Evaluation of first draft
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The author discusses their design for a can. They feel the colors work well together and provide balance. The font chosen is different than initial selections but fits well. The layout allows the eye to view the entire design. Using three colors helped balance the design rather than two which could overwhelm. The flames meant to emulate fire do not seem strong enough and the author will search for flame templates online. On the next draft, the author wants to add more detail for a professional look and ensure appropriate text sizes. Colors may also be altered slightly to be more subtle rather than harsh.
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This document summarizes Madeleine Ross's experiments with magazine front cover and double page spread layout designs in Photoshop and InDesign. For the front covers, Ross tried different image and text placements, colors, and bleed line settings across three iterations before deciding to feature a central image with title text at the top and potential additional context text. For the double page spreads, Ross experimented with image shapes, placements, and column designs across multiple versions before landing on a layout with shaped images, colored blocks, and flowing text columns that maintained continuity across two pages. Overall, Ross reflected on keeping elements like shapes and cut-out images while being open to changes depending on final photographs and production details.
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The document discusses several potential photos for a contents page, evaluating each based on lighting, eye contact, orientation, focus, colors, model expression, and positioning relative to planned text. The writer likes some photos but thinks adjustments like cropping, changing colors, or off-centering the subject could improve them. Their favorite photo has bright colors and will be edited and tested on the page before a final choice is made.
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The document describes the process taken to edit four photographs for magazine covers. For each cover, the background was removed and a new background was added. Additional edits included adjusting brightness, contrast, and colors. Text elements like the magazine title and cover lines were added. The goal was to feature the model prominently while establishing a color scheme and stylish design for an "urban" magazine.
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- Adjusting the lighting and sizing of the main image.
- Adding a masthead, cropping the background, and applying effects like shadows, embossing, and overlays.
- Changing fonts based on feedback to improve readability.
- Adding and resizing graphics, puffs, and a pull quote to make the cover look more balanced, realistic and inviting.
- Continually tweaking positioning, sizing, colors and effects to refine the overall design.
5. pre production(3)
The document provides details on the pre-production planning for a magazine cover design project. It includes descriptions of the color scheme, fonts, and layout designs being considered to inspire the final magazine cover. Reference images of existing magazines, backgrounds, and characters are included to aid the design process. Potential issues that could arise during production like copyright, computer malfunctions, and ergonomic concerns are addressed in contingency plans. A weekly schedule is outlined to complete the magazine cover design in Photoshop and accompanying reflections and evaluations in PowerPoint.
6. production reflection
1) The document describes the process of creating scenes, enemies, a poster, game case, and menu for a video game project in Photoshop. Images were found online and outlines were drawn around them. Colors were filled in using the paint bucket tool.
2) Enemies for the game were created by outlining zombie images found online. Colors were filled in using the color palette. Most enemies would be similar but some variations would be made.
3) A poster was made with characters, a large title using a downloaded font, and a gradient background. Layers were rearranged and a symbol was copy and pasted.
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This document outlines the pre-production planning for a magazine and poster. It discusses choosing colors like red to make the materials stand out. It also lists fonts like "Doctor Glitch" that are unique and suit being different from other magazines. Layouts are presented, with the first using a bright color scheme and the second only including basic elements to appear bland as a comparison. Software and locations needed are listed, along with contingency planning for potential issues. A schedule is provided to guide the work over six days, focusing on gathering images, selecting designs, and getting feedback to finalize the products.
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The document advertises an upcoming careers fair hosted by the Institute of Physics on October 27th 2005 in Central London from 12pm to 8pm. The fair will provide students opportunities to win LCD TVs, attend presentations and CV clinics, and meet top exhibitors from companies in various science and engineering fields. Registration can be completed online at the provided website.
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Jonathan presenta su candidatura para el salón de clases y propone mejorar el inmueble, agregar pequeños recesos, permitir el acceso a las computadoras e internet en cualquier momento para imprimir trabajos urgentes, mantener los sanitarios limpios y usar internet en algunas clases para actividades.
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Gfhgf
La persona quiere que su pareja sea más abierta y cariñosa como era antes, ya que confía en él ciegamente y no quiere perderlo. Le pide que confíe en ella para poder ayudarlo, y que su relación dure para siempre porque no se imagina la vida sin él. Lo ama mucho a pesar de que a veces se sienta triste pensando que su amor podría terminar.
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20150625 tijuana Implant live surgery
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Idea development pro forma
The document provides a client project proposal for designing beer posters. It includes mind maps and ideas for 3 poster designs, with the second idea for a "Brass Monkey" beer poster being selected for further development. Evaluations of the ideas consider their suitability for the audience, client, and appeal, as well as addressing production timelines, costs, personnel needs, and legal/ethical considerations.
Ideas and Planning
The document provides information and guidance for developing ideas for a client project. It includes sections for brainstorming ideas, evaluating which to develop further, creating mood boards and mockups to visualize ideas, and experimenting with logo, business card, and website designs. For the logo development, the creator analyzes different color palettes, fonts, and provides example images. The goal is to develop ideas that represent the client's brand and meet their needs.
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This document provides an evaluation of creative pieces produced for a recycling campaign, including a logo, poster, merchandise, and bus panel.
The logo effectively communicates the message of recycling through a tree symbol, modified recycling symbol using hearts, and slogan in three tones of green. The poster reinforces the message while adding impact through an additional slogan in contrasting colors. Some merchandise was created but could be improved by choosing more relevant products. The bus panel layout is clear but could benefit from a bolder font size for greater visibility.
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Development pro forma(3)
The document provides an evaluation of a digital graphic narrative project where the student discusses strengths and areas for improvement in various tasks including shape manipulation, rotoscoping, film quotes, and more. Feedback is given on techniques used and how the student could further develop their skills if repeating the tasks.
Mini Evaluation (Can Designs)
The document provides a mini evaluation of a can design project.
In the first draft:
- The gradient text design was an improvement but some elements like the "32" could be improved.
- The template was not fully completed and could use more content from the IRN BRU website.
In the second draft:
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Development Pro Forma- Complete
The document provides evaluations of different digital graphic narrative development tasks, including shape tasks, rotoscoping, text-based images, comic book style images, photography, and illustrations. For each task, the document evaluates what is liked about the created pieces and areas that could be improved if the tasks were attempted again. The proposal for a digital graphic narrative project outlines plans to create a 10-page graphic novel adaptation of "The Three Little Pigs" using rotoscoping techniques within a PDF file format. Feedback on the proposal emphasizes focusing on details and textures for backgrounds to ensure unique images, while the idea generation is praised but could explore texture more on the mood board.
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This document contains a student's mood board project for creating a magazine cover. It includes four mood boards exploring images, colors, patterns, and fonts that inspire the intended style. The student found monochrome and grungy photos on Google that influenced the theme. The color mood board showed the variety of shades in black, white and grey. Pattern images displayed curved and lined designs that could be used subtly. Font research focused on calligraphy styles. The mood boards provided inspiration for the magazine cover's visual elements and helped the student better understand design influences.
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The document provides details of ideas generated for advertising materials for a personal trainer client named Carley. Three developed ideas are presented with mockups and evaluations.
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Idea 2 uses a purple color scheme described as bold and exciting. Photographic concepts are ambitious but realistic to achieve. It is assessed as attractive but may set too high of standards.
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This document contains a student's mood board project for creating a magazine. It includes four mood boards exploring images, colors, patterns, and fonts to inspire the overall style and theme. The student found photos on Google with similarities around dark colors, head shots placed off-center, and occasional pops of color. The color mood board showed the many shades of black, white and grey. The pattern board provided curvy and lined designs. The fonts will be handwritten styles. The mood boards influenced the student's vision and provided inspiration and resources for the final product.
Development Pro Forma
The document provides evaluations of different digital graphic narrative assignments completed by Katy Fleetham, including shape tasks, rotoscoping, text-based images, comic book filters, photography, and illustrations. Katy provides what she likes about each piece and areas for improvement if she was to redo the assignments. The feedback shows Katy's developing skills with different digital graphic techniques.
3. FMP Production Experiments
The document describes various experiments the author conducted in developing a logo, magazine cover layout, magazine article layout, and radio advertisement script for a gaming magazine called "Gamers Unite". Key experiments included testing different fonts and designs for the logo, laying out elements like headlines and images on mock magazine covers and article pages in PowerPoint, and writing and practicing a script for a radio advertisement. The author reflected on which elements from the experiments worked best and could be carried over to the final products, such as the Quantify font for the logo if it looks good against the background image, and a two-column magazine article layout similar to PC Gamer.
Idea development pro forma
This document contains a client project proposal for designing posters for three beer ideas. The client provides three initial ideas: 1) Mind Sweeper poster inspired by the video game Minesweeper 2) Brass Monkey poster with a tropical jungle theme representing the banana flavoring 3) Can outline poster using typography.
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Development Pro Forma
The document contains evaluations from a student of various digital graphic narrative assignments they completed. For a shape-based image, the student liked the layers on the bear's face and wavy background trees, and would improve details and the background next time. For a rotoscoped image, the student preferred it and liked added details like colored shading and a glint in the eye. Future improvements noted include smoothing jagged edges. Evaluations of further assignments include a text-based image, comic book pages, photos conveying emotions, and an orange drawing.
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This document contains Sumiah Rose's pre-production style sheets and layout designs for an art exhibition. It includes considerations of fonts, colors, image styles, artwork layout, guidebook designs, merchandising ideas, poster concepts, and map designs. Sumiah evaluates multiple design options for each element and decides on favorites to move forward with, noting aspects they like and concerns about other options not fitting the vision or style of the exhibition. The document shows the planning and decision making process for visual presentation of the exhibition across different mediums.
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Raster graphics use pixels and have a fixed resolution, so quality is lost when resizing. Vector graphics use paths and shapes so quality is maintained at different scales but files are larger.
JPEG is for photos and web, small files but quality degrades with edits. TIFF maintains quality but has large files. PSD saves layers and supports transparency but has large files only usable in Photoshop.
AI is for logos and can scale without pixelation but limited software support. 3DS is an industry standard 3D format with large files. The document
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This document summarizes an experimental photography project combining multiple exposure and scanography techniques. The author created images by overlaying previously taken scanography photos with other nature images in Photoshop. For one image, the author overlaid a scanography face with an image of trees and flowers, using dodging tools to highlight certain areas. The author evaluates how well their work achieved the intended ideas and references influences from scanography and double exposure styles individually. The author assesses the technical and aesthetic qualities of the works and discusses ways to potentially improve or further develop the images through additional experiments.
Development pro forma
The proposal outlines a storybook about a child choosing a birthday present from three toy options - a toy car, bubbles, or a teddy bear - at a toy store called Magic Dust. The proposal provides details on the story overview, production methods using rotoscoping and photography, and target audience of children aged 3+. It could expand more on how the design will appeal to both children and adults. The idea generation includes a detailed mind map and mood board capturing story elements, though could include more images. Feedback praised the clear descriptions and techniques but suggested more detail on toy descriptions and book colors.
Evaluation of 2nd development2
Ryan Goldsmith provides feedback on revisions made to a can design. Some key changes included lightening the blue color slightly, adding more text on the can for branding, and including nutritional information on the side. However, Ryan remains unsatisfied with the simplistic flames graphic and abrupt color transitions, and plans to experiment with improvements or alternatives for the next draft.
Merchandise Ideas
This document discusses 8 sets of merchandise design ideas for an adult line and 4 ideas for a kids line for a charity called SAS. For the adult designs, the author experiments with using the logo shape in different colors, sizes, and placements on various merchandise items. They find the shape works best small on t-shirts. Later designs add geometric patterns and the organization's name. The kids' designs aim for a more playful, childlike look using pastel colors and a whimsical fish drawing to distinguish them from the adult items.
Final evaluation
This document provides a final evaluation of technical, aesthetic, and developmental qualities of promotional materials created for IRN BRU soda. Technically, the student used Photoshop tools like the polygonal lasso and rotoscoping to manipulate images and design elements. Aesthetically, the designs followed IRN BRU's color scheme of orange and blue and used effects like glows and shadows to make elements pop. Opportunities for further development included improving readability of small text and unifying layouts across pieces. Overall, the pieces were deemed fit for purpose as a coordinated advertising campaign targeting superhero fans. Areas like testing design iterations and color schemes were identified as strengths, while poster development faced limitations due to missed production
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The document provides an evaluation by Ryan Goldsmith of a professional writing project where he created 3 media products: a broadsheet newspaper, tabloid newspaper, and fanzine. Ryan feels he managed his time well on the project, allocating more time to more complex tasks. He is pleased with how the products turned out and feels they effectively targeted different audiences. Ryan also reflects on skills and techniques he has improved, such as layout techniques using InDesign and time management.
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This document contains instructions and templates for creating a broadsheet newspaper layout, including sections for the masthead, body copy, images, flat plans, and descriptions of the broadsheet design and production process. It provides the key elements and sections needed to assemble a broadsheet newspaper page.
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This document outlines the layout and sections of a tabloid newspaper, including the masthead, body, images, flat plans, title image, main story title and image, substories, advertisements, and notification of a free inside gift. The final version incorporates all of these elements into the overall design.
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This document discusses grids of different sizes and provides examples of bad grids. It covers 3x3, 5x3, and 6x4 grids and includes two examples of grids that are improperly formatted or designed.
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This document discusses layout and design elements for a double page spread including grids, columns, pull quotes, blobs, cut outs, borders, reverse type, straplines, drop caps, and negative space to effectively organize content and guide the reader's eye.
Task 5 poster experiments
The document discusses a task involving poster experiments conducted by Ryan Goldsmith. It appears to be a short title or header providing minimal context about the task or experiments. The document does not contain enough information to generate a multi-sentence summary while maintaining conciseness and focusing on only the most essential details.
Task 6
This document outlines 4 experiments conducted by Ryan Goldsmith. Each experiment is given its own section with a heading but no other details are provided about the purpose, methods, or results of the individual experiments.
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The document discusses design elements of instructional materials like recipes. It explains how images, font styles, and formatting are used to clearly present information and engage readers. Bullet points and concise steps make the instructions easy to follow.
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This document summarizes Ryan Goldsmith's experimental photography project exploring high-speed photography of objects disturbing liquids. The summary includes:
- Ryan took photos of various objects like coins and fruit disturbing water, captured using high shutter speeds between 1/5000-1/6400 to freeze the motion.
- One photo features a coin cutting through water, showing the displacement and trail it left.
- Ryan improved a second set of photos by using better lighting to reduce noise, capturing apple and water disruption sequences.
- Technically, Ryan used high ISO 6400 and shutter speeds up to 1/8000 to freeze motion, with a shallow depth of field. Minimal post-processing was needed.
Experimental photography Final images
The document is titled "Final Images" by Ryan Goldsmith and contains 3 unlabeled sections. It appears to be the final submission of images for a project or assignment by Ryan Goldsmith, but no other context or details are provided about the purpose or contents of the images.
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The document discusses two mood boards created by Ryan Goldsmith to explore ideas and concepts for photography images using different techniques. The first mood board focuses on ideas for using a fast shutter speed, including elements from Ryan's initial mind map. The second mood board is for a multiple exposure technique and contains additional concepts that could provide inspiration.
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This document outlines a photography experiment planned for February 4th, 2014 at home, using a Canon 60D camera with 50mm and 18-55mm lenses mounted on a tripod, along with lighting equipment and subjects. The experiment aims to capture moving objects frozen in stillness using extremely fast shutter speeds around 1/8000 and wide apertures like f8 under plenty of light. Liquids and fast moving objects like darts and cricket balls will be photographed. Double exposure images will also be taken in a well-lit area, pairing subjects that link together such as people and nature or contrasting objects to create a sequential feel and theme within the paired images.
Planning pro forma
This document outlines a photography experiment planned for February 4th, 2014 at home, using a Canon 60D camera with 50mm and 18-55mm lenses mounted on a tripod, along with lighting equipment and subjects. The experiment aims to capture moving objects frozen in stillness using extremely fast shutter speeds around 1/8000 and wide apertures like f8 under plenty of light. Liquids and fast moving objects like darts and cricket balls will be photographed. Double exposure images will also be taken in a well-lit area, pairing subjects that link together such as people and nature or contrasting objects to create a sequential feel and theme within the paired images.
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The proposal discusses creating multiple exposure images and high speed photographs. For the multiple exposures, various contrasting subjects will be combined in Photoshop. High speed shots will freeze motion using a fast shutter speed to capture water or darts. Most images will be taken at home for lighting and equipment control, though some may be taken on campus. Multiple exposures will be created by individually photographing subjects and combining them in Photoshop. High speed shots will use a narrow aperture and fast shutter speed of 1/8000 to stop motion. The goal is to experiment creatively with techniques the photographer has not tried before to produce interesting images and challenge their abilities.
Experiments evidence template
This document summarizes Ryan Goldsmith's experimental photography project. It explores techniques like using out-of-focus imagery, capturing movement through long exposures, using reflections, and creating photomontages. For out-of-focus photos, the camera was manually focused to blur the images. Capturing movement involved long shutter speeds of 2-3.5 seconds to either freeze or blur moving subjects. Reflection photos utilized reflective surfaces like phone screens. Photomontages were made by taking overlapping photos and merging them in Photoshop. The document analyzes the effects achieved and evaluates which techniques and photos were most successful.
Task 3
High speed photography involves using a fast shutter speed to freeze motion. It works best with plenty of light through a wide aperture. Getting close to the subject ensures full focus, though experimenting with focal length could also work. Taking multiple continuous shots increases the chances of capturing the desired moment. Multiple exposure photography layers multiple images on top of each other in an editing program like Photoshop, adjusting opacity and cutting away excess to blend the images together cohesively.
Experimental photography task one
David Hockney created photo joiners by taking Polaroid photos and sticking them together to form portraits and landscapes. This technique allowed him creative control over the final image. He became well known for this non-traditional style. Hockney's work could be displayed in both galleries and commercial settings like advertising.
Evaluation of draft 3
The document discusses redesigns made to a can design. The new styling of the flames adds depth and makes the fire appear more realistic compared to the previous flat design. The text layout is also improved by being more interesting than a simple flat line. Images show the superior new designs for the flames and text. The only suggested further change is adding more detail to the running man figure, such as a racing bib with the number 32.
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The document discusses font and copy testing for an IRN BRU 32 marketing campaign. It tests different fonts like Arial Black, Rockwell, and Gill Sans at various point sizes to evaluate readability. It finds that simpler fonts like Arial Black are clearest at smaller sizes. It also tests different font colors against backgrounds and finds that black and orange text have good legibility. The testing aims to identify the best fonts and color combinations for uses like packaging labels and magazine advertisements to market IRN BRU 32.
Initial ideas
The document provides initial ideas for marketing a new IRN-BRU 32 product across different mediums:
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- For packaging, it proposes doing the label horizontally like regular IRN-BRU but emphasizing "32" and including an image of the mascot bird. A silver can could also be used for diet versions.
- For a web banner, one idea shows two cans pouring liquid to write "IRN-BRU 32" while another has two cans unraveling like scrolls across the top with the text.
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Metrics: The success indicators such as downloads, daily active users, GitHub stars, and financial contributions.
Challenges: The hurdles in monetizing open-source projects and measuring user engagement.
Development Practices: Best practices for creating, maintaining, and scaling open-source libraries, including code hygiene, CI/CD, and fast iteration.
Community Building: Strategies for making adoption easy, iterating quickly, and fostering a vibrant, engaged community.
Marketing: Both online and offline marketing tactics, focusing on real, impactful interactions and collaborations.
Mental Health: Maintaining balance and not feeling pressured by user demands.
Key insights include the importance of automation, making the adoption process seamless, and leveraging offline interactions for marketing. The presentation also emphasizes the need for continuous small improvements and building a friendly, inclusive community that contributes to the project's growth.
Vladimir Iglovikov brings his extensive experience as a Kaggle Grandmaster, ex-Staff ML Engineer at Lyft, sharing valuable lessons and practical advice for anyone looking to enhance the adoption of their open-source projects.
Explore more about Albumentations and join the community at:
GitHub: https://github.com/albumentations-team/albumentations
Website: https://albumentations.ai/
LinkedIn: https://www.linkedin.com/company/100504475
Twitter: https://x.com/albumentationsGoodbye Windows 11: Make Way for Nitrux Linux 3.5.0!
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Evaluation of first draft
- 2. I think that so far the colours are working well together and I have found a good balance between the powerful colours like orange and blue. The font that I have chosen for my design is very different to the ones that I had initially selected, however I feel that it works well in the context of the other surrounding factors which make up the can. I think that the layout of the design works quite well and allows the viewers eye to look right through the design in its entirety taking it all in.
- 3. These images are being used to show the way in which all of the colours interact. I think that using a mixture of three colours has helped to balance it out rather than having two colours for the entire design which could potentially over power the can losing some of the focus from what I was initially trying to promote and sell.
- 4. I feel that the effect that I have used to try and emulate the look of fire is not as strong as it should be. I think I will try to find a template of some flames from a source like Google images to use to create my flame pattern. As you can see in this image of my flat layout the flames are very two dimensional and lifeless. However on the can they do look slightly better, this is still a concern of mine though.
- 5. I think that on my next draft I will try to implement more detail into the design in order to give it a more professional look. Another thing I want to do is ensure that I have the sizes of the text to their most effective size for the needs or requirements of those pieces of copy, e.g. title 48.pt. slogan 20.pt. etc. This will again give a more professional and well rounded finish to the product. I think that I could alter the colours slightly so that they are more of a subtle mix rather than being harsh and hard on the eyes because although it is good for getting peoples attention it is not necessarily aesthetically pleasing.