. A black background is chosen to make the typography stand out. Fonts, colors, and design elements are selected to maintain a consistent style and attract readers. The main image is edited in Photoshop by removing the background and feathering the edges before placing it in InDesign.
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Skills development journal
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Photoshop process
The document describes the Photoshop process used to design the front cover, contents page, and double page spread for a magazine. Key steps included:
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Photosop Tools
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6. production reflection(3)
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Front cover
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Music Magazine Construction
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2. Designing the masthead in InDesign using a bold font in colors that complemented the background.
3. Placing the feature articles prominently on the left third of the cover to attract readers' attention on store shelves.
4. Including images, article previews, and using consistent colors and fonts throughout to maintain a cohesive design style across the magazine pages.
Production diary 2
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Evaluation of magazine recreation
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Photoshop and InDesign skill
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Magazine development
This document summarizes the process of designing a magazine cover to emulate the style of Little White Lies magazine. The designer started with a photo they took, removed the background, and added the signature Little White Lies logo in the top middle. They experimented with effects like extruding and blending images to make the photo look more like an illustration. After removing details and adding filters, they finalized the cover design with a grain filter and spot healing tool to achieve an authentic magazine style.
Q6
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Q6
Through producing a music magazine, the student learned skills in Photoshop, InDesign, and photography. Prior experience with Photoshop and InDesign proved limited for magazine layout. Photoshop was too restrictive for cover design while InDesign allowed flexibility with images and boxes. Photography involved reviewing front covers and spreads to determine needed shots. Photoshop was used to remove backgrounds, edit images, and add effects like shadows and glows. InDesign skills like setting up double page spreads and inserting text boxes improved over the course of the project.
Double page spread research
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Double page spread research
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Double page spread production log 1.....
Kianna Briggs created a double page spread for a magazine. She used different fonts, colors, and formatting to clearly present an interview and ensure the text was visible on the images. Briggs experimented with different colors that coordinated throughout the spread and enhanced readability. She also included design elements like gradients and page numbers to link the spread to other magazine content.
Front cover research
This magazine cover uses unconventional colors and layout to represent the genre of funky house music. Pink and blue colors not typically associated are used to create a diverse appeal. The artist's clothing matches the blue in the cover lines, linking the magazine visually. A close-up of the artist looking at the camera engages the audience and creates a relationship. Various fonts, sizes and colors are used strategically throughout to guide audience attention.
Front cover production log 1...
1) The document describes Kianna Briggs' process for designing the front cover of a production log, including selecting fonts, arranging cover lines, resizing and positioning images, and adding a barcode.
2) Key fonts used include Stencil for the main headline and Rockwell for other text. Colors and fonts will be consistent throughout the pages.
3) Cover lines are arranged to correlate with the main image and use a variety of fonts to draw attention to important words. Smaller images are resized and copied onto the page before placing in InDesign.
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K atie maniuplation of photographs
This document summarizes the editing process the author took to manipulate an original photograph they took. They used Photoshop tools like the spot healing brush and layers to remove imperfections, change the color of the artist's shirt and lips to purple to match, darken the hair to black to make her look more gothic, and add defined eyeliner around the eyes. The edits were intended to make the artist stand out more from the background and fit with the theme of the magazine while looking more professional and appealing overall.
Skills development journal
This document summarizes Marcus Macksoud's process for designing a skills development journal. It shows initial masthead designs, the final masthead used, and adjustments made to images on the front cover and contents page like using spot healing and levels tools. It also previews layouts for the double page spread where part of the background image was copied and stretched to look like the full image. The goal was to create a cohesive magazine design using effects like bevel and emboss as well as tools to manipulate photos.
Photoshop process
The document describes the Photoshop process used to design the front cover, contents page, and double page spread for a magazine. Key steps included:
1) Adding elements like the masthead, coverlines, and issue details to the front cover and editing them using tools like gradients and textures.
2) Designing the contents page with a brick wall background, applying gradients to text, and adding page numbers and social media icons.
3) Editing the main image for the double page spread by adjusting lighting and composition and adding graffiti elements to the background.
Photosop Tools
The document discusses various tools used in Photoshop for photo editing. It describes using the crop tool to remove unnecessary background, the spot healing tool to reduce blemishes and smooth wrinkles, and the dodge tool to brighten areas like cheekbones. It also mentions using the text tool for headings and subtitles, the shape tool to create boxes and circles, the erase tool to remove unwanted elements, and the zoom tool to see finer details. Additionally, it discusses using the blur, sharpen, and smudge tools to refine edges and stray hairs, as well as the paint brush to apply and blend color as needed.
6. production reflection 2
The student has been working on creating animations and designs for a hip hop themed video game title screen and main menu. They have tried multiple designs for the title screen that were too dark or had too much going on. Their latest title screen design features animated graffiti-style text against a simple background. They have also designed characters and animated arm and jumping movements. Creating pixel art animations and syncing them in video editing software has presented some challenges.
Final Pitch - Regional Magazine
This is the final part of my research for my regional magazine of the genre Lifestyle and Fashion. My magazine is called Abstract as I have said in a previous blog post.
Evaluation q6)
The student used Photoshop and Quark to design a music magazine cover, content page, and double page spread. In Photoshop, they used various tools like the crop tool and pen tool to edit images and cut out backgrounds. They also used tools like the horizontal text tool to add styled text. In Quark, they placed images and text using tools like the item tool and text content tool, and organized content with tables. Gaining experience with these design software helped the student produce professional-looking work representing the rock genre.
6. production reflection(3)
Rachel Haw summarizes the process of creating a magazine spread. She copied and pasted an image without edits for the cover. Rachel used Times New Roman text for the spotlight and curvy writing on the front of Rihanna. She included an exclusive story and cover line about summer outfits. Pictures and background were found on Google. Rachel wrote an introduction and facts on both sides of the pages. A picture split Camila from the other girls and screenshots were added to make the story believable. In the end, Rachel changed the background to match better.
Website Font
The document discusses how the author chose a horror-themed font to use on their horror website. They searched for "horror fonts" online and found a font called "dafont" that provided free fonts. The author selected a font that reflected horror conventions and fit their overall design. They inverted the colors of the font to switch it from black to white text on a black background, which fit better visually with the website's dark color palette. After seeing it worked well, the author used the font for all titles, subtitles, and reviews on the site to add to the horror conventions and attract fans of horror as the target audience.
Front cover
1. The document describes the process of creating a magazine cover design for a subject named Kyle.
2. Various Photoshop tools like Camera Raw, selection tools, layers, brushes, and effects were used to edit the background, add textures, frame text with shadows, and incorporate designed elements like a masthead and plug.
3. Final touches included adding stickers, textures, and adjusting colors to achieve a grungy, distressed look for the overall cover design.
Music Magazine Construction
The document describes the process of designing the cover and contents pages for a music magazine focused on the grime genre. Key steps included:
1. Importing a photo of a brick wall into Photoshop and editing it to create a colorful background for the magazine.
2. Designing the masthead in InDesign using a bold font in colors that complemented the background.
3. Placing the feature articles prominently on the left third of the cover to attract readers' attention on store shelves.
4. Including images, article previews, and using consistent colors and fonts throughout to maintain a cohesive design style across the magazine pages.
Production diary 2
The document discusses several image editing and formatting techniques used to prepare images for a poster project. Specifically, it mentions:
1) Decreasing the saturation and adding blur to background images to draw attention to foreground elements.
2) Removing blemishes from actors' faces using the spot healing brush tool to make them more appealing to audiences.
3) Applying a feather to the edges of cut-out images to make them appear less sharp.
4) Adjusting image sizes and display quality when placing images in InDesign to ensure clear and properly formatted appearance.
Evaluation of magazine recreation
The document summarizes the process of recreating a magazine cover. The creator began by replicating the title, date, and cover lines in InDesign, changing fonts, colors, and sizes to match the original as closely as possible. They then took a photo and edited it in Photoshop, converting it to black and white, cropping, adjusting exposure, and adding shadows. Final touches included drawing on eyebrows and eyes, and placing the recreated elements together to complete the recreation. Overall the creator was pleased with capturing key elements like stance and layout, but notes weaknesses like imperfect fonts and lighting that could be improved.
Photoshop and InDesign skill
The document discusses various Photoshop and InDesign skills used to edit and design a magazine cover. These include using the magic wand and lasso tools to remove backgrounds, the channel mixer to manipulate color balance, spot healing brush to remove blemishes, burn tool to darken backgrounds, clone tool to cover up an unwanted necklace, and curves tool to edit colors. InDesign skills mentioned are adding drop shadows, bevel and emboss effects, directional feathering, adjusting opacity, and using clipping paths to remove backgrounds from images.
Magazine development
This document summarizes the process of designing a magazine cover to emulate the style of Little White Lies magazine. The designer started with a photo they took, removed the background, and added the signature Little White Lies logo in the top middle. They experimented with effects like extruding and blending images to make the photo look more like an illustration. After removing details and adding filters, they finalized the cover design with a grain filter and spot healing tool to achieve an authentic magazine style.
Q6
The document summarizes the software and techniques used to create a magazine cover and contents page. For the front cover and contents page, Photoshop was used to combine layers, images, and text. A double page spread was created in InDesign, which lacks Photoshop's layer feature. Fonts were found online and images were cropped and arranged. Backgrounds were customized using shapes, swatches, and effects. Bullet points and signatures were imported from other programs.
Q6
Through producing a music magazine, the student learned skills in Photoshop, InDesign, and photography. Prior experience with Photoshop and InDesign proved limited for magazine layout. Photoshop was too restrictive for cover design while InDesign allowed flexibility with images and boxes. Photography involved reviewing front covers and spreads to determine needed shots. Photoshop was used to remove backgrounds, edit images, and add effects like shadows and glows. InDesign skills like setting up double page spreads and inserting text boxes improved over the course of the project.
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Double page spread research
This double page magazine spread features Lady Gaga. One page contains a photo of Lady Gaga in a provocative pose, while the other page contains text about the artist. The simple two-color design and layout makes the information accessible. Lady Gaga looks directly at the camera, creating a relationship with the reader and suggesting the article is about learning about the artist. Key details like a large "L" and drop caps guide the reader through the text.
Double page spread production log 1.....
Kianna Briggs created a double page spread for a magazine. She used different fonts, colors, and formatting to clearly present an interview and ensure the text was visible on the images. Briggs experimented with different colors that coordinated throughout the spread and enhanced readability. She also included design elements like gradients and page numbers to link the spread to other magazine content.
Front cover research
This magazine cover uses unconventional colors and layout to represent the genre of funky house music. Pink and blue colors not typically associated are used to create a diverse appeal. The artist's clothing matches the blue in the cover lines, linking the magazine visually. A close-up of the artist looking at the camera engages the audience and creates a relationship. Various fonts, sizes and colors are used strategically throughout to guide audience attention.
Front cover production log 1...
1) The document describes Kianna Briggs' process for designing the front cover of a production log, including selecting fonts, arranging cover lines, resizing and positioning images, and adding a barcode.
2) Key fonts used include Stencil for the main headline and Rockwell for other text. Colors and fonts will be consistent throughout the pages.
3) Cover lines are arranged to correlate with the main image and use a variety of fonts to draw attention to important words. Smaller images are resized and copied onto the page before placing in InDesign.
P is for psycho blog 2
The document summarizes edits made to images for a horror storyboard about a female serial killer. Key edits included changing images to black and white, adding red spots or brush strokes to highlight victims, and cropping out reflections. The editor notes they aimed for a sinister black and white theme but acknowledges inconsistent red shading between images could be confusing. Lessons included maintaining a higher level of consistency across edits to improve the realism and clarity of the storyboard.
Captivity analysis
1) The trailer uses a male voice over to set the mood that someone is missing and in danger of kidnapping, while visuals show a woman crying for help and being tortured.
2) Sounds of knives and increased music build tension, suggesting the woman is in peril while the danger climaxes.
3) Shots like poisoned wine, vulnerable angles of the woman, and a bare hand completing a crime establish themes of danger, mystery, and a criminal plot.
4) Editing techniques like faster cuts and zooming confuse the audience and draw them into the film's narrative to encourage watching the full movie.
Little%20 red%20riding%20hood[1]
Little Red Riding Hood takes a basket of goods to her grandmother's house in the forest. Along the way, she is followed by a witch who intends to harm her. When Little Red Riding Hood arrives at her grandmother's house, she discovers that the witch has taken her grandmother's place in bed. The witch reveals herself and threatens to eat Little Red Riding Hood.
Little red riding hood
Little Red Riding Hood takes a basket of goods to her grandmother's house in the forest. Along the way, she is followed by a witch who intends to harm her. When Little Red Riding Hood arrives at her grandmother's house, she discovers that the witch has taken her grandmother's place in bed. The witch reveals herself and threatens to eat Little Red Riding Hood.
Double page spread production log 1
The document is a production log for a double page spread created by Kianna Briggs in InDesign. It details how she used various tools to lay out images and text across two pages according to her plan. This included using the rectangle frame tool to indicate image placement, opening images in Photoshop to manipulate their size, and using the text tool to add titles and a quote in different fonts, sizes, and colors to draw attention.
Little red riding hood
Little Red Riding Hood analyzes two trailers for the film Little Red Riding Hood. The first trailer uses a red background and white text to suggest purity overtaken by evil. It establishes the genre through symbolism. The second trailer starts with an institution to establish credibility before fading to a red cloak, revealing the title. It contrasts happy footage of Little Red Riding Hood with a tense sequence using close-ups and a wolf image to build suspense. Both trailers create atmosphere through editing, camerawork, sound, and symbolic imagery rather than a voiceover.
P is for psycho blog 2
The document summarizes the editing work done by the author for a film project. Some key points:
1) The author edited images in Photoshop for the project, applying a black and white theme and using red spots/strokes to highlight important elements.
2) Techniques included changing images to black and white, cropping out reflections, and blending red paint using liquify to create blood effects.
3) The author reflects that maintaining consistent red shades throughout could have improved the realism and clarity of the storyboard.
Front cover research
This magazine cover uses unconventional colors and layout to represent the genre of funky house music. Pink and blue colors not typically associated are used to create a diverse appeal. The artist's clothing matches the blue in the cover lines, linking the magazine visually. A close-up of the artist looking at the camera engages the audience and creates a relationship. Various fonts, sizes and colors are used strategically throughout to guide audience attention.
Contents page production log 1
Kianna Briggs created a plan for a contents page layout using three columns. She opened three images in Photoshop to manipulate their sizes and align them for the center of the InDesign page. Kianna resized the images using selection and transform tools, cropped them for appropriate sizing, and used rulers to position them in a straight line on a blank Photoshop page to prepare for importing into InDesign.
P is for psycho
This storyboard outlines scenes for a short film involving a woman hiding a gun in her belt who is then confronted by a boy entering the room. The storyboard uses camera shots including wide shots, medium shots, close-ups, and angles to depict the woman tending to wounds and hiding objects before turning to face the boy, at which point a man says "BAD MOVE KID" before two gunshots are heard.
Analysis of film posters
The poster analyzes the film poster for the horror film "Little Red Riding Hood". It summarizes that the name of the film is written in red with blood spatters, implying death and changing the original fairytale. The main image shows Little Red Riding Hood looking directly at the camera with a haunting expression, creating a connection with the audience and highlighting that this is a horror genre rather than the original fairytale. The poster is aimed at an older audience suggested by the sinister colors and dark image.
Narrative research
The document summarizes the narrative of a film adaptation of Little Red Riding Hood. Key points:
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Front cover production log 1
- 1. Front Cover Production Log 1 Kianna Briggs
- 2. •This is the plan I have created which allowed to create the layout of my front cover The boxes with the ‘x’ in shows where the images are going to go. I have allocated the text to the left of the page so that the audience are not confused as to where to look but can simply approach the cover logically.
- 3. This is my chosen image for my front cover. I have made use of a prop so that the audience can recognise that it is a music magazine as they would associate a microphone with music. Furthermore because the genre of my magazine is funky house I have paid close attention to colours for example the singer has red hair which is bright and will grab the audience’s attention. Furthermore she is wearing a purple shirt which has connotations that she is a funky artist because of the colour but also that she is serious about her job which is shown with a shirt. Due to the fact that my front cover has a white background I had to use the crop and lasso tool in Photoshop which would allow me to cut the image out of the background. This is the image after I cut it out of the background using the lasso tool in Photoshop. The difficulties I came across when cutting it out where cutting out the small intricate parts such as between her arm and the microphone lead and also her hair. This is because I had to be careful not to cut out her arm which would make her look disproportional. However to overcome these difficulties I had to enlarge the screen which would allow me to get a more precise cut as I would be able to see exactly what I was cutting out. Once I cut my image out I then transferred it onto InDesign which allowed me to place it in the exact place I wanted on a page.
- 4. I then placed the image in which I had manipulated in Photoshop on to In Design.
- 5. Regarding my masthead I found it from a website called Dafont. I had many problems trying to transfer it to InDesign as it would not allow me to download. As a result of this dilemma I had to enlarge the screen and then print screen it onto a word document which would then allow me to crop the page and manipulate the size to fit the page on InDesign.
- 6. I then copied the font from word onto In Design in the position that was appropriate.
- 7. With regards to my sky line I decided to use a range of colours which would highlight my colour scheme. I also used three different font sizes which creates a differentiation and highlights the most important words.
- 8. I have used two fonts on my front cover which are ‘Rockwell’ and ‘Sans Serif’. I have used these fonts because they are very opposite from each other which create a funky look. Before choosing these two fonts I experimented with a number of different fonts. This made me see what looked appropriate and also showed me what two fonts looked well together.