Film Institutions
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This document compares the low-budget horror film The Purge made for $3 million and grossing $89 million, to the high-budget animated Disney film Tangled with a $260 million budget that grossed $591 million. It discusses how Universal and Disney are two of the six major media companies that control most entertainment, and how Disney typically makes family-friendly animated films while Universal produces for a wider range of audiences and genres. Both studios are considered very successful, though Disney has more success with animated films and families while Universal finds success across genres and with older viewers.
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Media Pitch
Our film pitch proposes a horror film called Spotlight, following a group of school friends who band together for survival against mysterious creatures that have appeared. The creatures lure victims to their deaths using an entrancing light that controls them. As the story progresses, the government plans to contain the area and drill down to find the source, trapping the friends within the walls. They have two days to navigate monsters, psychopaths, and traps to escape before a nuclear detonation. The film targets 15-24 year olds and will promote through social media, posters, and horror film festivals to reach this audience. Investors are asked to fund the £5 million budget to cover costs like lighting, cast, equipment, and
media research
The target audience for most thrillers is ages 16 and up, as the filmmakers feel viewers of that age can relate best to the issues explored. Thiller advertising features dark, striking images and catchy taglines to draw in potential viewers and give them a taste of what to expect, with ads appearing in places like bus shelters, cinemas, websites, social media, and on mobile sites sometimes including a trailer.
Netflix ppt
This ppt is about Netflix's uplifting movies which you should watch if you are a Netflix subscriber.
Media Presentation
The document provides details about the production of a psychological thriller film. It will be distributed by 20th Century Fox, allowing it to be shown in major cinema chains for a wide audience release. After the cinema run, the film will be distributed through traditional DVD releases as well as streaming on Netflix and Lovefilm. The target audience is primarily 18-35 year old females who research shows enjoy the mystery and psychological elements of the genre. The film will tell the story of a family kidnapped on holiday, with the father killed and the mother and daughter taken while the son searches the island to find them. It provides details on the cast, crew, locations and has a budget of £40 million.
Reality tv show
1) The document proposes a reality TV show concept called "Haunted" where 4 contestants would stay overnight in a house rigged to induce paranormal experiences and be scared by actors dressed in costumes.
2) The goal is to scare the contestants through noises, moving objects, and actors appearing and disappearing. Contestants could leave but would forfeit any winnings.
3) The show would have 10 episodes per season, air on Saturday nights on E4, and be hosted by Davina McCall. Celebrities may also participate in special episodes.
What kind of media institution might distribute your media product and why?
Working Title Films would be an ideal institution to distribute the romantic comedy film. As an independent production company that later partnered with Universal Studios and Magnolia Pictures, Working Title Films has a reputation for distributing successful romantic comedies over the past two decades such as Four Weddings and a Funeral and Bridget Jones's Diary. Working Title Films' experience and expertise in the romantic comedy genre makes it well-suited to distribute an independent low-budget romantic comedy.
Question 3 - Institution research
The document discusses research conducted on three British thriller films and their production companies to compare them to the film chosen for the opening. It provides plot summaries and information on the production companies for each of the three films. It then discusses why the researchers chose Millennium Films as the company to model their opening film after, noting that while their original inspiration was produced by eOne, Millennium Films better fits the thriller genre and has recently produced British thriller films like London Has Fallen.
Preparation for evaluation questions
The document discusses the film Sweeney Todd: The Demon Barber of Fleet Street and compares it to the author's thriller film idea. Sweeney Todd involves a barber seeking revenge on a corrupt judge by killing his customers and sending their bodies to a meat pie shop. The author analyzes Sweeney Todd's plot, genre, target audience, and distribution companies. They also compare their thriller idea to the film Parents, about a boy who suspects his parents are cannibals. The author concludes that while Sweeney Todd's distribution companies would be unrealistic, Vestron Pictures, which distributed lower budget films, would be a better fit for their thriller.
Recommended
Media Pitch
Our film pitch proposes a horror film called Spotlight, following a group of school friends who band together for survival against mysterious creatures that have appeared. The creatures lure victims to their deaths using an entrancing light that controls them. As the story progresses, the government plans to contain the area and drill down to find the source, trapping the friends within the walls. They have two days to navigate monsters, psychopaths, and traps to escape before a nuclear detonation. The film targets 15-24 year olds and will promote through social media, posters, and horror film festivals to reach this audience. Investors are asked to fund the £5 million budget to cover costs like lighting, cast, equipment, and
media research
The target audience for most thrillers is ages 16 and up, as the filmmakers feel viewers of that age can relate best to the issues explored. Thiller advertising features dark, striking images and catchy taglines to draw in potential viewers and give them a taste of what to expect, with ads appearing in places like bus shelters, cinemas, websites, social media, and on mobile sites sometimes including a trailer.
Netflix ppt
This ppt is about Netflix's uplifting movies which you should watch if you are a Netflix subscriber.
Media Presentation
The document provides details about the production of a psychological thriller film. It will be distributed by 20th Century Fox, allowing it to be shown in major cinema chains for a wide audience release. After the cinema run, the film will be distributed through traditional DVD releases as well as streaming on Netflix and Lovefilm. The target audience is primarily 18-35 year old females who research shows enjoy the mystery and psychological elements of the genre. The film will tell the story of a family kidnapped on holiday, with the father killed and the mother and daughter taken while the son searches the island to find them. It provides details on the cast, crew, locations and has a budget of £40 million.
Reality tv show
1) The document proposes a reality TV show concept called "Haunted" where 4 contestants would stay overnight in a house rigged to induce paranormal experiences and be scared by actors dressed in costumes.
2) The goal is to scare the contestants through noises, moving objects, and actors appearing and disappearing. Contestants could leave but would forfeit any winnings.
3) The show would have 10 episodes per season, air on Saturday nights on E4, and be hosted by Davina McCall. Celebrities may also participate in special episodes.
What kind of media institution might distribute your media product and why?
Working Title Films would be an ideal institution to distribute the romantic comedy film. As an independent production company that later partnered with Universal Studios and Magnolia Pictures, Working Title Films has a reputation for distributing successful romantic comedies over the past two decades such as Four Weddings and a Funeral and Bridget Jones's Diary. Working Title Films' experience and expertise in the romantic comedy genre makes it well-suited to distribute an independent low-budget romantic comedy.
Question 3 - Institution research
The document discusses research conducted on three British thriller films and their production companies to compare them to the film chosen for the opening. It provides plot summaries and information on the production companies for each of the three films. It then discusses why the researchers chose Millennium Films as the company to model their opening film after, noting that while their original inspiration was produced by eOne, Millennium Films better fits the thriller genre and has recently produced British thriller films like London Has Fallen.
Preparation for evaluation questions
The document discusses the film Sweeney Todd: The Demon Barber of Fleet Street and compares it to the author's thriller film idea. Sweeney Todd involves a barber seeking revenge on a corrupt judge by killing his customers and sending their bodies to a meat pie shop. The author analyzes Sweeney Todd's plot, genre, target audience, and distribution companies. They also compare their thriller idea to the film Parents, about a boy who suspects his parents are cannibals. The author concludes that while Sweeney Todd's distribution companies would be unrealistic, Vestron Pictures, which distributed lower budget films, would be a better fit for their thriller.
Film listings
This document contains summaries of 4 films:
- A young FBI agent infiltrates a team of extreme sports athletes suspected of corporate crimes.
- A frontiersman fights for survival after being mauled by a bear and abandoned in the 1820s.
- A former special forces operative turned mercenary is subjected to an experiment leaving him with accelerated healing.
- Five sisters in 19th century England must cope with marriage pressures while fighting off zombies.
Evaluation Task 3
A media distribution company like Warner Brothers would be well-suited to distribute our low-budget film product because it is a large, popular studio that could attract viewers. Production companies are responsible for funding and creating new media works, then selling them to distributors or studios. Distributors secure contracts with exhibitors to receive a percentage of ticket sales and may be responsible for dubbing or subtitling films for different language markets.
Ghost Whisperer
Melinda Gordon is the main character who can communicate with ghosts. As the owner of an antique store, she helps earthbound spirits resolve their problems and cross over, which can be difficult as the ghosts are sometimes uncooperative or menacing. The show follows Melinda's life as she balances her supernatural abilities with living a normal life and relationships. It aired on CBS from 2005 to 2010.
Reality tv show
The document proposes a reality TV show concept called "Haunted" where 4 contestants would stay overnight in a house rigged with cameras to monitor them at all times. The goal is to scare the contestants by making noises, having objects fall, and using actors in costumes to appear and disappear. Contestants could leave at any time by pressing an emergency button, and there would be a doctor on site. The show would air on Saturday nights and be hosted by Davina McCall.
Devil.bizzplan4 (6)
"Devil May Care" A film to be Directed and Produced by Gabriella Tagliavini. The suggested cast is different than what is on plan, with Christian Slater and Jessica Alba. Lions Gate bought the film and it is a sure success, feel free to contact me at 801 660 7373 for more info.
Horror Film trailer pitch
The document outlines an idea for a zombie film or teaser trailer that would involve the following:
- A zombie virus has spread and infected people worldwide, shown through news reports of major cities being hit.
- Scenes would show abandoned and lifeless areas like streets, houses, and train lines.
- Characters would be chased by zombies down back alleys and shoot zombies with various weapons like pistols and rifles.
- Filming locations would include empty streets, woods, fields near Rossington as well as the corridors and classrooms of a local school made to look like a hospital.
Scream tv show adaptation
The document discusses the Scream TV show adaptation produced by MTV based on the popular 1996 slasher film franchise. It introduces new teenagers haunted by the Ghost Face killer wearing the same mask. While updated for a modern audience, the TV show suffers in quality compared to the polished original film. It was initially successful for MTV, drawing over 1 million viewers for its premiere and averaging 750k viewers per season. However, MTV later sold the rights to Netflix due to financial issues. The deal stipulates that Netflix cannot alter the Ghost Face mask design, as those rights remain with Dimension Films. There is also an ethical question around extreme violent content being more accessible on TV than in cinemas.
Comp list
The document compares three horror films to the film being produced:
- The Blair Witch Project (1999) had a small budget but large profits, showing found footage can be successful. It targeted young adults seeking thrills.
- Midsommar (2019) featured a cult different from society, like the film being made. It had budgets of $9M and profits over $49M, giving hope for their film's success.
- It (2017) involved a boy kidnapped by a clown, similar to children searching for animal masked people. It had a $35M budget and $328M profits, showing another successful horror search narrative.
Q3: What kind of media institution might distribute your media product and why?
Vertigo Films is an independent film production and distribution company established in 2002 by Allan Niblo and James Richardson. It has produced over 50 films across various genres including horror, crime/drama, sci-fi, and romance. Notable films include The Sweeney, Monsters, and StreetDance 3D. While starting with gritty urban films, Vertigo has expanded its genres over 14 years to stay relevant in the market. It benefits from home video sales, with over 50% of revenue from DVD sales. Vertigo also supports new filmmakers through an annual competition.
Reality tv shows
The document discusses different genres of reality television shows including talent shows, music competitions, singing competitions, docusoaps, and horror shows. It provides examples for each genre, describing key elements of shows like Britain's Got Talent, The X Factor, The Voice, TOWIE, Made in Chelsea, Geordie Shore, Paranormal Challenge, Ghost Adventures, and Most Haunted. These examples illustrate common formats and storytelling techniques for each reality television genre.
Question 3 mine
The document discusses several major media companies that could potentially distribute a low-budget thriller film, including Dimension Films, Warner Brothers, Universal, 20th Century Fox, and Summit Entertainment. It notes pros and cons of each company, such as Dimension and Universal being open to sequels, Warner Brothers focusing more on children's films, 20th Century Fox specializing in high-budget films, and Summit having success marketing to younger audiences. Potential advertising avenues are also listed, such as television, movie theaters, billboards, newspapers, and online.
Question 3.
Metrodome would be the most suitable media institution to distribute the film One English Pound. One English Pound would be a low-budget British film with British actors telling the story of how ordinary people can fall into traps like alcoholism and prostitution, and how to prevent or reduce these issues. Metrodome has experience distributing similar films that follow characters through difficult life experiences and showing how they improve their lives. They also have a budget that would work for One English Pound, which does not require special effects, big-name actors, or expensive equipment.
Question 3: What kind of media institution might distribute your media projec...
Momentum Pictures would be a good choice to distribute the filmmaker's movie project. Momentum is a large UK film distributor that releases around 20 films per year, supporting projects with varying budgets. They have experience distributing both independent and larger films globally. Momentum also frequently partners with other distributors to help films break into other markets like the US. Their past support of new directors and willingness to take risks on lower budget films from first-time filmmakers suggests they may be open to considering distributing the filmmaker's project as well.
Wallace and Gromit
The document outlines a promotional plan to encourage audiences to watch the Wallace and Gromit film "Curse of the Were-Rabbit" during the autumn half term. The plan includes competitions and prizes targeted at both children and adults, promotional products like toys and accessories, and advertising through newspapers which 20% of readers are young people. TV advertisements are identified as the most effective way to reach the target market.
Case Study: Wallace & Gromit powerpoint
The document outlines a promotional plan to encourage audiences to watch the Wallace and Gromit film "Curse of the Were-Rabbit" during the autumn half term. The plan includes competitions and prizes targeted at both children and adults, promotional products like toys and accessories, and advertising through newspapers which 20% of readers are young people. TV advertisements are identified as the most effective way to reach the target market.
Reality shows
Reality shows have existed since the 1940s when radio shows used hidden microphones to catch people's candid reactions. This evolved into shows with hidden cameras like Candid Camera in the 1960s. Reality television exploded in popularity in the late 1990s and early 2000s with the success of shows like Big Brother and Survivor. Reality shows present unscripted situations involving ordinary people and can include contests with prizes. Common subgenres include talk shows, elimination shows, docu-soaps, and living sitcoms that follow real families. While popular for showcasing real people's lives, reality TV has also faced criticism for potentially humiliating participants and blurring the line between reality and entertainment.
Alex Richards- Christmas work
This document provides information on the marketing campaigns for several films released in late 2010, including Meet the Parents: Little Fockers, Love & Other Drugs, TRON: Legacy, The Chronicles of Narnia: The Voyage of the Dawn Treader, 127 Hours, and Gulliver's Travels. It lists the genre, release date, director, distributor, stars, and details of the marketing strategies which included online promotion through trailers and websites as well as offline advertising through television, billboards, and point of sale materials like posters and cutouts in cinemas.
Question 7
The document discusses what was learned from the preliminary task to the full product. It was noted that planning was poor for the preliminary task, which made it challenging and required changing ideas halfway. This highlighted the importance of thorough planning. Other lessons included utilizing foley sounds to add realism, and gaining more experience with cameras and editing software to implement more advanced titles, transitions, and shot types in the full product. Overall, mistakes from the preliminary task helped inform what was needed to progress to a higher quality final project.
Risk Assessment - London
The document summarizes the risks assessed for a filming activity in Camden Town and Regent's Park on 15/10/15. It identifies hazards like damaged equipment, lost/stolen equipment, falling over, allergic reactions to makeup, cars getting in the way of traffic, pedestrians interfering with shots, and wildlife. For each hazard, it provides the likelihood of it occurring, severity if it did occur, overall risk level, and control measures to mitigate the risk. The filming crew had mobile phones and the nearest 24/7 doctor/hospital was in St Pancras.
Art of the title
The document discusses title sequences in films and TV. It explains that title sequences set expectations and introduce key crew while drawing the audience in. Examples are given of effective horror, crime, and drama title sequences from Dawn of the Dead, Catch Me If You Can, and Forrest Gump. Specific title sequences from Dawn of the Dead and Catch Me If You Can are then analyzed in more detail. The document also discusses interviews with Richard Morrison about designing title sequences for Sweeney Todd and Batman.
Audience questionnaire analysis
The group created a questionnaire with 10 questions that was given to 10 members of their target audience aged 15-21 in order to analyze the results and improve their music video ideas. Based on the responses, the group found that their target audience preferred pop, dance and indie music genres and artists like Beyoncé. They also preferred music videos with locations like beaches and festivals that had a happy, summery vibe with dancing. Respondents suggested some changes like adding more of a storyline or shots in London to the group's original music video idea.
China's Historical Lies over West Philippine Sea (Short Version)
Based on Supreme Court Justice Carpio's paper on the West Philippine Sea issue, Historical Lies, this is a shortened graphical rendition created by www.imoa.ph
More Related Content
What's hot
Film listings
This document contains summaries of 4 films:
- A young FBI agent infiltrates a team of extreme sports athletes suspected of corporate crimes.
- A frontiersman fights for survival after being mauled by a bear and abandoned in the 1820s.
- A former special forces operative turned mercenary is subjected to an experiment leaving him with accelerated healing.
- Five sisters in 19th century England must cope with marriage pressures while fighting off zombies.
Evaluation Task 3
A media distribution company like Warner Brothers would be well-suited to distribute our low-budget film product because it is a large, popular studio that could attract viewers. Production companies are responsible for funding and creating new media works, then selling them to distributors or studios. Distributors secure contracts with exhibitors to receive a percentage of ticket sales and may be responsible for dubbing or subtitling films for different language markets.
Ghost Whisperer
Melinda Gordon is the main character who can communicate with ghosts. As the owner of an antique store, she helps earthbound spirits resolve their problems and cross over, which can be difficult as the ghosts are sometimes uncooperative or menacing. The show follows Melinda's life as she balances her supernatural abilities with living a normal life and relationships. It aired on CBS from 2005 to 2010.
Reality tv show
The document proposes a reality TV show concept called "Haunted" where 4 contestants would stay overnight in a house rigged with cameras to monitor them at all times. The goal is to scare the contestants by making noises, having objects fall, and using actors in costumes to appear and disappear. Contestants could leave at any time by pressing an emergency button, and there would be a doctor on site. The show would air on Saturday nights and be hosted by Davina McCall.
Devil.bizzplan4 (6)
"Devil May Care" A film to be Directed and Produced by Gabriella Tagliavini. The suggested cast is different than what is on plan, with Christian Slater and Jessica Alba. Lions Gate bought the film and it is a sure success, feel free to contact me at 801 660 7373 for more info.
Horror Film trailer pitch
The document outlines an idea for a zombie film or teaser trailer that would involve the following:
- A zombie virus has spread and infected people worldwide, shown through news reports of major cities being hit.
- Scenes would show abandoned and lifeless areas like streets, houses, and train lines.
- Characters would be chased by zombies down back alleys and shoot zombies with various weapons like pistols and rifles.
- Filming locations would include empty streets, woods, fields near Rossington as well as the corridors and classrooms of a local school made to look like a hospital.
Scream tv show adaptation
The document discusses the Scream TV show adaptation produced by MTV based on the popular 1996 slasher film franchise. It introduces new teenagers haunted by the Ghost Face killer wearing the same mask. While updated for a modern audience, the TV show suffers in quality compared to the polished original film. It was initially successful for MTV, drawing over 1 million viewers for its premiere and averaging 750k viewers per season. However, MTV later sold the rights to Netflix due to financial issues. The deal stipulates that Netflix cannot alter the Ghost Face mask design, as those rights remain with Dimension Films. There is also an ethical question around extreme violent content being more accessible on TV than in cinemas.
Comp list
The document compares three horror films to the film being produced:
- The Blair Witch Project (1999) had a small budget but large profits, showing found footage can be successful. It targeted young adults seeking thrills.
- Midsommar (2019) featured a cult different from society, like the film being made. It had budgets of $9M and profits over $49M, giving hope for their film's success.
- It (2017) involved a boy kidnapped by a clown, similar to children searching for animal masked people. It had a $35M budget and $328M profits, showing another successful horror search narrative.
Q3: What kind of media institution might distribute your media product and why?
Vertigo Films is an independent film production and distribution company established in 2002 by Allan Niblo and James Richardson. It has produced over 50 films across various genres including horror, crime/drama, sci-fi, and romance. Notable films include The Sweeney, Monsters, and StreetDance 3D. While starting with gritty urban films, Vertigo has expanded its genres over 14 years to stay relevant in the market. It benefits from home video sales, with over 50% of revenue from DVD sales. Vertigo also supports new filmmakers through an annual competition.
Reality tv shows
The document discusses different genres of reality television shows including talent shows, music competitions, singing competitions, docusoaps, and horror shows. It provides examples for each genre, describing key elements of shows like Britain's Got Talent, The X Factor, The Voice, TOWIE, Made in Chelsea, Geordie Shore, Paranormal Challenge, Ghost Adventures, and Most Haunted. These examples illustrate common formats and storytelling techniques for each reality television genre.
Question 3 mine
The document discusses several major media companies that could potentially distribute a low-budget thriller film, including Dimension Films, Warner Brothers, Universal, 20th Century Fox, and Summit Entertainment. It notes pros and cons of each company, such as Dimension and Universal being open to sequels, Warner Brothers focusing more on children's films, 20th Century Fox specializing in high-budget films, and Summit having success marketing to younger audiences. Potential advertising avenues are also listed, such as television, movie theaters, billboards, newspapers, and online.
Question 3.
Metrodome would be the most suitable media institution to distribute the film One English Pound. One English Pound would be a low-budget British film with British actors telling the story of how ordinary people can fall into traps like alcoholism and prostitution, and how to prevent or reduce these issues. Metrodome has experience distributing similar films that follow characters through difficult life experiences and showing how they improve their lives. They also have a budget that would work for One English Pound, which does not require special effects, big-name actors, or expensive equipment.
Question 3: What kind of media institution might distribute your media projec...
Momentum Pictures would be a good choice to distribute the filmmaker's movie project. Momentum is a large UK film distributor that releases around 20 films per year, supporting projects with varying budgets. They have experience distributing both independent and larger films globally. Momentum also frequently partners with other distributors to help films break into other markets like the US. Their past support of new directors and willingness to take risks on lower budget films from first-time filmmakers suggests they may be open to considering distributing the filmmaker's project as well.
Wallace and Gromit
The document outlines a promotional plan to encourage audiences to watch the Wallace and Gromit film "Curse of the Were-Rabbit" during the autumn half term. The plan includes competitions and prizes targeted at both children and adults, promotional products like toys and accessories, and advertising through newspapers which 20% of readers are young people. TV advertisements are identified as the most effective way to reach the target market.
Case Study: Wallace & Gromit powerpoint
The document outlines a promotional plan to encourage audiences to watch the Wallace and Gromit film "Curse of the Were-Rabbit" during the autumn half term. The plan includes competitions and prizes targeted at both children and adults, promotional products like toys and accessories, and advertising through newspapers which 20% of readers are young people. TV advertisements are identified as the most effective way to reach the target market.
Reality shows
Reality shows have existed since the 1940s when radio shows used hidden microphones to catch people's candid reactions. This evolved into shows with hidden cameras like Candid Camera in the 1960s. Reality television exploded in popularity in the late 1990s and early 2000s with the success of shows like Big Brother and Survivor. Reality shows present unscripted situations involving ordinary people and can include contests with prizes. Common subgenres include talk shows, elimination shows, docu-soaps, and living sitcoms that follow real families. While popular for showcasing real people's lives, reality TV has also faced criticism for potentially humiliating participants and blurring the line between reality and entertainment.
Alex Richards- Christmas work
This document provides information on the marketing campaigns for several films released in late 2010, including Meet the Parents: Little Fockers, Love & Other Drugs, TRON: Legacy, The Chronicles of Narnia: The Voyage of the Dawn Treader, 127 Hours, and Gulliver's Travels. It lists the genre, release date, director, distributor, stars, and details of the marketing strategies which included online promotion through trailers and websites as well as offline advertising through television, billboards, and point of sale materials like posters and cutouts in cinemas.
What's hot (17)
Q3: What kind of media institution might distribute your media product and why?
Q3: What kind of media institution might distribute your media product and why?
Question 3: What kind of media institution might distribute your media projec...
Question 3: What kind of media institution might distribute your media projec...
Viewers also liked
Question 7
The document discusses what was learned from the preliminary task to the full product. It was noted that planning was poor for the preliminary task, which made it challenging and required changing ideas halfway. This highlighted the importance of thorough planning. Other lessons included utilizing foley sounds to add realism, and gaining more experience with cameras and editing software to implement more advanced titles, transitions, and shot types in the full product. Overall, mistakes from the preliminary task helped inform what was needed to progress to a higher quality final project.
Risk Assessment - London
The document summarizes the risks assessed for a filming activity in Camden Town and Regent's Park on 15/10/15. It identifies hazards like damaged equipment, lost/stolen equipment, falling over, allergic reactions to makeup, cars getting in the way of traffic, pedestrians interfering with shots, and wildlife. For each hazard, it provides the likelihood of it occurring, severity if it did occur, overall risk level, and control measures to mitigate the risk. The filming crew had mobile phones and the nearest 24/7 doctor/hospital was in St Pancras.
Art of the title
The document discusses title sequences in films and TV. It explains that title sequences set expectations and introduce key crew while drawing the audience in. Examples are given of effective horror, crime, and drama title sequences from Dawn of the Dead, Catch Me If You Can, and Forrest Gump. Specific title sequences from Dawn of the Dead and Catch Me If You Can are then analyzed in more detail. The document also discusses interviews with Richard Morrison about designing title sequences for Sweeney Todd and Batman.
Audience questionnaire analysis
The group created a questionnaire with 10 questions that was given to 10 members of their target audience aged 15-21 in order to analyze the results and improve their music video ideas. Based on the responses, the group found that their target audience preferred pop, dance and indie music genres and artists like Beyoncé. They also preferred music videos with locations like beaches and festivals that had a happy, summery vibe with dancing. Respondents suggested some changes like adding more of a storyline or shots in London to the group's original music video idea.
China's Historical Lies over West Philippine Sea (Short Version)
Based on Supreme Court Justice Carpio's paper on the West Philippine Sea issue, Historical Lies, this is a shortened graphical rendition created by www.imoa.ph
Production Diary 3
Naomi Pierce documented her week working on her production diary. She researched how to create Foley sounds and found a tutorial video particularly helpful for understanding how to make precise sound effects. Her teachers provided feedback to ensure she uploads all of her work, which she has now done. Overall, Naomi has been researching elements for her final product and will focus on using interactive tools to present her work professionally.
Font research
Fonts can signify genres in films through attributes like color, size, and style. Red fonts may represent horror by symbolizing blood or romance by symbolizing love. For horror films specifically, common font conventions include using red color, large and bold size, and harsh, sharp capital letters to stand out, impact audiences, and convey danger and blood. Different genres also have fonts that are commonly associated with and represent them in film titles.
Pitch
The document discusses choices for a music video. It selects the song "We don't have to take our clothes off" remix by Ella Eyre for its varying paces that allow different shot types. The ideas are to depict a concept of fun and freedom through a female artist in summery locations. Potential locations mentioned include the beach, festivals, clubs, and theme parks, but issues with each are noted like weather, needing event attendance, age restrictions, and capturing summer vibes now in autumn.
Supreme Court decision, SRMI vs. DENR
This decision by the Supreme Court of the Philippines addresses a petition filed by three mining corporations challenging a cease and desist order issued by the Department of Environment and Natural Resources (DENR) for allegedly exceeding the 50,000 metric ton annual production limit for small-scale mining set in Presidential Decree No. 1899. The Court upheld the validity of the production limit and affirmed the DENR's authority to issue the order. Specifically:
1) The Court rejected the argument that the production limit violates equal protection, finding that PD 1899 and the subsequent People's Small-Scale Mining Act establish two different regulatory schemes for small-scale mining.
2) The Court also deferred to the DENR and M
Movie opening pitch
The document discusses ideas for a horror film opening about a man who loses his daughter and becomes psychologically unstable. He collects girls and tries to recreate memories of his daughter by dressing them as china dolls and making them play with tea sets in his daughter's room. Potential film titles discussed include "Remembrance", "Breakables", and "The Porcelain Girl". The genre is described as horror/thriller. Proposed props include china dolls, tea sets, knives, and doll costumes and makeup.
Sez Shenzhen and the role of Bangladesh economy
This document discusses special economic zones (SEZs) and their role in economic development. It provides background on SEZs, describing them as geographical regions that have economic and other laws that differ from a country's typical policies to encourage economic activity. The document uses Shenzhen, China as a case study, outlining its transformation from a small village to a major city through the use of SEZ policies. It also discusses SEZs in other countries and their benefits, such as promoting employment, foreign investment, and technology exchange. While noting SEZs can help development, it also identifies obstacles Bangladesh faces in attracting foreign direct investment, and provides recommendations for overcoming challenges to realizing SEZs' potential economic benefits.
Production Diary 18
Naomi created a timeline of potential titles for their opening based on an analysis of Napoleon Dynamite titles. She also researched appropriate fonts for horror films to design fitting titles. The production team decided to use video Naomi took of bats at London Zoo for a new horror-genre specific institution logo, finding it more effective than an alternative jellyfish logo. Naomi designed the main title in After Effects as a cursive writing that shatters, representing the genre and themes.
Still image analysis
This document analyzes and summarizes still images from three different films to identify how mise-en-scene, setting, camera angles, characters, and other formal elements are used to convey genre and meaning. For the first image from "The Shining," it notes how the dull colors, lighting, and close-up shot of the main character's face create a sense of horror and psychological tension. In the second image from "You've Got Mail," it discusses how the bright lighting, background bookshelf, two-shot angle of the characters looking at each other signify a romantic genre. It then analyzes student-created still images meant to depict the thriller genre and how they use darkness, shadows and crime/action
writing skill
This document describes an activity to teach writing skills to beginners. It will explain writing rules in detail, provide examples for students to understand, and have students complete a quiz to assess their learning. The activity is believed to be beneficial because it will help students develop their writing abilities and learn the basic rules for writing by solving the quiz.
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Similar to Film Institutions
Vertigo
Studio Canal's main target audience is older viewers for thriller films like Non-Stop, but they have also distributed family films like Paddington. They have a long history of award-winning films dating back to 1986, including Oscars for The Graduate and The Deer Hunter. While Studio Canal is a well-known distributor that covers many genres and high-quality films, they may not be the best fit as they do not have much experience distributing thrillers for a younger audience.
Distributors
Studio Canal primarily targets older audiences with thrillers and action films like Non-Stop and RoboCop. They have some comedic films like Paddington to reach different audiences. Their genres include action thrillers and comedy. Studio Canal has won many awards since 1986 for films like The Graduate and The Deer Hunter. While they distribute high-quality, award-winning films across genres, they may not be the best fit for a thriller-genre film since they have not widely distributed thrillers in the past.
Distribution of film
This document discusses different genres of films including comedy, horror, sci-fi, and action. It provides statistics showing that comedy has the highest ticket sales and market share of 23.54% despite having fewer movies produced than genres like horror. The document also discusses factors like target audiences that influence a genre's success, noting that comedy appeals to a wide range of ages while horror targets older viewers. Distribution and promotions are mentioned as important for raising film awareness and profits. Examples like Hammer Film Productions and their horror movies are provided to illustrate successful genre films and marketing techniques.
Vertigooooooooooooo
Vertigo Films targets audiences aged 12-30 for both children's films and thrillers rated 18+. They have distributed kids films like Top Cat and Pudsey the Dog as well as thrillers like Outcast and Monsters. While Vertigo suits the film's genre and may provide financing, they often focus on kids films which could get in the way of creating an engaging thriller.
Film
This distributor, Pathé, typically distributes drama films based on true stories with older target audiences and age-appropriate content. Their films include Mandela, The Queen, and The Duchess. While they work on low-budget British films, their focus on drama does not align well with the thriller genre being proposed. Their target audience would also differ from the younger audience envisioned for this film.
Bums on seat FROZEN FEVER
The document provides an overview of the Disney film Frozen, including:
1) It was a critical and commercial success, becoming the highest-grossing animated film of all time.
2) The film resonated with audiences by subverting Disney princess tropes and portraying the relationship between sisters Anna and Elsa in a positive light.
3) Frozen was hugely successful commercially thanks to extensive merchandising and appeal to both family and adult audiences.
Secondary Research
The document provides information on several films and film magazines to help determine the target audience for a new drama film. Key details include:
- The films appeal mainly to older (40+) audiences, especially those in the upper-middle class (AB demographic), due to complex subject matter.
- Film magazines Total Film and Empire largely attract educated, affluent males aged 18-39 who are passionate about film and new technology.
- This research indicates the new drama film should target 45+ audiences in the AB demographic, using sophisticated language and focusing on themes of obsession, addiction, and unpredictability.
LOST SERENITY
This document provides information about the film "Lost Serenity" including quotes about filmmaking, the story and characters, locations, revenue streams, comparable films, casting details, and excerpts from the script. It discusses the film's potential for profit across revenue streams like theaters, DVDs, music, and merchandise. Comparable successful films that grossed over a billion dollars worldwide are referenced.
Evaluation task
1. Media institutions like film studios and production companies distribute media products to audiences. They finance films and handle theatrical distribution, home media releases, and marketing.
2. Different types of institutions target different audiences - for example, Disney targets families while Lionsgate specializes in horror. They also produce a wide variety of genres.
3. As a short opening sequence, the filmmaker's work would not be funded by a major studio. However, uploading it to YouTube allows worldwide free distribution and the potential for recognition online or at student film festivals.
Question 3: Evaluation
Warp Films would be the best production company for the media product due to their focus on talented filmmakers and releasing niche genres that are plot-oriented. Cinema City and independent art house cinemas would also be well suited for distribution due to their niche audiences. However, mainstream multiplexes could also work given the success of films like "The Girl with the Dragon Tattoo" that had a similar target audience and subject matter. The internet also provides opportunities for distribution through social media and streaming to reach the target 18-25 age range.
Evaluation Question 3
Hammer Films would be a suitable distributor as they regularly produce similar thriller and horror genres. However, as a British institution, Hammer Films may not provide broad international recognition. 20th Century Fox would be a better choice as a major American studio that distributes globally. They have experience with thriller films and their recognizable logo would signal that the product is worth watching. Disney would not be a good fit as they focus on family-friendly content, whereas thrillers are not family oriented.
Evaluation question 3
The document discusses different types of media institutions that distribute films, namely conglomerate studios like Time Warner and independent companies like Warp X. Conglomerate studios distribute big-budget films with recognizable stars to appeal to mass audiences globally, while independent companies distribute lower-budget, niche films. The document uses the examples of the thriller Se7en being distributed by a major studio due to its large budget and stars, and Donkey Punch being distributed by an independent studio with a smaller budget and national stars. It determines that an independent studio would be the best option to distribute the film "The Syndrome" due to its low budget and lack of famous actors.
Question 3: Evaluation
The document discusses potential media institutions to distribute an independent thriller film about a teenage girl. It analyzes why Vue cinemas and Working Title would not be suitable given their focus on mainstream, wide appeal films. It determines Warp Films and Cinema City would be good fits as they specialize in niche, plot-driven films. Though an art house cinema would suit the film's audience best, the document also considers mainstream multiplexes could work since films like "The Girl with the Dragon Tattoo" found success with a similar demographic in those venues.
Question 2 final
The document discusses the target audience and distribution options for an independent romantic comedy film. The target audience is identified as being ages 15-20, with a potential preference for female viewers given the male lead. Major distribution companies like Universal and Warner Bros. release large studio films, while independent companies like IFC Films and Film4 specialize in smaller, independent films. The document concludes that Entertainment Film Distributors would be the most suitable independent distributor given their experience distributing similar low-budget, independent romantic comedies.
Film distributers
The document analyzes financial and audience data for the horror film genre. It finds that while horror films have lower budgets than other genres like comedy, they earn an average profit of $16 million per film. Horror audiences tend to be males age 18-24 who are drawn to the thrill and scares of the genre. For a horror film to succeed financially, it should aim for an R rating and be distributed by a company like Universal Studios which has experience with profitable horror releases.
Distribution
The document discusses potential distribution options for an independent British thriller film called "Vani[she]d". It suggests that Altitude, an independent UK film distribution company, would be a good fit given that they distribute similar low-budget, British indie films. Altitude has successfully distributed films like "The Girl With All The Gifts", though "Vani[she]d" has a different target audience and narrative. Other distribution strategies mentioned include generating buzz through social media, indie film festivals, Our Screen screenings, and the Flix Premiere streaming platform.
Audience profile
The document analyzes different films' age ratings based on their content and violence levels. It also summarizes the results of a questionnaire given to the target audience of 16-21 year olds, finding they prefer thriller and horror films and are most likely to watch films like Saw. Secondary research compares the Texas Chainsaw Massacre and Scream films' budgets and profits to understand their popularity and impact on the genre.
DRAFT Q3
Mainstream cinemas like Vue and ODEON would be the best distribution for the film as they appeal to younger audiences interested in current thrillers. These cinemas show popular films at affordable prices in the evenings, allowing students and young people aged 16-20 to easily see the film. Independent cinemas and the BBC cater to older, niche audiences, so would not be suitable given the film's target demographic. Digital platforms like Netflix and YouTube could expand the audience reach, as could social media promotion like what Gone Girl used. A smaller UK film company like the BFI would be more willing to support an unknown, low-budget film than larger studios.
Evaluation: Question
The audience for this media product is teenagers ages 15-18. Research showed that thrillers make a huge profit from this age group. While some people ages 20-28 also watch these films, teenagers are the key demographic. In order to target this teenage audience, the film would need a 15 rating certification to allow 15-18 year olds to view it theatrically. A 12A rating would be too restrictive, while an 18 rating would lose out on profits from younger teenagers. The film aims to be similar to other 15 rated thrillers like The Strangers and Silent House that involve home invasion and suspense with frightening themes, violence, and gore.
Q3 of Evaluation
Walt Disney Studios and 20th Century Fox Film Corporation would likely not be good distributors for the thriller film because their highest grossing films are mostly family-friendly genres like adventure and animation. Universal Pictures and Lionsgate have had success distributing thriller films and have audiences that align with the target for this film. Netflix may not be the best online distributor as their most popular content is TV shows rather than films, and thrillers do not seem to be the most successful genre. Amazon Prime Instant Video could be a better online option due to its wide selection of films across genres.
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The document grants Leanne Davidson, Laila Jaleel, Naomi Pierce and Sam Tomlinson permission to photograph, record audio of, and use the person's likeness in connection with their student music video and related projects. It allows perpetual use of photographs, recordings, and likeness for exhibition, advertising, and promotion of the video. The person agrees not to make legal claims regarding the use of their likeness and understands post-production voice work may be done by someone else if they can't complete it.
Lana del rey advert analysis
This document analyzes the album cover and promotional poster for Lana Del Rey's 2012 album "Born to Die". It discusses various design elements intended to advertise the album, including the artist's name in bold white font against a blue sky to stand out, the calm color scheme meant to create a summery atmosphere, direct eye contact to make the audience feel personally targeted to buy the album, and inclusion of the album's release date and singles to provide more information. Overall, the poster uses vintage-inspired visuals and styling to draw in Lana Del Rey's target audience while also feeling modern and presenting her as a current pop artist.
Katy perry advert analysis
This advertisement promotes Katy Perry's 2010 album "Teenage Dream". It features a full-body picture of Katy Perry in a suggestive pose, wearing a purple wig that references her "California Gurls" music video. Her name and the album title are displayed prominently in fonts designed to match her public image as feminine and fun. Information about the album's genre, record label, release date and featured singles is also provided to entice audiences. Bold colors, floral prints, and Katy's revealing costume aim to represent her vibrant personality and attract audiences through her public persona.
Music video production team
The music video production team consists of Sam, Leanne, Laila, and Naomi. Leanne will serve as the director and take control of casting, production design, and creativity. Sam, Laila, and Naomi will assist Leanne as the director and also take on acting roles. The group as a whole will work together to produce, market, and distribute the final music video.
Audience questionnaire
1) The document is an audience questionnaire about music preferences and ideas for a music video.
2) It asks about the respondent's age, gender, favorite music genre, and favorite artist's music videos.
3) It also asks what locations the respondent would like to see in a music video for the song "We Don't Have to Take Our Clothes Off" including beach, festival, party, club/bar, and theme park.
Production Diary 17
This week the production team completed the second draft of their opening which uses shots and ordering that makes more sense than the previous draft. Upon reflection, they decided improvements are still needed such as adding titles, foley sounds, and a new logo which they will focus on next week. They hope to finish the final product in the next couple of weeks.
Production Diary 15
This week the team created an institution logo called "Dark Clouds" for the opening of their video. They filmed and edited footage for the opening. While the video looks professional, the sound quality is fuzzy and may need improvement going forward.
Production Diary 13
Naomi Pierce reflected on the production's risk assessment and found that some control measures may not need to be carried out for future filming, as the risks were accurate or lower than expected. She completed the first draft of the film but recognized multiple improvements were needed. Feedback from friends in the target audience revealed a wider variety of improvements so that the audience understands what is happening and finds the opening professional and realistic. She analyzed shots from the first draft to improve upon refilming and compared the opening to another film in the same genre.
Production Diary 11
Naomi's production group worked on planning ideas for their opening scene. They narrowed down their ideas and presented a concept called "Remember Her", but received feedback to change the name to "Porcelain". Naomi also researched horror conventions to ensure their opening establishes the genre properly. The group created a moodboard, word collage, and storyboard to develop the opening's style and shots. They selected locations, did a risk assessment, and planned a shooting schedule around the weather. Overall, the group made progress planning their opening and Naomi is excited to start filming.
Production Diary 10
This week's production diary discusses completing a reconstruction task which provided experience with editing software and cameras, making the student more comfortable and efficient for future work. The reconstruction was evaluated and revealed areas for improvement. Next week will involve planning a final product, and over the weekend considering storyline ideas.
Production Diary 6
Naomi Pierce produced a preliminary editing task for a class. She split up tasks with her group to work on music, titles and editing separately since they were new to the software. They kept the music and titles simple but effective for the preliminary task since they were still learning. Completing the preliminary task helped Naomi become more comfortable with editing software and applying techniques like the 180 degree rule and match on action shots. She evaluated her work using class criteria to identify areas to improve and strengths for future tasks.
Production Diary 4
This week the student filmed preliminary footage for a coursework assignment but found during editing that the storyline did not make sense due to insufficient planning. They will plan their video in more detail next week and refilm to improve the storyline. The student learned they need much more thorough planning for future assignments and final products.
Porcelain Script
A teenage girl is shown looking scared in her bedroom. A man enters through a large gate and prepares food with a large knife. The girl is then seen tied to a china teacup while dolls lay on the bed. Footsteps approach the bedroom as the man climbs the stairs, enters the bedroom, and scolds the girl for wiping away her lipstick before smashing a china teacup on the floor.
Jennifer's body analysis
The document is a sample script page that follows standard script formatting conventions. It includes the scene location in all capital letters, character names also in capital letters with descriptions, action lines describing what the audience sees, indications of voice overs, key props in capital letters, and parentheticals providing delivery instructions for actors. Scripts are always written in Courier New font, size 12, on plain white A4 paper.
Movie Posters
The document analyzes three movie posters: Lucy, The Fault in Our Stars, and Man of Steel. It discusses elements like camera angles, character positioning, logos, taglines, colors, lighting, and facial expressions that are used to convey genre, establish characters, provide context about the plot, and attract audiences. Key details that give hints about the stories and intrigue viewers are emphasized through visual composition choices on the posters.
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Film Institutions
- 1. Low budget Vs high budget films The Purge Vs Tangled
- 2. Low Budget Institution: Universal Pictures Budget: $3 million Revenue: $89 million Genre: Horror, Science-fiction, Thriller. Certificate: 15 Audience: Adults, Teenagers 15+
- 3. High Budget Institution: Disney Budget: $260 million Revenue: $591 million Genre: Animation, Family, Fantasy, Musical, Romance. Certificate: PG Audience: Families, Chidren
- 4. Universal Vs Disney Universal and Disney are both in the 6 ‘media giants’ that control 90% of what we read, watch and listen to. Disney usually produce animated films aimed at a younger and family audience, tangled was a the 50th animated Disney feature based upon the story Rapunzel by the Brothers Grimm. It is also the tenth official Disney princess movie. A large majority of Disney movies are extremely successful, tangled being one of the most but not as successful as The Lion King or Beauty and the Beast. Universal create a wider variety of films varying from children’s films like Shrek to horror films like The Purge and even comedies for example Evan Almighty, they therefore aim at a larger variety of audiences depending on the film. Both institutions are extremely successful, I would say that Disney is more successful in terms of animated and family films however Universal could be considered more successful with older viewers and in a wider variety of genres. Overall, I would say that both institutions are equally successful.