Chap49
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Smart filters allow non-destructive editing of images in Photoshop. Smart filters can be applied to smart objects and provide the ability to adjust, reorder, or delete filters after application. To apply a smart filter, select a smart object layer or convert a regular layer to a smart object, then choose a filter from the filter menu except extract, liquify, pattern maker, or vanishing point. Applied smart filters appear below the smart object layer in the layers panel and can be reordered or adjusted non-destructively.
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This tutorial teaches how to remove image backgrounds in GIMP. It takes the reader through 5 steps: 1) Select the background using the Fuzzy Select Tool, 2) Add an alpha channel for transparency, 3) Delete the selected background, 4) Fix any jagged edges, and 5) Save the image, choosing "Export" if saving as a JPG. Additional tips are provided for making accurate background selections. A second document demonstrates how to blend two images by opening them as layers, resizing the canvas, arranging the images, adding a layer mask to the top image, and using the Blend Tool to blend the overlap area.
Photoshop
Photoshop offers a range of selection tools including marquee, lasso, and magnetic selection tools. It allows selection by color using the magic wand or color range tools. The extract command can isolate foreground objects. Photoshop also provides painting and editing tools like the healing brush, clone stamp, and eraser. It includes tools for sharpening, blurring, and adjusting colors. Layers allow working on elements independently and rearranging them. The menu bar provides access to file, edit, image, and other commands to manage and modify images.
Adobe Illustrator CC 2018
This document provides an overview of key features and functions in Adobe Illustrator CC 2018 for creating vector graphics. It discusses how to set up files and workspaces, use tools like layers, strokes, and transforms, and complete tasks such as blending, perspective drawing, effects, and saving in different file formats like PDF. The document is intended as a tutorial or guide for using Illustrator's vector graphics capabilities.
GIMP Tutorial by Juan Rodrigo Badiola
The document provides instructions for removing the background of an image in 4 steps:
1. Use the Fuzzy Select Tool to select the image background and add transparency.
2. Add an alpha channel to make the background transparent.
3. Delete the selected background.
4. Apply a Gaussian blur to smooth the edges of the selection.
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Computer Science.pptx
Basic Concepts in Photo Editing
•Create and save new documents files in Adobe Photoshop
•Manipulate layers in Adobe Photoshop
Adobe Illustrator CS6 Primer
This tutorial provides instructions for using various tools and features in Adobe Illustrator CS6, including how to change colors, use strokes and fills, transform objects, work with layers, apply effects, perform live traces, create clipping masks and blends, use perspective grids, and save files in different formats such as PDF. Key tools and panels like the color picker, stroke panel, and layers panel are explained. Step-by-step directions with accompanying screenshots are provided for each topic.
Assignment 26
The document summarizes and explains the tools in photography software including the Magic Wand, Selection Tool, Crop Tool, Gradient Tool, and Text Tool. The Magic Wand selects pixels based on color and luminosity but works best on low-resolution images. The Selection Tool is more sophisticated and makes selections based on tone and color through successive strokes. The Crop Tool cuts away unwanted image areas outside the crop selection. The Gradient Tool draws linear, radial, or other gradient fills between two points. The Text Tool adds horizontal or vertical text directly to images.
Tools and techniques used skills
The document summarizes various tools and techniques used in Photoshop, Premiere Pro, and Illustrator. In Photoshop, tools like the Magic Wand, Quick Selection Tool, and Adjustment tools allow for selecting areas and adjusting colors and tones. Premiere Pro features include the Source Monitor for viewing clips, Timeline for assembling sequences, and Lumetri Color panel for color grading. Illustrator tools include basic shapes, modifier keys, grids for alignment, and direct selection for isolating objects.
ETECH_WEEK7-Image-Manipulation-Techniques-1.pdf
1. The document discusses various image editing techniques like cropping, blurring, adjustments, framing, and adding text overlays using the PicsArt application.
2. It provides step-by-step instructions for performing each technique, including selecting tools and adjusting settings.
3. The document also explains how to combine multiple images using layering and blending modes in PicsArt to design original composite images.
Masking
Masks in Photoshop allow users to selectively hide or reveal areas of an image or layer. There are several types of masks including quick masks, clipping groups, layer masks, and vector masks. Quick masks are temporary selections, clipping groups use one layer to mask other grouped layers, layer masks can be edited non-destructively over time, and vector masks use resolution-independent shapes. Masks provide flexibility and control over adjustments by hiding or revealing parts of layers without altering the original image data.
teacherinset.pptx
Photoshop is an image editing software used for photos, graphics, and more. It has many tools to edit images, including selection tools, retouching tools, and layers. Layers allow editing individual elements without affecting others. Common tools include the move tool to reposition layers, selection tool to select areas, text tool for adding text, and eraser for removing parts of images. Filling tools allow filling areas with solid colors, gradients, or patterns. The eyedropper extracts colors from images. Understanding layers and these basic tools provides a foundation for using Photoshop.
Job Aid Makeover - Captivate
This document provides an overview of the key features and functions in Adobe Captivate for creating interactive tutorials, presentations, and eLearning content. It explains how to import and create slides, add interactions using the object toolbar, set slide properties, record tutorials, add quizzes, preview and publish projects, and customize preferences. The summary highlights include starting from templates or scratch, arranging slides in storyboard view, editing slides, adding interactions, recording tutorials, adding quizzes, previewing and publishing, and customizing preferences.
MicroStrategy Basic Reporting.pptx
The document provides information on various features of MicroStrategy Desktop including:
- The History folder stores metadata about report execution requests and scheduled reports.
- Personal and Public Objects folders contain user and shared reports, documents, and other objects.
- Reports can be created by dragging attributes and metrics onto the report canvas and customizing layout, formatting, and filters.
- Features like drilling, pivoting, sorting, outlining, and formatting can manipulate data visualization.
- Templates define common report layouts that can be customized. Filters restrict data based on attributes.
- Metrics perform calculations on data and can be simple or derived. Prompts allow filtering reports interactively.
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Chap72&73
The document discusses various methods for storing and retrieving images, including tape drives, hard disks, optical discs like CDs and DVDs, and removable media like zip disks. It describes the basic technology behind each storage type, their capacities and transfer speeds, common formats, and advantages and limitations. Tape drives provide large storage capacities but slow sequential access, while hard disks and optical discs offer faster random access but have more limited capacities. Removable disks like zip disks also provide portable storage.
Chap70
The document discusses various audio formats for multimedia platforms including RAW, MP3, AIFF, MPEG, WAV, ACT, and WMA. It provides descriptions of each format, noting that WAV is the most popular uncompressed format supported by all computers and browsers, while MP3 is the most common compressed format for digital music due to its good compression and high quality. Other formats discussed include RAW for uncompressed raw audio, AIFF for metadata support, MPEG as the format MP3 is based on, WMA for compatibility, and ACT as a common format for voice recordings.
Chap67
This document provides guidance on using computer tools for audio recording. It discusses using simple recording hardware like microphones connected directly to a computer. It also covers advanced external recording hardware that provides better sound quality and flexibility. The document recommends choosing audio recording software like Audacity that is free and powerful for basic needs, or paid programs like Adobe Audition or ProTools for professional use. It provides steps for setting up equipment and software, recording multiple audio tracks, and choosing file formats like MP3s and WAV for sharing finished recordings.
Chap66
1. There are three main types of audio file formats: uncompressed, lossless compressed, and lossy compressed. Uncompressed formats like WAV and AIFF store raw audio data, while lossy formats like MP3 and lossless formats like FLAC compress audio data to reduce file sizes.
2. Common uncompressed formats are WAV and AIFF. Popular lossless compression formats are FLAC, ALAC, and WavPack. Widely used lossy formats are MP3, AAC, and Vorbis.
3. Audio file formats also specify containers and codecs. Containers store audio data and metadata, while codecs perform audio encoding and decoding. Examples of audio file formats discussed are W
Chap62
This document compares various audio file formats including RAW, MP3, AIFF, MPEG, WAV, ACT, and WMA. It discusses the characteristics of each format such as compression, file extensions, advantages like size and limitations like lack of compatibility. Key points covered include how MP3, MPEG, and WMA use lossy compression while WAV and AIFF are uncompressed, and the benefits and drawbacks of each in terms of quality, size, and features.
Chap61
This document discusses audio file formats for cross-platform use between Macintosh and Windows PCs. It describes the different file formats used on each platform, with Macs using .AIFF or .SDII files and Windows using .WAV files. The most common cross-platform format is MP3, which reduces file size while maintaining sound quality. The document also discusses playing audio files over the internet, either by downloading the full file first or streaming the audio as it downloads.
Chap69
Digital audio editors and audio processing software can be used to edit audio files. These programs allow users to record audio, edit clips by adjusting start/stop times and adding fades, mix multiple tracks, apply audio effects like compression and equalization, and convert between file formats. Audio can also be compressed to reduce file sizes using software that converts files like WMA to smaller MP3 files.
Chap60
The document outlines various file formats for images, including their purposes and characteristics. It discusses formats such as JPEG, GIF, PNG, TIFF, EPS, PDF, PSD and others. It explains that file conversion involves changing the encoding of data from one format to another, such as when upgrading software versions or changing programs or operating systems. Proper file conversion preserves the original file and logs any processing steps.
Chap59
This document compares various image file formats including JPEG, GIF, BMP, TIFF, EPS, PSD, PDF and SWF. It describes the characteristics of each format such as whether they are pixel- or vector-based, support for layers, compression, and color modes. The advantages and limitations of each file format are provided, such as file size, compatibility across platforms, ability to edit images, and support for animations.
Chap54
This document discusses image, audio, and video compression. It explains that raw multimedia data contains redundant information and compression removes this redundancy to reduce file size. There are lossless compression techniques like run-length encoding and LZW that allow for exact reconstruction of the original data. There is also lossy compression like JPEG that permanently eliminates some information, trading off quality for smaller file size. Lossy compression is generally used for audio and video.
Chap52
Batch processing allows running a series of programs or jobs on a computer without manual intervention. To batch process files using an action in Photoshop or Bridge, select the action, files, and processing options. You can batch process files in a folder and its subfolders by choosing "Folder" as the source, setting the destination to "Save And Close," and overriding the action's "Save As" commands so files are saved in their original folders with automatically generated names.
Chap50
This document discusses and defines three types of filters in Photoshop: blur filters, sharpen filters, and noise filters. Blur filters are useful for adding depth of field or covering flaws, and can create realistic lens blur or speed effects. Sharpen filters help correct imperfections and emphasize elements by increasing contrast between pixels. Noise filters allow adding or reducing noise and grain in photographs, with the reduce noise filter being useful for repairing old or damaged photos and the add noise filter having creative uses.
Chap48
This document discusses different filter effects that can be applied in Photoshop, including beveling, embossing, and adding textures. It explains that filters can be accessed through the Filter menu or by right-clicking on a layer and selecting Blending Options, where common effects like Bevel and Emboss are found. Bevel, emboss, pillow emboss, stroke emboss, and adding textures to layers are described as ways to create various filter effects.
Chap46
The document discusses different color modes including RGB, CMYK, grayscale, bitmap, duotone, and indexed color. It provides details on:
- How each color mode represents and creates colors numerically
- When each color mode should be used based on the intended media (web, print, etc.)
- How to convert between color modes such as converting a color image to grayscale or a grayscale image to a duotone
- Tips for working in different color modes and avoiding unnecessary conversions
The document is an informative guide to understanding and working with different color modes in Photoshop.
Chap45
This document discusses how color behaves in relation to other factors like other colors, shapes, proportions and intensity. It provides examples of how varying these factors can influence the appearance of color and affect mood. Specifically, it notes that brighter colors can make shapes appear larger, varying color proportions can change a color's properties, and increasing contrast between areas draws more attention. The document suggests considering these color principles when applying colors to create different moods.
Chap43
This document discusses different methods of determining harmony of colors, including:
- Analogous colors which are adjacent on the color wheel like orange and red.
- Complementary colors which are directly across from each other on the color wheel like red and green.
- Contrast harmony which uses complementary colors to create strong contrast and vibrancy.
- Nature colors found in the natural environment like green leaves and white clouds.
- Warm and cool colors which should be of similar temperature for harmony. The color wheel is used to identify harmonious color combinations.
Chap42
The document discusses the color wheel, which arranges color hues in a circle to illustrate the relationships between primary, secondary, and complementary colors. It defines primary colors as red, yellow, and blue that cannot be derived by mixing other colors. Secondary colors are formed by mixing two primary colors: orange, green, and violet. Tertiary colors lie between primary and secondary colors. Complementary colors are directly across from each other on the wheel and cancel each other out when mixed. The color wheel shows how primary, secondary, tertiary, and complementary colors are positioned and related.
Chap40
The document describes the process of creating an image composite using multiple images. It discusses selecting appropriate images, isolating elements using masking techniques, applying filters and effects, and combining and positioning images to create a meaningful montage. Masking techniques like layer masks and vector masks allow hiding or revealing parts of images. Filters can be used to adjust properties like brightness, contrast, colors, and sharpness. By selecting, editing, and arranging images creatively, a composite image can be produced that tells a story or expresses an idea.
Chap39
The document discusses various techniques for masking and outlining images, including:
1) Using pen and shape tools to create paths and selections around image elements.
2) Adjusting selections using feathering and anti-aliasing to soften edges.
3) Creating layers and positioning separate image elements on different layers.
4) Applying layer masks to cover and reveal parts of images non-destructively.
Chap37
This chapter discusses techniques for editing digital images, including cropping, trimming, and rotating. It explains that cropping involves selecting and removing excess areas of an image to improve composition. Rotating adjusts an image's position and orientation. The document provides guidance on using various tools to precisely crop, rotate, and adjust an image to strengthen composition and focus on the main subject. Examples are given of before and after images that have been edited for better balance and visual impact through these manipulation techniques.
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Chap49
- 1. Describe the ways to improve filter performance.
- 2. In This Chapter, you’ll learn on: Identify appropriate situations to apply smart filters
- 3. About Smart Filters Any filter applied to a Smart Object is a Smart Filter. Smart Filters appear in the Layers panel below the Smart Object layer to which they are applied. Because you can adjust, remove, or hide Smart Filters, they are nondestructive. You can apply any Photoshop filter as a Smart Filter except o Extract o Liquify o Pattern Maker o Vanishing Point
- 4. In addition, you can apply the following as Smart Filters. Shadow/Highlight Variations adjustments To work with Smart Filters, select a Smart Object layer, choose a filter, and then set filter options. After you apply a Smart Filter, you can adjust, reorder, or delete it.
- 5. Working with a Smart Object Yes, the keyword is that smart filters are only applicable to Smart Objects, and creating a Smart Object is easy. The easiest way to do so is to choose File > Place, then locate the image you want to put inside your Photoshop document. Alternatively, you can also open an image as a Smart Object (File > Open as Smart Object). If you have an image on a separate layer, you can convert it into a smart object (Filter> Convert for Smart Filter).
- 6. Working with a Smart Object Applying a Smart Filter Do one of the following: o To apply a Smart Filter to an entire Smart Object layer, select the layer in the Layers panel. o To constrain the effects of the Smart Filter to a selected area of a Smart Object layer, make a selection. o To apply a Smart Filter to a regular layer, select the layer, and choose Filter > Convert For Smart Filters, and click OK.
- 7. Working with a Smart Object Applying a Smart Filter Do one of the following: o Choose a filter from the Filter menu. You can choose any filter, including third-party filters that support Smart Filters, except Extract, Liquify, Pattern Maker, and Vanishing Point. o Choose Image > Adjustments > Shadow/Highlight or Image > Adjustments > Variations. Note: If you apply one or more filters using the Filter Gallery, they appear as a group in the Layers panel named “Filter Gallery.” You can edit individual filters by double-clicking a Filter Gallery entry.
- 8. Set filter options and click OK. Note: The Smart Filter appears under the Smart Filters line in the Layers panel beneath the Smart Object layer. If you see a warning icon next to a Smart Filter in the Layers panel, the filter doesn’t support the image’s color mode or depth. After you apply a Smart Filter, you can drag it (or an entire group of Smart Filters) onto another Smart Object layer in the Layers panel; press Alt-drag (Windows) or Option-drag (Mac OS) Smart Filters. You can’t drag Smart Filters onto regular layers.