1. production experiments (video game)
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The document describes several animation experiments Joshua Meredith conducted in Photoshop using a 120x80px canvas and a 1px pencil tool. The experiments included a damage animation that bobbed the character up and down, a blinking animation that opened and closed the character's eyes, and a running animation that alternated between legs in different frames. Meredith reflected that the experiments gave him ideas for possible gameplay styles and mechanics, showed how simple but effective animations can be, and provided a starting character design for a potential final product.
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3. production experiments(2)
The document summarizes experiments done to create a ghost game in Photoshop. The author drew a ghost, tree, tombstone, and portal using a pencil tool at 1 pixel size on a 120x80 pixel canvas. They added movement by dragging the ghost and recording new frames on the timeline. For the final product, the author plans to include the video format, size, aim, dark background, start and finish buttons, and some elements from the ghost game though their game will be a fighting game not focused on a ghost.
6. production reflection(2)
The student created several animations and designs for different projects. For a ghost animation, they made a transparent blue figure and moved it on a solid colored background. For another project, they designed character illustrations and scattered money using Photoshop tools. The student also made an animation by placing character designs on a background and toggling their visibility between frames. They designed an app icon inspired by a movie poster, including a pixelated plane, money, and parachute. Finally, the student added downloaded sound effects to an animation by cutting and placing them in Premier Pro.
Video Game Project - 1. production experiments
The student created experiments to help plan their final product for a pixel art video game. They started by creating a dark nighttime city theme background. Then they added simple buildings and a cat character to collect coins. For their final product, the student plans to keep the night city theme and possibly include the cat character. They also want to make a coin collecting game, which was tested in the experiments, as it will be simple to complete in the time given.
Production Reflection
Alexander Sullivan-Cree created several assets for an app including a logo, app cover, and battle scene. To make the logo, he designed a white background and added a sunset image. For the app cover, he imported character images and added a title. The battle scene involved hand drawing a background and action bars inspired by Final Fantasy. Characters were placed and given battle options and names. Alexander attempted to animate the fight scene but ran out of computer space before finishing.
1. Production Experiments
The document describes three experiments conducted by Leticia Lopes to develop elements for a final product. The first experiment involved drawing clouds in different layers to create an animated background. The second experiment used a maze layout found online along with self-drawn characters and clouds from the first experiment. The third experiment used BeepBox to create a background sound for the game. Elements that will be included in the final product are the cloud background, sound effects, a statistic bar, character selection options, and background music.
Video Game Production Experiments PP
Kai Todd created basic animations to experiment with different techniques for their final project. In the first animation, sprites were positioned and tweens were used to smooth movement as the main character completed objectives. Feedback noted moving background elements added interest but objects need consistent movement. The second animation included a death shrinking animation and game over screen created by coloring the screen black and writing letters frame by frame. Kai plans to further develop the death animation and experiment with different game over screens for the final project.
4. production experiments (1)
The document describes several experiments with digital effects and photo manipulation:
1) A digital painting experiment where the artist smoothed skin, added color and highlights to create a drawn effect.
2) A glitch effect experiment where the artist made an image black and white, moved sections to create a glitched look.
3) A photo manipulation experiment where the artist changed hat colors, cut and blended elements to add a bee picking up a hat.
4) Other video experiments including turbulent displace to make the video look wiggly, lens distortion to add a fisheye effect, and using the paint bucket tool to fill with black at 64% opacity.
5) The artist indicates they would include
1. production experiments
The document describes the process of experimenting with creating spritesheets, side scrolling backgrounds, and animations for a side scrolling game. Key elements that will be included in the final product are spritesheets to organize sprites, a method of creating a side scrolling background by drawing it on a double-width canvas, and animating by moving the background once the character reaches the center of the screen. Music will also be created using Beepbox and included in the final game.
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3. production experiments(2)
The document summarizes experiments done to create a ghost game in Photoshop. The author drew a ghost, tree, tombstone, and portal using a pencil tool at 1 pixel size on a 120x80 pixel canvas. They added movement by dragging the ghost and recording new frames on the timeline. For the final product, the author plans to include the video format, size, aim, dark background, start and finish buttons, and some elements from the ghost game though their game will be a fighting game not focused on a ghost.
6. production reflection(2)
The student created several animations and designs for different projects. For a ghost animation, they made a transparent blue figure and moved it on a solid colored background. For another project, they designed character illustrations and scattered money using Photoshop tools. The student also made an animation by placing character designs on a background and toggling their visibility between frames. They designed an app icon inspired by a movie poster, including a pixelated plane, money, and parachute. Finally, the student added downloaded sound effects to an animation by cutting and placing them in Premier Pro.
Video Game Project - 1. production experiments
The student created experiments to help plan their final product for a pixel art video game. They started by creating a dark nighttime city theme background. Then they added simple buildings and a cat character to collect coins. For their final product, the student plans to keep the night city theme and possibly include the cat character. They also want to make a coin collecting game, which was tested in the experiments, as it will be simple to complete in the time given.
Production Reflection
Alexander Sullivan-Cree created several assets for an app including a logo, app cover, and battle scene. To make the logo, he designed a white background and added a sunset image. For the app cover, he imported character images and added a title. The battle scene involved hand drawing a background and action bars inspired by Final Fantasy. Characters were placed and given battle options and names. Alexander attempted to animate the fight scene but ran out of computer space before finishing.
1. Production Experiments
The document describes three experiments conducted by Leticia Lopes to develop elements for a final product. The first experiment involved drawing clouds in different layers to create an animated background. The second experiment used a maze layout found online along with self-drawn characters and clouds from the first experiment. The third experiment used BeepBox to create a background sound for the game. Elements that will be included in the final product are the cloud background, sound effects, a statistic bar, character selection options, and background music.
Video Game Production Experiments PP
Kai Todd created basic animations to experiment with different techniques for their final project. In the first animation, sprites were positioned and tweens were used to smooth movement as the main character completed objectives. Feedback noted moving background elements added interest but objects need consistent movement. The second animation included a death shrinking animation and game over screen created by coloring the screen black and writing letters frame by frame. Kai plans to further develop the death animation and experiment with different game over screens for the final project.
4. production experiments (1)
The document describes several experiments with digital effects and photo manipulation:
1) A digital painting experiment where the artist smoothed skin, added color and highlights to create a drawn effect.
2) A glitch effect experiment where the artist made an image black and white, moved sections to create a glitched look.
3) A photo manipulation experiment where the artist changed hat colors, cut and blended elements to add a bee picking up a hat.
4) Other video experiments including turbulent displace to make the video look wiggly, lens distortion to add a fisheye effect, and using the paint bucket tool to fill with black at 64% opacity.
5) The artist indicates they would include
1. production experiments
The document describes the process of experimenting with creating spritesheets, side scrolling backgrounds, and animations for a side scrolling game. Key elements that will be included in the final product are spritesheets to organize sprites, a method of creating a side scrolling background by drawing it on a double-width canvas, and animating by moving the background once the character reaches the center of the screen. Music will also be created using Beepbox and included in the final game.
3. production experiments (interactive)
The document describes the process of creating an animated ghost image. The artist used Photoshop tools like the fill and pencil tools to trace a ghost outline and add shading to make it look realistic. Stars were added to the black background to create a nighttime setting. An animated balloon was also included that rises up frame by frame before blowing up. For the final product, the artist plans to use Photoshop and animation in their ghost game, applying the techniques used to create the test image.
3. production experiments(2)
The document describes experiments conducted in Photoshop to create a ghost character. The ghost was given sunglasses to make it unique and avoid copyright issues. Movement was created by duplicating and reshaping the ghost layer between frames. A second ghost character was added to provide something for the first ghost to interact with. Drawing tools like the pencil and shape tools were used to create the characters and background elements like the moon. Reflection on the experiments indicated keeping the moving background effect while changing aspects like color scheme, game purpose, and characters for a smoother final product.
video game-/production reflection
The student has been working on character creation and movements for their video game production. They initially struggled with creating movements but learned how to do so. Most of the game assets have been added, including a trial area and collectible coins. The student feels they are making good progress and will finish on time. They are now at the editing stage, adding animations and movements. All frame animations up to the "winner" screen have been included. Sound effects will be added last before exporting the final production.
3. Production Experiments
Leticia created a graveyard background scene for a ghost animation by filling shapes with shades of grey using painting tools in a 120x80 pixel canvas. She drew her own ghost inspired by an image found online and used the timeline to animate it moving between frames. For her final product, Leticia plans to include the character movement and timeline animation, meeting the requirements of creating a "Ghost Game" as outlined in the project brief.
3. production experiments (interactive)
The artist drew stars and a dark purple background using the pencil tool to create a creepier atmosphere for their picture. Buildings were added to make the scene of a ghost appearing at night seem more realistic and relatable to viewers. Finally, a ghost was drawn using the pencil tool as the last element of the experiment. For the final product, the moon, stars, and background will be included to match the brief of creating a Ghost Game.
3. production experiments (js)
The document describes experiments for a ghost-themed game. A dark gradient background was used with duplicated clouds and many yellow stars, as stars are a key part of the game where the player controls a ghost to collect all the stars. For the final product, the designer will include a gradient background, multiple character choices for the player, and objects like footballs that are important to collect, drawing from the star element in the experiments.
3. production experiments (interactive)
This document describes the process an individual took to create experiments for a mobile phone ghost game. They began by creating a vertical A4 canvas in black. They added layers to draw characters, including a grey foreground line. They spent a day and a half drawing a character by copying colors from another design. Ghosts were drawn in pastel colors as templates. The completed game involved moving ghosts of the same color into horizontal lines over 0.5 seconds of animation. Elements like drawing characters and using frame animation will be included in the final product.
Student practice power_point
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2) It instructs the user to insert a light blue background and animate objects with dissolve entrance, reorder animations, and use dimming.
3) Later instructions include making a hand move across the screen, inserting hyperlinks to slides and websites, adding graphic organizers and shapes, inserting arrows and sounds, and applying transitions in the slide sorter view.
Practice of power point feature demo_with_effects_added
1) The document provides instructions for practicing various PowerPoint features like inserting backgrounds, custom animations, motion paths, hyperlinks, shapes, sounds, and transitions.
2) It instructs the user to insert a light blue background and animate objects with dissolve entrance effects with dimming.
3) Further instructions are provided for hyperlinking to other slides, adding action buttons, changing shape colors, inserting arrows and sounds.
1. production experiments
The document describes three experiments conducted by Gemma Nicholls involving animation. The first experiment involved creating a stick figure running animation in Photoshop. The second experiment involved creating animated character expressions and interactions for a game in Photoshop and Premiere Pro. The third experiment involved animating a ballerina in different positions in Photoshop and combining it with music in Premiere Pro. Reflections noted that placement of limbs is important for animation flow and using different speeds of frames can improve animation. Experiences with audio and video synchronization were also useful lessons learned.
5. Pre Production
This document outlines the pre-production planning for a game project, including choosing background images and color schemes, selecting fonts, planning character and level design elements, contingencies, health and safety considerations, and a production schedule. Background images were selected to inspire level design and colors. Fonts were chosen from 1001fonts for potential use in the app logo. Potential issues addressed include asking for help if stuck, continuing work at home if short on time, and starting over if mistakes are made. The schedule allocates days for creating game assets in Photoshop, adding sound, developing the app logo, and documenting the project in PowerPoint presentations.
Photoshop tutorial
This Photoshop tutorial summarizes the steps taken to create a teaser poster for an imaginary horror film called "Darkness." First, the tutorial author selected a black background with white mist. Next, they added a ghostly image of a girl's face by cropping and selecting it, then applying a "Dry brush" effect to make it appear painted on. Finally, the author positioned the title "Darkness" in black text over the mist, along with a tagline and "Coming soon" text at the top, to complete the minimalist horror film poster.
6. production reflection(visual)
Joe Farrell created a cover for a gaming magazine featuring key Halo characters. He used various Photoshop tools like the patch and eraser tools to blend layers together and give the characters a ghostly appearance in front of a light source. Joe also created an achievement logo by merging text with an image online. For the inside pages, he included Halo gameplay screenshots and theories about Halo 6 plots. The final magazine cover caught the eye and looked like a real gaming publication.
1. production experiments
The document describes the student's experiments in creating an animated character and game. For the character, the student used separate layers for the eyes to allow independent movement. They also added a glow effect that changed the entire character's color, which they decided to keep. For the game, the student designed a background and table, drew characters, and added frame-by-frame animation moving objects and scores. They exported the animation from Photoshop as a video and added self-made sound effects in Premiere Pro, though matching effects to frames was difficult due to lag. The student plans to include independently moving layers and self-made sound effects matching the game in their final product.
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3. production experiments(2)
1) The document describes experiments creating a ghost game using Photoshop, including filling the background with dark and light grey colors to create a tunnel, animating the ghost character moving through the tunnel using stop motion techniques, and exporting the game as an MP4 file.
2) Reflection on the experiments indicates the final product will use a more detailed background design and include more interactivity, using the stop motion animation technique and developing a concept to match the brief of a ghost game.
1. production experiments(1)
Carter Smith created an animation experiment of a running pig using Photoshop. He used color, time frames, and the pen and fill tools to create layers showing the pig in different positions to appear running. Carter started with one image of the pig and then created three more to show its movement. In his reflection, Carter indicates he will include the timeline aspect, pixel design technique using the pencil tool, and unique pixel art graphic style in his final product.
3. production experiments
The document describes the process of creating a game cover design. The designer chose a war-themed background image and added characters sourced from online, removing backgrounds using the magic wand tool. Text was added using the text tool and impact font. Additional images were added from online and backgrounds removed using the magic wand tool before resizing and positioning on the cover. A case cover template was resized and placed over the design. The designer reflected that all tools used in experimentation will be applied to the final product.
1. production experiments
The document describes an experiment creating a pixel animation game in Adobe Photoshop. The key steps included creating a 120x80 document, drawing objects using a 1 pixel pencil tool, adding a basic background with different color shades, and moving objects between frames to create animation. The goal was to move a stick figure through tires to reach a portal. Reflections note using similar tools, document size, and pencil size in the final product, as well as potentially adding more detail and frames given more time.
4. production experiments
Jay Birkin created experiments for an adventure game by drawing backgrounds and characters in Photoshop. For one experiment, Birkin drew a bright background to set a happy mood for the genre. Birkin also created a character walk cycle animation with four positions to make it feel realistic. For another experiment, Birkin designed a basic layout with boxes and included an animation of a character swinging a sword at a monster. Birkin exported the animations but did not have time to edit them further.
1. production experiments
The document describes several experiments conducted with Photoshop and Premier Pro to develop skills for a final product. Key elements that will be included are using a 1200 width Photoshop canvas to design backgrounds, the tween feature to create movement, hiding and showing parts of a character to animate walking, using the pencil tool to improve designs, and adding audio created in Beepbox and edited in Premier Pro.
P4 - 3. Production Experiments
Tamzin experimented with creating a background scene for a ghost game by drawing a haunted house silhouette in black and yellow pixels, but had difficulty with the windows. Tamzin then found a better house template and colored it in blocks, adding a moon, clouds, pumpkin, and gravestone. Tamzin also traced a ghost and bush template, experimenting with leaf shading. Next, Tamzin drew a basic walking character but simplified it to side views with different walking poses to animate. Finally, Tamzin animated the character walking by duplicating and flipping frames with the character moving right. From these experiments, Tamzin learned to use templates and a solid color style, learned character posing and animation, and will apply these lessons
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3. production experiments (interactive)
The document describes the process of creating an animated ghost image. The artist used Photoshop tools like the fill and pencil tools to trace a ghost outline and add shading to make it look realistic. Stars were added to the black background to create a nighttime setting. An animated balloon was also included that rises up frame by frame before blowing up. For the final product, the artist plans to use Photoshop and animation in their ghost game, applying the techniques used to create the test image.
3. production experiments(2)
The document describes experiments conducted in Photoshop to create a ghost character. The ghost was given sunglasses to make it unique and avoid copyright issues. Movement was created by duplicating and reshaping the ghost layer between frames. A second ghost character was added to provide something for the first ghost to interact with. Drawing tools like the pencil and shape tools were used to create the characters and background elements like the moon. Reflection on the experiments indicated keeping the moving background effect while changing aspects like color scheme, game purpose, and characters for a smoother final product.
video game-/production reflection
The student has been working on character creation and movements for their video game production. They initially struggled with creating movements but learned how to do so. Most of the game assets have been added, including a trial area and collectible coins. The student feels they are making good progress and will finish on time. They are now at the editing stage, adding animations and movements. All frame animations up to the "winner" screen have been included. Sound effects will be added last before exporting the final production.
3. Production Experiments
Leticia created a graveyard background scene for a ghost animation by filling shapes with shades of grey using painting tools in a 120x80 pixel canvas. She drew her own ghost inspired by an image found online and used the timeline to animate it moving between frames. For her final product, Leticia plans to include the character movement and timeline animation, meeting the requirements of creating a "Ghost Game" as outlined in the project brief.
3. production experiments (interactive)
The artist drew stars and a dark purple background using the pencil tool to create a creepier atmosphere for their picture. Buildings were added to make the scene of a ghost appearing at night seem more realistic and relatable to viewers. Finally, a ghost was drawn using the pencil tool as the last element of the experiment. For the final product, the moon, stars, and background will be included to match the brief of creating a Ghost Game.
3. production experiments (js)
The document describes experiments for a ghost-themed game. A dark gradient background was used with duplicated clouds and many yellow stars, as stars are a key part of the game where the player controls a ghost to collect all the stars. For the final product, the designer will include a gradient background, multiple character choices for the player, and objects like footballs that are important to collect, drawing from the star element in the experiments.
3. production experiments (interactive)
This document describes the process an individual took to create experiments for a mobile phone ghost game. They began by creating a vertical A4 canvas in black. They added layers to draw characters, including a grey foreground line. They spent a day and a half drawing a character by copying colors from another design. Ghosts were drawn in pastel colors as templates. The completed game involved moving ghosts of the same color into horizontal lines over 0.5 seconds of animation. Elements like drawing characters and using frame animation will be included in the final product.
Student practice power_point
1) The document provides instructions for practicing various PowerPoint features like inserting backgrounds, custom animations, motion paths, hyperlinks, shapes, sounds, and transitions.
2) It instructs the user to insert a light blue background and animate objects with dissolve entrance, reorder animations, and use dimming.
3) Later instructions include making a hand move across the screen, inserting hyperlinks to slides and websites, adding graphic organizers and shapes, inserting arrows and sounds, and applying transitions in the slide sorter view.
Practice of power point feature demo_with_effects_added
1) The document provides instructions for practicing various PowerPoint features like inserting backgrounds, custom animations, motion paths, hyperlinks, shapes, sounds, and transitions.
2) It instructs the user to insert a light blue background and animate objects with dissolve entrance effects with dimming.
3) Further instructions are provided for hyperlinking to other slides, adding action buttons, changing shape colors, inserting arrows and sounds.
1. production experiments
The document describes three experiments conducted by Gemma Nicholls involving animation. The first experiment involved creating a stick figure running animation in Photoshop. The second experiment involved creating animated character expressions and interactions for a game in Photoshop and Premiere Pro. The third experiment involved animating a ballerina in different positions in Photoshop and combining it with music in Premiere Pro. Reflections noted that placement of limbs is important for animation flow and using different speeds of frames can improve animation. Experiences with audio and video synchronization were also useful lessons learned.
5. Pre Production
This document outlines the pre-production planning for a game project, including choosing background images and color schemes, selecting fonts, planning character and level design elements, contingencies, health and safety considerations, and a production schedule. Background images were selected to inspire level design and colors. Fonts were chosen from 1001fonts for potential use in the app logo. Potential issues addressed include asking for help if stuck, continuing work at home if short on time, and starting over if mistakes are made. The schedule allocates days for creating game assets in Photoshop, adding sound, developing the app logo, and documenting the project in PowerPoint presentations.
Photoshop tutorial
This Photoshop tutorial summarizes the steps taken to create a teaser poster for an imaginary horror film called "Darkness." First, the tutorial author selected a black background with white mist. Next, they added a ghostly image of a girl's face by cropping and selecting it, then applying a "Dry brush" effect to make it appear painted on. Finally, the author positioned the title "Darkness" in black text over the mist, along with a tagline and "Coming soon" text at the top, to complete the minimalist horror film poster.
6. production reflection(visual)
Joe Farrell created a cover for a gaming magazine featuring key Halo characters. He used various Photoshop tools like the patch and eraser tools to blend layers together and give the characters a ghostly appearance in front of a light source. Joe also created an achievement logo by merging text with an image online. For the inside pages, he included Halo gameplay screenshots and theories about Halo 6 plots. The final magazine cover caught the eye and looked like a real gaming publication.
1. production experiments
The document describes the student's experiments in creating an animated character and game. For the character, the student used separate layers for the eyes to allow independent movement. They also added a glow effect that changed the entire character's color, which they decided to keep. For the game, the student designed a background and table, drew characters, and added frame-by-frame animation moving objects and scores. They exported the animation from Photoshop as a video and added self-made sound effects in Premiere Pro, though matching effects to frames was difficult due to lag. The student plans to include independently moving layers and self-made sound effects matching the game in their final product.
Enhancing images for artistic effect (basics) with photoshop
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3. production experiments(2)
1) The document describes experiments creating a ghost game using Photoshop, including filling the background with dark and light grey colors to create a tunnel, animating the ghost character moving through the tunnel using stop motion techniques, and exporting the game as an MP4 file.
2) Reflection on the experiments indicates the final product will use a more detailed background design and include more interactivity, using the stop motion animation technique and developing a concept to match the brief of a ghost game.
1. production experiments(1)
Carter Smith created an animation experiment of a running pig using Photoshop. He used color, time frames, and the pen and fill tools to create layers showing the pig in different positions to appear running. Carter started with one image of the pig and then created three more to show its movement. In his reflection, Carter indicates he will include the timeline aspect, pixel design technique using the pencil tool, and unique pixel art graphic style in his final product.
3. production experiments
The document describes the process of creating a game cover design. The designer chose a war-themed background image and added characters sourced from online, removing backgrounds using the magic wand tool. Text was added using the text tool and impact font. Additional images were added from online and backgrounds removed using the magic wand tool before resizing and positioning on the cover. A case cover template was resized and placed over the design. The designer reflected that all tools used in experimentation will be applied to the final product.
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Similar to 1. production experiments (video game)
1. production experiments
The document describes an experiment creating a pixel animation game in Adobe Photoshop. The key steps included creating a 120x80 document, drawing objects using a 1 pixel pencil tool, adding a basic background with different color shades, and moving objects between frames to create animation. The goal was to move a stick figure through tires to reach a portal. Reflections note using similar tools, document size, and pencil size in the final product, as well as potentially adding more detail and frames given more time.
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Jay Birkin created experiments for an adventure game by drawing backgrounds and characters in Photoshop. For one experiment, Birkin drew a bright background to set a happy mood for the genre. Birkin also created a character walk cycle animation with four positions to make it feel realistic. For another experiment, Birkin designed a basic layout with boxes and included an animation of a character swinging a sword at a monster. Birkin exported the animations but did not have time to edit them further.
1. production experiments
The document describes several experiments conducted with Photoshop and Premier Pro to develop skills for a final product. Key elements that will be included are using a 1200 width Photoshop canvas to design backgrounds, the tween feature to create movement, hiding and showing parts of a character to animate walking, using the pencil tool to improve designs, and adding audio created in Beepbox and edited in Premier Pro.
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Tamzin experimented with creating a background scene for a ghost game by drawing a haunted house silhouette in black and yellow pixels, but had difficulty with the windows. Tamzin then found a better house template and colored it in blocks, adding a moon, clouds, pumpkin, and gravestone. Tamzin also traced a ghost and bush template, experimenting with leaf shading. Next, Tamzin drew a basic walking character but simplified it to side views with different walking poses to animate. Finally, Tamzin animated the character walking by duplicating and flipping frames with the character moving right. From these experiments, Tamzin learned to use templates and a solid color style, learned character posing and animation, and will apply these lessons
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The document describes experiments from three different students. The first student experimented with animating a pistol and bullet using layers and tweening. The second student experimented with pixel art and border designs. The third student created a text-based RPG with animated character movement and scrolling text. All three students reflected on including elements of their experiments, such as animation style and design aspects, in their final products.
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1. production experiments
- The document describes the process of creating a rocket animation GIF. The author drew the rocket using single pixels and copied layers to add fire effects. They made parts of the flames opaque and flicker to seem more realistic. The rocket moved up the screen pixel by pixel and traveled through stages 1-4 of its animation cycle. A shooting star was added by dragging it across frames.
- The author reflects that the rocket moved too slowly and a shooting star was added to improve it. They felt the quick GIF concept and pixel art style were suitable.
Production diary
The document provides a weekly summary of the progress made in developing a game over 4 weeks. In week 1, the developer created animations for the loading screen and title screen. They designed pixel art for the dog character and tutorial screen. In week 2, they animated the cat character's mouth movements and completed the first two scenes. They designed characters for scene 2. In week 3, they created backgrounds, added effects, and developed the fight scene. In week 4, they finished the fight scene, added gameplay elements, and created advertisements and packaging for the game. Overall the developer was able to make steady progress and overcome minor issues along the way.
3. production experiments(3)
Jack Morton created an experiment using the pencil tool in Photoshop to draw elements like the moon, ghost, character, knife, and blood effects. He chose the pencil tool because it was instant and accurate compared to the brush tool. Jack then used a template and the lasso tool to create a green hill background. For his final product, Jack plans to include pixel design and blood effects to attract different gamers. He will also improve the layout and design to make it more pleasing to customers. Jack will use effects like different screen colors to highlight important elements and make the game more interesting than others.
1. Production Experiments
The document describes experiments conducted to create animated sprites and pixel art for a video game. In the first experiment, the author drew stick figure sprites and animated a walk cycle. In the second experiment, the author designed a platform game background and created a simple player sprite with different poses. Multiple sprite poses were animated into a walk cycle. Sound effects and music were added in Premiere Pro to complete a demo video. Lessons from the experiments will inform the final video game project.
1. production experiments (Video Game)
The document describes experiments with creating a video in Photoshop. It discusses using the pencil tool to draw pixels, accidentally making part of a title part of the background layer, and having to use a copier tool to fix it. It also explains using multiple frames and the eye tool to make an image flash on and off screen for 0.5 seconds. Finally, it discusses making different elements separate layers and moving them with the arrow tool frame by frame to animate a head flying off into space. The reflections indicate using colors, a flashing image for bullets, and frame-by-frame movement of characters.
3. Production Experiments (FMP).pptx
The document summarizes the experiments Leon conducted in preparation for their final product. They practiced animating a character shooting bullets, made mockups for a game cover front and back, and drew characters in an anime style to potentially include in dialogue scenes or the title screen. Though the hand-drawn elements were cut due to time constraints, Leon plans to incorporate the animation skills, design elements from the game covers, and anime art style in their final product. They aim to create a boss fight scene similar to Touhou games, applying what they learned around animating gameplay, color schemes, and visual effects.
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Evaluation (lvl 3 fmp)
The document provides an evaluation of Joshua Meredith's production process for a clothing line. It summarizes the strengths and weaknesses in his research, planning, time management, technical qualities, aesthetic qualities, audience appeal, and peer feedback. Key points include that his research focused on simple, effective designs from successful brands but could have explored color options more. His planning went well but lacked exploring outside his box of ideas. Time management was poor with last minute work. Peer feedback noted a lack of variety in designs and colors. [END SUMMARY]
Pre production (lvl 3 fmp)
The document discusses armor design for a character. It notes that bulky armor was avoided and references of characters with mechanical armor were reviewed. This provided ideas on what to include and remove to find the right balance of armor for the character. Images of characters with different armor amounts showed how much is too much. The character design process also considered armor color schemes to avoid something too generic like black and white.
Production experiments (fmp)
The document discusses experiments for designing simple graphic t-shirt and hoodie concepts. It shows early sketches of a minimalist character design that will include shading when completed. Screenshots demonstrate sizing the designs on shirt and hoodie templates in the Krita workspace. While two designs are shown, three will ultimately be included - with the top design adding white text next to the female character. The same overall design idea and process using Krita will carry over to the final products, though the hoodie color may change to be consistent with an all-white brand aesthetic.
Research (lvl 3 fmp)
Here are the key points I gathered from the interview:
- Designs should be simple on t-shirts but more complex across hoodies/long sleeves with designs in multiple areas.
- Price range should be affordable with t-shirts around £20 and hoodies/long sleeves up to £60 due to more design/effort.
- Colors for simple designs like t-shirts should be 1-2 colors like white/black. More complex designs could have 3-4 colors like red, black, white which go well together.
- Audience prefers clean, simple designs that aren't overly complicated. More design/effort justifies higher prices on hoodies/long sleeves.
This gives useful insight into what
Proposal (lvl 3 fmp)
This proposal outlines a clothing line project called "Whited" aimed at unisex teenagers. The student has skills in art and design from previous projects and wants to improve upon a clothing line they designed last year. The concept involves character designs that will be translated to t-shirts through detailed linework and shading. Research will include analyzing how other brands like Nike design and market clothing lines. Progress will be evaluated by comparing designs to last year's work and the designs of an actual clothing company. The 10-week schedule outlines tasks from initial research to final evaluations and development.
Initial plans (lvl 3 fmp)
Joshua Meredith plans to improve upon a clothing line project from last year. This year's project will include upper body clothing like shirts and hoodies with unique front and back designs. The color scheme will focus on white shading. The target audience is teenagers, primarily males, as the streetwear style fits their interests. Posters will advertise popular movies and video games in black and white or color. A movie trailer will feature a female superhero protagonist and male villain. Scenes will be edited in post-production. Finally, a clothing store called "Whited" will sell white t-shirts, hoodies, and other items featuring designs made in Krita and finished in Photoshop.
Initial plans (lvl 3 fmp)
The document provides initial plans and reactions for a level 2 project creating a clothing line. It includes a mind map outlining plans for a clothing line featuring unique shirt and hoodie designs primarily in white, as well as posters for movies and video games. A movie trailer is also planned featuring a female superhero protagonist. A mood board is presented with images of white clothing influencing the final clothing store brand called "Whited" featuring white t-shirts, hoodies and other garments.
7. evaluation (video game)
Joshua Meredith evaluated his product, a pixelated video game inspired by Pokemon games. His research of Pokemon games helped him choose which game to base his design on and determine his pixel limits. His planning process involved structuring steps to complete the game, but he could have better organized animations. Time management was done well, leaving extra time to improve the product. The technical qualities of the game included detailed pixel art animations at a smooth frame rate compared to the inspiration game. Aesthetically, the grayscale colors captured the retro feel within pixel limits. The intended teenage boy audience would find appeal due to the game's similarity to popular Pokemon games.
6. production reflection (video games)
The document describes Joshua Meredith's process for creating a pixel art animation. It discusses how he created character concepts using a 1px pencil for an original design. It also explains his animation layout using box slides and copying layers to make the process easier. Finally, it details the tools used, including the pencil, rubber, fill, and text tools to create the pixel art animation in a time efficient manner.
Pre production (video game)
This document provides details for a pre-production plan for a Pokemon-style video game. The target audience is mainly teenage boys who enjoy video games. Sound effects will be created using objects to mimic hits and a ticking clock for health warnings. Contingency plans include using alternate computers if the main one breaks and keeping multiple backups to prevent data loss from file corruption or lost storage. Health and safety concerns of eye strain and hand cramps will be avoided through regular breaks.
4. proposal (video games)
This proposal outlines a pocket monster game called "Monsters: pocket edition" targeted towards teenage boys who enjoy video games like Pokemon. The game would feature retro-style gameplay involving turns-based battles between the player's monster "Dreegom" and an enemy monster "Floof". Over the course of a 3-4 minute animation, the player's monster would battle the enemy monster over 3 turns and gain experience. The proposal describes using skills learned in Photoshop class to design the characters and battle interface, and researching Pokemon games to replicate the style of animations and level of detail. The work will be evaluated by comparing it to existing Pokemon games to identify opportunities for improvement.
3. research (video game)
The document discusses existing video game products that are similar to the game the author is developing. It analyzes Pokemon Red, Sonic Chronicles: The Dark Brotherhood, Pokemon Diamond, and Pokemon Sword. These games all feature turn-based combat between the player's characters and enemies. While more recent games have improved graphics, animations, and gameplay features, replicating these would require more time than the author's deadline allows. The research was useful for determining what elements can feasibly be included within the time constraints.
2. initial plans (video game)
Joshua Meredith plans to create a Pokémon-style pixel art battle game for his project. He considers a Pokémon, Street Fighter, or Duck Hunt style game and decides Pokémon would be easiest as he is familiar with the gameplay and style. His game will feature two original grayscale characters battling in 3 turns, showing moves, damage taken, and experience gained. He creates a mood board and schedule to guide the project, which will include designing characters, animating moves, and assembling the battle scene over 5 weeks. Research sources will include various Pokémon video games to reference the gameplay style and mechanics.
Mv production assignment form 1
Joshua generated 5 ideas for music videos using different styles and techniques. The top two ideas were a fully animated music video in the style of Peter Pan or a video combining recorded dance footage with animated effects. After researching examples and considering the time commitment, Joshua selected the animated Peter Pan-style idea as it aligned best with the song's story and his animation skills.
My five year plan (2020 2022)
This document outlines the author's five-year plan from 2020-2022. In 2020, they will focus on completing the first year of their creative media course. In 2021, they will have the option to continue the second year or drop out to explore other options, such as finding a job that provides a good income and fits their abilities. By 2022, the author aims to complete their college course and find a fulfilling career in an area like marketing design, using their strengths to start working towards that goal.
7. evaluation(magazine project)
The document summarizes Joshua Meredith's evaluation of a magazine design project. It discusses the following areas:
Research - Research was easy to access through online magazines and libraries. The research helped with layout and understanding where to place ideas.
Planning - Planning was the easiest part with many options to choose from. The planning didn't change the initial idea but showed other potential options.
Time Management - Time was not managed well, leading to corners being cut as the deadline approached. More time would have allowed for improvements.
Technical/Aesthetic Qualities - Similarities and differences between the design and an actual magazine are noted. The design uses multiple game characters and screenshots. Bubble text was used throughout
6. production reflection(magazine project)
Joshua Meredith reflected on the process of creating a magazine article about the Pokemon game Sword. He started with coming up with a concept and draft of the article. With a clear idea and reference from playing the game, he created the front cover and inside pages, taking screenshots from the game. While putting all the pieces together, some parts of the initial concept were cut or changed. Overall, the process of making the magazine was fun and didn't take as much time as expected.
Proposal (magazine project)
This document outlines a proposal for a 2019 video game magazine. The primary audience is male teenagers as video games are mostly played by males, especially fighters and shooters popular in 2019. The rationale discusses how the creator's skills in Photoshop and knowledge of video games has improved over the last year from taking this course previously. The concept is a magazine reviewing popular 2019 releases like Minecraft and Fortnite, as well as games that were popular but didn't release that year. Research will identify the most popular games to feature. Evaluation will involve getting feedback to improve future work.
Production experiments (magazine project)
This document provides concepts for the front cover and double page spread of a magazine about popular 2019 video games.
The front cover concept shows characters from Marvel placed around the page in a not overcrowded manner. The black area is for text and the white edges will have a blurred glow effect.
The double page concept uses Tetris blocks in different colors and areas of black for articles about video games. Everything will be hand drawn except the text.
Most elements of the concepts will be included in the final product, with improvements like smoothing out and adding more detail to hand drawings, changing character positioning, and adding boxes around text for professionalism.
Pre production (magazine project)
This document provides details for pre-production of a project including a style sheet, front cover layout, double page layout, content sources, contingency planning, and health and safety considerations. The content section lists sources for video game store shelves photos, 2019 video game information from review sites, and a list of games released in 2019. Contingency planning addresses solutions for no computer availability, incompatible drawing tablets, and unavailable drawing tablets. Health and safety identifies taking breaks to avoid eye strain and hand cramps.
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1. production experiments (video game)
- 3. Process • This is a simple animation to show that the character has taken damage. The animation is simply moving the character to bob it up and down. This was made in photoshop using a 120x80px document. The tool used to create the animation was a 1px pencil.
- 4. Reflection • What elements of your experiments will you include in your final product? – This gives me an idea of what it would look like if I set the game up in a Pokémon battle type theme. This shows the possibilities between what I'm able to do in this space to what I'm not able to do.
- 5. Process This is a simple animation to show the character blinking. The animation is simply moving the characters eyes shut and open to look like a blinking animation. This was made in photoshop using a 120x80px document. The tool used to create the animation was a 1px pencil
- 6. Reflection • What elements of your experiments will you include in your final product? – This gives me an idea of the time taken to make the little animations. As I would like to put as much detail as possible into the final product the little details are just as important as the big details. This shows that its not that time consuming and can be done very easily
- 7. Process This is a simple animation to show the character running. The animation is simply moving placing each leg in a different frame to create a running animation. This animation would be put on a loop to show it running more. This was made in photoshop using a 120x80px document. The tool used to create the animation was a 1px pencil
- 8. Reflection • What elements of your experiments will you include in your final product? – This gives an idea of how a game can be made simple but effective. The animation was very easy to do but the outcome makes it overall look like a simple jump and duck game. This will most likely be more of a back up plan instead of an idea I would go with for my final product
- 9. process It starts off with the character drawn in the first animation. With that I checked proportions of where I wanted certain thing to be. For example the spike on the back of the head got pushed more towards the back of the head instead of the side behind the ear. This was created in photoshop using a 1px pencil
- 10. reflection • What elements of your experiments will you include in your final product? This is just a simple character to give and idea of what he would look like fully completed. This character has potential to be used during the final product
Editor's Notes
- Discuss the tools and processes used in your experiments
- Discuss the tools and processes used in your experiments
- Discuss the tools and processes used in your experiments