P is for psycho
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This storyboard outlines scenes for a short film involving a woman hiding a gun in her belt who is then confronted by a boy entering the room. The storyboard uses camera shots including wide shots, medium shots, close-ups, and angles to depict the woman tending to wounds and hiding objects before turning to face the boy, at which point a man says "BAD MOVE KID" before two gunshots are heard.
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A2 storyboard (1)
This document contains shooting directions for a psycho-thriller film scene. It describes various camera shots and angles including establishing wide shots, low and high angle medium shots, close-ups of objects and a character's clenched fist, and an extreme close-up of a character's eyes. It outlines the sequence of shots and includes directions for lighting, camera movements like pans and tilts, and sound effects like a door opening and gunshots.
Storyboard Practice
The storyboard document outlines a sequence of shots for a scene involving a confrontation between a boy and a man. It begins with establishing shots from a low angle outside and inside a location before cutting to increasingly tighter shots, including close-ups of objects, a head turning quickly, and a man tucking a gun into his belt. The sequence ends with an extreme close-up of the man's eyes followed by black frames and the sounds of gunshots after he says "bad move kid".
A2 storyboard
This document provides a shot-by-shot storyboard for a short film scene depicting a confrontation between a man and a boy in a bathroom. The storyboard uses camera angles, shots, movements and lighting to outline the visual sequence, beginning with an establishing wide shot and zooming in on the characters through various close-up shots before culminating in the man pulling a gun and threatening the boy.
P is fot pyscho
This storyboard outlines the scenes and shots for a psychological thriller film. It begins with establishing shots of a low-lit room and zooms in on objects and a mirror. A boy enters the room and a man is seen tucking a knife into his belt. The man tells the boy not to move with shadowy, underlit eyes. It ends with fade to black and the sounds of slicing.
презентация1
The document provides a detailed analysis of the title sequence of a horror film about a stepfather who is a serial killer. It analyzes elements like camera work, sound, mise-en-scene, editing, plot, characters, and credit order. Specifically, it notes the panning and tracking camera shots, minor key music that builds suspense, Christmas décor that contrasts with the murders, flashbacks, casual cutting between mundane and gruesome items, and a storyline where the stepfather methodically kills countless families. The credits follow a typical order and introduce the middle-class American family that is the target of the killer main character.
Behind the files character profiles
Detective Sarah Jones is a 22-year-old British detective solving a big case involving murder, rape, and theft. She stays up most nights trying to solve the case and has a close relationship with Detective Sen. The dark figure is a mysterious and aggressive 23-year-old Armenian character who destroys evidence and the detective board, appearing very angry and sly. The document provides a psychological thriller mind map covering elements of mise-en-scene, lighting, sound, editing, props, costumes, camera movements, flashbacks, characters, and music.
презентация3
The title sequence for Se7en uses unconventional camera techniques and editing to create tension and mystery. Extreme close-ups, low and high angles, and panning shots obscure details and leave the audience guessing. Fast jump cuts and morphing between shots maintain an unsettling pace. Dark, ambiguous lighting and eerie sounds complete an atmosphere that feels unsafe. Very few details are given about the plot or characters to preserve the obscure tone.
Final script
This document is a script that follows the kidnapping of a 10-year-old girl named April Lovett. It uses a series of news reporter voiceovers to establish that April went missing after not returning home from the park. The script then cuts between shots of April in public before her kidnapping and shots inside the kidnapper's shed, showing him preparing by sharpening knives and setting up surveillance cameras. It builds suspense as the search for April continues with no leads over a period of two weeks.
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A2 storyboard (1)
This document contains shooting directions for a psycho-thriller film scene. It describes various camera shots and angles including establishing wide shots, low and high angle medium shots, close-ups of objects and a character's clenched fist, and an extreme close-up of a character's eyes. It outlines the sequence of shots and includes directions for lighting, camera movements like pans and tilts, and sound effects like a door opening and gunshots.
Storyboard Practice
The storyboard document outlines a sequence of shots for a scene involving a confrontation between a boy and a man. It begins with establishing shots from a low angle outside and inside a location before cutting to increasingly tighter shots, including close-ups of objects, a head turning quickly, and a man tucking a gun into his belt. The sequence ends with an extreme close-up of the man's eyes followed by black frames and the sounds of gunshots after he says "bad move kid".
A2 storyboard
This document provides a shot-by-shot storyboard for a short film scene depicting a confrontation between a man and a boy in a bathroom. The storyboard uses camera angles, shots, movements and lighting to outline the visual sequence, beginning with an establishing wide shot and zooming in on the characters through various close-up shots before culminating in the man pulling a gun and threatening the boy.
P is fot pyscho
This storyboard outlines the scenes and shots for a psychological thriller film. It begins with establishing shots of a low-lit room and zooms in on objects and a mirror. A boy enters the room and a man is seen tucking a knife into his belt. The man tells the boy not to move with shadowy, underlit eyes. It ends with fade to black and the sounds of slicing.
презентация1
The document provides a detailed analysis of the title sequence of a horror film about a stepfather who is a serial killer. It analyzes elements like camera work, sound, mise-en-scene, editing, plot, characters, and credit order. Specifically, it notes the panning and tracking camera shots, minor key music that builds suspense, Christmas décor that contrasts with the murders, flashbacks, casual cutting between mundane and gruesome items, and a storyline where the stepfather methodically kills countless families. The credits follow a typical order and introduce the middle-class American family that is the target of the killer main character.
Behind the files character profiles
Detective Sarah Jones is a 22-year-old British detective solving a big case involving murder, rape, and theft. She stays up most nights trying to solve the case and has a close relationship with Detective Sen. The dark figure is a mysterious and aggressive 23-year-old Armenian character who destroys evidence and the detective board, appearing very angry and sly. The document provides a psychological thriller mind map covering elements of mise-en-scene, lighting, sound, editing, props, costumes, camera movements, flashbacks, characters, and music.
презентация3
The title sequence for Se7en uses unconventional camera techniques and editing to create tension and mystery. Extreme close-ups, low and high angles, and panning shots obscure details and leave the audience guessing. Fast jump cuts and morphing between shots maintain an unsettling pace. Dark, ambiguous lighting and eerie sounds complete an atmosphere that feels unsafe. Very few details are given about the plot or characters to preserve the obscure tone.
Final script
This document is a script that follows the kidnapping of a 10-year-old girl named April Lovett. It uses a series of news reporter voiceovers to establish that April went missing after not returning home from the park. The script then cuts between shots of April in public before her kidnapping and shots inside the kidnapper's shed, showing him preparing by sharpening knives and setting up surveillance cameras. It builds suspense as the search for April continues with no leads over a period of two weeks.
Key points
The document outlines several codes and conventions that are commonly used in thriller movies, including creating a sense of mystery through lighting, music, editing, and mise-en-scene techniques, as well as using stereotypical representations of gender and symbolic props. The information is intended to help the reader produce an outstanding opening for their own thriller film by applying these cinematic techniques and conventions.
Audience research overview
This document provides an overview of audience research for marketing a psychological thriller film. The target audience is males and females aged 17-40 who are mainly middle to upper class with intellectual interests such as reading, traveling, and films. The trailer should hype up the complex and socially relevant plot using text and style to represent the dark and sinister tone appealing to this audience. Marketing should conventionally appeal through the mise-en-scene, editing, shots and soundtrack to represent increasing tension, pressure and deteriorating mental states. Focus groups revealed inspiration can be drawn from films like Shutter Island and Fight Club using teaser elements, mystery and technical aspects like lighting and cinematography to appeal to fans of the psychological thriller genre.
Ideas for pp
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Psycho
The document provides an analysis of the opening scenes of the film Psycho. It discusses how the title and music set expectations of a psychological thriller. The establishing shot shows Phoenix, Arizona and pans to a hotel room with blinds drawn, hinting at something suspicious. A two-shot shows a woman in bed and a man getting dressed, using an ordinary situation to draw in viewers. Camera angles are used to portray the power dynamics between the characters and create sensuality. The woman seems tense about their secret relationship while the man is more relaxed.
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Source code analysis
The document analyzes thriller conventions in source code. It discusses three key elements: plot, setting, and characters. For plot, it notes the main character's disorientation and ability to perform the impossible through science. For setting, it describes fast trains and advanced laboratories that create mystery. For characters, it describes the male protagonist as brave and skilled seeking order, while the antagonist is initially hidden.
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Storyboard 2 Ellie
The storyboard depicts a close up of a girl's unmoving eye that gradually zooms out to show her dead face. It then shows her full body lying on the ground with clues in the surrounding area. The main character, a detective, is then shown walking down the street as title cards appear around her. When she arrives at the crime scene, a forensic investigator holds up the police tape to indicate her high rank and importance to the investigation.
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This document outlines two plot ideas for a crime thriller film trailer project by students named Kristian O'Grady, Bethany Pritt and Adam Saxton. The first plot idea involves someone having their family member held hostage and being told to rob banks over 4 days to save their life. The second plot idea, which they selected, involves a bored detective receiving emails with pictures of people he loves being killed, each with a playing card on them representing how close they are to him. The document discusses soundtrack ideas, locations, directing techniques, linking it to other tasks, and equipment needed.
R3WiND MEDiA THRILLER OPENING IDEA'S
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Thriller conventions
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Trailer for A2
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Thriller shots
The document discusses two thriller film shots. The first is a light, blurry photo of a hooded male figure that creates confusion about his identity and purpose. The second shot shows a blurred shoulder in the foreground and the legs of a walking person in the background, implying the moving person's importance. The shots are analyzed for how they convey mystery or could be improved to better fit the thriller genre.
Contents page production log 1
Kianna Briggs created a plan for a contents page layout using three columns. She opened three images in Photoshop to manipulate their sizes and align them for the center of the InDesign page. Kianna resized the images using selection and transform tools, cropped them for appropriate sizing, and used rulers to position them in a straight line on a blank Photoshop page to prepare for importing into InDesign.
Captivity analysis
1) The trailer uses a male voice over to set the mood that someone is missing and in danger of kidnapping, while visuals show a woman crying for help and being tortured.
2) Sounds of knives and increased music build tension, suggesting the woman is in peril while the danger climaxes.
3) Shots like poisoned wine, vulnerable angles of the woman, and a bare hand completing a crime establish themes of danger, mystery, and a criminal plot.
4) Editing techniques like faster cuts and zooming confuse the audience and draw them into the film's narrative to encourage watching the full movie.
Front cover production log 1
Kianna Briggs created a layout plan for the front cover of her funky house music magazine. She selected an image of a singer holding a microphone that would grab attention due to its bright colors. Kianna used Photoshop's lasso tool to precisely cut out the image and remove the white background. She then placed the edited image onto the InDesign layout according to her plan. Kianna also added the magazine's masthead, which she had to print screen and crop due to download issues. Finally, she included a skyline with varying font sizes to highlight important words and completed the cover with two contrasting fonts, Rockwell and Sans Serif, to achieve a funky look.
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Key points
The document outlines several codes and conventions that are commonly used in thriller movies, including creating a sense of mystery through lighting, music, editing, and mise-en-scene techniques, as well as using stereotypical representations of gender and symbolic props. The information is intended to help the reader produce an outstanding opening for their own thriller film by applying these cinematic techniques and conventions.
Audience research overview
This document provides an overview of audience research for marketing a psychological thriller film. The target audience is males and females aged 17-40 who are mainly middle to upper class with intellectual interests such as reading, traveling, and films. The trailer should hype up the complex and socially relevant plot using text and style to represent the dark and sinister tone appealing to this audience. Marketing should conventionally appeal through the mise-en-scene, editing, shots and soundtrack to represent increasing tension, pressure and deteriorating mental states. Focus groups revealed inspiration can be drawn from films like Shutter Island and Fight Club using teaser elements, mystery and technical aspects like lighting and cinematography to appeal to fans of the psychological thriller genre.
Ideas for pp
This document contains ideas for a thriller film, including conventions like low-key lighting, quick cuts, tense music, and hidden antagonist identities. It outlines a storyline involving friends watching a film where one gets bullied and a hooded figure kills the bullies. It recommends shots like close-ups of important objects from characters' points of view and long shots showing events. It suggests dull, dark lighting both inside and out, and teaser posters and trailers with mysterious, creepy fonts and looks.
Psycho
The document provides an analysis of the opening scenes of the film Psycho. It discusses how the title and music set expectations of a psychological thriller. The establishing shot shows Phoenix, Arizona and pans to a hotel room with blinds drawn, hinting at something suspicious. A two-shot shows a woman in bed and a man getting dressed, using an ordinary situation to draw in viewers. Camera angles are used to portray the power dynamics between the characters and create sensuality. The woman seems tense about their secret relationship while the man is more relaxed.
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Source code analysis
The document analyzes thriller conventions in source code. It discusses three key elements: plot, setting, and characters. For plot, it notes the main character's disorientation and ability to perform the impossible through science. For setting, it describes fast trains and advanced laboratories that create mystery. For characters, it describes the male protagonist as brave and skilled seeking order, while the antagonist is initially hidden.
The document then analyzes representation of gender in a film segment. It discusses camerawork, sound, editing, and mise-en-scene to suggest the film portrays women as more sexual, aesthetic, kind, and sensitive compared to powerful, criminal, and emotionless men.
3 part of tragic plot
This document summarizes the key elements of a tragic plot structure. It discusses that a tragic plot typically consists of three main parts: 1) Reversal, where a situation suddenly changes from a positive to negative direction, 2) Recognition, which is a change from ignorance to awareness, often of some horrible event or secret, and 3) Suffering, which involves a destructive or painful act. The document provides these three elements as the typical components that make up the structure of a tragic plot.
Storyboard 2 Ellie
The storyboard depicts a close up of a girl's unmoving eye that gradually zooms out to show her dead face. It then shows her full body lying on the ground with clues in the surrounding area. The main character, a detective, is then shown walking down the street as title cards appear around her. When she arrives at the crime scene, a forensic investigator holds up the police tape to indicate her high rank and importance to the investigation.
Focus Genre -Horror
This document outlines common narrative tropes, settings, characters, and stylistic conventions in horror films. It discusses juxtapositions and binary opposites used to set up isolation of characters in new and haunted environments like the countryside, abandoned houses, or isolated areas. Character types often include inexperienced adults or teens investigating strange communities or supernatural events in the dark using only diegetic sounds and non-diegetic music to build tension. Examples discussed include The Shining, The Woman in Black, An American Werewolf in London, Lights Out, and Cabin in the Woods.
Cinematography Beth
The document discusses various camera shots and techniques used in a film scene. A wide shot is used to foreshadow events and reveal a birthday cake. A medium close up tilts the camera down, making the subject look weak and vulnerable. A mid shot opens up to show the room and exaggerate the seriousness of the situation. A cutaway to a heart monitor builds tension as the monitor stops beeping. A mid shot allows the viewer to see the subject's expression but also the background as lights start going out, creating dramatic irony. A wide shot emphasizes there are only two ways to go and the subject looks lost.
WCC COMM 106 writing leads for an audience powerpoint (updated) LUTHER
The document provides guidance on writing effective leads for audio stories. It emphasizes that a lead should capture the essence of the story in an engaging way and pique the audience's interest. The lead functions like a headline and is the most important element. It should address what's in it for the listener and make a direct connection with them. When writing a lead, it's important to know who the audience is and what the essence of the story is about. The lead should preview but not summarize the entire story.
Pitch
This document outlines two plot ideas for a crime thriller film trailer project by students named Kristian O'Grady, Bethany Pritt and Adam Saxton. The first plot idea involves someone having their family member held hostage and being told to rob banks over 4 days to save their life. The second plot idea, which they selected, involves a bored detective receiving emails with pictures of people he loves being killed, each with a playing card on them representing how close they are to him. The document discusses soundtrack ideas, locations, directing techniques, linking it to other tasks, and equipment needed.
R3WiND MEDiA THRILLER OPENING IDEA'S
This document discusses ideas for short thriller films and provides context on conventions in the thriller genre. It includes four initial ideas pitched by individuals - one involving a flashback of a girl being chased, another involving a police investigation of a rape and murder, a third centered around family photos dropping from the sky, and a fourth involving blood-stained photos telling a mystery story. It then discusses the target teenage and adult audience, and provides examples of camera work and tension-building techniques from other thriller openings like Memento. The document concludes with a final idea called "Soul" involving locations where a lady will be attacked and a man looks at photos of the lady before seeing a figure in the bathroom.
Thriller conventions
Thriller films rely on suspense and anticipation to keep audiences engaged as the protagonist faces tensions that build to a stressful climax. There are six subgenres of thriller including action, crime, and psychological thrillers. Specific conventions include quick cuts, tense music, shadows, and changes in camera angles to generate suspense. Cinematography employs close-ups on protagonists to show emotions while hiding antagonists' identities through quick cuts and silhouettes. Editing uses jump cuts and cross-cutting to build suspense, and montages or flashbacks add confusion. Sound design incorporates tense music and diegetic effects to immerse audiences in characters' experiences. Mise-en-scene establishes themes through locations, costumes,
Chapter 11 film criticism
The document discusses various film techniques used by directors to create meaning and influence viewers, including narrative structure, editing, point of view shots, and ideological frameworks. It provides examples of several films that employ suspense-building techniques (Hitchcock films), ambiguous narratives (Breathless), and web-of-life plots (Crash). The document also examines documentaries like Man with a Movie Camera and The Thin Blue Line that use editing to shape the viewer's perceptions and attitudes. Overall, it analyzes how film style and conventions can reinforce social ideologies through both explicit and implicit meanings.
Join Me @ VN MobileDevCamp2010
1. The document describes an event-oriented social network app called Team 12 that allows users to check-in to events, share photos and feelings about the event, and invite friends in real-time.
2. Key features of the app include checking into events, introducing events through photos and status updates, sharing feelings through status updates, inviting friends using location, and getting real-time feedback from friends.
3. The app aims to make it easier for users to share their experiences at events and locations with friends without having to manually share addresses or directions.
Trailer for A2
The document outlines a series of shots that could be used in a film trailer to create intrigue and enigma for the audience. The shots include a close up of a crying girl to start, followed by shots of a passing train, a boy with a distressed facial expression, two boys fighting, people on bikes, a boy dumping a bike, and finally a boy seeing a bike while a voice over states "it's not always wrong to steal a bike." The purpose of these shots is to raise questions in the audience's mind about who the characters are and what is happening to drive the plot without giving away all the details.
Thriller shots
The document discusses two thriller film shots. The first is a light, blurry photo of a hooded male figure that creates confusion about his identity and purpose. The second shot shows a blurred shoulder in the foreground and the legs of a walking person in the background, implying the moving person's importance. The shots are analyzed for how they convey mystery or could be improved to better fit the thriller genre.
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Contents page production log 1
Kianna Briggs created a plan for a contents page layout using three columns. She opened three images in Photoshop to manipulate their sizes and align them for the center of the InDesign page. Kianna resized the images using selection and transform tools, cropped them for appropriate sizing, and used rulers to position them in a straight line on a blank Photoshop page to prepare for importing into InDesign.
Captivity analysis
1) The trailer uses a male voice over to set the mood that someone is missing and in danger of kidnapping, while visuals show a woman crying for help and being tortured.
2) Sounds of knives and increased music build tension, suggesting the woman is in peril while the danger climaxes.
3) Shots like poisoned wine, vulnerable angles of the woman, and a bare hand completing a crime establish themes of danger, mystery, and a criminal plot.
4) Editing techniques like faster cuts and zooming confuse the audience and draw them into the film's narrative to encourage watching the full movie.
Front cover production log 1
Kianna Briggs created a layout plan for the front cover of her funky house music magazine. She selected an image of a singer holding a microphone that would grab attention due to its bright colors. Kianna used Photoshop's lasso tool to precisely cut out the image and remove the white background. She then placed the edited image onto the InDesign layout according to her plan. Kianna also added the magazine's masthead, which she had to print screen and crop due to download issues. Finally, she included a skyline with varying font sizes to highlight important words and completed the cover with two contrasting fonts, Rockwell and Sans Serif, to achieve a funky look.
Little%20 red%20riding%20hood[1]
Little Red Riding Hood takes a basket of goods to her grandmother's house in the forest. Along the way, she is followed by a witch who intends to harm her. When Little Red Riding Hood arrives at her grandmother's house, she discovers that the witch has taken her grandmother's place in bed. The witch reveals herself and threatens to eat Little Red Riding Hood.
Double page spread production log 1.....
Kianna Briggs created a double page spread for a magazine. She used different fonts, colors, and formatting to clearly present an interview and ensure the text was visible on the images. Briggs experimented with different colors that coordinated throughout the spread and enhanced readability. She also included design elements like gradients and page numbers to link the spread to other magazine content.
Double page spread research
This double page magazine spread features Lady Gaga. One page contains a photo of Lady Gaga in a provocative pose, while the other page contains text about the artist. The simple two-color design and layout makes the information accessible. Lady Gaga looks directly at the camera, creating a relationship with the reader and suggesting the article is about learning about the artist. Key details like a large "L" and drop caps guide the reader through the text.
Front cover research
This magazine cover uses unconventional colors and layout to represent the genre of funky house music. Pink and blue colors not typically associated are used to create a diverse appeal. The artist's clothing matches the blue in the cover lines, linking the magazine visually. A close-up of the artist looking at the camera engages the audience and creates a relationship. Various fonts, sizes and colors are used strategically throughout to guide audience attention.
P is for psycho blog 2
The document summarizes the editing work done by the author for a film project. Some key points:
1) The author edited images in Photoshop for the project, applying a black and white theme and using red spots/strokes to highlight important elements.
2) Techniques included changing images to black and white, cropping out reflections, and blending red paint using liquify to create blood effects.
3) The author reflects that maintaining consistent red shades throughout could have improved the realism and clarity of the storyboard.
P is for psycho blog 2
The document summarizes edits made to images for a horror storyboard about a female serial killer. Key edits included changing images to black and white, adding red spots or brush strokes to highlight victims, and cropping out reflections. The editor notes they aimed for a sinister black and white theme but acknowledges inconsistent red shading between images could be confusing. Lessons included maintaining a higher level of consistency across edits to improve the realism and clarity of the storyboard.
Little red riding hood
Little Red Riding Hood takes a basket of goods to her grandmother's house in the forest. Along the way, she is followed by a witch who intends to harm her. When Little Red Riding Hood arrives at her grandmother's house, she discovers that the witch has taken her grandmother's place in bed. The witch reveals herself and threatens to eat Little Red Riding Hood.
Front cover production log 1...
1) The document describes Kianna Briggs' process for designing the front cover of a production log, including selecting fonts, arranging cover lines, resizing and positioning images, and adding a barcode.
2) Key fonts used include Stencil for the main headline and Rockwell for other text. Colors and fonts will be consistent throughout the pages.
3) Cover lines are arranged to correlate with the main image and use a variety of fonts to draw attention to important words. Smaller images are resized and copied onto the page before placing in InDesign.
Little red riding hood
Little Red Riding Hood analyzes two trailers for the film Little Red Riding Hood. The first trailer uses a red background and white text to suggest purity overtaken by evil. It establishes the genre through symbolism. The second trailer starts with an institution to establish credibility before fading to a red cloak, revealing the title. It contrasts happy footage of Little Red Riding Hood with a tense sequence using close-ups and a wolf image to build suspense. Both trailers create atmosphere through editing, camerawork, sound, and symbolic imagery rather than a voiceover.
Front cover research
This magazine cover uses unconventional colors and layout to represent the genre of funky house music. Pink and blue colors not typically associated are used to create a diverse appeal. The artist's clothing matches the blue in the cover lines, linking the magazine visually. A close-up of the artist looking at the camera engages the audience and creates a relationship. Various fonts, sizes and colors are used strategically throughout to guide audience attention.
Double page spread production log 1
The document is a production log for a double page spread created by Kianna Briggs in InDesign. It details how she used various tools to lay out images and text across two pages according to her plan. This included using the rectangle frame tool to indicate image placement, opening images in Photoshop to manipulate their size, and using the text tool to add titles and a quote in different fonts, sizes, and colors to draw attention.
Double page spread research
This double page magazine spread features Lady Gaga. One page contains a large photo of Lady Gaga posing sexually, while the other page contains descriptive text about her. The simple color scheme and layout make the content easily accessible. Lady Gaga looks directly at the camera, seeming to address the reader directly and create a relationship between the artist and audience. The text discusses how Lady Gaga's exaggerated personality and enjoyment of attention is represented by the large "L" drawing eyes to the center of the page.
Analysis of film posters
The poster analyzes the film poster for the horror film "Little Red Riding Hood". It summarizes that the name of the film is written in red with blood spatters, implying death and changing the original fairytale. The main image shows Little Red Riding Hood looking directly at the camera with a haunting expression, creating a connection with the audience and highlighting that this is a horror genre rather than the original fairytale. The poster is aimed at an older audience suggested by the sinister colors and dark image.
Narrative research
The document summarizes the narrative of a film adaptation of Little Red Riding Hood. Key points:
1) Little Red Riding Hood has been aged to a teenager to make the thriller genre more believable for a 15 rating.
2) The witch is chasing Red Riding Hood to get closer to her grandmother, who holds secrets the witch wants.
3) The huntsman, a lost friend of Red Riding Hood, is the hero who will help protect her and her grandmother.
4) The trailer leaves many secrets unrevealed to encourage audience interest in watching the full film.
Snow white analysis
The trailer for Snow White uses editing techniques like fades and cuts to build drama and tension. Graphics provide relevant information in a fairytale font on a dark background to make the magic seem evil. Single dramatic words highlight the action and increase suspense between shots. Camera shots provide important symbolic images and establish the time period. Costumes also help show the difference in status between characters like the wealthy Queen and lower-class Huntsman.
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Digital Transformation Frameworks: Driving Digital Excellence
[To download this presentation, visit:
https://www.oeconsulting.com.sg/training-presentations]
This presentation is a curated compilation of PowerPoint diagrams and templates designed to illustrate 20 different digital transformation frameworks and models. These frameworks are based on recent industry trends and best practices, ensuring that the content remains relevant and up-to-date.
Key highlights include Microsoft's Digital Transformation Framework, which focuses on driving innovation and efficiency, and McKinsey's Ten Guiding Principles, which provide strategic insights for successful digital transformation. Additionally, Forrester's framework emphasizes enhancing customer experiences and modernizing IT infrastructure, while IDC's MaturityScape helps assess and develop organizational digital maturity. MIT's framework explores cutting-edge strategies for achieving digital success.
These materials are perfect for enhancing your business or classroom presentations, offering visual aids to supplement your insights. Please note that while comprehensive, these slides are intended as supplementary resources and may not be complete for standalone instructional purposes.
Frameworks/Models included:
Microsoft’s Digital Transformation Framework
McKinsey’s Ten Guiding Principles of Digital Transformation
Forrester’s Digital Transformation Framework
IDC’s Digital Transformation MaturityScape
MIT’s Digital Transformation Framework
Gartner’s Digital Transformation Framework
Accenture’s Digital Strategy & Enterprise Frameworks
Deloitte’s Digital Industrial Transformation Framework
Capgemini’s Digital Transformation Framework
PwC’s Digital Transformation Framework
Cisco’s Digital Transformation Framework
Cognizant’s Digital Transformation Framework
DXC Technology’s Digital Transformation Framework
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McKinsey’s Digital Transformation Framework
Digital Transformation Compass
Four Levels of Digital Maturity
Design Thinking Framework
Business Model Canvas
Customer Journey Map
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Innovation Management Frameworks: Your Guide to Creativity & Innovation
Innovation Management Frameworks: Your Guide to Creativity & InnovationOperational Excellence Consulting
[To download this presentation, visit:
https://www.oeconsulting.com.sg/training-presentations]
This PowerPoint compilation offers a comprehensive overview of 20 leading innovation management frameworks and methodologies, selected for their broad applicability across various industries and organizational contexts. These frameworks are valuable resources for a wide range of users, including business professionals, educators, and consultants.
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