Digipak
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The artist made several changes to their digipak panels to increase the popularity and marketability of their album. For the front cover, they darkened the background image and added a positive music magazine review. On the back cover, they included production details and two extra tracks to make it seem more professional. For the interior panels, they added the artist's image and the band name to increase recognition. No changes were made to the CD holder, as the curtain symbolism already created anticipation for the music.
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Evaluation question 3
The document discusses how the main product (music video) and ancillary texts (album covers, inserts, poster) work together through consistent use of house colors, imagery, and typography. The creator established green, blue, and brown as the house colors based on a location shoot. These colors were then featured across all ancillary texts through photo editing to create a cohesive brand identity. Additionally, imagery of the artist and location were repeated as motifs, white typography was used consistently, and fake industry information was included to make the materials seem more professional.
A2 Media Studies - Digipak
This document discusses the design choices made for the front and back covers and CD design of a digipak for an album. Recurring imagery from the artist's music video was used, including smoke imagery and the artist's clothing, to create synergy between the products and video. The front cover depicts the artist smoking with their name and album title in smoke. The back cover continues the smoke imagery and depicts the house environment from the video. The CD design shows the artist preparing drugs to reflect the main theme of the song and video. Green color was used throughout to associate the artist with marijuana.
Digipak and advert analysis
The digipak design summarizes the artist's music video through its front, inside, and back cover designs. The front cover depicts the main character in three stages of life represented in the video. The inside spreads feature a kaleidoscope effect photo edited to match the red and blue theme. The back cover again features the main character to link his everyday and nightlife depicted throughout the designs. The advert uses the same color scheme and imagery as the inside spread to consistently brand the project and draw connections between the products.
Evaluation final
The document discusses the design of a CD cover by the author. Some key points:
- The CD cover includes conventional elements like the artist name, album title, song list, and image of the artist.
- The author challenged conventions by rearranging elements and editing the artist image to have a sketch-like, 1960s housewife look influenced by Andy Warhol.
- Feedback from a survey of 20 people rated elements like editing, costumes, locations, and lip syncing positively.
Eval 1 presentation
The document discusses conventions seen in pop music digipaks and magazine advertisements. It notes that digipaks and ads typically focus prominently on the artist to promote them. Images are edited for a consistent style and continuity across products. Magazine ads similarly feature the artist name largest, along with the album name, production company, and images linking the ad to the digipak and music videos. The goal is to create a cohesive promotional campaign using real-world examples.
A2 Media Evaluation (Q2)
The document discusses Alfie Bradbury's main product and ancillary tasks for a university assignment. For the main product, Alfie created a music video for the song "One Day" by Asaf Avidan, focusing on themes of a day in life and achieving goals in the future. For the ancillary tasks, Alfie designed a 6-panel digipak with screenshots from the music video and included the song title/artist and lyrics. A poster was also created to advertise a fictitious tour for a "One Day/Reckoning Song E.P.", using another screenshot. Both ancillary products reference social media to relate the tasks and emphasize the song/artists.
Evaluation - Question Two
The combination of the music video, digipak, and magazine advert effectively promote the band's music through consistent use of bright orange coloring and imagery from the video. Specifically, the digipak and advert both feature the band's photo from the video cover and use similar fonts and social media icons. Additionally, the video, digipak, and advert all reference the 1970s rock genre through their retro aesthetic elements like a grain filter and "recording" date on the video. While the video could better connect to the other products, overall the package cohesively promotes the band across multiple media formats through shared visual elements.
Presentation1 (digipak)
The document discusses the design elements that are important to include on a CD digipak, such as the track list, artist information, catalogue number, and copyright details. It also mentions using clear images of the artist to help audiences connect with them. While the digipak prototype shows the artist's face on the inside, it suggests using a bigger image on the front cover to better showcase the artist. Overall, the key information is ensuring the digipak includes essential details about the music, artist, and production to effectively promote the album release.
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Evaluation question 3
The document discusses how the main product (music video) and ancillary texts (album covers, inserts, poster) work together through consistent use of house colors, imagery, and typography. The creator established green, blue, and brown as the house colors based on a location shoot. These colors were then featured across all ancillary texts through photo editing to create a cohesive brand identity. Additionally, imagery of the artist and location were repeated as motifs, white typography was used consistently, and fake industry information was included to make the materials seem more professional.
A2 Media Studies - Digipak
This document discusses the design choices made for the front and back covers and CD design of a digipak for an album. Recurring imagery from the artist's music video was used, including smoke imagery and the artist's clothing, to create synergy between the products and video. The front cover depicts the artist smoking with their name and album title in smoke. The back cover continues the smoke imagery and depicts the house environment from the video. The CD design shows the artist preparing drugs to reflect the main theme of the song and video. Green color was used throughout to associate the artist with marijuana.
Digipak and advert analysis
The digipak design summarizes the artist's music video through its front, inside, and back cover designs. The front cover depicts the main character in three stages of life represented in the video. The inside spreads feature a kaleidoscope effect photo edited to match the red and blue theme. The back cover again features the main character to link his everyday and nightlife depicted throughout the designs. The advert uses the same color scheme and imagery as the inside spread to consistently brand the project and draw connections between the products.
Evaluation final
The document discusses the design of a CD cover by the author. Some key points:
- The CD cover includes conventional elements like the artist name, album title, song list, and image of the artist.
- The author challenged conventions by rearranging elements and editing the artist image to have a sketch-like, 1960s housewife look influenced by Andy Warhol.
- Feedback from a survey of 20 people rated elements like editing, costumes, locations, and lip syncing positively.
Eval 1 presentation
The document discusses conventions seen in pop music digipaks and magazine advertisements. It notes that digipaks and ads typically focus prominently on the artist to promote them. Images are edited for a consistent style and continuity across products. Magazine ads similarly feature the artist name largest, along with the album name, production company, and images linking the ad to the digipak and music videos. The goal is to create a cohesive promotional campaign using real-world examples.
A2 Media Evaluation (Q2)
The document discusses Alfie Bradbury's main product and ancillary tasks for a university assignment. For the main product, Alfie created a music video for the song "One Day" by Asaf Avidan, focusing on themes of a day in life and achieving goals in the future. For the ancillary tasks, Alfie designed a 6-panel digipak with screenshots from the music video and included the song title/artist and lyrics. A poster was also created to advertise a fictitious tour for a "One Day/Reckoning Song E.P.", using another screenshot. Both ancillary products reference social media to relate the tasks and emphasize the song/artists.
Evaluation - Question Two
The combination of the music video, digipak, and magazine advert effectively promote the band's music through consistent use of bright orange coloring and imagery from the video. Specifically, the digipak and advert both feature the band's photo from the video cover and use similar fonts and social media icons. Additionally, the video, digipak, and advert all reference the 1970s rock genre through their retro aesthetic elements like a grain filter and "recording" date on the video. While the video could better connect to the other products, overall the package cohesively promotes the band across multiple media formats through shared visual elements.
Presentation1 (digipak)
The document discusses the design elements that are important to include on a CD digipak, such as the track list, artist information, catalogue number, and copyright details. It also mentions using clear images of the artist to help audiences connect with them. While the digipak prototype shows the artist's face on the inside, it suggests using a bigger image on the front cover to better showcase the artist. Overall, the key information is ensuring the digipak includes essential details about the music, artist, and production to effectively promote the album release.
Analysis
This document analyzes a magazine advertisement the author created for an electronic house music genre coursework project. The advertisement adheres to conventions of the house music genre through its use of psychedelic colors, flashing light inspired pink and teal colors, and laser-inspired text formatting. It also incorporates repetition of common house music terms like "Essentials" while adding some personal differences like a sophisticated font choice to diversify from others in the genre. Overall, the advertisement effectively communicates the house music genre and intent to highlight essential tracks through its visual design choices and language.
Media evaluation part 2
The document discusses planning and creating album artwork, music videos, and promotional materials for a band. It includes research on other band's styles and designs to help determine the target audience. Photoshop, Picnic, and video/audio editing software were used to design album covers, logos, and edit a music video. Camera equipment like DSLRs and lenses helped capture footage. The goal was to create cohesive and professionally produced branding materials that represent the band's music and image.
Evaulation 2
The student produced a music video, poster, and digipak for an artist. The music video and poster are most effectively linked through their similar colors and location featured in both. However, linking the text between the two could have improved synergy. The digipak has the least synergy due to different colors and fonts compared to the other works. Audiences felt the poster corresponded better to the music video. Matching fonts and colors across all products would have improved the synergistic combination.
Media Evaluation
The document discusses the design of DJ BooSH's digipak and poster for the album "One More Time". For the digipak, elements like bright colors, laser lights, and silhouette figures were used to portray the club music genre. The front cover features silhouetted dancers and the artist/album names. Consistent elements like the laser light background and silhouettes are featured on multiple panels. The poster similarly features DJ BooSH's logo with silhouetted dancers at the center, along with the artist name, album name, release date, and website to promote the album. Both the digipak and poster use a blue/black color scheme and similar elements to clearly link them together.
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The document discusses editing and redesigning the front cover of an album. The artist is adjusting lighting, colors, and effects in Photoshop to make the image of the artist on the cover stand out against a dark background and convey a sense of madness. They are also experimenting with copying and adjusting layers of the image and text to create effects that relate to the theme of insanity. Font choices and consistency between products are addressed to clearly communicate the artist's branding.
Magazineadvert
The document describes the process of creating a magazine advertisement to promote an album. It involves taking an image from the album cover and music video, converting it to sepia, blurring the edges to focus on the main subject, and adding the band name and details in a simple chalkboard font for an indie style. The final advertisement features the sepia image to link it to other promotional materials while distinguishing it, uses the same chalkboard font for consistency, and blurs the edges to highlight the music video character and story.
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The document describes the design and images used for the packaging of a digipak for the album "Scar Minds" by the artist Mefistofeles. The front cover image is intentionally disorienting and vague to spark the imagination. The overlapping image reveals slightly more while maintaining an unusual quality. These two images are meant to attract attention and intrigue audiences. The back cover depicts blood pouring in a way that represents the letter "M" and ties the themes throughout. The side panels and discs continue revealing more contextual clues and information about the album contents in a strategic yet abstract manner meant to create disorientation.
Digipak construction1
The document describes the design and images used for the packaging of a digipak for the album "Scar Minds" by the artist Mefistofeles. The front cover image is intentionally disorienting and vague to spark the imagination. The overlapping image reveals slightly more while maintaining an unusual quality. These two images are meant to attract and intrigue audiences. The back cover depicts blood pouring in a way that forms an "M" shape, tying the visuals together and representing the artist. The side panels and discs continue hinting at and elaborating the themes begun on the front in a purposefully confusing manner.
Eval 1 - Digipak/Magazine Advert
This document compares the elements of the created digipak and magazine advert to conventional examples of those media. It finds that most elements conform to expectations, such as including the artist, song names, and parental advisory labels. Some unconventional aspects are using black and white photography throughout and a landscape orientation for the magazine advert. The goal was to both meet audience expectations for these products while also creating uniqueness that reflects the artist's style.
Digipak designs for a 4 panel case
The document discusses different design ideas for a 4-panel CD case and magazine poster to promote the artist's music. Design idea 1 for the CD case uses screenshots from the artist's music video along with a watercolor background in a polaroid-inspired template. Feedback found designs 1 and 3 most popular due to the polaroid photos and unusual font. The final design combines elements of designs 1 and 4, gaining positive feedback. For the magazine poster, design 1 is preferred as the polaroid photos relate to the music video and draw the eye.
Analysis of Previous Student Work
This student analyzed previous work by other students, including a digipak and website for a musician named Haze.
The digipak followed conventions by featuring the artist's image and name prominently. It used consistent fonts and a pink color scheme. The website also used standard elements like menus, images, videos and social media links. It replicated the fonts and color scheme from the digipak. Both pieces featured graphics that were likely used in Haze's music videos for synergistic promotion.
Evaluation Question 2
The document discusses the final drafts of a poster and Digi Pak created to promote a music video. For the poster, conventions of dark, edgy rock music were used through lighting and camera angles. The poster image features the band in the location where the music video was filmed. The Digi Pak continues this dark, edgy theme with a blue, black, and white color scheme. It features the song title first on the track listing and enlarges the band logo on the inside cover to make it stand out. In conclusion, consistency across the ancillary texts and music video in terms of lighting, camera work, and character placement helps maintain genre conventions and draws attention to the main product, the music video.
Question 3
The document discusses how the creator used continuity across their music video and additional materials. They chose a natural theme featuring leaves to match the outdoor filming of the video. This leaf imagery was used in all tasks to make the song easily recognizable. Feedback confirmed the tasks worked well together through consistent scenery, colors, and fonts, allowing the audience to instantly identify the song.
Magazine Advert Evaluation
This magazine advertisement was designed to be recognizable on store shelves by mirroring the design of the artist's DVD packaging. It features the CD and DVD covers with a white border to make them stand out against a high-contrast black and white photo intended to represent the rock genre. The fonts and layout match those used in the DVD packaging to maintain consistency across materials promoting the artist's release.
Evaluation final
The student designed a CD cover that incorporated conventional features like the artist name, album title, and song list, but challenged conventions by rearranging these features. The CD cover image was edited to have a sketch-like appearance inspired by Andy Warhol. Feedback from a survey showed positive responses for the music video's editing, use of locations, and lip syncing. The student used various software like Fireworks and Movie Maker in constructing their media products and learned new skills through experimenting with features. Overall, the main products and ancillary designs like the magazine ad and single cover maintained a consistent retro-inspired image that was assessed to be bright, unique, and effective at catching customers' eyes.
Eval 1
The document discusses how the media products challenge conventions of real products in their genre. For the CD cover, conventions like photos of instruments and a sepia effect were used, but the font choice challenged handwritten conventions. The magazine ad challenged conventions by having a small CD cover image instead of a full one. Similarly, the music video challenged lip syncing conventions by using lyrics signs instead. Across all products, a sepia effect was kept to develop the artist's brand identity.
Evaluation activity 2
The document evaluates how effectively the combination of a music video and accompanying digipak and promotional materials work together. It discusses how the artist's image and surroundings are kept consistent across the different elements, including clothing, settings, colors and themes like nostalgia. Elements like fonts, photographs and graffiti are also incorporated uniformly to create a cohesive identity for the artist and strengthen the connection between the various products. The evaluation concludes that this consistency is effective in clearly representing the artist as local and relatable to their target audience.
AS Media Evaluation Q2
The artist used a black and white theme across their music video, website, and album digipak to represent the tone of their indie music genre. While the video itself could not be edited to black and white, the ancillary materials used this theme to link the elements together visually. Photos from the video shoot were also used on the digipak and website. The artist aimed to portray their fun personality seen joking with fans in the video also through more artistic and fun photos in the ancillary materials. Both the guitar and drum set featured prominently in the video are also pictured in the images on the digipak and website to maintain a direct connection between the elements representing the band's sound.
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Analysis
This document analyzes a magazine advertisement the author created for an electronic house music genre coursework project. The advertisement adheres to conventions of the house music genre through its use of psychedelic colors, flashing light inspired pink and teal colors, and laser-inspired text formatting. It also incorporates repetition of common house music terms like "Essentials" while adding some personal differences like a sophisticated font choice to diversify from others in the genre. Overall, the advertisement effectively communicates the house music genre and intent to highlight essential tracks through its visual design choices and language.
Media evaluation part 2
The document discusses planning and creating album artwork, music videos, and promotional materials for a band. It includes research on other band's styles and designs to help determine the target audience. Photoshop, Picnic, and video/audio editing software were used to design album covers, logos, and edit a music video. Camera equipment like DSLRs and lenses helped capture footage. The goal was to create cohesive and professionally produced branding materials that represent the band's music and image.
Evaulation 2
The student produced a music video, poster, and digipak for an artist. The music video and poster are most effectively linked through their similar colors and location featured in both. However, linking the text between the two could have improved synergy. The digipak has the least synergy due to different colors and fonts compared to the other works. Audiences felt the poster corresponded better to the music video. Matching fonts and colors across all products would have improved the synergistic combination.
Media Evaluation
The document discusses the design of DJ BooSH's digipak and poster for the album "One More Time". For the digipak, elements like bright colors, laser lights, and silhouette figures were used to portray the club music genre. The front cover features silhouetted dancers and the artist/album names. Consistent elements like the laser light background and silhouettes are featured on multiple panels. The poster similarly features DJ BooSH's logo with silhouetted dancers at the center, along with the artist name, album name, release date, and website to promote the album. Both the digipak and poster use a blue/black color scheme and similar elements to clearly link them together.
Digipack final outcome powerpoint re editing
The document discusses editing and redesigning the front cover of an album. The artist is adjusting lighting, colors, and effects in Photoshop to make the image of the artist on the cover stand out against a dark background and convey a sense of madness. They are also experimenting with copying and adjusting layers of the image and text to create effects that relate to the theme of insanity. Font choices and consistency between products are addressed to clearly communicate the artist's branding.
Magazineadvert
The document describes the process of creating a magazine advertisement to promote an album. It involves taking an image from the album cover and music video, converting it to sepia, blurring the edges to focus on the main subject, and adding the band name and details in a simple chalkboard font for an indie style. The final advertisement features the sepia image to link it to other promotional materials while distinguishing it, uses the same chalkboard font for consistency, and blurs the edges to highlight the music video character and story.
Digipak Construction
The document describes the design and images used for the packaging of a digipak for the album "Scar Minds" by the artist Mefistofeles. The front cover image is intentionally disorienting and vague to spark the imagination. The overlapping image reveals slightly more while maintaining an unusual quality. These two images are meant to attract attention and intrigue audiences. The back cover depicts blood pouring in a way that represents the letter "M" and ties the themes throughout. The side panels and discs continue revealing more contextual clues and information about the album contents in a strategic yet abstract manner meant to create disorientation.
Digipak construction1
The document describes the design and images used for the packaging of a digipak for the album "Scar Minds" by the artist Mefistofeles. The front cover image is intentionally disorienting and vague to spark the imagination. The overlapping image reveals slightly more while maintaining an unusual quality. These two images are meant to attract and intrigue audiences. The back cover depicts blood pouring in a way that forms an "M" shape, tying the visuals together and representing the artist. The side panels and discs continue hinting at and elaborating the themes begun on the front in a purposefully confusing manner.
Eval 1 - Digipak/Magazine Advert
This document compares the elements of the created digipak and magazine advert to conventional examples of those media. It finds that most elements conform to expectations, such as including the artist, song names, and parental advisory labels. Some unconventional aspects are using black and white photography throughout and a landscape orientation for the magazine advert. The goal was to both meet audience expectations for these products while also creating uniqueness that reflects the artist's style.
Digipak designs for a 4 panel case
The document discusses different design ideas for a 4-panel CD case and magazine poster to promote the artist's music. Design idea 1 for the CD case uses screenshots from the artist's music video along with a watercolor background in a polaroid-inspired template. Feedback found designs 1 and 3 most popular due to the polaroid photos and unusual font. The final design combines elements of designs 1 and 4, gaining positive feedback. For the magazine poster, design 1 is preferred as the polaroid photos relate to the music video and draw the eye.
Analysis of Previous Student Work
This student analyzed previous work by other students, including a digipak and website for a musician named Haze.
The digipak followed conventions by featuring the artist's image and name prominently. It used consistent fonts and a pink color scheme. The website also used standard elements like menus, images, videos and social media links. It replicated the fonts and color scheme from the digipak. Both pieces featured graphics that were likely used in Haze's music videos for synergistic promotion.
Evaluation Question 2
The document discusses the final drafts of a poster and Digi Pak created to promote a music video. For the poster, conventions of dark, edgy rock music were used through lighting and camera angles. The poster image features the band in the location where the music video was filmed. The Digi Pak continues this dark, edgy theme with a blue, black, and white color scheme. It features the song title first on the track listing and enlarges the band logo on the inside cover to make it stand out. In conclusion, consistency across the ancillary texts and music video in terms of lighting, camera work, and character placement helps maintain genre conventions and draws attention to the main product, the music video.
Question 3
The document discusses how the creator used continuity across their music video and additional materials. They chose a natural theme featuring leaves to match the outdoor filming of the video. This leaf imagery was used in all tasks to make the song easily recognizable. Feedback confirmed the tasks worked well together through consistent scenery, colors, and fonts, allowing the audience to instantly identify the song.
Magazine Advert Evaluation
This magazine advertisement was designed to be recognizable on store shelves by mirroring the design of the artist's DVD packaging. It features the CD and DVD covers with a white border to make them stand out against a high-contrast black and white photo intended to represent the rock genre. The fonts and layout match those used in the DVD packaging to maintain consistency across materials promoting the artist's release.
Evaluation final
The student designed a CD cover that incorporated conventional features like the artist name, album title, and song list, but challenged conventions by rearranging these features. The CD cover image was edited to have a sketch-like appearance inspired by Andy Warhol. Feedback from a survey showed positive responses for the music video's editing, use of locations, and lip syncing. The student used various software like Fireworks and Movie Maker in constructing their media products and learned new skills through experimenting with features. Overall, the main products and ancillary designs like the magazine ad and single cover maintained a consistent retro-inspired image that was assessed to be bright, unique, and effective at catching customers' eyes.
Eval 1
The document discusses how the media products challenge conventions of real products in their genre. For the CD cover, conventions like photos of instruments and a sepia effect were used, but the font choice challenged handwritten conventions. The magazine ad challenged conventions by having a small CD cover image instead of a full one. Similarly, the music video challenged lip syncing conventions by using lyrics signs instead. Across all products, a sepia effect was kept to develop the artist's brand identity.
Evaluation activity 2
The document evaluates how effectively the combination of a music video and accompanying digipak and promotional materials work together. It discusses how the artist's image and surroundings are kept consistent across the different elements, including clothing, settings, colors and themes like nostalgia. Elements like fonts, photographs and graffiti are also incorporated uniformly to create a cohesive identity for the artist and strengthen the connection between the various products. The evaluation concludes that this consistency is effective in clearly representing the artist as local and relatable to their target audience.
AS Media Evaluation Q2
The artist used a black and white theme across their music video, website, and album digipak to represent the tone of their indie music genre. While the video itself could not be edited to black and white, the ancillary materials used this theme to link the elements together visually. Photos from the video shoot were also used on the digipak and website. The artist aimed to portray their fun personality seen joking with fans in the video also through more artistic and fun photos in the ancillary materials. Both the guitar and drum set featured prominently in the video are also pictured in the images on the digipak and website to maintain a direct connection between the elements representing the band's sound.
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Evaluation 2
The combination of the artist's digipak and magazine advert effectively promotes the artist and album. The digipak uses professional photos of the artist with effects and includes information about the album and tracks. The magazine advert also features the album cover photo to promote the new release. Together, the visuals in the digipak and advert catch attention and provide key details about the artist and music in a consistent style.
Question 2
The combination of the music video, digipak, and website are effective for promoting the band's house music genre. The digipak and website complement the music video by continuing its themes of fun, enjoyment, and mystery through their simple designs and focus on the audience experience. Researching other house music artists helped ensure the ancillary products matched the codes and conventions of the genre portrayed in the music video.
Digipak design.
The document describes the design process for a digipak for a fictional album. It analyzes digipaks by Marina and the Diamonds and Florence and the Machine as inspiration. The front cover features a close-up shot of the artist to represent their style. Inside pages continue themes from the music video by featuring props and lyrics. Alternating pages show different sides of the artist's personality to represent the dark and light themes of the album.
Eval quest 2
This document discusses the effectiveness of combining a music album with ancillary texts such as album artwork, music videos, and advertisements. It analyzes the covers, panels, and advertisements created for a pop album. The front cover features a close-up photo of the artist conforming to pop music conventions. Corresponding imagery and fonts are consistently used across elements. Feedback indicates the elements represent a strong brand identity through visual continuity across the album packaging and music video. However, the brand identity could have been more recognizable with additional distinguishing characteristics.
Design process of digipak and album advertisement
The document describes the design process for a digipak and album advertisement. It involves manipulating images in Photoshop and designing the digipak layout in Nero Cover Designer. Key steps include choosing a minimal front cover design with the band's logo over an image of the band, designing a simple interior with the album title and logo, and adding album information to the CD in a minimal way. The process involved referencing conventions from other albums and getting feedback to create a professional-looking final design.
Design process of digipak
The document describes the design process for a digipak and album advertisement. It involves manipulating images in Photoshop and designing the digipak layout in Nero Cover Designer. Key steps include choosing a minimal front cover design with the band's logo over an image of the band, designing a simple interior with the album title and logo, and adding album information to the CD in a minimal way. The process involved referencing conventions from other albums and getting feedback to create a professional-looking final design.
Question 2
Rebecca Fry created a digipack, poster, and music video for her EDM album "High Tide" that are visually cohesive and genre-appropriate. She filmed all products at the beach to match the album and song titles. A consistent pink color tone and font ("Berlin Sans FB") were used across products. Shapes and bright colors conform to EDM album conventions. Links between the artist and products promote each other. Including real-world details like copyright information helps the products look authentic.
Digipak Research
The document discusses design elements that were researched for inclusion in a digipak album cover. Some key elements discussed include:
- Using bright colors that were popular in album covers from the 1970s to draw attention to the cover.
- Including an image of the band to make the album recognizable and inform audiences about the artists.
- Placing the band and album name prominently on the front and spine for visibility and easy discovery on store shelves.
- Making the track list the clear focus on the back cover without other distracting elements.
Digipak research
The document discusses design elements that were researched for inclusion in a digipak album cover. Some key elements discussed include:
- Using bright colors that draw the eye as well as images of the band to make the album recognizable.
- Placing the band and album name prominently to identify the artist and title.
- Keeping the track list as the sole focus on the back cover so it is easy to read.
- Incorporating consistent colors, fonts, and layouts across the digipak surfaces to create a cohesive design.
How effective is the combination of your main product and ancillary texts?
The document discusses three media products - a digipack, magazine advertisement, and music video - created to promote an artist and album. It explains that all three products were designed to have a cohesive visual style using a black and white/film effect theme. Key locations and images were also consistently featured across products to reinforce their connection. While some conventions were broken, such as the artist not being the protagonist in the music video, efforts were made to prominently feature the artist in all three to ensure the products worked together to successfully promote them. Audience feedback confirmed the products successfully represented the artist in a way that tied them all together.
Rough digipak feedback
The document discusses the design of a CD digipak for a pop song. The front cover features an explosion of powder color that relates to the genre and displays the title of the single. Feedback praised the theme's relation to modern pop music and how the colors interconnect. Suggested improvements included adding a barcode and small font credits on the back, as well as potentially changing the orange/yellow tones to pink or purple. The group will incorporate this feedback to finalize the digipak design.
Ancillary texts draft 2
The document describes the process of designing a digipack album cover. It discusses taking inspiration from the Bastille "Bad Blood" album cover, including positioning the record label text and transforming letters in the artist/album title. The spine design is also addressed, incorporating the record label, code, and Columbia/Sony logos. Photo manipulation tools were used on the back cover image to add effects to the model's face. Overall it outlines iterating on the design based on research, with comparisons made to draft versions and inspiration sources.
A2 Media Evaluation Question 2 - MacWS
The main product was a music video for the song "Electric Feel" by MGMT, which could be narrative, conceptual, or performance-based. The ancillary products were a magazine advertisement and digipak for the music video. Research was conducted on conventions for music videos, magazine ads, and digipaks in the synth pop genre. The products were effectively linked through repeated use of shots, angles, fonts, colors, and iconography between the music video, magazine ad, and digipak. This consistency helped create a clear brand identity and connection between the products.
Digipak Evaluation Question 1
The document discusses the design choices made for a digipak album cover. It follows common conventions such as using the rule of thirds for panel layout, a consistent font and color scheme, and including the album title and artist name on the front cover. It challenges some conventions by placing the album title above the artist name and including a photo of the artist on the back cover. Overall, the design draws inspiration from other albums and aims to make the project memorable and appeal to the target audience.
Step by step costruction of media products
The document provides step-by-step instructions for designing the packaging and advertising materials for a rock album. It describes editing a photo of a model's eye for the digipak cover, adding the band and album names. It then details constructing the back cover, inside, and a black and white magazine ad, maintaining consistent fonts and motifs. Recurring elements include an edited eye photo and red/pink colors to create a recognizable visual style across the materials to promote the album.
Poster analysis 3
The poster design for Disclosure's album "Settle" differs slightly from the digipak design. On the poster, the text is positioned at the bottom rather than the top due to the longer length. To fill the blank space, the band name "Disclosure" is in a larger font at the bottom, with the album name "Settle" below in smaller text. The designer feels this better highlights the band name. Consistency between designs is maintained through iconic eye images and references to the digipak.
My digipak
Here is the planning, contruciton, production of my digipak also, the way that I chose the different aspects of it.
Question 1 // PART ONE
The document discusses the conventions of digipaks and how the author's media product followed and challenged some of these conventions. Some of the key points made:
- The front cover followed conventions like featuring the artist name and a relevant image, but challenged conventions by including the album title.
- The back cover included the standard track listing and copyright information but challenged conventions by including the album title instead of the artist name.
- Inside, spine, and CD designs kept the consistent color scheme but challenged conventions in some layout choices.
- The poster design followed conventions seen in other posters like including release date and reviews while challenging conventions by not showing the album artwork.
In summary, the author's media
Crimson Presentation
The document provides information about a music video created for the band Crimson. The target audience is males and females aged 18-40 who enjoy music, socializing, drinking and fun. The music video's story line involves two groups, common people and non-common people, who have a powder paint fight. The goal was to create a fun, lighthearted video reflecting the band's style while using conventions of music videos like visuals moving to the beat and different shots.
In what ways does your media product use, develop or challenge forms and conv...
The poster summarizes how a media product they created for the band Alt-J's album "Breezeblocks" both follows and challenges conventions of real media products. The poster includes the album name, release date, and reviews as typical posters do. However, it challenges conventions by using an enlarged album cover as the background rather than a solid color, and including a partial face image rather than avoiding images of the band members. Similarly, the tour poster includes the tour name, dates, locations, and ticket website as normal, but challenges conventions by using an album art background and band performance image rather than more typical designs. The digipak also follows conventions by including the album art, song list, and barcode, but challenges
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How effective is the combination of your main product and ancillary texts?
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In what ways does your media product use, develop or challenge forms and conv...
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Presentation3
This document discusses how a band's album poster uses, develops, and challenges conventions of real media products. It uses conventions by featuring a recurring piano image and including standard information like release date and names. It develops conventions by making the piano, not the band members, the main focus. It challenges conventions by including a large amount of text, as low-profile bands need more promotional content than just images of recognizable artists.
Evaluation media
The document discusses how the creator used three products - a music video, poster, and digipak - to convey a repetitive theme of "rising to the top" and achieving greatness. Binary oppositions of dark vs light were used to represent failure and success. The name of the band and song were included in all products to promote the video. Key images like the singer Ben and a piano were featured prominently to create recognition and relationship between the products and band. The combination of the three products effectively promoted the video's message and the band.
Poster music
The poster should prominently feature the artist to promote lesser known acts. For well-known artists, just the name may suffice. There should be a recurring theme between the poster and album artwork so viewers associate them. The album name and details on purchasing/reviews should be included to promote the content. Additional small print can provide further information on the band and album.
Poster music
The poster should prominently feature the artist to promote lesser known acts. For well-known artists, just the name may suffice. There should be a recurring theme between the poster and album artwork so viewers associate them. The album name and purchase details should be included to advertise the product. Additional small print can provide band and album information.
Theorists for music videos
The document discusses several theories for analyzing music videos, including Claude Levi-Strauss' theory of binary oppositions which suggests music videos portray both positive and negative through contrasts like good vs evil or black vs white. It notes this theory will be used in a video by portraying two races, black and white, to emphasize the effort of a runner to succeed. It also mentions other common techniques like relating the lyrics and visuals, reflecting the tone of the music through atmosphere, including demands of the record label, focusing on the artist's sex appeal, and using intertextual references to other media.
Star image
The document discusses techniques used in album cover design to promote the artist. Placing the artist as the main focus of the cover with their face highlighted attracts buyers and promotes their image. The artist's name is also often featured prominently as a header to attract buyers already familiar with high-profile artists. Other promotional materials like posters and TV ads also mainly feature the artist and their name to push the star image using similar techniques as album covers.
Hall of fame intertextuality media
The document discusses intertextuality in the song "Hall of Fame" by referencing the film King Kong in its lyrics and promoting the American dream of going from rags to riches through lines like "you can be the greatest, you can be the best." It explains how incorporating elements from other media into a text, like mentioning King Kong, demonstrates intertextuality as defined by Andrew Goodwin's music video theory.
Jacob media kp digipak
The document analyzes Katy Perry's "Teenage Dream" digipak packaging. It notes that the front cover features only Perry's instantly recognizable face without text. The back cover includes pink clouds and maintains the candy theme while portraying the artist as "up in the clouds." Inside images further depict Perry in a suggestive manner to attract male audiences. Throughout, the digipak consistently features a candy theme to convey the album's vibrant pop feel and Perry's fun personality. In conclusion, the analysis commends maintaining a cohesive theme to inform audiences and employing various techniques to appeal to different demographic groups.
Media digipak analysis rihanna
The album cover of Rihanna's "Loud" uses her face and distinctive red hair as the main selling point to attract audiences. Inside the digipak, a natural scene depicts Rihanna laying on roses, displaying some vulnerability but also natural beauty. Red is the predominant color throughout, which is intentionally used to convey emotions of love, lust, and passion that will appeal to both male and female audiences.
Representation of women media
This document discusses the representation and objectification of women in media images. It analyzes images of The Black Eyed Peas and Ludacris that depict women in subordinate or objectified roles. Objectification regards a person as a commodity rather than as a person. Many feminists view sexual objectification as playing a role in gender inequality by reducing women's value and agency. The analyzed images portray women in stereotypical ways that promote their objectification for male pleasure.
Eye of the tiger hall of fame similarities
Eye of the Tiger" was written by Survivor at the request of Sylvester Stallone to be the theme song for Rocky III. It promotes a message of rising up to challenges with courage and determination to achieve glory, similar to "Hall of Fame." However, while the "Hall of Fame" music video focuses on athletes and their competitions, the "Eye of the Tiger" video mainly shows the band members performing instead of sporting imagery.
Conventions of music videos media
The document discusses Andrew Goodwin's conventions of music videos and analyzes several music videos based on those conventions. Goodwin's conventions include demonstrating genre characteristics, relating lyrics and visuals, relating music and visuals, addressing record label demands, notions of looking, and intertextual references. The analyzed music videos generally comply with these conventions, with the exception of Gotye's "Somebody That I Used To Know" video, which is unique in not following conventions.
Conventions of hip hop media
The document discusses Andrew Goodwin's theory of conventions in hip-hop music videos and analyzes several music videos based on Goodwin's conventions. Goodwin's conventions include demonstrating genre characteristics, relating lyrics to visuals, relating music to visuals, focusing on the recording artist, including suggestive imagery of women, and making intertextual references. The document then analyzes music videos by Kanye West, Carly Rae Jepsen, Jay-Z, Gotye, Busted, and Eminem and evaluates how well each video follows or breaks from Goodwin's conventions.
Media evaluation q3 dragons den
The document discusses potential media institutions that could distribute the filmmaker's horror movie called "Appleby Street". Several major studios like Warner Bros, Dreamworks, and Compass International Pictures pitch their capabilities. The filmmaker considers each offer and ultimately decides to partner with Compass International Pictures to distribute the film. They feel Compass International best understands the conventions of horror movies and can provide the necessary resources and experience to support the film, which was inspired by the Halloween franchise that Compass previously distributed. The filmmaker will also need to seek additional funding sources.
Appleby street 3
Ben and Aimee are walking together at night. They realize they don't have a flashlight and find one nearby. Aimee tells Ben a local story about a masked killer who murders teenagers for fun. While they are walking separately later, Aimee hears Ben scream. She finds him injured and is then confronted by the killer herself.
Vacancy
This document discusses how the film Vacancy inspired and provided techniques for the filmmaker's own film. Specifically, it notes that Vacancy was popular with their target audience so they hoped to emulate that success. It also discusses applying Vacancy's editing and cinematography skills to enhance suspense. Additionally, it outlines some similarities in characters and plot elements between the two films around journeys and disagreements. Finally, it examines how both films use causal links to transition possibilities of danger into inevitabilities.
Vacancy
This document discusses how the film Vacancy inspired and provided techniques for the filmmaker's own film. Specifically, it notes that Vacancy was popular with their target audience so they hoped to emulate that success. It also discusses applying Vacancy's editing and cinematography skills to enhance suspense. Additionally, it outlines some similarities in characters and plot elements between the two films around journeys and disagreements. Finally, it examines how both films use causal links to transition possibilities of danger into inevitabilities.
Appleby street final draft changes
The document summarizes changes made to a film project. It describes adding a time lapse shot to the middle section to indicate passage of time and address lighting continuity issues. It also details altering the ending by extending the background piano music. Problems encountered like rain ruining cloud footage or sizing issues were addressed through multiple takes and editing techniques.
Appleby street survey
The document summarizes changes made to a film based on survey responses. The volume of the soundtrack was increased to match the rest of the film. Additional sky footage will be filmed and sped up to create a 10-second "time lapse" clip. The titles were moved from the end to the beginning to improve the flow and avoid implying the film was ending rather than continuing.
Halloween’
The document discusses how the filmmakers drew inspiration from the 1978 film "Halloween" for their killer character and mask. Specifically, they note that the mask worn by Mike Myers in "Halloween" has become iconic and symbolic for the film, as it hides the killer's identity and emotions. Seeking a similar effect, the filmmakers chose to have their killer wear a mask to keep the audience guessing and allow them to better convey emotions through an expressionless mask.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
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The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
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Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
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Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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Digipak
- 1. Digipak: The Reservoir; ‘From rags to riches’ Changes made to my digipak panels
- 2. Front cover Changes made for my front cover include darkening the background image in ‘Photoshop’ to a more brown faded colour, a theme I have used in all panels. Also, I have included a review of the album from a music magazine in order to promote my album, and increase its popularity factor to the viewer as they will be more favourable towards purchasing the album if it has good reviews.
- 3. Back cover The only changes I made to this were the additional ‘fine details’, as I felt the overall image of this was good and worked well with the rest of the panels. I have however, included the names of the distributer, manufacturer, and record label, as well as the name of the album along the side, and 2 extra tracks. This is to ensure my digipak is more professional, and increase its popularity and likeability with the extra tracks.
- 4. Panels The only real significant change I have made here is the addition of the artist to fill the blank space from the middle picture. This will increase the artists popularity to the audience as he is a main highlight of the picture and so make him more recognisable. Also, I have included the name of the band onto each panel, so that the name will be shown throughout the digipak and get ‘stuck’ into the viewers mind.
- 5. CD holder I decided not to make any changes to the CD holder as I feel that it is effective as it is already, as I feel the image of the curtains is a good symbol of theatre curtains, and the anticipation the audience gets when waiting for them to open to signify the start of the play. This symbolism is good for my digipak as it hopefully highlights the anticipation the listener should feel when waiting to hear the songs.